Annotazione

A 105-CD collection of Sir John Eliot Gardiner's recordings for Archiv Produktion and Deutsche Grammophon. It shipped with only 104 CDs, with CD 105 available on request from Deutsche Grammophon.

Annotazione modificata l'ultima volta il 2022-12-20 10:21 UTC.

Elenco tracce

1CD: Bach: Christmas Oratorio (Parts I-III)
2CD: Bach: Christmas Oratorio (Parts IV-VI)
3CD: Bach: St. Matthew Passion (Parts I & II beg.)
4CD: Bach: St. Matthew Passion (Part II cont.)
5CD: Bach: St. John Passion (Parts I & II beg.)
6CD: Bach: St. John Passion (Part II cont.)
7CD: Bach: Mass in B minor (Kyrie - Gloria)
8CD: Bach: Mass in B minor (Credo - Sanctus - Osanna, Benedictus, Agnus Dei, Dona nobis pacem)
9CD: Bach: Magnificat / Jauchzet Gott in allen Landen, BWV 51
10CD: Bach: “Nun komm, der Heiden Heiland”, BWV 61 / “Schwingt freudig euch empor”, BWV 36 / “Nun komm, der Heiden Heiland”, BWV 62
11CD: Bach: “Christen, ätzet diesen Tag”, BWV 63 / “Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64 / “Christum wir sollen loben schon”, BWV 121 / “Ich freue mich in dir”, BWV 133
#TitoloArtistaValutazioneDurata
1“Christen, ätzet diesen Tag”, BWV 63: 1. Chorus:“Christen, ätzet diesen Tag in Metall und Marmorsteine”
produttore:
Dr. Isabella de Sabata e Nicholas Parker (classical violinist, producer, engineer)
produttore esecutivo:
David R. Murray
cori:
Monteverdi Choir (English vocal Baroque ensemble) (nel 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (nel 1998-12)
direttore d'orchestra:
Sir John Eliot Gardiner (John Eliot Gardiner) (nel 1998-12)
tecnico di bilanciamento:
Mike Hatch (engineer/editor)
registrata presso:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (nel 1998-12)
registrazione di:
Kantate, BWV 63 "Christen, ätzet diesen Tag": I. Coro "Christen, ätzet diesen Tag" (nel 1998-12)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1713)
parte di:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach4:55
2“Christen, ätzet diesen Tag”, BWV 63: 2. Recitative (alto): “O selger Tag! o ungemeines Heute”
produttore:
Dr. Isabella de Sabata e Nicholas Parker (classical violinist, producer, engineer)
produttore esecutivo:
David R. Murray
voce d’alto:
Sara Mingardo (contralto) (nel 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (nel 1998-12)
direttore d'orchestra:
Sir John Eliot Gardiner (John Eliot Gardiner) (nel 1998-12)
tecnico di bilanciamento:
Mike Hatch (engineer/editor)
registrata presso:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (nel 1998-12)
registrazione di:
Kantate, BWV 63 "Christen, ätzet diesen Tag": II. Recitativo (Alto) "O selger Tag! o ungemeines Heute" (nel 1998-12)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1713)
parte di:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach3:18
3“Christen, ätzet diesen Tag”, BWV 63: 3. Duet (soprano, bass): “Gott, du hast es wofl gefüget”
produttore:
Dr. Isabella de Sabata e Nicholas Parker (classical violinist, producer, engineer)
produttore esecutivo:
David R. Murray
voce di basso:
Stephan Loges (bass-baritone) (nel 1998-12)
voce di soprano:
Ann Monoyios (soprano) (nel 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (nel 1998-12)
direttore d'orchestra:
Sir John Eliot Gardiner (John Eliot Gardiner) (nel 1998-12)
tecnico di bilanciamento:
Mike Hatch (engineer/editor)
registrata presso:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (nel 1998-12)
registrazione di:
Kantate, BWV 63 (appendix) "Christen, ätzet diesen Tag": III(alt). Duet (Soprano & Bass) "Gott, du hast es wohl gefüget" (nel 1998-12)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
versione di:
Kantate, BWV 63 "Christen, ätzet diesen Tag": III. Aria (Duetto: Soprano, Basso) "Gott, du hast es wohl gefüget"
parte di:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach6:49
4“Christen, ätzet diesen Tag”, BWV 63: 4. Recitative (tenor): “So kehret sich nun heut das bange Leid”
produttore:
Dr. Isabella de Sabata e Nicholas Parker (classical violinist, producer, engineer)
produttore esecutivo:
David R. Murray
voce di tenore:
Rufus Müller (tenor) (nel 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (nel 1998-12)
direttore d'orchestra:
Sir John Eliot Gardiner (John Eliot Gardiner) (nel 1998-12)
tecnico di bilanciamento:
Mike Hatch (engineer/editor)
registrata presso:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (nel 1998-12)
registrazione di:
Kantate, BWV 63 "Christen, ätzet diesen Tag": IV. Recitativo (Tenore) "So kehret sich nun heut das bange Leid" (nel 1998-12)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1713)
