The Billy May Sessions

~ Veröffentlichung von Nat King Cole (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Anmerkung

Copyright: © 1993 Capitol Records, LLC
This Compilation ℗ 1993 Capitol Records, LLC

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Anmerkung zuletzt geändert am 2025-08-06 14:47 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelBewertungLänge
1Walkin’ My Baby Back Home
alto saxophone:
Skeets Herfurt (am 1951-09-04) und Wilbur Schwartz (am 1951-09-04)
baritone saxophone:
Chuck Gentry (am 1951-09-04)
Bass:
Phil Stephens (bass and tuba player) (am 1951-09-04)
Bongos und Conga:
Jack Costanzo (am 1951-09-04)
Gitarre:
Barney Kessel (am 1951-09-04)
Klavier:
Jimmy Rowles (am 1951-09-04)
Posaune:
Ed Kusby (am 1951-09-04), Murray McEachern (am 1951-09-04), Pullman “Tommy” Pederson (am 1951-09-04) und Jimmy Priddy (am 1951-09-04)
Schlagzeug:
Alvin Stoller (am 1951-09-04)
Tenorsaxophon:
Fred Fallensby (am 1951-09-04) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1951-09-04)
Trompete:
Johnny Best (jazz trumpeter) (am 1951-09-04), Conrad Gozzo (am 1951-09-04), Manny Klein (am 1951-09-04) und Ray Linn (am 1951-09-04)
vocals:
Nat King Cole (am 1951-09-04)
conductor:
Billy May (am 1951-09-04)
arranger:
Billy May
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1951-09-04)
cover recording of:
Walkin’ My Baby Back Home (am 1951-09-04)
Texter:
Roy Turk (in 1930)
Komponist(in):
Fred Ahlert (in 1930)
publisher:
Chappell & Co., Inc. (USA), Redwood Music Ltd. (Carlin) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
2:39
2What Does It Take?
alto saxophone:
Skeets Herfurt (am 1951-09-04) und Wilbur Schwartz (am 1951-09-04)
baritone saxophone:
Chuck Gentry (am 1951-09-04)
Bass:
Phil Stephens (bass and tuba player) (am 1951-09-04)
Bongos und Conga:
Jack Costanzo (am 1951-09-04)
Gitarre:
Barney Kessel (am 1951-09-04)
Klavier:
Jimmy Rowles (am 1951-09-04)
Posaune:
Ed Kusby (am 1951-09-04), Murray McEachern (am 1951-09-04), Pullman “Tommy” Pederson (am 1951-09-04) und Jimmy Priddy (am 1951-09-04)
Schlagzeug:
Alvin Stoller (am 1951-09-04)
Tenorsaxophon:
Fred Fallensby (am 1951-09-04) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1951-09-04)
Trompete:
Johnny Best (jazz trumpeter) (am 1951-09-04), Conrad Gozzo (am 1951-09-04), Manny Klein (am 1951-09-04) und Ray Linn (am 1951-09-04)
vocals:
Nat King Cole (am 1951-09-04)
Orchester:
Billy May & His Orchestra (am 1951-09-04)
conductor:
Billy May (am 1951-09-04)
arranger:
Billy May
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1951-09-04)
recording of:
What Does It Take (am 1951-09-04)
Texter:
Jimmy Van Heusen
Verfasser(in):
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
2:47
3Walkin’
alto saxophone:
Skeets Herfurt (am 1951-09-04) und Wilbur Schwartz (am 1951-09-04)
baritone saxophone:
Chuck Gentry (am 1951-09-04)
Bass:
Phil Stephens (bass and tuba player) (am 1951-09-04)
Bongos und Conga:
Jack Costanzo (am 1951-09-04)
Gitarre:
Barney Kessel (am 1951-09-04)
Klavier:
Jimmy Rowles (am 1951-09-04)
Posaune:
Ed Kusby (am 1951-09-04), Murray McEachern (am 1951-09-04), Pullman “Tommy” Pederson (am 1951-09-04) und Jimmy Priddy (am 1951-09-04)
Schlagzeug:
Alvin Stoller (am 1951-09-04)
Tenorsaxophon:
Fred Fallensby (am 1951-09-04) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1951-09-04)
Trompete:
Johnny Best (jazz trumpeter) (am 1951-09-04), Conrad Gozzo (am 1951-09-04), Manny Klein (am 1951-09-04) und Ray Linn (am 1951-09-04)
vocals:
Nat King Cole (am 1951-09-04)
conductor:
Billy May (am 1951-09-04)
arranger:
Billy May
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1951-09-04)
recording of:
Walkin'
Texter und Komponist(in):
Mary Lou Williams (American jazz pianist and composer) (in 1951)
2:49
