The Window

~ Release by Cécile McLorin Salvant (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleRatingLength
1Visions
engineer and mixer:
Todd Whitelock (engineer)
producer:
Maria Ehrenreich (task: production), Al Pryor and Cécile McLorin Salvant (jazz vocalist)
piano:
Sullivan Fortner
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
Valvetone Studios in New York, New York, United States
recording of:
Visions
lyricist and composer:
Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Co., Inc. and Stein & Van Stock, Inc.
5:11
2One Step Ahead
engineer and mixer:
Todd Whitelock (engineer)
producer:
Maria Ehrenreich (task: production), Al Pryor and Cécile McLorin Salvant (jazz vocalist)
organ and piano:
Sullivan Fortner
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
Valvetone Studios in New York, New York, United States
recording of:
One Step Ahead
writer:
Charles Singleton (composer/lyricist) and Eddie Snyder
2:09
3By Myself
engineer and mixer:
Todd Whitelock (engineer)
producer:
Maria Ehrenreich (task: production), Al Pryor and Cécile McLorin Salvant (jazz vocalist)
piano:
Sullivan Fortner
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
Valvetone Studios in New York, New York, United States
recording of:
By Myself
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Chappell & Co., Inc. (USA) and Round Hill Songs III
part of:
The Band Wagon (1953 film)
2:35
4The Sweetest Sounds
engineer and mixer:
Todd Whitelock (engineer)
producer:
Maria Ehrenreich (task: production), Al Pryor and Cécile McLorin Salvant (jazz vocalist)
piano:
Sullivan Fortner
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
Valvetone Studios in New York, New York, United States
recording of:
The Sweetest Sounds (from the 1962 Broadway musical “No Strings”)
lyricist and composer:
Richard Rodgers (composer) (in 1962)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Williamson Music Company
4:55
5Ever Since the One I Love’s Been Gone
engineer and mixer:
Todd Whitelock (engineer)
producer:
Maria Ehrenreich (task: production), Al Pryor and Cécile McLorin Salvant (jazz vocalist)
piano:
Sullivan Fortner
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
Valvetone Studios in New York, New York, United States
recording of:
Ever Since the One I Love’s Been Gone
lyricist and composer:
Buddy Johnson
5:53
6À Clef
engineer and mixer:
Todd Whitelock (engineer)
producer:
Maria Ehrenreich (task: production), Al Pryor and Cécile McLorin Salvant (jazz vocalist)
piano:
Sullivan Fortner
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
Valvetone Studios in New York, New York, United States
recording of:
À Clef
lyricist and composer:
Cécile McLorin Salvant (jazz vocalist)
2:05
7Obsession
engineer and mixer:
Todd Whitelock (engineer)
producer:
Maria Ehrenreich (task: production), Al Pryor and Cécile McLorin Salvant (jazz vocalist)
piano:
Sullivan Fortner
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
Valvetone Studios in New York, New York, United States
recording of:
Obsession
writer:
Dori Caymmi (the son), Tracy Mann and Gilson Peranzzetta (pianist, composer)
3:10
8Wild is Love
engineer and mixer:
Todd Whitelock (engineer)
producer:
Maria Ehrenreich (task: production), Al Pryor and Cécile McLorin Salvant (jazz vocalist)
piano:
Sullivan Fortner
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
Valvetone Studios in New York, New York, United States
recording of:
Wild Is Love
writer:
Raymond Rasch and Dottie Wayne
3:22
9J’ai l’cafard
engineer and mixer:
Todd Whitelock (engineer)
producer:
Maria Ehrenreich (task: production), Al Pryor and Cécile McLorin Salvant (jazz vocalist)
organ:
Sullivan Fortner
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
Valvetone Studios in New York, New York, United States
recording of:
J'ai l'cafard
lyricist:
Louis Despax
composer:
Jean Eblinger (French composer)
3:01
10Somewhere
engineer and mixer:
Todd Whitelock (engineer)
producer:
Maria Ehrenreich (task: production), Al Pryor and Cécile McLorin Salvant (jazz vocalist)
piano:
Sullivan Fortner
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
Valvetone Studios in New York, New York, United States
recording of:
West Side Story: Ballet Sequence: Somewhere (Consuelo and Company)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Amberson Enterprises, Inc., Campbell Connelly & Co. Ltd., Chappell & Co Ltd., Chappell & Co., Inc. (USA), G. Schirmer, G. Schirmer Inc., PolyGram Music Publishing Ltd., The Leonard Bernstein Music Publishing Co., LLC, Universal - Polygram and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