parte di:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach0:45
5“Christen, ätzet diesen Tag”, BWV 63: 5. Duet (alto, tenor): “Ruft und fleht den Himmel an”
produttore:
Dr. Isabella de Sabata e Nicholas Parker (classical violinist, producer, engineer)
produttore esecutivo:
David R. Murray
voce d’alto:
Sara Mingardo (contralto) (nel 1998-12)
voce di tenore:
Rufus Müller (tenor) (nel 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (nel 1998-12)
direttore d'orchestra:
Sir John Eliot Gardiner (John Eliot Gardiner) (nel 1998-12)
tecnico di bilanciamento:
Mike Hatch (engineer/editor)
registrata presso:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (nel 1998-12)
registrazione di:
Kantate, BWV 63 "Christen, ätzet diesen Tag": V. Aria (Duetto: Alto, Tenore) "Ruft und fleht den Himmel an" (nel 1998-12)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1713)
parte di:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach3:19
6“Christen, ätzet diesen Tag”, BWV 63: 6. Recitative (bass): “Verdoppelt euch demnach, ihr heißen Andachtsflammen”
produttore:
Dr. Isabella de Sabata e Nicholas Parker (classical violinist, producer, engineer)
produttore esecutivo:
David R. Murray
voce di basso:
Stephan Loges (bass-baritone) (nel 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (nel 1998-12)
direttore d'orchestra:
Sir John Eliot Gardiner (John Eliot Gardiner) (nel 1998-12)
tecnico di bilanciamento:
Mike Hatch (engineer/editor)
registrata presso:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (nel 1998-12)
registrazione di:
Kantate, BWV 63 "Christen, ätzet diesen Tag": VI. Recitativo (Basso) "Verdoppelt euch demnach, ihr heißen Andachtsflammen" (nel 1998-12)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1713)
parte di:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach0:53
7“Christen, ätzet diesen Tag”, BWV 63: 7. Chorus: “Höchster, schau in Gnaden an”
produttore:
Dr. Isabella de Sabata e Nicholas Parker (classical violinist, producer, engineer)
produttore esecutivo:
David R. Murray
cori:
Monteverdi Choir (English vocal Baroque ensemble) (nel 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (nel 1998-12)
direttore d'orchestra:
Sir John Eliot Gardiner (John Eliot Gardiner) (nel 1998-12)
tecnico di bilanciamento:
Mike Hatch (engineer/editor)
registrata presso:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (nel 1998-12)
registrazione di:
Kantate, BWV 63 "Christen, ätzet diesen Tag": VII. Coro "Höchster, schau in Gnaden an diese Glut gebückter Seelen!" (nel 1998-12)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1713)
parte di:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach6:37
8“Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64: 1. Chorus: “Sehet, welch eine Liebe hat uns der Vater erzeiget”
produttore:
Dr. Isabella de Sabata e Nicholas Parker (classical violinist, producer, engineer)
produttore esecutivo:
David R. Murray
cori:
Monteverdi Choir (English vocal Baroque ensemble) (nel 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (nel 1998-12)
direttore d'orchestra:
Sir John Eliot Gardiner (John Eliot Gardiner) (nel 1998-12)
tecnico di bilanciamento:
Mike Hatch (engineer/editor)
registrata presso:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (nel 1998-12)
registrazione di:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": I. Coro "Sehet, welch eine Liebe hat uns der Vater erzeiget" (nel 1998-12)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1723)
parte di:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach2:33
9“Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64: 2. Chorale: “Das hat er alles uns getan”
produttore:
Dr. Isabella de Sabata e Nicholas Parker (classical violinist, producer, engineer)
produttore esecutivo:
David R. Murray
cori:
Monteverdi Choir (English vocal Baroque ensemble) (nel 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (nel 1998-12)
direttore d'orchestra:
Sir John Eliot Gardiner (John Eliot Gardiner) (nel 1998-12)
tecnico di bilanciamento:
Mike Hatch (engineer/editor)
registrata presso:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (nel 1998-12)
registrazione di:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": II. Choral "Das hat er alles uns getan" (nel 1998-12)
compositore:
Martin Luther (German theologian of the Reformation) e Johann Sebastian Bach (German Baroque period composer & musician) (nel 1723)
parte di:
Breitkopf 389 Choralgesänge (numero: 108)
parte di:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach0:43
