| # | Title | Artist | Rating | Length |
|---|
| 1 | Instant Karma! (We All Shine On) (2003 remastered version) | John Lennon | | 3:19 |
| 2 | Smoke on the Water (2012 remaster)- recorded in:
- Montreux, Vaud , Switzerland (in 1971-12)
- assistant engineer:
- Jeremy Gee
- engineer:
- Martin Birch
- producer:
- Deep Purple
- drums (drum set):
- Ian Paice (in 1971-12)
- electric bass guitar:
- Roger Glover (in 1971-12)
- electric guitar:
- Ritchie Blackmore (in 1971-12)
- Hammond organ:
- Jon Lord (in 1971-12)
- lead vocals:
- Ian Gillan (in 1971-12)
- phonographic copyright (℗) by:
- Deep Purple (Overseas) Ltd. (in 1973)
- recorded at:
- Rolling Stones Mobile Studio in United Kingdom (in 1971-12)
- part of:
- SWR1 Hitparade 2004 der Männer (number: 8), SWR1 Hitparade 2008 (number: 10), SWR1 Hitparade 2009 (number: 10), SWR1 Hitparade 2012 (number: 10), VH1: 100 Greatest Hard Rock Songs (number: 11), NME: 50 Greatest Guitar Riffs of All Time (number: 13), Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 34) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- recording of:
- Smoke on the Water (in 1971-12)
- writer:
- Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
- publisher:
- B. Feldman & Co. Ltd. , EMI Music Publishing , Glenwood Music Corp., HEC Music and Henrees Music co.
- sub-publisher:
- EMI Music Publishing France, EMI Music Publishing Scandinavia AB, EMI Music Publishing Japan C.F. division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Deep Purple | 4.1 | 5:39 |
| 3 | Radar Love | Golden Earring | | 5:03 |
| 4 | School’s Out (45 version)- engineer:
- Roy Cicala and Shelly Yakus
- producer:
- Bob Ezrin
- drums (drum set):
- Neil Smith
- electric bass guitar:
- Dennis Dunaway
- electric guitar:
- Michael Bruce and Glen Buxton
- guitar and background vocals:
- Reggie Vincent
- keyboard:
- Michael Bruce and Bob Ezrin
- lead vocals:
- Alice Cooper
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1972, in 1974) and WEA International Inc. (in 1972)
- produced for:
- Alive Enterprises Incorporated and Nimbus 9 Productions
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 293) and Rolling Stone: 500 Greatest Songs of All Time (number: 319)
- recording of:
- School’s Out
- writer:
- Michael Bruce , Glen Buxton , Alice Cooper , Dennis Dunaway and Neal Smith
- publisher:
- Bizarre Music Co. , BMG Platinum Songs US, Carlin Music Corporation, Copyright Control , Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Sony/ATV Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music and Warner–Tamerlane Publishing Corp.
- sub-publisher:
- フジパシフィックミュージック and ワーナー・チャペル音楽出版 Synch事業部
| Alice Cooper | 4.25 | 3:29 |
| 5 | You Ain’t Seen Nothing Yet- engineer:
- Mark Smith
- producer:
- Randy Bachman
- solo guitar and lead vocals:
- Randy Bachman
- phonographic copyright (℗) by:
- Mercury Records (in 1974), Phonogram, Inc. (in 1974, in 1978), PolyGram Records, Inc. (in 1974), The Island Def Jam Music Group (in 1974), Union Square Music Ltd. (in 2018) and Universal Music Operations Ltd. (in 2018)
- recording of:
- You Ain’t Seen Nothing Yet
- lyricist and composer:
- Randy Bachman
- publisher:
- BMG Music Publishing Ltd., Ranbach Music , Sony Music Publishing , Sony Songs Inc., Sony/ATV Songs LLC and Top Soil Music
- sub-publisher:
- Ranbach Music Ltd. and Sony/ATV Music Publishing (Germany) GmbH
| Bachman–Turner Overdrive | 4.5 | 3:30 |
| 6 | All Right Now | Free | | 3:33 |
| 7 | Nutbush City Limits- producer:
- Ike Turner
- lead vocals:
- Tina Turner
- phonographic copyright (℗) by:
- Capitol Records, LLC (in 1973), EMI Records USA (in 1973), United Artists (in 1973) and EMI Records Ltd. (in 2004)
- recording of:
- Nutbush City Limits
- lyricist and composer:
- Tina Turner
- publisher:
- Copyright Control , EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing , EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music and Valley Spring Music Corp.
