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1L'Arlésienne Suite No. 1: I. Prélude. Allegro deciso
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) e Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym) e Alfred Scholz
registrazione di:
L’Arlésienne Suite no. 1: I. Prélude, Allegro deciso – Andante molto (for orchestra)
compositore:
Georges Bizet (French composer) (nel 1872)
parte di:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet6:41
2L'Arlésienne Suite No. 1: II. Minuet. Allegro giocoso
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
direttore d'orchestra:
Cesare Cantieri (an Alfred Scholz pseudonym) e Alfred Scholz
registrazione di:
L’Arlésienne Suite no. 1: II. Minuet, Allegro giocoso (for orchestra)
compositore:
Georges Bizet (French composer) (nel 1872)
parte di:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet2:42
3L'Arlésienne Suite No. 1: III. Adagietto
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
direttore d'orchestra:
Cesare Cantieri (an Alfred Scholz pseudonym) e Alfred Scholz
registrazione di:
L’Arlésienne Suite no. 1: III. Adagietto (for orchestra)
compositore:
Georges Bizet (French composer) (nel 1872)
parte di:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet2:50
4L'Arlésienne Suite No. 1: IV. Carillon. Allegro moderato
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) e Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym) e Alfred Scholz
registrazione di:
L’Arlésienne Suite no. 1: IV. Carillon, Allegro moderato (for orchestra)
compositore:
Georges Bizet (French composer) (nel 1872)
parte di:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet4:45
5L'Arlésienne Suite No. 2: I. Pastorale
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
direttore d'orchestra:
Cesare Cantieri (an Alfred Scholz pseudonym) e Alfred Scholz
registrazione di:
L’Arlésienne Suite no. 2: I. Pastorale (for orchestra)
compositore:
Georges Bizet (French composer) (nel 1872)
arrangiatore:
Ernest Guiraud (French composer)
parte di:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet5:11
6L'Arlésienne Suite No. 2: II. Intermezzo
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
direttore d'orchestra:
Cesare Cantieri (an Alfred Scholz pseudonym) e Alfred Scholz
registrazione di:
L’Arlésienne Suite no. 2: II. Intermezzo (for orchestra)
compositore:
Georges Bizet (French composer) (nel 1872)
arrangiatore:
Ernest Guiraud (French composer)
parte di:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet3:39
7L'Arlésienne Suite No. 2: III. Menuet
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
direttore d'orchestra:
Cesare Cantieri (an Alfred Scholz pseudonym) e Alfred Scholz
registrazione di:
L’Arlésienne Suite no. 2: III. Menuet (for orchestra)
compositore:
Georges Bizet (French composer) (nel 1872)
arrangiatore:
Ernest Guiraud (French composer)
parte di:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet3:56
8L'Arlésienne Suite No. 2: IV. Farandole
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
direttore d'orchestra:
Cesare Cantieri (an Alfred Scholz pseudonym) e Alfred Scholz
registrazione di:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra)
compositore:
Georges Bizet (French composer) (nel 1872)
arrangiatore:
Ernest Guiraud (French composer)
parte di:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet3:27
9Carmen Suite No. 1: I. Prélude
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) e Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato
compositore:
Georges Bizet (French composer)
parte di:
Carmen Suite no. 1
Georges Bizet1:22
10Carmen Suite No. 1: II. Aragonaise
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) e Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV)
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
parte di:
Carmen Suite no. 1
Georges Bizet2:11
11Carmen Suite No. 1: III. Intermezzo
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) e Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III)
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
parte di:
Carmen Suite no. 1
Georges Bizet2:39
12Carmen Suite No. 1: IV. Séguedille
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) e Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 1 : IV. Séguedille. Allegretto (based on Carmen: Act I. Séguedille et Duo « Près des remparts de Séville »)
compositore:
Georges Bizet (French composer)
arrangiatore:
Ernest Guiraud (French composer)
si basa su:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José)
parte di:
Carmen Suite no. 1
Georges Bizet1:50
13Carmen Suite No. 1: V. Les dragons d'Alcala
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) e Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato (based on Carmen: Entr’acte between Acts I and II)
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte I. Entr’acte (intermission between Acts I & II)
parte di:
Carmen Suite no. 1
Georges Bizet1:33
14Carmen Suite No. 1: VI. Les toréadors
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Nemzeti Filharmonikus Zenekar (Hungarian National Philharmonic), Orchester der Zagreber Oper (Alfred Scholz related), Orchestre radio symphonique de Paris, Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand), Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) e Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Emil Edlinger, Jovan Šajnović (conductor, Alfred Scholz related), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! »)
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
si basa su:
Carmen : Prélude
parte di:
Carmen Suite no. 1
Georges Bizet2:14
15Carmen Suite No. 2: I. Marche des contrebandiers
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) e Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 2: I. Marche des contrebandiers
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte III, No. 19. Sextuor et Chœur « Écoute, écoute, compagnon, écoute » (Les contrebandiers, Le Dancaïre, Le Remendado, Don José, Carmen, Mercédès, Frasquita) (Chœur des contrebandiers)
parte di:
Carmen Suite no. 2
Georges Bizet3:54
16Carmen Suite No. 2: II. Habanera
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand), Symfonický orchester Slovenského rozhlasu (Slovak Radio Symphony Orchestra) e Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Zdeněk Košler (conductor), János Sándor, Alfred Scholz e Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
registrazione di:
Carmen Suite no. 2: II. Habanera
compositore:
Georges Bizet (French composer)
arrangiatore:
Ernest Guiraud (French composer)
si basa su:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
parte di:
Carmen Suite no. 2
Georges Bizet42:07
17Carmen Suite No. 2: III. Nocturne
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) e Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Anton Nanut (conductor), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 2: III. Nocturne
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla)
parte di:
Carmen Suite no. 2
Georges Bizet4:09
18Carmen Suite No. 2: IV. Chanson du toréador
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym) e Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 2: IV. Chanson du toréador
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”)
parte di:
Carmen Suite no. 2
Georges Bizet2:37
19Carmen Suite No. 2: V. La garde montante
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym) e Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 2: V. La Garde montante
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte I. No. 3 Marche et chœur des gamins : « Avec la garde montante » (Chœur des gamins, Zuniga)
parte di:
Carmen Suite no. 2
Georges Bizet3:49
20Carmen Suite No. 2: VI. Danse bohéme
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) e Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 2: VI. Danse bohème
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen)
parte di:
Carmen Suite no. 2
Georges Bizet4:31