10“Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64: 3. Recitative (alto): “Geh, Welt! behalte nur das Deine”
produttore:
Dr. Isabella de Sabata e Nicholas Parker (classical violinist, producer, engineer)
produttore esecutivo:
David R. Murray
voce d’alto:
Sara Mingardo (contralto) (nel 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (nel 1998-12)
direttore d'orchestra:
Sir John Eliot Gardiner (John Eliot Gardiner) (nel 1998-12)
tecnico di bilanciamento:
Mike Hatch (engineer/editor)
registrata presso:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (nel 1998-12)
registrazione di:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": III. Recitativo (Alto) "Geh, Welt! behalte nur das Deine" (nel 1998-12)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1723)
parte di:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach0:43
11“Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64: 4. Chorale: “Was frag ich nach der Welt”
produttore:
Dr. Isabella de Sabata e Nicholas Parker (classical violinist, producer, engineer)
produttore esecutivo:
David R. Murray
cori:
Monteverdi Choir (English vocal Baroque ensemble) (nel 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (nel 1998-12)
direttore d'orchestra:
Sir John Eliot Gardiner (John Eliot Gardiner) (nel 1998-12)
tecnico di bilanciamento:
Mike Hatch (engineer/editor)
registrata presso:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (nel 1998-12)
registrazione di:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": IV. Choral "Was frag ich nach der Welt" (nel 1998-12)
paroliere:
Georg Michael Pfefferkorn
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1723)
parte di:
Breitkopf 389 Choralgesänge (numero: 280)
parte di:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach0:55
12“Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64: 5. Aria (soprano): “Was die Welt in sich hält”
produttore:
Dr. Isabella de Sabata e Nicholas Parker (classical violinist, producer, engineer)
produttore esecutivo:
David R. Murray
voce di soprano:
Ann Monoyios (soprano) (nel 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (nel 1998-12)
direttore d'orchestra:
Sir John Eliot Gardiner (John Eliot Gardiner) (nel 1998-12)
tecnico di bilanciamento:
Mike Hatch (engineer/editor)
registrata presso:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (nel 1998-12)
registrazione di:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": V. Aria (Soprano) "Was die Welt in sich hält" (nel 1998-12)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1723)
parte di:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach5:36
13“Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64: 6. Recitative (bass): “Der Himmel bleibet mir gewiss”
produttore:
Dr. Isabella de Sabata e Nicholas Parker (classical violinist, producer, engineer)
produttore esecutivo:
David R. Murray
voce di basso:
Stephan Loges (bass-baritone) (nel 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (nel 1998-12)
direttore d'orchestra:
Sir John Eliot Gardiner (John Eliot Gardiner) (nel 1998-12)
tecnico di bilanciamento:
Mike Hatch (engineer/editor)
registrata presso:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (nel 1998-12)
registrazione di:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VI. Recitativo (Basso) "Der Himmel bleibet mir gewiß" (nel 1998-12)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1723)
parte di:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach1:00
14“Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64: 7. Aria (alto): “Von der Welt verlang ich nichts”
produttore:
Dr. Isabella de Sabata e Nicholas Parker (classical violinist, producer, engineer)
produttore esecutivo:
David R. Murray
voce d’alto:
Sara Mingardo (contralto) (nel 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (nel 1998-12)
direttore d'orchestra:
Sir John Eliot Gardiner (John Eliot Gardiner) (nel 1998-12)
tecnico di bilanciamento:
Mike Hatch (engineer/editor)
registrata presso:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (nel 1998-12)
registrazione di:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VII. Aria (Alto) "Von der Welt verlang ich nichts" (nel 1998-12)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1723)
parte di:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach5:33
15“Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64: 8. Chorale: “Gute Nacht, o Wesen”
produttore:
Dr. Isabella de Sabata e Nicholas Parker (classical violinist, producer, engineer)
produttore esecutivo:
David R. Murray
cori:
Monteverdi Choir (English vocal Baroque ensemble) (nel 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (nel 1998-12)
direttore d'orchestra:
Sir John Eliot Gardiner (John Eliot Gardiner) (nel 1998-12)
tecnico di bilanciamento:
Mike Hatch (engineer/editor)
registrata presso:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (nel 1998-12)
registrazione di:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VIII. Choral "Gute Nacht, o Wesen" (nel 1998-12)
paroliere:
Johann Franck (German poet of the 17th century)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1723)
parte di:
Breitkopf 389 Choralgesänge (numero: 200)
parte di:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach1:11
16“Christum wir sollen loben schon”, BWV 121: 1. Chorale: “Christum wir sollen loben schon”
produttore:
Dr. Isabella de Sabata e Nicholas Parker (classical violinist, producer, engineer)
produttore esecutivo:
David R. Murray
cori:
Monteverdi Choir (English vocal Baroque ensemble) (nel 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (nel 1998-12)
direttore d'orchestra:
Sir John Eliot Gardiner (John Eliot Gardiner) (nel 1998-12)
tecnico di bilanciamento:
Mike Hatch (engineer/editor)
registrata presso:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (nel 1998-12)
registrazione di:
Kantate, BWV 121 "Christum wir sollen loben schon": I. Coro "Christum wir sollen loben schon" (nel 1998-12)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1724)
eseguita per la prima volta presso:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germania (il 1724-12-26)
parte di:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach2:40
17“Christum wir sollen loben schon”, BWV 121: 2. Aria (tenor): “O du von Gott erhöhte Kreatur”
produttore:
Dr. Isabella de Sabata e Nicholas Parker (classical violinist, producer, engineer)
produttore esecutivo:
David R. Murray
voce di tenore:
Rufus Müller (tenor) (nel 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (nel 1998-12)
direttore d'orchestra:
Sir John Eliot Gardiner (John Eliot Gardiner) (nel 1998-12)
tecnico di bilanciamento:
Mike Hatch (engineer/editor)
registrata presso:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (nel 1998-12)
registrazione di:
Kantate, BWV 121 "Christum wir sollen loben schon": II. Aria (Tenor) "O du von Gott erhöhte Kreatur" (nel 1998-12)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1724)
eseguita per la prima volta presso:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germania (il 1724-12-26)
parte di:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach4:39
18“Christum wir sollen loben schon”, BWV 121: 3. Recitative (alto): “Der Gnade unermesslichs Wesen”
produttore:
Dr. Isabella de Sabata e Nicholas Parker (classical violinist, producer, engineer)
produttore esecutivo:
David R. Murray
voce d’alto:
Sara Mingardo (contralto) (nel 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (nel 1998-12)
direttore d'orchestra:
Sir John Eliot Gardiner (John Eliot Gardiner) (nel 1998-12)
tecnico di bilanciamento:
Mike Hatch (engineer/editor)
registrata presso:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (nel 1998-12)
registrazione di:
Kantate, BWV 121 "Christum wir sollen loben schon": III. Recitativo (Alt) "Der Gnad unermeßlichs Wesen" (nel 1998-12)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1724)
eseguita per la prima volta presso:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germania (il 1724-12-26)
parte di:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach1:03
19“Christum wir sollen loben schon”, BWV 121: 4. Aria (bass): “Johannis freudenvolles Springen”
produttore:
Dr. Isabella de Sabata e Nicholas Parker (classical violinist, producer, engineer)
produttore esecutivo:
David R. Murray
voce di basso:
Stephan Loges (bass-baritone) (nel 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (nel 1998-12)
direttore d'orchestra:
Sir John Eliot Gardiner (John Eliot Gardiner) (nel 1998-12)
tecnico di bilanciamento:
Mike Hatch (engineer/editor)
registrata presso:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (nel 1998-12)
registrazione di:
Kantate, BWV 121 "Christum wir sollen loben schon": IV. Aria (Bass) "Johannis freudenvolles Springen" (nel 1998-12)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1724)
eseguita per la prima volta presso:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germania (il 1724-12-26)
parte di:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach7:27
20“Christum wir sollen loben schon”, BWV 121: 5. Recitative (soprano): “Doch wie erblickt es dich in deiner Krippe?”
