Annotation

A 105-CD collection of Sir John Eliot Gardiner's recordings for Archiv Produktion and Deutsche Grammophon. It shipped with only 104 CDs, with CD 105 available on request from Deutsche Grammophon.

Annotation last modified on 2022-12-20 10:21 UTC.

Tracklist

1CD: Bach: Christmas Oratorio (Parts I-III)
2CD: Bach: Christmas Oratorio (Parts IV-VI)
3CD: Bach: St. Matthew Passion (Parts I & II beg.)
4CD: Bach: St. Matthew Passion (Part II cont.)
5CD: Bach: St. John Passion (Parts I & II beg.)
6CD: Bach: St. John Passion (Part II cont.)
7CD: Bach: Mass in B minor (Kyrie - Gloria)
8CD: Bach: Mass in B minor (Credo - Sanctus - Osanna, Benedictus, Agnus Dei, Dona nobis pacem)
9CD: Bach: Magnificat / Jauchzet Gott in allen Landen, BWV 51
10CD: Bach: “Nun komm, der Heiden Heiland”, BWV 61 / “Schwingt freudig euch empor”, BWV 36 / “Nun komm, der Heiden Heiland”, BWV 62
11CD: Bach: “Christen, ätzet diesen Tag”, BWV 63 / “Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64 / “Christum wir sollen loben schon”, BWV 121 / “Ich freue mich in dir”, BWV 133
12CD: Bach: “Was Gott tut, das ist wohlgetan”, BWV 98 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “Herr Gott, dich loben wir”, BWV 16
13CD: Bach: “Alles nur nach Gottes Willen”, BWV 72 / “Herr, wie du willt, so schicks mit mir”, BWV 73 / “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Ich steh mit einem Fuß im Grabe”, BWV 156
14CD: Bach: “Erfreute Zeit im neuen Bunde”, BWV 83 / “Ich habe genug”, BWV 82 / “Mit Fried und Freud ich fahr dahin”, BWV 125 / “Bekennen will ich seinen Namen”, BWV 200
15CD: Bach: “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Erfreut euch, ihr Herzen”, BWV 66
16CD: Bach: “Gott fähret auf mit Jauchzen”, BWV 43 / “Auf Christi Himmelfahrt allein”, BWV 128 / “Wer da gläubet und getauft wird”, BWV 37 / “Lobet Gott in seinen Reichen”, BWV 11
17CD: Bach: “Erschallet, ihr Lieder”, BWV 172 / “Wer mich liebet, der wird mein Wort halten”, BWV 59 / “Wer mich liebet, der wird mein Wort halten”, BWV 74 / “O ewiges Feuer, o Ursprung der Liebe” BWV 34
18CD: Bach: “Was frag ich nach der Welt”, BWV 94 / “Tue Rechnung! Donnerwort”, BWV 168 / “Herr, gehe nicht ins Gericht”, BWV 105
19CD: Bach: “Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179 / “Mein Herze schwimmt im Blut”, BWV 199 / “Herr Jesu Christ, du höchstes Gut”, BWV 113
20CD: Bach: “Wachet auf, ruft uns die Stimme”, BWV 140 / “Herz und Mund und Tat und Leben”, BWV 147
21CD: Bach: “Gottes Zeit ist die allerbeste Zeit”, “Actus Tragicus” BWV 106 / “O Jesu Christ, mein's Lebens Licht”, BWV 118 / “Lass, Fürstin, lass noch einen Strahl”, BWV 198
22CD: Beethoven: Symphonies nos. 1 & 2
23CD: Beethoven: Symphonies nos. 3 “Eroica” & 4
24CD: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
25CD: Beethoven: Symphonies nos. 7 & 8
26CD: Beethoven: Symphony no. 9 “Choral”
27CD: Beethoven: Piano Concertos nos. 1 & 2 / Rondo for Piano and Orchestra in B-flat major
28CD: Beethoven: Piano Concertos nos. 3 & 4
29CD: Beethoven: Piano Concerto no. 5 / Fantasy for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80
30CD: Beethoven: Piano Concerto no. 4 (chamber version) / Symphony no. 2 (chamber version)
31CD: Beethoven: Violin Concerto
32CD: Beethoven: Missa solemnis
33CD: Beethoven: Concert Aria “Ah! Perfido” / Meeres Stille und Glückliche Fahrt / Mass in C major
34CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts I & II beg.)
35CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts II cont. & III)
36CD: Interviews with John Eliot Gardiner
37CD: Britten: War Requiem
38CD: Britten: Spring Symphony / Hymn to St. Cecilia / Five Flower Songs
39CD: Bruckner: Mass no. 1 / 5 Motets
40CD: Schütz: O bone Jesu, fili Mariae / Buxtehude: Membra Jesu Nostri
41CD: Chabrier: Suite pastorale / Habanera / España / Larghetto for Horn and Orchestra / Overture to Gwendoline / Prélude pastoral / Marche française / Fête polonaise
42CD: Dvořák: Symphonic Variations on an Original Theme / Czech Suite / Brahms: 9 Hungarian Dances
43CD: Elgar: In the South (Alassio) / Introduction and Allegro / Sospiri / Enigma Variations
44CD: Handel: Acis and Galatea (Act I)
45CD: Handel: Acis and Galatea (Act II)
46CD: Handel: Hercules (Acts I & II beg.)
47CD: Handel: Hercules (Acts II cont. & III)
48CD: Haydn: The Creation (Parts I & II beg.)
49CD: Haydn: The Creation (Parts II cont. & III)
50CD: Haydn: The Seasons (Spring - Summer)
51CD: Haydn: The Seasons (Autumn - Winter)
52CD: Grainger: The Warriors / Holst: The Planets
53CD: Lehár: Die lustige Witwe
#TitleArtistRatingLength
1Die lustige Witwe: Erster Akt. 1. Introduktion: »Verehrteste Damen und Herren« (Cascada, Zeta, Valencienne, Sylviane, Olga Praškowia, Camille, St. Brioche, Kromow, Chor)
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
alto vocals [Sylviane]:
Lynette Alcántara (in 1994-01)
baritone vocals [Vicomte Cascada]:
Karl-Magnus Fredriksson (Swedish baritone) (in 1994-01)
bass-baritone vocals [Baron Mirko Zeta]:
Bryn Terfel (bass‐baritone opera singer) (in 1994-01)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1994-01)
soprano vocals [Olga]:
Constanze Backes (German Soprano vocalist) (in 1994-01)
soprano vocals [Praškowia]:
Angela Kazimierczuk (Classical soprano) (in 1994-01)
soprano vocals [Valencienne]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [Camille de Rosillon]:
Rainer Trost (in 1994-01)
tenor vocals [Kromow]:
Philip Salmon (tenor) (in 1994-01)
tenor vocals [Raoul de St. Brioche]:
Uwe Peper (tenor) (in 1994-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1994-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt I. Nr. 1 Introduktion „Verehrteste Damen und Herren” / Dialog „Danke, danke, meine Herrschaften” (Cascada, Chor, Zeta, Valencienne, Sylviane, Olga, Praskowia, Camille, St. Brioche, Zeta, Kromow) (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
Franz Lehár2:53
2Die lustige Witwe: Erster Akt. 1a. Ballmusik / »Camille, ich muss mit ihnen sprechen!« (Valencienne, Camille, Zeta)
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
bass-baritone vocals [Baron Mirko Zeta]:
Bryn Terfel (bass‐baritone opera singer) (in 1994-01)
soprano vocals [Valencienne]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [Camille de Rosillon]:
Rainer Trost (in 1994-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1994-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt I. Nr. 1a Ballmusik / Dialog: „Camille ich muss mit Ihnen sprechen!” (Valencienne, Camille, Zeta) (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
Franz Lehár0:44
3Die lustige Witwe: Erster Akt. 2. Duett: »So kommen Sie! 's ist niemand hier!« (Valencienne, Camille)
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
soprano vocals [Valencienne]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [Camille de Rosillon]:
Rainer Trost (in 1994-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1994-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt I. Nr. 2 Duett „So kommen Sie! ’s ist niemand hier!” / Nr. 2b „Ich bin eine anständige Frau” (Valencienne, Camille) (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