4I’m Hurtin’
alto saxophone:
Skeets Herfurt (am 1951-09-04) und Wilbur Schwartz (am 1951-09-04)
baritone saxophone:
Chuck Gentry (am 1951-09-04)
Bass:
Phil Stephens (bass and tuba player) (am 1951-09-04)
Bongos und Conga:
Jack Costanzo (am 1951-09-04)
Gitarre:
Barney Kessel (am 1951-09-04)
Klavier:
Jimmy Rowles (am 1951-09-04)
Posaune:
Ed Kusby (am 1951-09-04), Murray McEachern (am 1951-09-04), Pullman “Tommy” Pederson (am 1951-09-04) und Jimmy Priddy (am 1951-09-04)
Schlagzeug:
Alvin Stoller (am 1951-09-04)
Tenorsaxophon:
Fred Fallensby (am 1951-09-04) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1951-09-04)
Trompete:
Johnny Best (jazz trumpeter) (am 1951-09-04), Conrad Gozzo (am 1951-09-04), Manny Klein (am 1951-09-04) und Ray Linn (am 1951-09-04)
vocals:
Nat King Cole (am 1951-09-04)
conductor:
Billy May (am 1951-09-04)
arranger:
Billy May
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1951-09-04)
recording of:
I’m Hurtin’
Verfasser(in):
Skeets McDonald
2:49
5Angel Eyes
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (am 1953-01-14)
Bass:
Jack Agee (am 1953-01-14) und Ralph Peña (am 1953-01-14)
Bongos und Conga:
Jack Costanzo (am 1953-01-14)
Gitarre:
John Collins (US jazz guitarist) (am 1953-01-14)
Klarinette und Saxophon:
Bob Dawes (am 1953-01-14) und Charles Deremo (am 1953-01-14)
Klavier:
Cliff Fishback (am 1953-01-14)
Posaune:
Karl DeKarske (am 1953-01-14), Dick Nash (am 1953-01-14), Robert Reisiger (am 1953-01-14) und Si Zentner (am 1953-01-14)
Schlagzeug:
John Markham (am 1953-01-14)
Tenorsaxophon:
Richard Clay (am 1953-01-14) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1953-01-14)
Trompete:
Tony Facciuto (am 1953-01-14), Conrad Gozzo (am 1953-01-14), Jack H. Laubach (trumpeter) (am 1953-01-14), Robert McKinzie (am 1953-01-14) und Andy Peele (40s jazz trumpeter) (am 1953-01-14)
vocals:
Nat King Cole (am 1953-01-14)
Orchester:
Billy May & His Orchestra (am 1953-01-14)
conductor:
Billy May (am 1953-01-14)
arranger:
Billy May
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-01-14)
cover recording of:
Angel Eyes (1946 jazz standard) (am 1953-01-14)
Texter:
Earl Brent (in 1946)
Komponist(in):
Matt Dennis (American singer, pianist, band leader) (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music) und Onyx Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:15
6Lover, Come Back to Me!
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (am 1953-01-14)
Bass:
Jack Agee (am 1953-01-14) und Ralph Peña (am 1953-01-14)
Bongos und Conga:
Jack Costanzo (am 1953-01-14)
Gitarre:
John Collins (US jazz guitarist) (am 1953-01-14)
Klarinette und Saxophon:
Bob Dawes (am 1953-01-14) und Charles Deremo (am 1953-01-14)
Klavier:
Cliff Fishback (am 1953-01-14)
Posaune:
Karl DeKarske (am 1953-01-14), Dick Nash (am 1953-01-14), Robert Reisiger (am 1953-01-14) und Si Zentner (am 1953-01-14)
Schlagzeug:
John Markham (am 1953-01-14)
Tenorsaxophon:
Richard Clay (am 1953-01-14) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1953-01-14)
Trompete:
Tony Facciuto (am 1953-01-14), Conrad Gozzo (am 1953-01-14), Jack H. Laubach (trumpeter) (am 1953-01-14), Robert McKinzie (am 1953-01-14) und Andy Peele (40s jazz trumpeter) (am 1953-01-14)
Chorgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1953-01-14)
vocals:
Nat King Cole (am 1953-01-14)
Orchester:
Billy May & His Orchestra (am 1953-01-14)
conductor:
Billy May (am 1953-01-14)
arranger:
Billy May
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-01-14)
cover recording of:
Lover, Come Back to Me (from "The New Moon") (am 1953-01-14)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
Verfasser(in):
Sigmund Romberg
Komponist(in):
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The New Moon: Act II
2:30
7Can’t I?