produttore:
Dr. Isabella de Sabata e Nicholas Parker (classical violinist, producer, engineer)
produttore esecutivo:
David R. Murray
voce di soprano:
Ann Monoyios (soprano) (nel 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (nel 1998-12)
direttore d'orchestra:
Sir John Eliot Gardiner (John Eliot Gardiner) (nel 1998-12)
tecnico di bilanciamento:
Mike Hatch (engineer/editor)
registrata presso:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (nel 1998-12)
registrazione di:
Kantate, BWV 121 "Christum wir sollen loben schon": V. Recitativo (Sopran) "Doch wie erblickt es dich in deiner Krippen" (nel 1998-12)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1724)
eseguita per la prima volta presso:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germania (il 1724-12-26)
parte di:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach0:50
21“Christum wir sollen loben schon”, BWV 121: 6. Chorale: “Lob, Ehr und Dank sei dir gesagt”
produttore:
Dr. Isabella de Sabata e Nicholas Parker (classical violinist, producer, engineer)
produttore esecutivo:
David R. Murray
cori:
Monteverdi Choir (English vocal Baroque ensemble) (nel 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (nel 1998-12)
direttore d'orchestra:
Sir John Eliot Gardiner (John Eliot Gardiner) (nel 1998-12)
tecnico di bilanciamento:
Mike Hatch (engineer/editor)
registrata presso:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (nel 1998-12)
registrazione di:
Kantate, BWV 121 "Christum wir sollen loben schon": VI. Choral "Lob, Ehr und Dank sei dir gesagt" (nel 1998-12)
paroliere:
Martin Luther (German theologian of the Reformation)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1724)
eseguita per la prima volta presso:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germania (il 1724-12-26)
parte di:
Breitkopf 389 Choralgesänge (numero: 42)
parte di:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach1:04
22“Ich freue mich in dir”, BWV 133: 1. Chorale: “Ich freue mich in dir”
tecnico di registrazione:
Jürgen Bulgrin (sound engineer)
produttore:
Hans Bernhard Bätzing (engineer, producer) e Dr. Isabella de Sabata
produttore esecutivo:
David R. Murray
cori:
Monteverdi Choir (English vocal Baroque ensemble) (nel 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (nel 1998-12)
direttore d'orchestra:
Sir John Eliot Gardiner (John Eliot Gardiner) (nel 1998-12)
tecnico di bilanciamento:
Rainer Maillard
registrata presso:
St. Giles’ without Cripplegate in City of London (Città di Londra), London (Greater London), England, Regno Unito (nel 1998-12)
registrazione dal vivo di:
Kantate, BWV 133 "Ich freue mich in dir": I. Coro "Ich freue mich in dir" (nel 1998-12)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1724)
parte di:
Kantate, BWV 133 "Ich freue mich in dir"
registrazione di:
Kantate, BWV 133 "Ich freue mich in dir": I. Coro "Ich freue mich in dir"
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1724)
parte di:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach4:11
23“Ich freue mich in dir”, BWV 133: 2. Aria (alto): “Getrost! es fasst ein heilger Leib”
tecnico di registrazione:
Jürgen Bulgrin (sound engineer)
produttore:
Hans Bernhard Bätzing (engineer, producer) e Dr. Isabella de Sabata
produttore esecutivo:
David R. Murray
voce di controtenore [alto]:
Derek Lee Ragin (countertenor) (nel 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (nel 1998-12)
direttore d'orchestra:
Sir John Eliot Gardiner (John Eliot Gardiner) (nel 1998-12)
tecnico di bilanciamento:
Rainer Maillard
registrata presso:
St. Giles’ without Cripplegate in City of London (Città di Londra), London (Greater London), England, Regno Unito (nel 1998-12)
registrazione dal vivo di:
Kantate, BWV 133 "Ich freue mich in dir": II. Aria (Alt) "Getrost! es faßt ein heilger Leib" (nel 1998-12)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1724)