Franz Lehár4:06
4Die lustige Witwe: Erster Akt. »Nun, Njegus, haben Sie meine Botschaft überbracht?« (Zeta, Njegus)
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
bass-baritone vocals [Baron Mirko Zeta]:
Bryn Terfel (bass‐baritone opera singer) (in 1994-01)
tenor vocals [Njegus]:
Heinz Zednik (tenor) (in 1994-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1994-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt I. Dialog: „Nun, Njegus, waren Sie beim Grafen Danilo?” / „Frau Glawari darf keinen Pariser heiraten” (Zeta, Njegus) (in 1994-01)
part of:
Die lustige Witwe: Akt I
Franz Lehár0:37
5Die lustige Witwe: Erster Akt. »Achtung, maine Herren, die Glawari kommt!« - »Was hat das zu bedeuten?« (Zeta, Njegus) / 3. Entrée-Lied und Ensemble: »Bitte, meine Herr'n« - »Hab' in Paris mich noch nicht ganz so akklimatisiert« (Hanna, Cascada, St. Brioche, Männerchor)
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Vicomte Cascada]:
Karl-Magnus Fredriksson (Swedish baritone) (in 1994-01)
bass-baritone vocals [Baron Mirko Zeta]:
Bryn Terfel (bass‐baritone opera singer) (in 1994-01)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1994-01)
soprano vocals [Hanna Glawari]:
Cheryl Studer (soprano) (in 1994-01)
tenor vocals [Njegus]:
Heinz Zednik (tenor) (in 1994-01)
tenor vocals [Raoul de St. Brioche]:
Uwe Peper (tenor) (in 1994-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1994-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt I. Nr. 3 Entréelied “Bitte, meine Herr'n! Welche Galantrie'n” … “Gar oft hab ich gehört” … “Hab’ in Paris mich noch nicht ganz so akklimatisiert” (Hanna, Cascada, St. Brioche, Herrenchor) (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
Franz Lehár3:19
6Die lustige Witwe: Erster Akt. 3a. Ballmusik / »Camille!« - »Ja?« (Valencienne, Camille)
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
soprano vocals [Valencienne]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [Camille de Rosillon]:
Rainer Trost (in 1994-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1994-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt I. Nr. 3a Ballmusik – Dialog „Camille!” – „Ja?” (Valencienne, Camille) (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
Franz Lehár0:35
7Die lustige Witwe: Erster Akt. »Also, Njegus, hier bin ich, und wo ist das Vaterland?« / 4. Auftrittslied: »O Vaterland« (Danilo)
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Graf Danilo Danilowitsch]:
Bo Skovhus (baritone) (in 1994-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1994-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt I. Dialog: „Also bitte, Njegus, ich bin hier” / Nr. 4 Auftrittslied „O Vaterland, du machst bei Tag” ... „Da geh' ich zu Maxim” (Danilo) (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
Franz Lehár2:14
8Die lustige Witwe: Erster Akt. »Ich habe schon die vierte Nacht nicht geschlafen!« (Danilo, Njegus, St. Brioche, Hanna)
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Graf Danilo Danilowitsch]:
Bo Skovhus (baritone) (in 1994-01)
soprano vocals [Hanna Glawari]:
Cheryl Studer (soprano) (in 1994-01)
tenor vocals [Njegus]:
Heinz Zednik (tenor) (in 1994-01)
tenor vocals [Raoul de St. Brioche]:
Uwe Peper (tenor) (in 1994-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1994-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt I. Dialog „Ich habe schon die vierte Nacht nicht geschlafen!” (Hanna, Danilo, Njegus, St. Brioche) (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
Franz Lehár1:29
9Die lustige Witwe: Erster Akt. »Ich bitte Sie, lieber Freund, es hat doch keinen Zweck« (Valencienne, Camille) / 5. Duett: »Ja, was?« - »Ein trautes Zimmerlein« (Camille, Valencienne)
