Rise of the Masters: 100 Supreme Classical Masterpieces: Bach

~ Veröffentlichung von Johann Sebastian Bach (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelBewertungLänge
1Brandenburg Concerto No. 3 in G Major, BWV 1048: I. Allegro
Orchester:
Bach Collegium Japan (von 2000-05-28 bis 2000-06-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (von 2000-05-28 bis 2000-06-02)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan (von 2000-05-28 bis 2000-06-02)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (von 2000-05-28 bis 2000-06-02)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
Teil von:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
5:54
2Brandenburg Concerto No. 3 in G Major, BWV 1048: II. Adagio
Orchester:
Bach Collegium Japan (von 2000-05-28 bis 2000-06-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (von 2000-05-28 bis 2000-06-02)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan (von 2000-05-28 bis 2000-06-02)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (catch-all for longer versions (i.e. not just the original one-measure cadence)) (von 2000-05-28 bis 2000-06-02)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (original 1-measure, ~15s Bach part)
1:36
3Brandenburg Concerto No. 3 in G Major, BWV 1048: III. Allegro
Orchester:
Bach Collegium Japan (von 2000-05-28 bis 2000-06-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (von 2000-05-28 bis 2000-06-02)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan (von 2000-05-28 bis 2000-06-02)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro (von 2000-05-28 bis 2000-06-02)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
Teil von:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
4:34
4Toccata and Fugue in D Minor for Organ, BWV 565
Pfeifenorgel:
Klemens Schnorr (organist) (in 1988)
aufgenommen bei:
Hochschule für Musik und Theater München in München, Bayern, Deutschland (in 1988)
recording of:
Toccata und Fuge d-Moll, BWV 565 (in 1988)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (Nummer: BWV 565) und Bach Compendium (Nummer: BC J 37)
8:54
5Brandenburg Concerto No. 5 in D Major, BWV 1050: I. Allegro
Orchester:
Bach Collegium Japan (von 2000-05-28 bis 2000-06-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (von 2000-05-28 bis 2000-06-02)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan (von 2000-05-28 bis 2000-06-02)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro (von 2000-05-28 bis 2000-06-02)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Version von:
Concerto D-Dur, BWV 1050a: I. Allegro
Teil von:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
9:37
6Brandenburg Concerto No. 5 in D Major, BWV 1050: II. Affettuoso
Orchester:
Bach Collegium Japan (von 2000-05-28 bis 2000-06-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (von 2000-05-28 bis 2000-06-02)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan (von 2000-05-28 bis 2000-06-02)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso (von 2000-05-28 bis 2000-06-02)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Version von:
Concerto D-Dur, BWV 1050a: II. Adagio
Teil von:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
5:23
7Brandenburg Concerto No. 5 in D Major, BWV 1050: III. Allegro
Orchester:
Bach Collegium Japan (von 2000-05-28 bis 2000-06-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (von 2000-05-28 bis 2000-06-02)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan (von 2000-05-28 bis 2000-06-02)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro (von 2000-05-28 bis 2000-06-02)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Version von:
Concerto D-Dur, BWV 1050a: III. Allegro
Teil von:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
5:21
8Prelude in C Minor for Solo Lute, BWV 999
Produzent(in):
Robert Suff
Laute:
Jakob Lindberg (lutenist)
aufgenommen bei:
Djursholms Kapell in Danderyd municipality (Danderyd), Stockholms län (Stockholm county), Schweden (in 1992)
recording of:
Prelude in C minor, BWV 999 (original for lute) (in 1992)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (Nummer: BWV 999) und Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (Nummer: BWV 999)
2:04
9Orchestral Suite No. 3 in D Major, BWV 1068: I. Ouverture
Sound-Engineering:
Thore Brinkmann (von 2003-10-26 bis 2003-10-30)
leitende(r) Produzent(in):
Robert von Bahr und Robert Suff
Produzent(in):
Jens Braun (classical engineer)
Editing:
Andreas Ruge und Christian Starke
Orchester:
Bach Collegium Japan (von 2003-10-26 bis 2003-10-30)
conductor:
Masaaki Suzuki (keyboardist, conductor) (von 2003-10-26 bis 2003-10-30)
Instrumente-Techniker:
Akimi Hayashi (piano technician)
phonographisches Urheberrecht (℗) von:
BIS Records AB (not for release label use!) (in 2005)
aufgenommen bei:
Kobe Shoin Women’s University (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan (von 2003-10-26 bis 2003-10-30)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: I. Ouverture (von 2003-10-26 bis 2003-10-30)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
10:22
10Orchestral Suite No. 3 in D Major, BWV 1068: II. Air
Sound-Engineering:
Thore Brinkmann (von 2003-10-26 bis 2003-10-30)
leitende(r) Produzent(in):
Robert von Bahr und Robert Suff
Produzent(in):
Jens Braun (classical engineer)
Editing:
Andreas Ruge und Christian Starke
Orchester:
Bach Collegium Japan (von 2003-10-26 bis 2003-10-30)
conductor:
Masaaki Suzuki (keyboardist, conductor) (von 2003-10-26 bis 2003-10-30)
Instrumente-Techniker:
Akimi Hayashi (piano technician)
phonographisches Urheberrecht (℗) von:
BIS Records AB (not for release label use!) (in 2005)