parte di:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach4:06
24“Ich freue mich in dir”, BWV 133: 3. Recitative (tenor): “Ein Adam mag sich voller Schrecken”
tecnico di registrazione:
Jürgen Bulgrin (sound engineer)
produttore:
Hans Bernhard Bätzing (engineer, producer) e Dr. Isabella de Sabata
produttore esecutivo:
David R. Murray
voce di tenore:
Julian Podger (English tenor vocalist & choral conductor) (nel 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (nel 1998-12)
direttore d'orchestra:
Sir John Eliot Gardiner (John Eliot Gardiner) (nel 1998-12)
tecnico di bilanciamento:
Rainer Maillard
registrata presso:
St. Giles’ without Cripplegate in City of London (Città di Londra), London (Greater London), England, Regno Unito (nel 1998-12)
registrazione dal vivo di:
Kantate, BWV 133 "Ich freue mich in dir": III. Recitativo (Tenor) "Ein Adam mag sich voller Schrecken" (nel 1998-12)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1724)
parte di:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach0:59
25“Ich freue mich in dir”, BWV 133: 4. Aria (soprano): “Wie lieblich klingt es in den Ohren”
tecnico di registrazione:
Jürgen Bulgrin (sound engineer)
produttore:
Hans Bernhard Bätzing (engineer, producer) e Dr. Isabella de Sabata
produttore esecutivo:
David R. Murray
voce di soprano:
Katherine Fuge (nel 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (nel 1998-12)
direttore d'orchestra:
Sir John Eliot Gardiner (John Eliot Gardiner) (nel 1998-12)
tecnico di bilanciamento:
Rainer Maillard
registrata presso:
St. Giles’ without Cripplegate in City of London (Città di Londra), London (Greater London), England, Regno Unito (nel 1998-12)
registrazione dal vivo di:
Kantate, BWV 133 "Ich freue mich in dir": IV. Aria (Sopran) "Wie lieblich klingt es in den Ohren" (nel 1998-12)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1724)
parte di:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach7:25
26“Ich freue mich in dir”, BWV 133: 5. Recitative (bass): “Wohlan, des Todes Furcht und Schmerz”
tecnico di registrazione:
Jürgen Bulgrin (sound engineer)
produttore:
Hans Bernhard Bätzing (engineer, producer) e Dr. Isabella de Sabata
produttore esecutivo:
David R. Murray
voce di basso:
Gotthold Schwarz (bass-baritone/conductor) (nel 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (nel 1998-12)
direttore d'orchestra:
Sir John Eliot Gardiner (John Eliot Gardiner) (nel 1998-12)
tecnico di bilanciamento:
Rainer Maillard
registrata presso:
St. Giles’ without Cripplegate in City of London (Città di Londra), London (Greater London), England, Regno Unito (nel 1998-12)
registrazione dal vivo di:
Kantate, BWV 133 "Ich freue mich in dir": V. Recitativo (Bass) "Wohlan, des Todes Furcht und Schmerz" (nel 1998-12)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1724)
parte di:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach0:58
27“Ich freue mich in dir”, BWV 133: 6. Chorale: “Wohlan, so will ich mich”
tecnico di registrazione:
Jürgen Bulgrin (sound engineer)
produttore:
Hans Bernhard Bätzing (engineer, producer) e Dr. Isabella de Sabata
produttore esecutivo:
David R. Murray
cori:
Monteverdi Choir (English vocal Baroque ensemble) (nel 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (nel 1998-12)
direttore d'orchestra:
Sir John Eliot Gardiner (John Eliot Gardiner) (nel 1998-12)
tecnico di bilanciamento:
Rainer Maillard
registrata presso:
St. Giles’ without Cripplegate in City of London (Città di Londra), London (Greater London), England, Regno Unito (nel 1998-12)
registrazione dal vivo di:
Kantate, BWV 133 "Ich freue mich in dir": VI. Choral "Wohlan, so will ich mich" (nel 1998-12)
paroliere:
Caspar Ziegler (German hymn writer)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1724)
parte di:
Breitkopf 389 Choralgesänge (numero: 181)
parte di:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach1:05