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (am 1953-01-14)
Bass:
Jack Agee (am 1953-01-14) und Ralph Peña (am 1953-01-14)
Bongos und Conga:
Jack Costanzo (am 1953-01-14)
Gitarre:
John Collins (US jazz guitarist) (am 1953-01-14)
Klarinette und Saxophon:
Bob Dawes (am 1953-01-14) und Charles Deremo (am 1953-01-14)
Klavier:
Cliff Fishback (am 1953-01-14)
Posaune:
Karl DeKarske (am 1953-01-14), Dick Nash (am 1953-01-14), Robert Reisiger (am 1953-01-14) und Si Zentner (am 1953-01-14)
Schlagzeug:
John Markham (am 1953-01-14)
Tenorsaxophon:
Richard Clay (am 1953-01-14) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1953-01-14)
Trompete:
Tony Facciuto (am 1953-01-14), Conrad Gozzo (am 1953-01-14), Jack H. Laubach (trumpeter) (am 1953-01-14), Robert McKinzie (am 1953-01-14) und Andy Peele (40s jazz trumpeter) (am 1953-01-14)
vocals:
Nat King Cole (am 1953-01-14)
Orchester:
Billy May & His Orchestra (am 1953-01-14)
conductor:
Billy May (am 1953-01-14)
arranger:
Billy May
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-01-14)
cover recording of:
Can’t I? (am 1953-01-14)
Texter und Komponist(in):
Leroy Lovett Jr
3:15
8Papa Loves Mambo
Bass:
Joe Mondragon (am 1954-10-18)
Bratsche / Viola:
Alvin Dinkin (am 1954-10-18) und Stanley Harris (US big band viola player) (am 1954-10-18)
Cello:
Cy Bernard (am 1954-10-18) und Eleanor Slatkin (US cellist, b. Aller) (am 1954-10-18)
Geige / Violine:
Victor Bay (am 1954-10-18), Alex Beller (am 1954-10-18), Mischa Russell (violinist) (am 1954-10-18), Eudice Shapiro (Violinist) (am 1954-10-18), Paul Shure (am 1954-10-18) und Felix Slatkin (am 1954-10-18)
Gitarre:
Al Hendrickson (am 1954-10-18)
Harfe:
Ann Mason Stockton (American harpist) (am 1954-10-18)
Klavier:
Bill Miller (pianist) (am 1954-10-18)
Perkussion:
Stevan Dweek (am 1954-10-18), Alvin Stoller (am 1954-10-18) und Carlos Vidal (Cuban percussionist) (am 1954-10-18)
Posaune:
Ed Kusby (am 1954-10-18), Murray McEachern (am 1954-10-18), Pullman “Tommy” Pederson (am 1954-10-18) und Si Zentner (am 1954-10-18)
Rohrblattinstrumente:
Fred Fallensby (am 1954-10-18), Chuck Gentry (am 1954-10-18), Skeets Herfurt (am 1954-10-18), Ted Nash (75- US saxophonist, the nephew) (am 1954-10-18) und Wilbur Schwartz (am 1954-10-18)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1954-10-18)
Trompete:
Johnny Best (jazz trumpeter) (am 1954-10-18), Conrad Gozzo (am 1954-10-18), Manny Klein (am 1954-10-18) und Uan Rasey (am 1954-10-18)
Chorgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1954-10-18)
vocals:
Nat King Cole (am 1954-10-18)
Orchester:
Billy May & His Orchestra (am 1954-10-18)
conductor:
Billy May (am 1954-10-18) und Nelson Riddle (am 1954-10-18)
arranger:
Billy May und Nelson Riddle
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-10-18)
cover recording of:
Papa Loves Mambo (am 1954-10-18)
Verfasser(in):
Al Hoffman, Dick Manning (American songwriter) und Bickley Reichner
2:39
9Teach Me Tonight
Bass:
Joe Mondragon (am 1954-10-18)
Bratsche / Viola:
Alvin Dinkin (am 1954-10-18) und Stanley Harris (US big band viola player) (am 1954-10-18)
Cello:
Cy Bernard (am 1954-10-18) und Eleanor Slatkin (US cellist, b. Aller) (am 1954-10-18)
Geige / Violine:
Victor Bay (am 1954-10-18), Alex Beller (am 1954-10-18), Mischa Russell (violinist) (am 1954-10-18), Eudice Shapiro (Violinist) (am 1954-10-18), Paul Shure (am 1954-10-18) und Felix Slatkin (am 1954-10-18)
Gitarre:
Al Hendrickson (am 1954-10-18)
Harfe:
Ann Mason Stockton (American harpist) (am 1954-10-18)
Klavier:
Bill Miller (pianist) (am 1954-10-18)