| Ike and Tina Turner | 3.75 | 3:01 |
| 8 | Rockin’ All Over the World- assistant engineer:
- Kevin Whyte
- engineer:
- John Eden , Barry Hammond and Simon Sullivan
- producer:
- Status Quo and Pip Williams
- phonographic copyright (℗) by:
- Mercury Records Ltd. (in 1977), Mercury Records Ltd. (London) (in 1977), Mercury Records Ltd. (UK) (in 1977), Phonogram Ltd. (in 1977), Phonogram Ltd. (London) (in 1977, in 1988) and Polydor Ltd. (UK) (in 1992)
- recorded at:
- Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom (on 1992-08-30), Studio Bohus in Kungälv Municipality , Västra Götaland , Sweden (on 1992-08-30) and Sutton Park in Birmingham, West Midlands, England, United Kingdom (on 1992-08-30)
- mixed at:
- Mayfair Studios in London , England, United Kingdom
- music videos:
- Rockin All Over the World by Status Quo
- cover recording of:
- Rockin’ All Over the World (on 1992-08-30)
- lyricist and composer:
- John Fogerty
- publisher:
- Copyright Control , Greasy King Music, Hornall Brothers Music , Intersong , Intersong Music Ltd., Rondor Musikverlag GmbH, Universal Music Publishing AB , Universal/MCA Music Publishing Pty Ltd, Warner Bros. Music Ltd. , Wenaha Music, Wenaha Music Company and Intersong Ltd. (in 1977)
| Status Quo | 4 | 3:31 |
| 9 | Let’s Stick Together- assistant engineer:
- Nigel Walker and Jon Walls
- engineer:
- Steve Nye and John Punter
- producer:
- Bryan Ferry and Chris Thomas
- bass:
- John Wetton (from 1973 until 1976)
- drums (drum set):
- Paul Thompson (from 1973 until 1976)
- guitar:
- Chris Spedding (from 1973 until 1976)
- harmonica and keyboard:
- Bryan Ferry (from 1973 until 1976)
- percussion:
- Morris Pert (from 1973 until 1976)
- soprano saxophone:
- Mel Collins (from 1973 until 1976)
- synthesizer and violin:
- Eddie Jobson (from 1973 until 1976)
- tenor saxophone:
- Chris Mercer (from 1973 until 1976)
- trumpet:
- Martin Drover (from 1973 until 1976)
- choir vocals:
- Vicki Brown (from 1973 until 1976), Doreen Chanter (from 1973 until 1976), Helen Chappelle (from 1973 until 1976), Jackie Sullivan (from 1973 until 1976), Martha Walker (from 1973 until 1976) and Paddie McHugh (from 1973 until 1976)
- vocals:
- Bryan Ferry (from 1973 until 1976)
- phonographic copyright (℗) by:
- E.G. Records Ltd. (in 1976), Virgin EG Records Ltd. (in 1976) and Virgin Records Ltd. (in 1976, in 1999)
- recorded at:
- Air Studios in London , England, United Kingdom and Island Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom (from 1973 until 1976)
- cover recording of:
- Let’s Stick Together (from 1973 until 1976)
- lyricist and composer:
- Wilbert Harrison
- publisher:
- ABZ Music Corp., Copyright Control , EMI Catalogue Partnership, EMI Music Publishing Scandinavia AB, EMI United Partnership Ltd., SBK United Partnership Ltd., United Artists Music Ltd., United Partnership Ltd., Windswept Pacific Entertainment Co. and SBK/U Catalog (in 1969)
| Bryan Ferry | 3.35 | 2:57 |
| 10 | 20th Century Boy | T. Rex | 4.8 | 3:36 |
| 11 | My Sharona- recording engineer:
- Pete Coleman
- producer:
- Mike Chapman
- bass guitar:
- Prescott Niles
- drums (drum set):
- Bruce Gary
- guitar:
- Berton Averre and Doug Fieger
- lead vocals:
- Doug Fieger
- vocals:
- Berton Averre
- remixer:
- Dave Jerden
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1979, in 1994, in 2013)
- part of:
- Paste: The 50 Greatest One-Hit Wonders of All Time (number: 18), TV Cream: Real 100 Best Singles Ever (number: 24), Rolling Stone: The 100 Greatest Guitar Solos of All Time (number: 72) and Billboard: The 500 Best Pop Songs (number: 201)
- recording of:
- My Sharona
- writer:
- Berton Averre and Douglas Fieger
- publisher:
- Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control , Eighties Music, Music Sales Corporation , Small Hill Music, Universal Music Publishing , Universal Music Publishing MGB Australia and Wise Brothers Music LLC
| The Knack | 4.15 | 4:53 |
| 12 | Every Time I Think of You | The Babys | 4.35 | 3:59 |
| 13 | Sebastian | Cockney Rebel | | 5:42 |
| 14 | Vicious- co-producer:
- David Bowie and Mick Ronson
- producer:
- David Bowie and Mick Ronson
- lead vocals:
- Lou Reed (in 1972-08)
- bass arranger and strings arranger:
- Mick Ronson
- arranger:
- David Bowie , Lou Reed and Mick Ronson
- phonographic copyright (℗) by:
- BMG Music (in 1972) and RCA Records (in 1972)
- mixed at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom
- recording of:
- Vicious (in 1972-08)
- lyricist and composer:
- Lou Reed
- publisher:
- BMG Music Publishing Ltd., Champs Élysées Nouv Société, Chappell S.A., Copyright Control , Dunbar Music, Inc., EMI Music Publishing Ltd. , Oakfield Avenue Music Ltd., Spirit One Music, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Lou Reed | 3.45 | 2:55 |
| 15 | (Don’t Fear) The Reaper- phonographic copyright (℗) by:
- CBS, Inc. (in 1976), Sony BMG Music Entertainment (in 1976), Sony Music Entertainment (in 1976) and Sony Music Entertainment Inc. (in 1976, in 1978)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 397) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 449)
- recording of:
- (Don’t Fear) The Reaper
- lyricist and composer:
- Donald Roeser
- publisher:
- Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC , Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC and Sony/ATV Tunes LLC (in 1976)
- sub-publisher:
- ソニー・ミュージックパブリッシング A事業部
| Blue Öyster Cult | 4.4 | 3:49 |
| 16 | Stay With Me | Faces | 4.5 | 4:38 |
| 17 | La Grange | ZZ Top | 4.2 | 3:54 |
| 18 | I’m Going Home | Ten Years After | | 9:37 |
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