12CD: Bach: “Was Gott tut, das ist wohlgetan”, BWV 98 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “Herr Gott, dich loben wir”, BWV 16
13CD: Bach: “Alles nur nach Gottes Willen”, BWV 72 / “Herr, wie du willt, so schicks mit mir”, BWV 73 / “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Ich steh mit einem Fuß im Grabe”, BWV 156
14CD: Bach: “Erfreute Zeit im neuen Bunde”, BWV 83 / “Ich habe genug”, BWV 82 / “Mit Fried und Freud ich fahr dahin”, BWV 125 / “Bekennen will ich seinen Namen”, BWV 200
15CD: Bach: “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Erfreut euch, ihr Herzen”, BWV 66
16CD: Bach: “Gott fähret auf mit Jauchzen”, BWV 43 / “Auf Christi Himmelfahrt allein”, BWV 128 / “Wer da gläubet und getauft wird”, BWV 37 / “Lobet Gott in seinen Reichen”, BWV 11
17CD: Bach: “Erschallet, ihr Lieder”, BWV 172 / “Wer mich liebet, der wird mein Wort halten”, BWV 59 / “Wer mich liebet, der wird mein Wort halten”, BWV 74 / “O ewiges Feuer, o Ursprung der Liebe” BWV 34
18CD: Bach: “Was frag ich nach der Welt”, BWV 94 / “Tue Rechnung! Donnerwort”, BWV 168 / “Herr, gehe nicht ins Gericht”, BWV 105
19CD: Bach: “Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179 / “Mein Herze schwimmt im Blut”, BWV 199 / “Herr Jesu Christ, du höchstes Gut”, BWV 113
20CD: Bach: “Wachet auf, ruft uns die Stimme”, BWV 140 / “Herz und Mund und Tat und Leben”, BWV 147
21CD: Bach: “Gottes Zeit ist die allerbeste Zeit”, “Actus Tragicus” BWV 106 / “O Jesu Christ, mein's Lebens Licht”, BWV 118 / “Lass, Fürstin, lass noch einen Strahl”, BWV 198
22CD: Beethoven: Symphonies nos. 1 & 2
23CD: Beethoven: Symphonies nos. 3 “Eroica” & 4
24CD: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
25CD: Beethoven: Symphonies nos. 7 & 8
26CD: Beethoven: Symphony no. 9 “Choral”
27CD: Beethoven: Piano Concertos nos. 1 & 2 / Rondo for Piano and Orchestra in B-flat major
28CD: Beethoven: Piano Concertos nos. 3 & 4
29CD: Beethoven: Piano Concerto no. 5 / Fantasy for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80
30CD: Beethoven: Piano Concerto no. 4 (chamber version) / Symphony no. 2 (chamber version)
31CD: Beethoven: Violin Concerto
32CD: Beethoven: Missa solemnis
33CD: Beethoven: Concert Aria “Ah! Perfido” / Meeres Stille und Glückliche Fahrt / Mass in C major
34CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts I & II beg.)
35CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts II cont. & III)
36CD: Interviews with John Eliot Gardiner
37CD: Britten: War Requiem
38CD: Britten: Spring Symphony / Hymn to St. Cecilia / Five Flower Songs
39CD: Bruckner: Mass no. 1 / 5 Motets
40CD: Schütz: O bone Jesu, fili Mariae / Buxtehude: Membra Jesu Nostri
41CD: Chabrier: Suite pastorale / Habanera / España / Larghetto for Horn and Orchestra / Overture to Gwendoline / Prélude pastoral / Marche française / Fête polonaise
42CD: Dvořák: Symphonic Variations on an Original Theme / Czech Suite / Brahms: 9 Hungarian Dances
43CD: Elgar: In the South (Alassio) / Introduction and Allegro / Sospiri / Enigma Variations
44CD: Handel: Acis and Galatea (Act I)
45CD: Handel: Acis and Galatea (Act II)
46CD: Handel: Hercules (Acts I & II beg.)
47CD: Handel: Hercules (Acts II cont. & III)
48CD: Haydn: The Creation (Parts I & II beg.)
49CD: Haydn: The Creation (Parts II cont. & III)
50CD: Haydn: The Seasons (Spring - Summer)
51CD: Haydn: The Seasons (Autumn - Winter)
52CD: Grainger: The Warriors / Holst: The Planets
53CD: Lehár: Die lustige Witwe
54CD: Mahler: Lieder eines fahrenden Gesellen / 5 Rückert Lieder / Zemlinsky: 6 Maeterlinck Lieder
55CD: Mendelssohn: Symphony no. 4 “Italian” (original & revised versions) / Symphony no. 5 “Reformation”
56CD: Monteverdi: Vespro della Beata Vergine nos. 1-10
57CD: Monteverdi: Vespro della Beata Vergine nos. 11-13
58CD: Monteverdi: L'Orfeo (Prologue - Acts I & II)
59CD: Monteverdi: L'Orfeo (Acts III-V)
60CD: Monteverdi: L'incoronazione di Poppea (Prologue & Act I beg.)