aufgenommen bei:
Kobe Shoin Women’s University (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan (von 2003-10-26 bis 2003-10-30)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (von 2003-10-26 bis 2003-10-30)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
4:44
11Orchestral Suite No. 3 in D Major, BWV 1068: III. Gavotte I - II - I
Sound-Engineering:
Thore Brinkmann (in 2003-10)
leitende(r) Produzent(in):
Robert von Bahr und Robert Suff
Produzent(in):
Jens Braun (classical engineer)
Editing:
Andreas Ruge und Christian Starke
Orchester:
Bach Collegium Japan (von 2003-10-26 bis 2003-10-30)
conductor:
Masaaki Suzuki (keyboardist, conductor) (von 2003-10-26 bis 2003-10-30)
Instrumente-Techniker:
Akimi Hayashi (piano technician)
phonographisches Urheberrecht (℗) von:
BIS Records AB (not for release label use!) (in 2005)
aufgenommen bei:
Kobe Shoin Women’s University (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan (in 2003-10)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: III. Gavotte I & II (von 2003-10-26 bis 2003-10-30)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
4:27
12Orchestral Suite No. 3 in D Major, BWV 1068: IV. Bourrée
Sound-Engineering:
Thore Brinkmann (in 2003-10)
leitende(r) Produzent(in):
Robert von Bahr und Robert Suff
Produzent(in):
Jens Braun (classical engineer)
Editing:
Andreas Ruge und Christian Starke
Orchester:
Bach Collegium Japan (von 2003-10-26 bis 2003-10-30)
conductor:
Masaaki Suzuki (keyboardist, conductor) (von 2003-10-26 bis 2003-10-30)
Instrumente-Techniker:
Akimi Hayashi (piano technician)
phonographisches Urheberrecht (℗) von:
BIS Records AB (not for release label use!) (in 2005)
aufgenommen bei:
Kobe Shoin Women’s University (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan (in 2003-10)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: IV. Bourrée (von 2003-10-26 bis 2003-10-30)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
1:08
13Orchestral Suite No. 3 in D Major, BWV 1068: V. Gigue
Sound-Engineering:
Thore Brinkmann (in 2003-10)
leitende(r) Produzent(in):
Robert von Bahr und Robert Suff
Produzent(in):
Jens Braun (classical engineer)
Editing:
Andreas Ruge und Christian Starke
Orchester:
Bach Collegium Japan (von 2003-10-26 bis 2003-10-30)
conductor:
Masaaki Suzuki (keyboardist, conductor) (von 2003-10-26 bis 2003-10-30)
Instrumente-Techniker:
Akimi Hayashi (piano technician)
phonographisches Urheberrecht (℗) von:
BIS Records AB (not for release label use!) (in 2005)
aufgenommen bei:
Kobe Shoin Women’s University (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan (in 2003-10)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: V. Gigue (von 2003-10-26 bis 2003-10-30)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
2:58
14Orchestral Suite No. 2 in B Minor, BWV 1067: I. Ouverture
Orchester:
Drottningholms Barockensemble (Drottningholm Baroque Ensemble)
conductor:
Penelope Evison (flautist)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: I. Ouverture (Orchestral Suite no. 2 in B minor, BWV 1067: I. Overture)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Orchestrierung von:
Orchestral Suite no. 2 in B minor, BWV 1067: I. Ouverture (orch. Stokowski)
Teil von:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
6:02
15Orchestral Suite No. 2 in B Minor, BWV 1067: II. Rondeau
Orchester:
Drottningholms Barockensemble (Drottningholm Baroque Ensemble)
conductor:
Penelope Evison (flautist)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: II. Rondeau (Ouvertüre Nr. 2 h-Moll, BWV 1067: Rondeau)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
1:24
16Orchestral Suite No. 2 in B Minor, BWV 1067: III. Sarabande
Orchester:
Drottningholms Barockensemble (Drottningholm Baroque Ensemble)
conductor:
Penelope Evison (flautist)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: III. Sarabande (Orchestral Suite no. 2 in B minor, BWV 1067: III. Sarabande)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
3:02
17Orchestral Suite No. 2 in B Minor, BWV 1067: IV. Bourrée 1 & 2
Orchester:
Drottningholms Barockensemble (Drottningholm Baroque Ensemble)
conductor:
Penelope Evison (flautist)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: IV. Bourrée I & II (Orchestral Suite no. 2 in B minor, BWV 1067: IV. Bourrée I & II)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
1:41
18Orchestral Suite No. 2 in B Minor, BWV 1067: V. Polonaise - Double
Orchester:
Drottningholms Barockensemble (Drottningholm Baroque Ensemble)
conductor:
Penelope Evison (flautist)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: V. Polonaise & Double (Orchestral Suite no. 2 in B minor, BWV 1067: V. Polonaise & Double)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
3:49
19Orchestral Suite No. 2 in B Minor, BWV 1067: VI. Menuet
Orchester:
Drottningholms Barockensemble (Drottningholm Baroque Ensemble)
conductor:
Penelope Evison (flautist)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
1:07
20Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie
Orchester:
Drottningholms Barockensemble (Drottningholm Baroque Ensemble)
conductor:
Penelope Evison (flautist)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
1:25
21Partita No. 3 in E Major for Solo Violin, BWV 1006: I. Preludio
Geige / Violine:
Nobuko Imai (Japanese violist) (von 2001-07-10 bis 2001-07-13)
aufgenommen bei:
Länna Kyrka in Norrtälje municipality, Stockholms län (Stockholm county), Schweden (von 2001-07-10 bis 2001-07-13)
recording of:
Violin Partita no. 3 in E major, BWV 1006.1/1006: I. Preludio (von 2001-07-10 bis 2001-07-13)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
Teil von:
Violin Partita No. 3 in E major, BWV 1006.1/1006
3:32
22Partita No. 3 in E Major for Solo Violin, BWV 1006: II. Loure
Geige / Violine:
Nobuko Imai (Japanese violist) (von 2001-07-10 bis 2001-07-13)
aufgenommen bei:
Länna Kyrka in Norrtälje municipality, Stockholms län (Stockholm county), Schweden (von 2001-07-10 bis 2001-07-13)
recording of:
Violin Partita no. 3 in E major, BWV 1006.1/1006: II. Loure (von 2001-07-10 bis 2001-07-13)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
Teil von:
Violin Partita No. 3 in E major, BWV 1006.1/1006
3:57
23Partita No. 3 in E Major for Solo Violin, BWV 1006: III. Gavotte en Rondeau
Geige / Violine:
Nobuko Imai (Japanese violist) (von 2001-07-10 bis 2001-07-13)
aufgenommen bei:
Länna Kyrka in Norrtälje municipality, Stockholms län (Stockholm county), Schweden (von 2001-07-10 bis 2001-07-13)
recording of:
Violin Partita no. 3 in E major, BWV 1006.1/1006: III. Gavotte en rondeau (von 2001-07-10 bis 2001-07-13)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
Teil von:
Violin Partita No. 3 in E major, BWV 1006.1/1006
2:59
24Partita No. 3 in E Major for Solo Violin, BWV 1006: IV. Menuet 1 & 2
Geige / Violine:
Nobuko Imai (Japanese violist) (von 2001-07-10 bis 2001-07-13)
aufgenommen bei:
Länna Kyrka in Norrtälje municipality, Stockholms län (Stockholm county), Schweden (von 2001-07-10 bis 2001-07-13)
recording of:
Violin Partita no. 3 in E major, BWV 1006.1/1006: IV. Menuet I (von 2001-07-10 bis 2001-07-13)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
Teil von:
Violin Partita No. 3 in E major, BWV 1006.1/1006
recording of:
Violin Partita no. 3 in E major, BWV 1006.1/1006: V. Menuet II (von 2001-07-10 bis 2001-07-13)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
Teil von:
Violin Partita No. 3 in E major, BWV 1006.1/1006
4:07
25Partita No. 3 in E Major for Solo Violin, BWV 1006: V. Bourée
Geige / Violine:
Nobuko Imai (Japanese violist) (von 2001-07-10 bis 2001-07-13)
aufgenommen bei:
Länna Kyrka in Norrtälje municipality, Stockholms län (Stockholm county), Schweden (von 2001-07-10 bis 2001-07-13)
recording of:
Violin Partita no. 3 in E major, BWV 1006.1/1006: VI. Bourrée (von 2001-07-10 bis 2001-07-13)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
Teil von:
Violin Partita No. 3 in E major, BWV 1006.1/1006
1:24
26Partita No. 3 in E Major for Solo Violin, BWV 1006: VI. Gigue
Geige / Violine:
Nobuko Imai (Japanese violist) (von 2001-07-10 bis 2001-07-13)
aufgenommen bei:
Länna Kyrka in Norrtälje municipality, Stockholms län (Stockholm county), Schweden (von 2001-07-10 bis 2001-07-13)
recording of:
Partita no. 3 in A minor, BWV 827: VII. Gigue (von 2001-07-10 bis 2001-07-13)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Partita no. 3 in A minor, BWV 827
recording of:
Violin Partita no. 3 in E major, BWV 1006.1/1006: VII. Gigue
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
Teil von:
Violin Partita No. 3 in E major, BWV 1006.1/1006
2:04
27Partita No. 2 in D Minor for Solo Violin, BWV 1004: I. Allemande
Solo-Geige / Violine:
Conrad von der Goltz (violinist)
recording of:
Violin Partita no. 2 in D minor, BWV 1004: I. Allemande
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (von 1717 bis 1723)
Teil von:
Violin Partita no. 2 in D minor, BWV 1004
5:11
28Partita No. 2 in D Minor for Solo Violin, BWV 1004: II. Corrente
Solo-Geige / Violine:
Conrad von der Goltz (violinist)
recording of:
Violin Partita no. 2 in D minor, BWV 1004: II. Courante
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (von 1717 bis 1723)
Teil von:
Violin Partita no. 2 in D minor, BWV 1004
3:09
29Partita No. 2 in D Minor for Solo Violin, BWV 1004: III. Sarabanda
Solo-Geige / Violine:
Conrad von der Goltz (violinist)
recording of:
Violin Partita no. 2 in D minor, BWV 1004: III. Sarabande
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (von 1717 bis 1723)
Teil von:
Violin Partita no. 2 in D minor, BWV 1004
4:25
30Partita No. 2 in D Minor for Solo Violin, BWV 1004: IV. Giga
Solo-Geige / Violine:
Conrad von der Goltz (violinist)
recording of:
Violin Partita no. 2 in D minor, BWV 1004: IV. Gigue
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (von 1717 bis 1723)
Teil von:
Violin Partita no. 2 in D minor, BWV 1004
5:03
31Partita No. 2 in D Minor for Solo Violin, BWV 1004: V. Chaconne
Geige / Violine:
Conrad von der Goltz (violinist)
recording of:
Violin Partita no. 2 in D minor, BWV 1004: V. Chaconne
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (von 1717 bis 1723)
Teil von:
Violin Partita no. 2 in D minor, BWV 1004
15:54
32Cantata BWV 208, "Was mir behagt, ist nur die muntre Jagd!": IX. Schäfe können sicher weide (Sheep may safely graze)
Orchester:
Riga Brass Band
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. “Schafe können sicher weiden” (catch-all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
1:34
33Cantata, BWV 147, "Herz und Mund und Tat und Leben", Part 1: I. Chorus: Herz und Mund und Tat und Leben
Sound-Engineering:
Dirk Lüdemann (in 1999-06)
Produzent(in):
Jens Braun (classical engineer)
Editing:
Dirk Lüdemann
Orchester:
Bach Collegium Japan (in 1999-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1999-06)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan (in 1999-06)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, I. Coro „Herz und Mund und Tat und Leben“ (in 1999-06)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1723-07-02)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
Teil von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
4:17
34Cantata, BWV 147, "Herz und Mund und Tat und Leben", Part 1: II. Recitative (Tenor): Gebenedeiter Mund!...