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
soprano vocals [Valencienne]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [Camille de Rosillon]:
Rainer Trost (in 1994-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1994-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt I. Nr. 5 Duett „Ja, was? – Ein trautes Zimmerlein“ / "Das ist der Zauber der stillen Häuslichkeit" (Valencienne, Camille) (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
Franz Lehár2:27
10Die lustige Witwe: Erster Akt. »Also, lieber Graf, Sie sind, mein Mann« (Zeta, Danilo) / 6. Finale I: »Damenwahl! Hört man rufen rings im Saal« (Hanna, Danilo, Cascada, St. Brioche, eine Dame, Valencienne, Camille, Chor)
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Graf Danilo Danilowitsch]:
Bo Skovhus (baritone) (in 1994-01)
baritone vocals [Vicomte Cascada]:
Karl-Magnus Fredriksson (Swedish baritone) (in 1994-01)
bass-baritone vocals [Baron Mirko Zeta]:
Bryn Terfel (bass‐baritone opera singer) (in 1994-01)
soprano vocals [Hanna Glawari]:
Cheryl Studer (soprano) (in 1994-01)
soprano vocals [Valencienne]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [Camille de Rosillon]:
Rainer Trost (in 1994-01)
tenor vocals [Raoul de St. Brioche]:
Uwe Peper (tenor) (in 1994-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1994-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt I. Nr. 6 Finale I „Damenwahl! Hört man rufen rings im Saal!” (Chor, Hanna, Danilo, Sylviane, Cascada, St. Brioche, Valencienne) (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
Franz Lehár10:05
11Die lustige Witwe: Zweiter Akt. 7. Introduction, Tanz und Vilja-Lied: »Ich bitte, hier jetzt zu verweilen« - »Es lebt' eine Vilja« (Hanna, Chor)
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
soprano vocals [Hanna Glawari]:
Cheryl Studer (soprano) (in 1994-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1994-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt II. N°7. Introduktion, Tanz und Vilja-Lied: “Ich bitte, hier jetzt zu verweilen” … “Nun laßt uns aber wie daheim” … “Es lebt’ eine Vilja” (Hanna, Chor) (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
part of:
Die lustige Witwe: Akt II
Franz Lehár9:31
12Die lustige Witwe: Zweiter Akt. »Gospodina, dieses vaterländische Fest könnte nicht vaterländischer sein!« (Zeta, Hanna, Danilo)
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Graf Danilo Danilowitsch]:
Bo Skovhus (baritone) (in 1994-01)
bass-baritone vocals [Baron Mirko Zeta]:
Bryn Terfel (bass‐baritone opera singer) (in 1994-01)
soprano vocals [Hanna Glawari]:
Cheryl Studer (soprano) (in 1994-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1994-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt II. Dialog: "Gospodina, dieses vaterländische Fest" (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
Franz Lehár0:50
13Die lustige Witwe: Zweiter Akt. 8. Duett: »Heia, Mädel, aufgeschaut« (Hanna, Danilo)
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Graf Danilo Danilowitsch]:
Bo Skovhus (baritone) (in 1994-01)
soprano vocals [Hanna Glawari]:
Cheryl Studer (soprano) (in 1994-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1994-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt II. N°8. Duett “Heia, Mädel, aufgeschaut” … “Dummer, dummer Reitersmann” (Hanna, Danilo) (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
Franz Lehár2:43
14Die lustige Witwe: Zweiter Akt. »Wir werden uns noch schlagen um die Witwe!« (St. Brioche, Cascada, Danilo, Zeta) / 9. Marsch-Septett: »Wie die Weiber man behandelt« (Danilo, Zeta, St. Brioche, Cascada, Kromow Bogdanowitsch, Pritschitsch)
