Intégrale 1957-1962 - Soul Bossa Nova

~ Release by Quincy Jones (see all versions of this release, 1 available)

Tracklist

1▶CD: This Is How I Feel About Jazz (1957)/Go West Man (1957)
2▶CD: The Birth of a Band (1959)/The Great Wide World Of Quincy Jones (1959)
3▶CD: I Dig Dancers (1960)/Around the World (1961)
4▼CD: Quintessence (1962)/Big Band Bossa Nova (1962)
#TitleRatingLength
1The Quintessence
alto saxophone:
Phil Woods (US jazz woodwind player) (on 1961-12-22)
bass:
Milt Hinton (on 1961-12-22)
drums (drum set):
Jimmy Johnson (drummer in Duke Ellington's Orchestra) (on 1961-12-22)
French horn:
Ray Alonge (french horn) (on 1961-12-22), Earl Chapin (on 1961-12-22), Jim Buffington (US jazz, studio and classical hornist) (on 1961-12-22) and Julius Watkins (on 1961-12-22)
harp:
Gloria Agostini (Harp) (on 1961-12-22)
piano:
Patti Bown (on 1961-12-22)
tenor saxophone:
Oliver Nelson (saxophone, arranger, composer) (on 1961-12-22)
trombone:
Billy Byers (on 1961-12-22), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1961-12-22), Curtis Fuller (on 1961-12-22), Melba Liston (US jazz trombonist) (on 1961-12-22) and Tom Mitchell (US jazz trombonist) (on 1961-12-22)
trumpet:
Thad Jones (American jazz trumpeter) (on 1961-12-22), Joe Newman (US jazz trumpeter) (on 1961-12-22), Ernie Royal (on 1961-12-22) and Snooky Young (on 1961-12-22)
tuba:
Harvey Philips (on 1961-12-22)
woodwind:
Jerome Richardson (on 1961-12-22)
conductor:
Quincy Jones (on 1961-12-22)
arranger:
Quincy Jones
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-12-22)
4:22
2Robot Portrait
alto saxophone:
Frank Wess (on 1961-12-18) and Phil Woods (US jazz woodwind player) (on 1961-12-18)
baritone saxophone:
Jerome Richardson (on 1961-12-18)
bass:
Milt Hinton (on 1961-12-18)
drums (drum set):
Bill English (US jazz drummer) (on 1961-12-18)
French horn:
Julius Watkins (on 1961-12-18)
piano:
Patti Bown (on 1961-12-18)
reeds:
Eric Dixon (woodwind) (on 1961-12-18)
tenor saxophone:
Oliver Nelson (saxophone, arranger, composer) (on 1961-12-18)
trombone:
Billy Byers (on 1961-12-18), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1961-12-18), Rod Levitt (jazz trombonist, composer, bandleader) (on 1961-12-18) and Melba Liston (US jazz trombonist) (on 1961-12-18)
trumpet:
Freddie Hubbard (on 1961-12-18), Thad Jones (American jazz trumpeter) (on 1961-12-18), Al De Risi (on 1961-12-18) and Snooky Young (on 1961-12-18)
conductor:
Quincy Jones (on 1961-12-18)
arranger:
Quincy Jones
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-12-18)
recording of:
Robot Portrait (on 1961-12-18)
composer:
Quincy Jones
5:27
3Little Karen
alto saxophone:
Frank Wess (on 1961-12-18) and Phil Woods (US jazz woodwind player) (on 1961-12-18)
baritone saxophone:
Jerome Richardson (on 1961-12-18)
bass:
Milt Hinton (on 1961-12-18)
drums (drum set):
Bill English (US jazz drummer) (on 1961-12-18)
French horn:
Julius Watkins (on 1961-12-18)
piano:
Patti Bown (on 1961-12-18)
reeds:
Eric Dixon (woodwind) (on 1961-12-18)
tenor saxophone:
Oliver Nelson (saxophone, arranger, composer) (on 1961-12-18)
trombone:
Billy Byers (on 1961-12-18), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1961-12-18), Rod Levitt (jazz trombonist, composer, bandleader) (on 1961-12-18) and Melba Liston (US jazz trombonist) (on 1961-12-18)
trumpet:
Freddie Hubbard (on 1961-12-18), Thad Jones (American jazz trumpeter) (on 1961-12-18), Al De Risi (on 1961-12-18) and Snooky Young (on 1961-12-18)
conductor:
Quincy Jones (on 1961-12-18)
arranger:
Quincy Jones
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-12-18)
3:46
4Straight, No Chaser
alto saxophone:
Phil Woods (US jazz woodwind player) (on 1961-12-22)
bass:
Milt Hinton (on 1961-12-22)
drums (drum set):
Jimmy Johnson (drummer in Duke Ellington's Orchestra) (on 1961-12-22)
French horn:
Ray Alonge (french horn) (on 1961-12-22), Earl Chapin (on 1961-12-22), Jim Buffington (US jazz, studio and classical hornist) (on 1961-12-22) and Julius Watkins (on 1961-12-22)
harp:
Gloria Agostini (Harp) (on 1961-12-22)
piano:
Patti Bown (on 1961-12-22)
tenor saxophone:
Oliver Nelson (saxophone, arranger, composer) (on 1961-12-22)
trombone:
Billy Byers (on 1961-12-22), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1961-12-22), Curtis Fuller (on 1961-12-22), Melba Liston (US jazz trombonist) (on 1961-12-22) and Tom Mitchell (US jazz trombonist) (on 1961-12-22)
trumpet:
Thad Jones (American jazz trumpeter) (on 1961-12-22), Joe Newman (US jazz trumpeter) (on 1961-12-22), Ernie Royal (on 1961-12-22) and Snooky Young (on 1961-12-22)
tuba:
Harvey Philips (on 1961-12-22)
woodwind:
Jerome Richardson (on 1961-12-22)
conductor:
Quincy Jones (on 1961-12-22)
arranger:
Quincy Jones
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-12-22)
2:27
5For Lena and Lennie
alto saxophone:
Phil Woods (US jazz woodwind player) (on 1961-11-29)
bass:
Buddy Catlett (on 1961-11-29)
drums (drum set):
Stu Martin (US jazz drummer) (on 1961-11-29)
French horn:
Julius Watkins (on 1961-11-29)
piano:
Bobby Scott (vocals, piano, US musician & producer) (on 1961-11-29)
tenor saxophone:
Eric Dixon (woodwind) (on 1961-11-29)
trombone:
Billy Byers (on 1961-11-29), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1961-11-29) and Melba Liston (US jazz trombonist) (on 1961-11-29)
trumpet:
Jerome Kail (on 1961-11-29), Joe Newman (US jazz trumpeter) (on 1961-11-29), Clyde Reasinger (on 1961-11-29) and Clark Terry (American swing trumpeter) (on 1961-11-29)
woodwind:
Jerome Richardson (on 1961-11-29)
conductor:
Quincy Jones (on 1961-11-29)
arranger:
Quincy Jones
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-11-29)
recording of:
For Lena and Lennie (on 1961-11-29)
composer:
Quincy Jones (in 1959)
4:19
6Hard Sock Dance
alto saxophone:
Frank Wess (on 1961-12-18) and Phil Woods (US jazz woodwind player) (on 1961-12-18)
baritone saxophone:
Jerome Richardson (on 1961-12-18)
bass:
Milt Hinton (on 1961-12-18)
drums (drum set):
Bill English (US jazz drummer) (on 1961-12-18)
French horn:
Julius Watkins (on 1961-12-18)
piano:
Patti Bown (on 1961-12-18)
reeds:
Eric Dixon (woodwind) (on 1961-12-18)
tenor saxophone:
Oliver Nelson (saxophone, arranger, composer) (on 1961-12-18)
trombone:
Billy Byers (on 1961-12-18), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1961-12-18), Rod Levitt (jazz trombonist, composer, bandleader) (on 1961-12-18) and Melba Liston (US jazz trombonist) (on 1961-12-18)
trumpet:
Freddie Hubbard (on 1961-12-18), Thad Jones (American jazz trumpeter) (on 1961-12-18), Al De Risi (on 1961-12-18) and Snooky Young (on 1961-12-18)
conductor:
Quincy Jones (on 1961-12-18)
arranger:
Quincy Jones
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-12-18)
recording of:
Hard Sock Dance
composer:
Quincy Jones
3:21
7Invitation
alto saxophone:
Phil Woods (US jazz woodwind player) (on 1961-12-22)
bass:
Milt Hinton (on 1961-12-22)
drums (drum set):
Jimmy Johnson (drummer in Duke Ellington's Orchestra) (on 1961-12-22)
French horn:
Ray Alonge (french horn) (on 1961-12-22), Earl Chapin (on 1961-12-22), Jim Buffington (US jazz, studio and classical hornist) (on 1961-12-22) and Julius Watkins (on 1961-12-22)
harp:
Gloria Agostini (Harp) (on 1961-12-22)
piano:
Patti Bown (on 1961-12-22)
tenor saxophone:
Oliver Nelson (saxophone, arranger, composer) (on 1961-12-22)
trombone:
Billy Byers (on 1961-12-22), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1961-12-22), Curtis Fuller (on 1961-12-22), Melba Liston (US jazz trombonist) (on 1961-12-22) and Tom Mitchell (US jazz trombonist) (on 1961-12-22)
trumpet:
Thad Jones (American jazz trumpeter) (on 1961-12-22), Joe Newman (US jazz trumpeter) (on 1961-12-22), Ernie Royal (on 1961-12-22) and Snooky Young (on 1961-12-22)
tuba:
Harvey Philips (on 1961-12-22)
woodwind:
Jerome Richardson (on 1961-12-22)
conductor:
Quincy Jones (on 1961-12-22)
arranger:
Quincy Jones
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-12-22)
3:37
8The Twitch
alto saxophone:
Phil Woods (US jazz woodwind player) (on 1961-11-29)
bass:
Buddy Catlett (on 1961-11-29)
drums (drum set):
Stu Martin (US jazz drummer) (on 1961-11-29)
French horn:
Julius Watkins (on 1961-11-29)
piano:
Bobby Scott (vocals, piano, US musician & producer) (on 1961-11-29)
tenor saxophone:
Eric Dixon (woodwind) (on 1961-11-29)
trombone:
Billy Byers (on 1961-11-29), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1961-11-29) and Melba Liston (US jazz trombonist) (on 1961-11-29)
trumpet:
Jerome Kail (on 1961-11-29), Joe Newman (US jazz trumpeter) (on 1961-11-29), Clyde Reasinger (on 1961-11-29) and Clark Terry (American swing trumpeter) (on 1961-11-29)
woodwind:
Jerome Richardson (on 1961-11-29)
conductor:
Quincy Jones (on 1961-11-29)
arranger:
Quincy Jones
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-11-29)
3:53
9Soul Bossa Nova
recording engineer:
Phil Ramone (on 1962-09-13)
producer:
Quincy Jones
double bass:
Chris White (jazz bassist) (on 1962-09-13)
drums (drum set):
Rudy Collins (drums) (on 1962-09-13)
flute:
Rahsaan Roland Kirk (on 1962-09-13)
piano:
Lalo Schifrin (pianist & composer) (on 1962-09-13)
tenor saxophone:
Paul Gonsalves (on 1962-09-13)
trumpet:
Clark Terry (American swing trumpeter) (on 1962-09-13)
conductor:
Quincy Jones (on 1962-09-13)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
recording of:
Soul Bossa Nova (on 1962-09-13)
composer:
Quincy Jones
42:47
10Boogie Bossa Nova
recording engineer:
Phil Ramone (from 1962-08 until 1962-09) and [unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1962-09-04)
producer:
Quincy Jones
double bass:
Chris White (jazz bassist) (from 1962-08 until 1962-09)
drums (drum set):
Rudy Collins (drums) (from 1962-08 until 1962-09)
piano:
Lalo Schifrin (pianist & composer) (from 1962-08 until 1962-09)
tenor saxophone:
Paul Gonsalves (from 1962-08 until 1962-09)
trumpet:
Clark Terry (American swing trumpeter) (from 1962-08 until 1962-09)
conductor:
Quincy Jones (from 1962-08 until 1962-09)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1962-08 until 1962-09)
cover recording of:
Boogie Stop Shuffle (from 1962-08 until 1962-09)
composer:
Charles Mingus
2:44
11Desafinado
recording engineer:
Phil Ramone (from 1962-08 until 1962-09) and [unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1962-09-08)
producer:
Quincy Jones
bass:
Chris White (jazz bassist) (from 1962-08 until 1962-09)
drums (drum set):
Rudy Collins (drums) (from 1962-08 until 1962-09)
piano:
Lalo Schifrin (pianist & composer) (from 1962-08 until 1962-09)
tenor saxophone:
Paul Gonsalves (from 1962-08 until 1962-09)
trumpet:
Clark Terry (American swing trumpeter) (from 1962-08 until 1962-09)
conductor:
Quincy Jones (from 1962-08 until 1962-09)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1962-08 until 1962-09)
cover recording of:
Desafinado (from 1962-08 until 1962-09)
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Bendig Music Corp., Corcovado Music Corp., Fermata do Brasil and 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
instrumental recording of:
Desafinado (from 1962-08 until 1962-09)
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Bendig Music Corp., Corcovado Music Corp., Fermata do Brasil and 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
instrumental cover recording of:
Desafinado
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Bendig Music Corp., Corcovado Music Corp., Fermata do Brasil and 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
2:56
12Black Orpheus (Manha De Carnaval)
recording engineer:
Phil Ramone (on 1962-09-04)
producer:
Quincy Jones
alto saxophone:
Phil Woods (US jazz woodwind player) (on 1962-09-04)
double bass:
Chris White (jazz bassist) (on 1962-09-04)
drums (drum set):
Rudy Collins (drums) (on 1962-09-04)
piano:
Lalo Schifrin (pianist & composer) (on 1962-09-04)
tenor saxophone:
Paul Gonsalves (on 1962-09-04)
trumpet:
Clark Terry (American swing trumpeter) (on 1962-09-04)
conductor:
Quincy Jones (on 1962-09-04)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
instrumental cover recording of:
Manhã de Carnaval (on 1962-09-04)
lyricist:
Antônio Maria
composer:
Luiz Bonfá
publisher:
Belinda (Jhb.) (Pty.) Ltd
2:57
13Se E Tarde Me Pardoa (Forgive Me If I’M Late)
recording engineer:
Phil Ramone (from 1962-08 until 1962-09) and [unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1962-09-13)
producer:
Quincy Jones
bass:
Chris White (jazz bassist) (from 1962-08 until 1962-09)
drums (drum set):
Rudy Collins (drums) (from 1962-08 until 1962-09)
piano:
Lalo Schifrin (pianist & composer) (from 1962-08 until 1962-09)
tenor saxophone:
Paul Gonsalves (from 1962-08 until 1962-09)
trumpet:
Clark Terry (American swing trumpeter) (from 1962-08 until 1962-09)
conductor:
Quincy Jones (from 1962-08 until 1962-09)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1962-08 until 1962-09)
cover recording of:
Se é tarde me perdoa (from 1962-08 until 1962-09)
writer:
Ronaldo Bôscoli and Carlos Lyra
recording of:
Se é tarde me perdoa (from 1962-08 until 1962-09)
writer:
Ronaldo Bôscoli and Carlos Lyra
instrumental cover recording of:
Se é tarde me perdoa
writer:
Ronaldo Bôscoli and Carlos Lyra
4:24
14On The Street Where You Live
recording engineer:
Phil Ramone (on 1962-09-07)
producer:
Quincy Jones
double bass:
Chris White (jazz bassist) (on 1962-09-07)
drums (drum set):
Rudy Collins (drums) (on 1962-09-07)
piano:
Lalo Schifrin (pianist & composer) (on 1962-09-07)
tenor saxophone:
Paul Gonsalves (on 1962-09-07)
trumpet:
Clark Terry (American swing trumpeter) (on 1962-09-07)
conductor:
Quincy Jones (on 1962-09-07)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
instrumental cover recording of:
On the Street Where You Live (My Fair Lady) (on 1962-09-07)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
2:35
15Samba De Una Nota So (One Note Samba)
recording engineer:
Phil Ramone (from 1962-08 until 1962-09) and [unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1962-09-04)