Sound-Engineering:
Dirk Lüdemann (in 1999-06)
Produzent(in):
Jens Braun (classical engineer)
Editing:
Dirk Lüdemann
Tenor-Gesang:
Gerd Türk (German tenor) (in 1999-06)
Orchester:
Bach Collegium Japan (in 1999-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1999-06)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan (in 1999-06)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, II. Recitativo (Tenore) „Gebenedeiter Mund!“ (in 1999-06)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1723-07-02)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
Teil von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
1:49
35Cantata, BWV 147, "Herz und Mund und Tat und Leben", Part 1: III. Aria (Alto): Schäme dich, o Seele, nicht
Sound-Engineering:
Dirk Lüdemann (in 1999-06)
Produzent(in):
Jens Braun (classical engineer)
Editing:
Dirk Lüdemann
Hochgesang:
Robin Blaze (countertenor) (in 1999-06)
Orchester:
Bach Collegium Japan (in 1999-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1999-06)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan (in 1999-06)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, III. Aria (Alto) „Schäme dich, o Seele, nicht“ (in 1999-06)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1723-07-02)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
Teil von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
4:01
36Cantata, BWV 147, "Herz und Mund und Tat und Leben", Part 1: IV. Recitative (Bass): Verstockung kann Gewaltige verblenden
Sound-Engineering:
Dirk Lüdemann (in 1999-06)
Produzent(in):
Jens Braun (classical engineer)
Editing:
Dirk Lüdemann
Bass-Gesang:
Peter Kooij (Peter Kooy, baritone) (in 1999-06)
Orchester:
Bach Collegium Japan (in 1999-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1999-06)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan (in 1999-06)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, IV. Recitativo (Basso) „Verstockung kann Gewaltige verblenden“ (in 1999-06)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1723-07-02)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
Teil von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
1:29
37Cantata, BWV 147, "Herz und Mund und Tat und Leben", Part 1: V. Aria (Soprano): Bereite dir, Jesu, noch itzo die Bahn
Sound-Engineering:
Dirk Lüdemann (in 1999-06)
Produzent(in):
Jens Braun (classical engineer)
Editing:
Dirk Lüdemann
Soprangesang:
Yukari Nonoshita (in 1999-06)
Orchester:
Bach Collegium Japan (in 1999-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1999-06)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan (in 1999-06)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, V. Aria (Soprano) „Bereite dir, Jesu, noch itzo die Bahn“ (in 1999-06)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1723-07-02)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
Teil von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
4:14
38Cantata, BWV 147, "Herz und Mund und Tat und Leben", Part 1: VI. Chorale: Wohl mir, dass ich Jesum habe
Sound-Engineering:
Dirk Lüdemann (in 1999-06)
Produzent(in):
Jens Braun (classical engineer)
Editing:
Dirk Lüdemann
Orchester:
Bach Collegium Japan (in 1999-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1999-06)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan (in 1999-06)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, VI. Choral „Wohl mir, dass ich Jesum habe“ (in 1999-06)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1723-07-02)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
Teil von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
3:11
39Cantata, BWV 147, "Herz und Mund und Tat und Leben", Part 2: VII. Aria (Tenor): Hilf, Jesu, hilf, dass ich auch dich bekenne
Sound-Engineering:
Dirk Lüdemann (in 1999-06)
Produzent(in):
Jens Braun (classical engineer)
Editing:
Dirk Lüdemann
Tenor-Gesang:
Gerd Türk (German tenor) (in 1999-06)
Orchester:
Bach Collegium Japan (in 1999-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1999-06)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan (in 1999-06)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VII. Aria (Tenore) „Hilf, Jesu, hilf, dass ich auch dich bekenne“ (in 1999-06)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1723-07-02)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
Teil von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
2:57
40Cantata, Bwv 147, "Herz Und Mund Und Tat Und Leben", Part 2: VIII. Recitative (Alto): Der Höchsten Allmacht
Sound-Engineering:
Dirk Lüdemann (in 1999-06)
Produzent(in):
Jens Braun (classical engineer)
Editing:
Dirk Lüdemann
Hochgesang:
Robin Blaze (countertenor)
Orchester:
Bach Collegium Japan (in 1999-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1999-06)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan (in 1999-06)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VIII. Recitativo (Alto) „Der höchsten Allmacht Wunderhand“ (in 1999-06)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1723-07-02)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
Teil von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
2:14
41Cantata, BWV 147, "Herz und Mund und Tat und Leben", Part 2: IX. Aria (Bass): Ich will von Jesu Wundern singen
Sound-Engineering:
Dirk Lüdemann (in 1999-06)
Produzent(in):
Jens Braun (classical engineer)
Editing:
Dirk Lüdemann
Bass-Gesang:
Peter Kooij (Peter Kooy, baritone) (in 1999-06)
Orchester:
Bach Collegium Japan (in 1999-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1999-06)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan (in 1999-06)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, IX. Aria (Basso) „Ich will von Jesu Wundern singen“ (in 1999-06)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1723-07-02)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
Teil von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
2:46
42Cantata, BWV 147, "Herz und Mund und Tat und Leben", Part 2: X. Chorale: "Jesu bleibet meine Freude" (Jesu, Joy of Man's Desiring)
Sound-Engineering:
Dirk Lüdemann (in 1999-06)
Produzent(in):
Jens Braun (classical engineer)
Editing:
Dirk Lüdemann
Chorgesang:
Bach Collegium Japan
Orchester:
Bach Collegium Japan (in 1999-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1999-06)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan (in 1999-06)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1999-06)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1723-07-02)