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Graf Danilo Danilowitsch]:
Bo Skovhus (baritone) (in 1994-01)
baritone vocals [Vicomte Cascada]:
Karl-Magnus Fredriksson (Swedish baritone) (in 1994-01)
bass vocals [Bogdanowitsch]:
Richard Savage (bass-baritone) (in 1994-01)
bass vocals [Pritschitsch]:
Julian Clarkson (baritone) (in 1994-01)
bass-baritone vocals [Baron Mirko Zeta]:
Bryn Terfel (bass‐baritone opera singer) (in 1994-01)
tenor vocals [Kromow]:
Philip Salmon (tenor) (in 1994-01)
tenor vocals [Raoul de St. Brioche]:
Uwe Peper (tenor) (in 1994-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1994-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt II. N°9. Marsch-Septett: „Wie die Weiber man behandelt” … „Ja, das Studium der Weiber ist schwer” (Danilo, Zeta, Cascada, St. Brioche, Kromow, Bogdanowitsch, Pritschitsch) (Weibermarsch) (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
recording of:
Die lustige Witwe: Akt II. N°8. Duett “Heia, Mädel, aufgeschaut” … “Dummer, dummer Reitersmann” (Hanna, Danilo)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
Franz Lehár3:06
15Die lustige Witwe: Zweiter Akt. »Mein tapferer Reitersmann!« (Hanna, Danilo) / 10. Spielszene und Tanzduett: »So, wie die Dinge sich entwickeln« (Hanna, Danilo)
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Graf Danilo Danilowitsch]:
Bo Skovhus (baritone) (in 1994-01)
soprano vocals [Hanna Glawari]:
Cheryl Studer (soprano) (in 1994-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1994-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt II (in 1994-01)
composer:
Franz Lehár (composer) (in 1905)
librettist:
Victor Léon (librettist) and Leo Stein
version of:
Die lustige Witwe: Akt II, Part 2
part of:
Die lustige Witwe
Franz Lehár5:18
16Die lustige Witwe: Zweiter Akt. »Nein, nein, nein« (Valencienne, Camille) / 11. Duett und Romanze: »Mein Freund! Vernunft!« - »Wie eine Rosenknospe« (Valencienne, Camille)
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
soprano vocals [Valencienne]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [Camille de Rosillon]:
Rainer Trost (in 1994-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1994-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt II. N°11. Duett und Romanze: "Mein Freund, Vernunft ... Wie eine Rosenknospe" (Camille, Valencienne) (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
Franz Lehár6:34
17Die lustige Witwe: Zweiter Akt. »Ah, die Baronin und der Herr Rosillon« (Njegus, Zeta, Danilo)
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Graf Danilo Danilowitsch]:
Bo Skovhus (baritone) (in 1994-01)
bass-baritone vocals [Baron Mirko Zeta]:
Bryn Terfel (bass‐baritone opera singer) (in 1994-01)
tenor vocals [Njegus]:
Heinz Zednik (tenor) (in 1994-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1994-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt II. Dialog: "Ah, die Baronin und Herr Rosillon" (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
Franz Lehár1:08
18Die lustige Witwe: Zweiter Akt. 12. Finale II: »Ha! Ha!« - »Wir fragen, was man von uns will!« (Danilo, Zeta, Hanna, Valencienne, Camille, Njegus, Sylviane, Olga, Praškowia, Bogdanowitsch, Kromow, Pritschitsch, Chor)
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
alto vocals [Sylviane]:
Lynette Alcántara (in 1994-01)
baritone vocals [Graf Danilo Danilowitsch]:
Bo Skovhus (baritone) (in 1994-01)
bass vocals [Bogdanowitsch]:
Richard Savage (bass-baritone) (in 1994-01)
bass vocals [Pritschitsch]:
Julian Clarkson (baritone) (in 1994-01)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1994-01)
soprano vocals [Hanna Glawari]:
Cheryl Studer (soprano) (in 1994-01)
soprano vocals [Olga]:
Constanze Backes (German Soprano vocalist) (in 1994-01)
soprano vocals [Praškowia]:
Angela Kazimierczuk (Classical soprano) (in 1994-01)
soprano vocals [Valencienne]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [Camille de Rosillon]:
Rainer Trost (in 1994-01)
tenor vocals [Kromow]:
Philip Salmon (tenor) (in 1994-01)
tenor vocals [Njegus]:
Heinz Zednik (tenor) (in 1994-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1994-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt II. N°12. Finale II: “Ha! Ha! Wir fragen” … “Wie eine Rosenknospe” … “Den Herrschaften hab' ich was zu erzählen” (Danilo, Zeta, Hanna, Valencienne, Camille, Njegus) (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
Franz Lehár11:34
19Die lustige Witwe: Dritter Akt. 12b. Zwischenspiel / »Also, also, also!« (Zeta, Njegus)
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
bass-baritone vocals [Baron Mirko Zeta]:
Bryn Terfel (bass‐baritone opera singer) (in 1994-01)
tenor vocals [Njegus]:
Heinz Zednik (tenor) (in 1994-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1994-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt III. Nr. 12b Zwischenspiel / Dialog „Also, also, also!” (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt III
Franz Lehár0:35
20Die lustige Witwe: Dritter Akt. 13. Tanz-Szene
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1994-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt III. Nr. 13 Tanz-Szene (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt III
Franz Lehár0:54
21Die lustige Witwe: Dritter Akt. »Graf Danilowitsch …« (Njegus, Danilo) / 14. Chanson: »Ja, wir sind es, die Grisetten« (Valencienne, Lolo, Dodo, Jou-Jou, Frou-Frou, Clo-Clo, Margot, Danilo, Zeta, Bogdanowitsch, Pritschitsch, Kromow, Chor)
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Graf Danilo Danilowitsch]:
Bo Skovhus (baritone) (in 1994-01)
bass vocals [Bogdanowitsch]:
Richard Savage (bass-baritone) (in 1994-01)
bass vocals [Pritschitsch]:
Julian Clarkson (baritone) (in 1994-01)
bass-baritone vocals [Baron Mirko Zeta]:
Bryn Terfel (bass‐baritone opera singer) (in 1994-01)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1994-01)
soprano vocals [Clo-Clo]:
Suzanne Flowers (in 1994-01)
soprano vocals [Dodo]:
Constanze Backes (German Soprano vocalist) (in 1994-01)
soprano vocals [Frou-Frou]:
Donna Deam (soprano) (in 1994-01)
soprano vocals [Jou-Jou]:
Angela Kazimierczuk (Classical soprano) (in 1994-01)
soprano vocals [Lolo]:
Lucinda Houghton (soprano) (in 1994-01)
soprano vocals [Margot]:
Nicola Jenkin (soprano) (in 1994-01)
soprano vocals [Valencienne]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [Kromow]:
Philip Salmon (tenor) (in 1994-01)
tenor vocals [Njegus]:
Heinz Zednik (tenor) (in 1994-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1994-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt III. Nr. 14 Chanson „Ja, wir sind es, die Grisetten” (Valencienne, Grisetten) (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt III
Franz Lehár3:01
22Die lustige Witwe: Dritter Akt. »Exzellenz, Exzellenz, Graf, eine Expressdepesche!« (A servant, Danilo, Zeta, Hanna)
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Graf Danilo Danilowitsch]:
Bo Skovhus (baritone) (in 1994-01)
bass-baritone vocals [Baron Mirko Zeta]:
Bryn Terfel (bass‐baritone opera singer) (in 1994-01)
soprano vocals [Hanna Glawari]:
Cheryl Studer (soprano) (in 1994-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1994-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt III. Dialog „Exzellenz, Exzellenz, Graf, eine Expreßdepesche!” (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt III
Franz Lehár1:04