part of:
West Side Story: Ballet Sequence
7:11
11The Gentleman is a Dope
engineer and mixer:
Todd Whitelock (engineer)
producer:
Maria Ehrenreich (task: production), Al Pryor and Cécile McLorin Salvant (jazz vocalist)
piano:
Sullivan Fortner
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
Valvetone Studios in New York, New York, United States
recording of:
The Gentleman Is a Dope (Allegro)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
part of:
Allegro (Rodgers & Hammerstein musical)
4:30
12Trouble is a Man
engineer and mixer:
Todd Whitelock (engineer)
producer:
Maria Ehrenreich (task: production), Al Pryor and Cécile McLorin Salvant (jazz vocalist)
piano:
Sullivan Fortner
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
Valvetone Studios in New York, New York, United States
recording of:
Trouble Is a Man
lyricist and composer:
Alec Wilder (American composer)
3:47
13Were Thine That Special Face
engineer and mixer:
Todd Whitelock (engineer)
producer:
Maria Ehrenreich (task: production), Al Pryor and Cécile McLorin Salvant (jazz vocalist)
piano:
Sullivan Fortner
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
Valvetone Studios in New York, New York, United States
recording of:
Were Thine That Special Face (from “Kiss Me, Kate”)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
part of:
Kiss Me, Kate (musical)
3:20
14I’ve Got Your Number
engineer and mixer:
Todd Whitelock (engineer)
producer:
Maria Ehrenreich (task: production), Al Pryor and Cécile McLorin Salvant (jazz vocalist)
piano:
Sullivan Fortner
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
Valvetone Studios in New York, New York, United States
recording of:
I’ve Got Your Number
writer:
Cy Coleman and Carolyn Leigh
part of:
Little Me
5:00
15Tell Me Why
engineer and mixer:
Todd Whitelock (engineer)
producer:
Maria Ehrenreich (task: production), Al Pryor and Cécile McLorin Salvant (jazz vocalist)
piano:
Sullivan Fortner
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
Valvetone Studios in New York, New York, United States
recording of:
Tell Me Why
lyricist:
Marty Gold
composer:
Al Alberts
3:28
16Everything I’ve Got Belongs to You
engineer and mixer:
Todd Whitelock (engineer)
producer:
Maria Ehrenreich (task: production), Al Pryor and Cécile McLorin Salvant (jazz vocalist)
piano:
Sullivan Fortner
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
Valvetone Studios in New York, New York, United States
recording of:
Ev’rything I’ve Got
lyricist:
Lorenz Hart (in 1942)
composer:
Richard Rodgers (composer) (in 1942)
publisher:
Chappell & Co., Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
1:10
17The Peacocks
engineer and mixer:
Todd Whitelock (engineer)
producer:
Maria Ehrenreich (task: production), Al Pryor and Cécile McLorin Salvant (jazz vocalist)
piano:
Sullivan Fortner
tenor saxophone:
Melissa Aldana (Chilean tenor saxophone player)
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
Valvetone Studios in New York, New York, United States
recording of:
A Timeless Place (The Peacocks, lyrics by Norma Winstone)
lyricist:
Norma Winstone
composer:
Jimmy Rowles
version of:
The Peacocks
9:35

Credits

Release

art direction and illustration:Cécile McLorin Salvant (jazz vocalist)
executive producer:Gretchen Valade (producer; founder of Mack Avenue Records)
mastering:Mark Wilder (US recording/mastering engineer)
design:Raj Naik
artwork:Cécile McLorin Salvant (jazz vocalist) (task: handwriting)
recorded at:Sear Sound in New York, New York, United States
The Village Vanguard in Greenwich Village, New York, New York, United States
mastered at:Battery Studios (mastering/archival/digitization studio located at 321 W 44th Street, NYC) in Midtown Manhattan, New York, New York, United States
Discogs:https://www.discogs.com/release/12649009 [info]
ASIN:US: B07FT6DR19 [info]
discography entry:https://www.mackavenue.com/store/mac1132 [info]

Release group

artist & repertoire support:Will Wakefield
creative direction:Maria Ehrenreich
part of:Coup de cœur Jazz, Blues & Soul de l'Académie Charles Cros (number: 2018) (order: 25)
Grammy Award: Best Jazz Vocal Album nominees (number: 2019 winner) (order: 27)
Wikidata:Q104842923 [info]