Texter:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
Teil von:
Classic 100: Piano (2025) (Nummer: 15)
Teil von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
3:20
43Fugue in G Minor for Solo Lute, BWV 1000
Produzent(in):
Robert Suff
Laute:
Jakob Lindberg (lutenist)
aufgenommen bei:
Djursholms Kapell in Danderyd municipality (Danderyd), Stockholms län (Stockholm county), Schweden (in 1992)
recording of:
Fuge g-Moll, BWV 1000 (original for lute) (in 1992)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (Nummer: BWV 1000) und Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (Nummer: BWV 1000)
basiert auf:
Sonata no. 1 in G minor for Violin Solo, BWV 1001: II. Fuga
6:08
44Six Schübler Chorales: Wachet auf, ruft uns die Stimme, BWV 645
Pfeifenorgel:
Hans Fagius (organist) (von 1983-05-12 bis 1983-05-13)
aufgenommen bei:
Kristine kyrka in Falun, Dalarna (Dalarna county), Schweden
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645 (von 1983-05-12 bis 1983-05-13)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Bach-Werke-Verzeichnis (Nummer: BWV 645)
basiert auf:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen”
Teil von:
Sechs Choräle von verschiedener Art
4:04
45Six Schübler Chorales: Wo soll ich fliehen, BWV 646
Pfeifenorgel:
Hans Fagius (organist) (von 1983-05-12 bis 1983-05-13)
aufgenommen bei:
Kristine kyrka in Falun, Dalarna (Dalarna county), Schweden
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wo soll ich fliehen hin, BWV 646 (von 1983-05-12 bis 1983-05-13)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (von 1748 bis 1749)
Teil von:
Bach-Werke-Verzeichnis (Nummer: BWV 646)
Teil von:
Sechs Choräle von verschiedener Art
1:42
46Six Schübler Chorales: Wer nun den lieben Gott, BWV 647
Pfeifenorgel:
Hans Fagius (organist) (von 1983-05-12 bis 1983-05-13)
aufgenommen bei:
Kristine kyrka in Falun, Dalarna (Dalarna county), Schweden
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wer nur den lieben Gott läßt walten, BWV 647 (von 1983-05-12 bis 1983-05-13)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Bach-Werke-Verzeichnis (Nummer: BWV 647)
Teil von:
Sechs Choräle von verschiedener Art
3:30
47Six Schübler Chorales: Meine Seele erhebt den Herren, BWV 648
Pfeifenorgel:
Hans Fagius (organist) (von 1983-05-12 bis 1983-05-13)
aufgenommen bei:
Kristine kyrka in Falun, Dalarna (Dalarna county), Schweden
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Meine Seele erhebet den Herren, BWV 648 (von 1983-05-12 bis 1983-05-13)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Bach-Werke-Verzeichnis (Nummer: BWV 648)
basiert auf:
Kantate, BWV 10 "Meine Seel erhebt den Herren": V. Duetto e Choral (Alto, tenore) "Er denket der Barmherzigkeit"
Teil von:
Sechs Choräle von verschiedener Art
2:49
48Six Schübler Chorales: Ach blieb' bei uns, BWV 649
Pfeifenorgel:
Hans Fagius (organist) (von 1983-05-12 bis 1983-05-13)
aufgenommen bei:
Kristine kyrka in Falun, Dalarna (Dalarna county), Schweden
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Ach bleib' bei uns, Herr Jesu Christ, BWV 649 (von 1983-05-12 bis 1983-05-13)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Bach-Werke-Verzeichnis (Nummer: BWV 649)
basiert auf:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": III. Choral (Soprano) "Ach bleib bei uns, Herr Jesu Christ"
Teil von:
Sechs Choräle von verschiedener Art
2:17
49Six Schübler Chorales: Kommst du nun, Jesu, vom Himmel herunter, BWV 650
Pfeifenorgel:
Hans Fagius (organist) (von 1983-05-12 bis 1983-05-13)
aufgenommen bei:
Kristine kyrka in Falun, Dalarna (Dalarna county), Schweden
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Kommst du nun, Jesus vom Himmel herunter, BWV 650 (von 1983-05-12 bis 1983-05-13)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Bach-Werke-Verzeichnis (Nummer: BWV 650)
Teil von:
Sechs Choräle von verschiedener Art
3:27
50Aria and 30 Variations, BWV 988, "Goldberg Variations": I. Aria
Cembalo:
Christiane Jaccottet (harpsichord) (in 1990)
phonographisches Urheberrecht (℗) von:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (vom 1995 bis heute)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (in 1990)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 26)
Teil von:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
2:11
51Sonata in E-Flat Major for Flute and Harpsichord, BWV 1031: I. Allegro moderato
Cembalo:
Terence Charlston (British harpsichordist)
flute:
Sharon Bezaly (flutist)
recording of:
Flute Sonata in E-flat major, BWV 1031: I. Allegro moderato
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Flute Sonata in E-flat major, BWV 1031
3:35
52Sonata in E-Flat Major for Flute and Harpsichord, BWV 1031: II. Siciliano
Cembalo:
Terence Charlston (British harpsichordist)
flute:
Sharon Bezaly (flutist)
recording of:
Flute Sonata in E-flat major, BWV 1031: II. Siciliano
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Flute Sonata in E-flat major, BWV 1031
2:09
53Sonata in E-Flat Major for Flute and Harpsichord, BWV 1031: III. Allegro
Cembalo:
Terence Charlston (British harpsichordist)
flute:
Sharon Bezaly (flutist)
recording of:
Flute Sonata in E-flat major, BWV 1031: III. Allegro
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Flute Sonata in E-flat major, BWV 1031: III. Allegro (catch-all for arrangements)
Teil von:
Flute Sonata in E-flat major, BWV 1031
4:43
54Easter Oratorio, BWV 249: Adagio in B Minor
Orchester:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan
engineered at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan (in 2004-05)
recording of:
Oster-Oratorium, BWV 249: II. Adagio (in 2004-05)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1725-04-01)
komponiert in:
Leipzig, Sachsen, Deutschland (am 1725-04-01)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Version von:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Adagio
Teil von:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
3:28
55Suite No. 1 in G Major for Solo Cello, BWV 1007: I. Prelude
Produzent(in) und Tonmeister(in):
Hans Kipfer
Editing:
Rita Hermeyer und Martin Nagorni
Cello:
Torleif Thedéen (Swedish cellist) (in 1996-05)
aufgenommen bei:
Länna Kyrka in Norrtälje municipality, Stockholms län (Stockholm county), Schweden (in 1996-05)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude) (in 1996-05)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
2:12
56Suite No. 1 in G Major for Solo Cello, BWV 1007: II. Allemande
Produzent(in) und Tonmeister(in):
Hans Kipfer
Editing:
Rita Hermeyer und Martin Nagorni
Cello:
Torleif Thedéen (Swedish cellist) (in 1996-05)
aufgenommen bei:
Länna Kyrka in Norrtälje municipality, Stockholms län (Stockholm county), Schweden (in 1996-05)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: II. Allemande (Cello Suite No. 1 in G major, BWV 1007: II. Allemande) (in 1996-05)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
3:17
57Suite No. 1 in G Major for Solo Cello, BWV 1007: III. Courante
Produzent(in) und Tonmeister(in):
Hans Kipfer
Editing:
Rita Hermeyer und Martin Nagorni
Cello:
Torleif Thedéen (Swedish cellist) (in 1996-05)
aufgenommen bei:
Länna Kyrka in Norrtälje municipality, Stockholms län (Stockholm county), Schweden (in 1996-05)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: III. Courante (Cello Suite No. 1 in G major, BWV 1007: III. Courante) (in 1996-05)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
2:24
58Suite No. 1 in G Major for Solo Cello, BWV 1007: IV. Sarabande
Produzent(in) und Tonmeister(in):
Hans Kipfer
Editing:
Rita Hermeyer und Martin Nagorni
Cello:
Torleif Thedéen (Swedish cellist) (in 1996-05)
aufgenommen bei:
Länna Kyrka in Norrtälje municipality, Stockholms län (Stockholm county), Schweden (in 1996-05)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: IV. Sarabande (Cello Suite No. 1 in G major, BWV 1007: IV. Sarabande) (in 1996-05)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
3:23
59Suite No. 1 in G Major for Solo Cello, BWV 1007: V. Menuet I - Menuet II
Produzent(in) und Tonmeister(in):
Hans Kipfer
Editing:
Rita Hermeyer und Martin Nagorni
Cello:
Torleif Thedéen (Swedish cellist) (in 1996-05)
aufgenommen bei:
Länna Kyrka in Norrtälje municipality, Stockholms län (Stockholm county), Schweden (in 1996-05)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: V. Menuet I & II (Cello Suite No. 1 in G major, BWV 1007: V. Menuet I & II) (in 1996-05)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
3:31
60Suite No. 1 in G Major for Solo Cello, BWV 1007: VI. Gigue
Produzent(in) und Tonmeister(in):
Hans Kipfer
Editing:
Rita Hermeyer und Martin Nagorni
Cello:
Torleif Thedéen (Swedish cellist) (in 1996-05)
aufgenommen bei:
Länna Kyrka in Norrtälje municipality, Stockholms län (Stockholm county), Schweden (in 1996-05)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: VI. Gigue (Cello Suite No. 1 in G major, BWV 1007: VI. Gigue) (in 1996-05)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
1:51
61Concerto No. 1 in A Minor for Violin and Strings, BWV 1041: I. Allegro
Geige / Violine:
寺神戸亮 (Ryo Terakado, violinist)
Orchester:
Bach Collegium Japan
conductor und Interpret(in):
Masaaki Suzuki (keyboardist, conductor)
recording of:
Violin Concerto in A minor, BWV 1041: I. Allegro
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Violin Concerto in A minor, BWV 1041
3:50
62Concerto No. 1 in A Minor for Violin and Strings, BWV 1041: II. Andante
Geige / Violine:
寺神戸亮 (Ryo Terakado, violinist)
Orchester:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recording of:
Violin Concerto in A minor, BWV 1041: II. Andante
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Violin Concerto in A minor, BWV 1041
6:28
63Concerto No. 1 in A Minor for Violin and Strings, BWV 1041: III. Finale: Allegro assai
Geige / Violine:
寺神戸亮 (Ryo Terakado, violinist)
Orchester:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recording of:
Violin Concerto in A minor, BWV 1041: III. Allegro assai
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Violin Concerto in A minor, BWV 1041
3:47
64Concerto No. 2 in E Major for Violin and Strings, BWV 1042: I. Allegro
Geige / Violine:
寺神戸亮 (Ryo Terakado, violinist)
Orchester:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recording of:
Konzert für Violine und Orchester E-Dur, BWV 1042: I. Allegro (Violin Concerto in E major, BWV 1042: I. Allegro)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Konzert für Violine und Orchester E-Dur, BWV 1042 (Violin Concerto in E major, BWV 1042)
7:49
65Concerto No. 2 in E Major for Violin and Strings, BWV 1042: II. Adagio
Geige / Violine:
寺神戸亮 (Ryo Terakado, violinist)
Orchester:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recording of:
Konzert für Violine und Orchester E-Dur, BWV 1042: II. Adagio (Violin Concerto in E major, BWV 1042: II. Adagio)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Konzert für Violine und Orchester E-Dur, BWV 1042 (Violin Concerto in E major, BWV 1042)
6:01
66Concerto No. 2 in E Major for Violin and Strings, BWV 1042: III. Finale: Allegro assai
Geige / Violine:
寺神戸亮 (Ryo Terakado, violinist)
Orchester:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recording of:
Konzert für Violine und Orchester E-Dur, BWV 1042: III. Allegro assai (Violin Concerto in E major, BWV 1042: III. Allegro assai)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Konzert für Violine und Orchester E-Dur, BWV 1042 (Violin Concerto in E major, BWV 1042)
2:49
67Fugue in G Minor, BWV 578, "Little Fugue"
Pfeifenorgel:
Hans Fagius (organist) (von 1989-01-15 bis 1989-01-16)
aufgenommen bei:
Kristine kyrka in Falun, Dalarna (Dalarna county), Schweden
recording of:
Fugue in G minor, BWV 578 ("Little") (von 1989-01-15 bis 1989-01-16)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Bach Compendium (Nummer: BC J 66) und Bach-Werke-Verzeichnis (Nummer: BWV 578)
4:04
68Suite in E Minor for Solo Lute, BWV 996: I. Prelude
Produzent(in):
Robert Suff
Laute:
Jakob Lindberg (lutenist)
aufgenommen bei:
Djursholms Kapell in Danderyd municipality (Danderyd), Stockholms län (Stockholm county), Schweden (in 1992)
recording of:
Suite in E minor, BWV 996: I. Präludium. Presto (in 1992)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Suite in E minor, BWV 996 (original for lute, lute harpsichord)
2:56
69Suite in E Minor for Solo Lute, BWV 996: II. Allemande
Produzent(in):
Robert Suff
Laute:
Jakob Lindberg (lutenist)
aufgenommen bei:
Djursholms Kapell in Danderyd municipality (Danderyd), Stockholms län (Stockholm county), Schweden (in 1992)
recording of:
Suite in E minor, BWV 996: II. Allemande (in 1992)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Suite in E minor, BWV 996 (original for lute, lute harpsichord)