23Die lustige Witwe: Dritter Akt. »Aber dort bin ich zu Hause …« / 15. Duett: »Lippen schweigen« (Danilo, Hanna)
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Graf Danilo Danilowitsch]:
Bo Skovhus (baritone) (in 1994-01)
soprano vocals [Hanna Glawari]:
Cheryl Studer (soprano) (in 1994-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1994-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt III. Nr. 15. Duett „Lippen schweigen” … „Bei jedem Walzerschritt” (Hanna, Danilo) (Ballsirenen-Walzer) (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt III
partial recording of:
Die lustige Witwe: Akt III. Nr. 15. Duett „Lippen schweigen” … „Bei jedem Walzerschritt” (Hanna, Danilo) (Ballsirenen-Walzer)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt III
Franz Lehár2:59
24Die lustige Witwe: Dritter Akt. »Exzellenz! Exzellenz! Diesen Fächer hat man im Pavillon gefunden!« (Njegus, Valencienne, Zeta, Hanna, Danilo)
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Graf Danilo Danilowitsch]:
Bo Skovhus (baritone) (in 1994-01)
bass-baritone vocals [Baron Mirko Zeta]:
Bryn Terfel (bass‐baritone opera singer) (in 1994-01)
soprano vocals [Hanna Glawari]:
Cheryl Studer (soprano) (in 1994-01)
soprano vocals [Valencienne]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [Njegus]:
Heinz Zednik (tenor) (in 1994-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1994-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt III. Dialog „Exzellenz, Exzellenz, Graf, eine Expreßdepesche!” (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt III
partial recording of:
Die lustige Witwe: Akt III. Nr. 15. Duett „Lippen schweigen” … „Bei jedem Walzerschritt” (Hanna, Danilo) (Ballsirenen-Walzer)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt III
Franz Lehár1:25
25Die lustige Witwe: Dritter Akt. 16. Schlussgesang: »Ja, das Studium der Weiber ist schwer« (Hanna, Zeta, Danilo, Valencienne, Lolo, Dodo, Jou-Jou, Frou-Frou, Clo-Clo, Margot, Kromow, Bogdanowitsch, Pritschitsch, Chor)
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Graf Danilo Danilowitsch]:
Bo Skovhus (baritone) (in 1994-01)
bass vocals [Bogdanowitsch]:
Richard Savage (bass-baritone) (in 1994-01)
bass vocals [Pritschitsch]:
Julian Clarkson (baritone) (in 1994-01)
bass-baritone vocals [Baron Mirko Zeta]:
Bryn Terfel (bass‐baritone opera singer) (in 1994-01)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1994-01)
soprano vocals [Clo-Clo]:
Suzanne Flowers (in 1994-01)
soprano vocals [Dodo]:
Constanze Backes (German Soprano vocalist) (in 1994-01)
soprano vocals [Frou-Frou]:
Donna Deam (soprano) (in 1994-01)
soprano vocals [Hanna Glawari]:
Cheryl Studer (soprano) (in 1994-01)
soprano vocals [Jou-Jou]:
Angela Kazimierczuk (Classical soprano) (in 1994-01)
soprano vocals [Lolo]:
Lucinda Houghton (soprano) (in 1994-01)
soprano vocals [Margot]:
Nicola Jenkin (soprano) (in 1994-01)
tenor vocals [Kromow]:
Philip Salmon (tenor) (in 1994-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1994-01)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt III. Nr. 16 Schlussgesang: "Ja, das Studium der Weiber ist schwer" (Hanna, Zeta, Danilo, alle) (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt III
Franz Lehár0:37
54CD: Mahler: Lieder eines fahrenden Gesellen / 5 Rückert Lieder / Zemlinsky: 6 Maeterlinck Lieder
55CD: Mendelssohn: Symphony no. 4 “Italian” (original & revised versions) / Symphony no. 5 “Reformation”
56CD: Monteverdi: Vespro della Beata Vergine nos. 1-10
57CD: Monteverdi: Vespro della Beata Vergine nos. 11-13
58CD: Monteverdi: L'Orfeo (Prologue - Acts I & II)
59CD: Monteverdi: L'Orfeo (Acts III-V)
60CD: Monteverdi: L'incoronazione di Poppea (Prologue & Act I beg.)