Perkussion:
Stevan Dweek (am 1954-10-18), Alvin Stoller (am 1954-10-18) und Carlos Vidal (Cuban percussionist) (am 1954-10-18)
Posaune:
Ed Kusby (am 1954-10-18), Murray McEachern (am 1954-10-18), Pullman “Tommy” Pederson (am 1954-10-18) und Si Zentner (am 1954-10-18)
Rohrblattinstrumente:
Fred Fallensby (am 1954-10-18), Chuck Gentry (am 1954-10-18), Skeets Herfurt (am 1954-10-18), Ted Nash (75- US saxophonist, the nephew) (am 1954-10-18) und Wilbur Schwartz (am 1954-10-18)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1954-10-18)
Trompete:
Johnny Best (jazz trumpeter) (am 1954-10-18), Conrad Gozzo (am 1954-10-18), Manny Klein (am 1954-10-18) und Uan Rasey (am 1954-10-18)
vocals:
Nat King Cole (am 1954-10-18)
Orchester:
Billy May & His Orchestra (am 1954-10-18)
conductor:
Billy May (am 1954-10-18) und Nelson Riddle (am 1954-10-18)
arranger:
Billy May und Nelson Riddle
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-10-18)
cover recording of:
Teach Me Tonight (am 1954-10-18)
Texter:
Sammy Cahn
Komponist(in):
Gene de Paul
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (beendet), Cahn Music Co., Hub Music Co., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
3:11
10Blue Moon
2:13
11With You on My Mind
2:37
12Don’t Try
2:22
13Send for Me
Produzent(in):
Lee Gillette
Bass:
Charlie Harris (jazz bassist) (am 1957-05-14)
Gitarre:
John Collins (US jazz guitarist) (am 1957-05-14) und Al Hendrickson (am 1957-05-14)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1957-05-14)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1957-05-14)
Tenorsaxophon:
Plas Johnson (am 1957-05-14)
Hintergrundgesang:
The Herman McCoy Choir (am 1957-05-14)
vocals:
Nat King Cole (am 1957-05-14)
conductor:
Billy May (am 1957-05-14)
arranger:
Billy May
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-05-14)
recording of:
Send for Me (am 1957-05-14)
Texter und Komponist(in):
Ollie Jones
2:39
14Let’s Make More Love
2:55
15Don’t Get Around Much Anymore
cover recording of:
Don’t Get Around Much Anymore
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. und Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Version von:
Never No Lament
53:11
16The Song Is Ended (But the Melody Lingers on)
recording of:
The Song Is Ended (but the Melody Lingers On)
Texter:
Irving Berlin
Komponist(in):
Irving Berlin (in 1927)
publisher:
Irving Berlin Music Corp. und Williamson Music Company
2:46
17You’ll Never Know
recording of:
You’ll Never Know
Texter:
Mack Gordon
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (beendet), EMI Blackwood Music Inc. und WB Music Corp. (1929–2019) (bis 2019-05-28)
sub-publisher:
ワーナー・チャペル音楽出版 (Warner/Chappell Music Japan), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1943 winner)
2:43
18Just for the Fun of It - Mono / Alternate Take - Take Three
recording of:
Just for the Fun of It
Verfasser(in):
Lillian Bret Harte und Arlene Jackson
2:35
19Who’s Sorry Now?
recording of:
Who’s Sorry Now? (1923 song)
Texter:
Bert Kalmar (in 1923) und Harry Ruby (in 1923)
Komponist(in):
Ted Snyder (in 1923)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Waterson, Berlin & Snyder (am 1923-03-07) und Mills Music Corporation (in 1929)
2:57
20These Foolish Things (Remind Me of You)
3:47
21Once in a While
cover recording of:
Once in a While
Texter:
Bud Green (in 1937)
Komponist(in):
Michael Edwards (in 1937)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc. und Miller Music Corp.
Teil von:
New York, New York (1977 musical film soundtrack)
2:47
2▶Digitales Medium