producer:
Quincy Jones
bass:
Chris White (jazz bassist) (from 1962-08 until 1962-09)
drums (drum set):
Rudy Collins (drums) (from 1962-08 until 1962-09)
piano:
Lalo Schifrin (pianist & composer) (from 1962-08 until 1962-09)
tenor saxophone:
Paul Gonsalves (from 1962-08 until 1962-09)
trumpet:
Clark Terry (American swing trumpeter) (from 1962-08 until 1962-09)
conductor:
Quincy Jones (from 1962-08 until 1962-09)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1962-08 until 1962-09)
cover recording of:
Samba de uma nota só (from 1962-08 until 1962-09)
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated) and 大洋音楽 (Taiyō Music)
instrumental recording of:
Samba de uma nota só (from 1962-08 until 1962-09)
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated) and 大洋音楽 (Taiyō Music)
instrumental cover recording of:
Samba de uma nota só
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated) and 大洋音楽 (Taiyō Music)
2:03
16Lalo Bossa Nova
recording engineer:
Phil Ramone (from 1962-08 until 1962-09) and [unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1962-09-07)
producer:
Quincy Jones
double bass:
Chris White (jazz bassist) (from 1962-08 until 1962-09)
drums (drum set):
Rudy Collins (drums) (from 1962-08 until 1962-09)
piano:
Lalo Schifrin (pianist & composer) (from 1962-08 until 1962-09)
tenor saxophone:
Paul Gonsalves (from 1962-08 until 1962-09)
trumpet:
Clark Terry (American swing trumpeter) (from 1962-08 until 1962-09)
conductor:
Quincy Jones (from 1962-08 until 1962-09)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1962-08 until 1962-09)
recording of:
Lalo's Bossa Nova (from 1962-08 until 1962-09)
composer:
Lalo Schifrin (pianist & composer)
instrumental cover recording of:
Lalo's Bossa Nova
composer:
Lalo Schifrin (pianist & composer)
3:14
17Serenata
recording engineer:
Phil Ramone (from 1962-08 until 1962-09) and [unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1962-09-07)
producer:
Quincy Jones
double bass:
Chris White (jazz bassist) (from 1962-08 until 1962-09)
drums (drum set):
Rudy Collins (drums) (from 1962-08 until 1962-09)
piano:
Lalo Schifrin (pianist & composer) (from 1962-08 until 1962-09)
tenor saxophone:
Paul Gonsalves (from 1962-08 until 1962-09)
trumpet:
Clark Terry (American swing trumpeter) (from 1962-08 until 1962-09)
conductor:
Quincy Jones (from 1962-08 until 1962-09)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1962-08 until 1962-09)
cover recording of:
Serenata (original instrumental) (from 1962-08 until 1962-09)
composer:
Leroy Anderson (until 1947-02-12)
instrumental cover recording of:
Serenata (english vocals)
lyricist:
Mitchell Parish (in 1950)
composer:
Leroy Anderson (on 1947-02-12)
is based on:
Serenata (original instrumental)
3:21
18Chega De Saudade (No More Blues)
recording engineer:
Phil Ramone (on 1962-09-08)
producer:
Quincy Jones
double bass:
Chris White (jazz bassist) (on 1962-09-08)
drums (drum set):
Rudy Collins (drums) (on 1962-09-08)
flute:
Rahsaan Roland Kirk (on 1962-09-08)
piano:
Lalo Schifrin (pianist & composer) (on 1962-09-08)
tenor saxophone:
Paul Gonsalves (on 1962-09-08)
trumpet:
Clark Terry (American swing trumpeter) (on 1962-09-08)
conductor:
Quincy Jones (on 1962-09-08)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
instrumental cover recording of:
Chega de saudade (on 1962-09-08)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
publisher:
Bendig Music and Hollis Music, Inc.
5:34
19Jone’s Bones
5:44
20Sometimes I’m Happy
5:50