61CD: Monteverdi: L'incoronazione di Poppea (Acts I cont. & II)
62CD: Monteverdi: L'incoronazione di Poppea (Act III)
63CD: Mozart: Piano Concertos nos. 5 & 6 / Concerto for 3 Pianos and Orchestra no. 7 “Lodron” / Rondo, K. 382
64CD: Mozart: Piano Concertos nos. 8 “Lützow” & 9 “Jeunehomme” / Concerto for Two Pianos and Orchestra no. 10
65CD: Mozart: Piano Concertos nos. 11, 12 & 13
66CD: Mozart: Piano Concertos nos. 14, 15 & 18
67CD: Mozart: Piano Concertos nos. 16, 19 “Second Coronation Concerto” & 21
68CD: Mozart: Piano Concertos nos. 17 & 20 / Rondo, K. 386
69CD: Mozart: Piano Concertos nos. 22 & 23
70CD: Mozart: Piano Concertos nos. 24 & 25
71CD: Mozart: Piano Concertos nos. 26 “Coronation” & 27
72CD: Mozart: Idomeneo (Acts I & II beg.)
73CD: Mozart: Idomeneo (Acts II cont. & III beg.)
74CD: Mozart: Idomeneo (Act III cont.)
75CD: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
76CD: Mozart: Die Entführung aus dem Serail (Acts II cont. & III)
77CD: Mozart: Le nozze di Figaro (Acts I & II beg.)
78CD: Mozart: Le nozze di Figaro (Acts II cont. & III)
79CD: Mozart: Le nozze di Figaro (Act IV)
80CD: Mozart: Don Giovanni (Act I beg.)
81CD: Mozart: Don Giovanni (Acts I cont. & II beg.)
82CD: Mozart: Don Giovanni (Act II cont.)
83CD: Mozart: Così fan tutte (Act I beg.)
84CD: Mozart: Così fan tutte (Acts I cont. & II beg.)
85CD: Mozart: Così fan tutte (Act II cont.)
86CD: Mozart: La clemenza di Tito (Act I)
87CD: Mozart: La clemenza di Tito (Act II)
88CD: Mozart: Die Zauberflöte (Acts I & II beg.)
89CD: Mozart: Die Zauberflöte (Act II cont.)
90CD: Purcell: The Fairy Queen (Acts I-III)
91CD: Purcell: The Fairy Queen (Acts IV & V)
92CD: Rachmaninoff: Symphonic Dances / Janáček: Taras Bulba
93CD: Schubert: Gesang der Geister über den Wassern / Symphony no. 9 “Great”
94CD: Schütz: 4 Motets and Songs / Musikalische Exequien
95CD: Schumann: Symphony in G minor “Zwickau Symphony” / Symphony no. 1 “Spring” / Overture, Scherzo and Finale, op. 52
96CD: Schumann: Symphonies nos. 4 (original version) & 2
97CD: Schumann: Konzertstück for 4 Horns and Orchestra, op. 86 / Symphonies nos. 3 “Rhenish” & 4 (revised version 1851)
98CD: Schumann: Requiem für Mignon / Nachtlied / Das Paradies und die Peri (Part I)
99CD: Schumann: Das Paradies und die Peri (Parts II & III)
100CD: Boulanger: Psalms 24 & 129 / Vieille Prière bouddhique / Du fond de l'abîme (Psalm 130) / Stravinsky: Symphony of Psalms
101CD: Stravinsky: The Rake's Progress (Acts I & II beg.)
102CD: Stravinsky: The Rake's Progress (Acts II cont. & III)
103CD: Weill: Die sieben Todsünden / Songs from Lady in the Dark, Happy End, One Touch of Venus / Songs with Piano
104CD: Vienna Soirée: Suppé, Ziehrer, Lehár, Lanner, Heuberger
105CD: Mozart: Thamos, König in Ägypten

Credits

Release

photography:Clive Barda (photographer)
Sheila Rock (UK photographer)
miscellaneous support:Andreas Fischer (product manager at Deutsche Grammophon) (task: product manager)
Lars Hoffman (creative production manager) (task: creative production manager)
Alan Newcombe (Producer, coordinator, researcher, and liner notes translator) (task: compilation)
design:Mareike Walter (designer)
booklet editor:Annette Nubbemeyer
Discogs:https://www.discogs.com/release/23477642 [info]
discography entry:https://www.deutschegrammophon.com/en/catalogue/products/john-eliot-gardiner-complete-recordings-on-archiv-produktion-deutsche-grammophon-12272 [info]