2:47
70Suite in E Minor for Solo Lute, BWV 996: III. Courante
Produzent(in):
Robert Suff
Laute:
Jakob Lindberg (lutenist)
aufgenommen bei:
Djursholms Kapell in Danderyd municipality (Danderyd), Stockholms län (Stockholm county), Schweden (in 1992)
recording of:
Suite in E minor, BWV 996: III. Courante (in 1992)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Suite in E minor, BWV 996 (original for lute, lute harpsichord)
3:10
71Suite in E Minor for Solo Lute, BWV 996: IV. Sarabande
Produzent(in):
Robert Suff
Laute:
Jakob Lindberg (lutenist)
aufgenommen bei:
Djursholms Kapell in Danderyd municipality (Danderyd), Stockholms län (Stockholm county), Schweden (in 1992)
recording of:
Suite in E minor, BWV 996: IV. Sarabande (in 1992)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Suite in E minor, BWV 996 (original for lute, lute harpsichord)
4:04
72Suite in E Minor for Solo Lute, BWV 996: V. Bourrée
Produzent(in):
Robert Suff
Laute:
Jakob Lindberg (lutenist)
aufgenommen bei:
Djursholms Kapell in Danderyd municipality (Danderyd), Stockholms län (Stockholm county), Schweden (in 1992)
recording of:
Suite in E minor, BWV 996: V. Bourrée (in 1992)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Suite in E minor, BWV 996 (original for lute, lute harpsichord)
1:28
73Suite in E Minor for Solo Lute, BWV 996: VI. Gigue
Produzent(in):
Robert Suff
Laute:
Jakob Lindberg (lutenist)
aufgenommen bei:
Djursholms Kapell in Danderyd municipality (Danderyd), Stockholms län (Stockholm county), Schweden (in 1992)
recording of:
Suite in E minor, BWV 996: VI. Gigue (in 1992)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Suite in E minor, BWV 996 (original for lute, lute harpsichord)
4:09
74Double Concerto in D Minor for Two Violins and Strings, BWV 1043: I. Vivace
Geige / Violine:
Natsumi Wakamatsu und 寺神戸亮 (Ryo Terakado, violinist)
Instrumente:
寺神戸亮 (Ryo Terakado, violinist)
Orchester:
Bach Collegium Japan
conductor und Interpret(in):
Masaaki Suzuki (keyboardist, conductor)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: I. Vivace
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (von 1730 bis 1731)
Teil von:
Concerto for 2 Violins in D minor, BWV 1043
3:36
75Double Concerto in D Minor for Two Violins and Strings, BWV 1043: II. Largo ma non tanto
Geige / Violine:
Natsumi Wakamatsu
Instrumente:
寺神戸亮 (Ryo Terakado, violinist)
Orchester:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (von 1730 bis 1731)
Teil von:
Concerto for 2 Violins in D minor, BWV 1043
6:47
76Double Concerto in D Minor for Two Violins and Strings, BWV 1043: III. Allegro
Geige / Violine:
Natsumi Wakamatsu
Instrumente:
寺神戸亮 (Ryo Terakado, violinist)
Orchester:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: III. Allegro
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (von 1730 bis 1731)
Teil von:
Concerto for 2 Violins in D minor, BWV 1043
4:44
77Double Concerto in C Minor for Oboe, Violin and Strings, BWV 1060: I. Allegro
Geige / Violine:
寺神戸亮 (Ryo Terakado, violinist)
Instrumente:
寺神戸亮 (Ryo Terakado, violinist)
Oboe:
Marcel Ponseele (oboist)
Orchester:
Bach Collegium Japan
conductor und Interpret(in):
Masaaki Suzuki (keyboardist, conductor)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: I. Allegro (reconstructed arrangement for violin & oboe of BWV 1060)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Concerto in C minor for Two Harpsichords, BWV 1060: I. Allegro
Teil von:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
4:45
78Double Concerto in C Minor for Oboe, Violin and Strings, BWV 1060: II. Adagio (attacca)
Geige / Violine:
寺神戸亮 (Ryo Terakado, violinist)
Instrumente:
寺神戸亮 (Ryo Terakado, violinist)
Oboe:
Marcel Ponseele (oboist)
Orchester:
Bach Collegium Japan
conductor und Interpret(in):
Masaaki Suzuki (keyboardist, conductor)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: II. Adagio (reconstructed arrangement for violin & oboe of BWV 1060)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Concerto in C minor for Two Harpsichords, BWV 1060: II. Largo ovvero Adagio
basiert auf:
Concerto Pour Deux Clavecins, BWV 1060: II. Adagio (Arr. Pour Flutes) (Recorder consort arrangements)
Teil von:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
4:59
79Double Concerto in C Minor for Oboe, Violin and Strings, BWV 1060: III. Allegro
Instrumente:
寺神戸亮 (Ryo Terakado, violinist)
Oboe:
Marcel Ponseele (oboist)
Orchester:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: III. Allegro (reconstructed arrangement for violin & oboe of BWV 1060)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Concerto in C minor for Two Harpsichords, BWV 1060: III. Allegro
Teil von:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
3:45
80Fantasia and Fugue in G Minor, BWV 542, "The Great"
Orgel:
Otto Winter (organist, harpsichordist and pianist)
aufgenommen bei:
Calvary Church (Eule organ 1987) in Szombathely, Vas (Vas County), Ungarn
recording of:
Fantasie (Praeludium) und Fuge g-Moll, BWV 542 (Fantasia and Fugue in G minor, BWV 542)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (von 1720 bis 1725)
Teil von:
Bach-Werke-Verzeichnis (Nummer: BWV 542)
11:46
81Inventionen: No. 1 in C Major, BWV 772
Cembalo:
Masaaki Suzuki (keyboardist, conductor) (in 1998-07)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan
recording of:
Inventio Nr. 1 C-Dur, BWV 772 (in 1998-07)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (von 1720 bis 1723)
Teil von:
15 Inventions, BWV 772-786 (Nummer: 1), Bach Compendium (Nummer: BC L 27) und Bach-Werke-Verzeichnis (Nummer: BWV 772)
1:32
82Inventionen: No. 6 in E Major, BWV 777
Cembalo:
Masaaki Suzuki (keyboardist, conductor) (in 1998-07)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan
recording of:
Inventio Nr. 6 E-Dur, BWV 777 (in 1998-07)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
15 Inventions, BWV 772-786 (Nummer: 6) und Bach-Werke-Verzeichnis (Nummer: BWV 777)
3:57
83Inventionen: No. 8 in F Major, BWV 779
Cembalo:
Masaaki Suzuki (keyboardist, conductor) (in 1998-07)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan
recording of:
Inventio Nr. 8 F-Dur, BWV 779 (in 1998-07)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
15 Inventions, BWV 772-786 (Nummer: 8) und Bach-Werke-Verzeichnis (Nummer: BWV 779)
0:57
84Inventionen: No. 13 in A Minor, BWV 784