61CD: Monteverdi: L'incoronazione di Poppea (Acts I cont. & II)
62CD: Monteverdi: L'incoronazione di Poppea (Act III)
63CD: Mozart: Piano Concertos nos. 5 & 6 / Concerto for 3 Pianos and Orchestra no. 7 “Lodron” / Rondo, K. 382
64CD: Mozart: Piano Concertos nos. 8 “Lützow” & 9 “Jeunehomme” / Concerto for Two Pianos and Orchestra no. 10
65CD: Mozart: Piano Concertos nos. 11, 12 & 13
66CD: Mozart: Piano Concertos nos. 14, 15 & 18
67CD: Mozart: Piano Concertos nos. 16, 19 “Second Coronation Concerto” & 21
68CD: Mozart: Piano Concertos nos. 17 & 20 / Rondo, K. 386
69CD: Mozart: Piano Concertos nos. 22 & 23
70CD: Mozart: Piano Concertos nos. 24 & 25
71CD: Mozart: Piano Concertos nos. 26 “Coronation” & 27
72CD: Mozart: Idomeneo (Acts I & II beg.)
73CD: Mozart: Idomeneo (Acts II cont. & III beg.)
74CD: Mozart: Idomeneo (Act III cont.)
75CD: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
76CD: Mozart: Die Entführung aus dem Serail (Acts II cont. & III)
77CD: Mozart: Le nozze di Figaro (Acts I & II beg.)
78CD: Mozart: Le nozze di Figaro (Acts II cont. & III)
79CD: Mozart: Le nozze di Figaro (Act IV)
80CD: Mozart: Don Giovanni (Act I beg.)
81CD: Mozart: Don Giovanni (Acts I cont. & II beg.)
82CD: Mozart: Don Giovanni (Act II cont.)
83CD: Mozart: Così fan tutte (Act I beg.)
84CD: Mozart: Così fan tutte (Acts I cont. & II beg.)
85CD: Mozart: Così fan tutte (Act II cont.)
86CD: Mozart: La clemenza di Tito (Act I)
87CD: Mozart: La clemenza di Tito (Act II)
88CD: Mozart: Die Zauberflöte (Acts I & II beg.)
89CD: Mozart: Die Zauberflöte (Act II cont.)
90CD: Purcell: The Fairy Queen (Acts I-III)
91CD: Purcell: The Fairy Queen (Acts IV & V)
92CD: Rachmaninoff: Symphonic Dances / Janáček: Taras Bulba
93CD: Schubert: Gesang der Geister über den Wassern / Symphony no. 9 “Great”
94CD: Schütz: 4 Motets and Songs / Musikalische Exequien
95CD: Schumann: Symphony in G minor “Zwickau Symphony” / Symphony no. 1 “Spring” / Overture, Scherzo and Finale, op. 52
96CD: Schumann: Symphonies nos. 4 (original version) & 2
97CD: Schumann: Konzertstück for 4 Horns and Orchestra, op. 86 / Symphonies nos. 3 “Rhenish” & 4 (revised version 1851)
98CD: Schumann: Requiem für Mignon / Nachtlied / Das Paradies und die Peri (Part I)
99CD: Schumann: Das Paradies und die Peri (Parts II & III)
100CD: Boulanger: Psalms 24 & 129 / Vieille Prière bouddhique / Du fond de l'abîme (Psalm 130) / Stravinsky: Symphony of Psalms
101CD: Stravinsky: The Rake's Progress (Acts I & II beg.)
102CD: Stravinsky: The Rake's Progress (Acts II cont. & III)
103CD: Weill: Die sieben Todsünden / Songs from Lady in the Dark, Happy End, One Touch of Venus / Songs with Piano
104CD: Vienna Soirée: Suppé, Ziehrer, Lehár, Lanner, Heuberger
105CD: Mozart: Thamos, König in Ägypten

Accreditamenti

Pubblicazione

fotografia:Clive Barda (photographer)
Sheila Rock (UK photographer)
supporto a vario titolo:Andreas Fischer (product manager at Deutsche Grammophon) (incarico: product manager)
Lars Hoffman (creative production manager) (incarico: creative production manager)
Alan Newcombe (Producer, coordinator, researcher, and liner notes translator) (incarico: compilation)
design:Mareike Walter (designer)
curatore del libretto (booklet):Annette Nubbemeyer
Discogs:https://www.discogs.com/release/23477642 [info]
voce della discografia:https://www.deutschegrammophon.com/en/catalogue/products/john-eliot-gardiner-complete-recordings-on-archiv-produktion-deutsche-grammophon-12272 [info]