Cembalo:
Masaaki Suzuki (keyboardist, conductor) (in 1998-07)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan
recording of:
Inventio Nr. 13 a-Moll, BWV 784 (in 1998-07)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
15 Inventions, BWV 772-786 (Nummer: 13) und Bach-Werke-Verzeichnis (Nummer: BWV 784)
1:36
85Inventionen: No. 14 in B-Flat Major, BWV 785
Cembalo:
Masaaki Suzuki (keyboardist, conductor) (in 1998-07)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan
recording of:
Inventio Nr. 14 B-Dur, BWV 785 (in 1998-07)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
15 Inventions, BWV 772-786 (Nummer: 14) und Bach-Werke-Verzeichnis (Nummer: BWV 785)
1:16
86Concerto in A Major for Oboe d'Amore and Strings, BWV 1055: I. Allegro
Cello:
Lucia Gartmann
Cembalo:
Marie-Louise Däbler
Oboe d’amore:
Emanuel Abbühl (oboist)
Orchester:
Strings of Zürich
conductor:
Howard Griffiths (conductor)
recording of:
Oboe d’Amore Concerto in A major, BWV 1055R: I. Allegro
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Oboe d'Amore Concerto in A major, BWV 1055R
4:39
87Concerto in A Major for Oboe d'Amore and Strings, BWV 1055: II. Larghetto
Cello:
Lucia Gartmann
Cembalo:
Marie-Louise Däbler
Oboe d’amore:
Emanuel Abbühl (oboist)
Orchester:
Strings of Zürich
conductor:
Howard Griffiths (conductor)
recording of:
Oboe d’Amore Concerto in A major, BWV 1055R: II. Larghetto
Komponist(in) und arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Oboe d'Amore Concerto in A major, BWV 1055R
5:01
88Concerto in A Major for Oboe d'Amore and Strings, BWV 1055: III. Allegro ma non troppo
Cello:
Lucia Gartmann
Oboe und Solo-Oboe:
Emanuel Abbühl (oboist)
Orchester:
Strings of Zürich
conductor:
Howard Griffiths (conductor)
recording of:
Oboe d’Amore Concerto in A major, BWV 1055R: III. Allegro ma non tanto
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Oboe d'Amore Concerto in A major, BWV 1055R
4:54
89Concerto in G Minor for Violin and Strings, BWV 1056R: I. Allegro
Geige / Violine:
Emmy Verhey (violinist) (in 1992)
Orchester:
Camerata Antonio Lucio (in 1992)
conductor:
Antonio Lucio (conductor) (in 1992)
aufgenommen bei:
Beurs van Berlage: Effectenbeurszaal in Amsterdam, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (in 1992)
recording of:
Violin Concerto in G minor, BWV 1056R: I. Allegro (in 1992)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Violin Concerto in G minor, BWV 1056R
3:22
90Concerto in G Minor for Violin and Strings, BWV 1056R: II. Arioso: Largo
Geige / Violine:
Emmy Verhey (violinist) (in 1992)
Orchester:
Camerata Antonio Lucio (in 1992)
conductor:
Antonio Lucio (conductor) (in 1992)
aufgenommen bei:
Beurs van Berlage: Effectenbeurszaal in Amsterdam, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (in 1992)
recording of:
Violin Concerto in G minor, BWV 1056R: II. Largo (in 1992)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Violin Concerto in G minor, BWV 1056R
3:14
91Concerto in G Minor for Violin and Strings, BWV 1056R: III. Allegro assai
Geige / Violine:
Emmy Verhey (violinist) (in 1992)
Orchester:
Camerata Antonio Lucio (in 1992)
conductor:
Antonio Lucio (conductor) (in 1992)
aufgenommen bei:
Beurs van Berlage: Effectenbeurszaal in Amsterdam, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (in 1992)
recording of:
Violin Concerto in G minor, BWV 1056R: III. Presto (in 1992)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Violin Concerto in G minor, BWV 1056R
3:41
92Suite No. 3 in C Major for Solo Cello, BWV 1009: V. Bourée 1 & 2
Produzent(in) und Tonmeister(in):
Hans Kipfer
Editing:
Rita Hermeyer und Martin Nagorni
Cello:
Torleif Thedéen (Swedish cellist) (in 1995-10)
aufgenommen bei:
Länna Kyrka in Norrtälje municipality, Stockholms län (Stockholm county), Schweden (in 1995-10)
recording of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009: V. Bourrée I & II (Cello Suite No. 3 in C major, BWV 1009: V. Bourrée I & II) (in 1995-10)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009 (Cello Suite No. 3 in C major, BWV 1009)
4:18
93Mass in B Minor, BWV 232 (Highlights): Kyrie: Kyrie eleison
Chorgesang:
Bach Collegium Japan (in 2007-03)
Orchester:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (Mass in B minor, BWV 232: Ia. Kyrie: Chorus "Kyrie eleison") (in 2007-03)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
10:39
94Mass in B Minor, BWV 232 (Highlights): Gloria: Gloria in excelsis Deo (attacca)
Chorgesang:
Bach Collegium Japan (in 2007-03)
Orchester:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo") (in 2007-03)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
1:42
95Mass in B Minor, BWV 232 (Highlights): Gloria: Et in terra pax
Chorgesang:
Bach Collegium Japan (in 2007-03)
Orchester:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax") (in 2007-03)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
4:56
96Mass in B Minor, BWV 232 (Highlights): Credo: Et resurrexit
Chorgesang:
Bach Collegium Japan (in 2007-03)
Orchester:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (in 2007-03)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
3:54
97Mass in B Minor, BWV 232 (Highlights): Sanctus
Chorgesang:
Bach Collegium Japan (in 2007-03)
Orchester:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (in 2007-03)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
5:52
98Mass in B Minor, BWV 232 (Highlights): Benedictus
Tenor-Gesang:
Gerd Türk (German tenor) (in 2007-03)
Orchester:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (in 2007-03)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
4:05
99Mass in B Minor, BWV 232 (Highlights): Agnus Dei
Hochgesang:
Robin Blaze (countertenor) (in 2007-03)
Orchester:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 2007-03)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
5:19
100Mass in B Minor, BWV 232 (Highlights): Dona nobis pacem
Chorgesang:
Bach Collegium Japan (in 2007-03)
Orchester:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
aufgenommen bei:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe (Kōbe), Hyogo (Hyōgo), Japan
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (in 2007-03)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Dona nobis pacem
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
3:45

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ASIN:US: B005WW94ZS [Info]