| # | Title | Artist | Rating | Length |
|---|
| 1 | Love Me Tender- accordion:
- Carl Fortina (from 1956-08-24 until 1956-09-04) and Dominic Frontiere (from 1956-08-24 until 1956-09-04)
- banjo:
- Luther "Red" Roundtree (from 1956-08-24 until 1956-09-04)
- bass:
- Meyer "Mike" Rubin (from 1956-08-24 until 1956-09-04)
- drums (drum set):
- Richard Cornell (from 1956-08-24 until 1956-09-04)
- guitar:
- Vito Mumolo (from 1956-08-24 until 1956-09-04)
- lead vocals:
- Elvis Presley (on 1956-09-01)
- vocals:
- Jon Dodson (from 1956-08-24 until 1956-09-04, on 1956-09-01), Charles Prescott (from 1956-08-24 until 1956-09-04, on 1956-09-01) and Rad Robinson (from 1956-08-24 until 1956-09-04, on 1956-09-01)
- phonographic copyright (℗) by:
- BMG Entertainment (in 1956), BMG Music (in 1956), RCA/Ariola International (in 1956) and Sony BMG Music Entertainment (in 2002)
- recorded at:
- 20th Century Fox Music Stage 1 in Los Angeles, California, United States (on 1956-08-24, on 1956-09-04)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 437)
- recording of:
- Love Me Tender (from 1956-08-24 until 1956-09-04)
- lyricist:
- Ken Darby (in 1956)
- additional writer:
- Vera Matson (in 1956) and Elvis Presley (in 1956)
- composer:
- George R. Poulton (in 1861)
- publisher:
- Aberbach Musikverlag , ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company and Elvis Presley Music (from 1956 to present)
- sub-publisher:
- フジパシフィックミュージック and 日音 Synch事業部
- is based on:
- Aura Lea
| Elvis Presley | 3.55 | 2:43 |
| 2 | Living in America | James Brown | | 4:09 |
| 3 | Maggie May- producer:
- Rod Stewart
- 12 string guitar, bass guitar and electric guitar:
- Ronnie Wood (in 1971)
- acoustic guitar:
- Martin Quittenton (in 1971)
- celesta:
- Pete Sears (in 1971)
- cymbal and membranophone:
- Micky Waller (in 1971)
- Hammond organ:
- Ian McLagan (in 1971)
- mandolin:
- Ray Jackson (in 1971) and David Lindley (in 1971)
- lead vocals:
- Rod Stewart (in 1971)
- phonographic copyright (℗) by:
- Mercury Records Inc. (in 1971), PolyGram Records, Inc. (in 1971), The Island Def Jam Music Group (in 1971) and UMG Recordings, Inc. (in 1971)
- recording of:
- Maggie May (in 1971)
- publisher:
- Rod Stewart
- writer:
- Mike Peters, Martin Quittenton and Rod Stewart
- publisher:
- Chappell Music Ltd., Copyright Control , EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing , EMI Music Publishing Ltd. , H. G. Music Inc, Mushroom Music , Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell and Warner Chappell Music
| Rod Stewart | 4.2 | 5:15 |
| 4 | Hit the Road Jack | Ray Charles | 4.35 | 1:59 |
| 5 | Piece of My Heart | Big Brother & the Holding Company | 4.5 | 4:15 |
| 6 | Ring of Fire | Johnny Cash | 4.25 | 2:36 |
| 7 | Mrs. Robinson | Simon & Garfunkel | 4.25 | 3:51 |
| 8 | Walk on the Wild Side- producer:
- David Bowie , Lou Reed and Mick Ronson
- baritone saxophone:
- Ronnie Ross (in 1972-08)
- double bass and electric bass guitar:
- Herbie Flowers (in 1972-08)
- drums (drum set):
- John Halsey (in 1972-08)
- background vocals:
- The Thunder Thighs (in 1972-08)
- lead vocals:
- Lou Reed (in 1972-08)
- brass arranger and strings arranger:
- Mick Ronson
- arranger:
- David Bowie , Lou Reed and Mick Ronson
- phonographic copyright (℗) by:
- BMG Entertainment (in 1972), BMG Music (in 1972), RCA Records (in 1972) and Sony BMG Music Entertainment (in 1972)
- recorded at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom (in 1972-08)
- mixed at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom
- samples from:
- Lexicon Valley #150, “Why Language Can’t Be Tamed” by John McWhorter
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 180) and Rolling Stone: 500 Greatest Songs of All Time (number: 221)
- recording of:
- Walk on the Wild Side (in 1972-08)
- lyricist and composer:
- Lou Reed
- publisher:
- Dunbar Music, EMI Music Publishing Australia Pty. Limited , EMI Music Publishing Ltd. , Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. and Six Continents Music Publishing Inc.
| Lou Reed | 4.25 | 4:14 |
| 9 | The Shoop Shoop Song (It’s in His Kiss) | Cher | 3.2 | 2:49 |
| 10 | Dancing in the Moonlight | Liza Minnelli | | 3:16 |
| 11 | Ich war noch niemals in New York | Udo Jürgens | | 4:46 |
| 12 | Whatever Will Be, Will Be (Que Sera, Sera) | Doris Day | | 2:05 |
| 13 | Goldfinger | Shirley Bassey | 4.25 | 2:49 |
| 14 | Oh, Pretty Woman- recorded in:
- Nashville, Tennessee, United States (on 1964-08-01)
- producer:
- Fred Foster
- 12 string guitar [12 string guitar Epiphone] and lead vocals:
- Roy Orbison (on 1964-08-01)
- double bass [upright bass]:
- Bob Moore (on 1964-08-01)
- drums (drum set):
- Buddy Harman (on 1964-08-01)
- guitar:
- Jerry Kennedy (on 1964-08-01), Wayne Moss (on 1964-08-01) and Billy Sanford (on 1964-08-01)
- harmonica:
- Charlie McCoy (on 1964-08-01)
- percussion:
- Paul Garrison (on 1964-08-01)
- piano:
- Floyd Cramer (on 1964-08-01)
- saxophone:
- Boots Randolph (on 1964-08-01)
- vocals:
- Roy Orbison
- phonographic copyright (℗) by:
- Orbison Records, Orbison Records, Inc. and Monument Record Corp. (in 1964)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1964 (number: 20), Billboard: The 500 Best Pop Songs (number: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (number: 222)
- recording of:
- Oh, Pretty Woman (on 1964-08-01)
- lyricist and composer:
- Bill Dees and Roy Orbison
- publisher:
- Acuff-Rose Music Limited , Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. , Acuff-Rose Publications, Inc. (on 1964-08-26) and Acuff-Rose (in 1972)
| Roy Orbison | 4.3 | 2:57 |
| 15 | Suzanne | Leonard Cohen | 4.15 | 3:50 |
| 16 | Peggy Sue- producer:
- Norman Petty
- bass:
- Joe B. Mauldin (on 1957-07-01)
- drums (drum set):
- Jerry Allison (on 1957-07-01)
- guitar:
- Buddy Holly (on 1957-07-01) and Niki Sullivan (on 1957-07-01)
- vocals:
- Buddy Holly (on 1957-07-01)
- phonographic copyright (℗) by:
- Geffen Records (in 1957) and MCA Records, Inc. (in 1957)
- recorded at:
- Norman Petty Studios in Clovis, New Mexico, United States (on 1957-07-01)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 5), Rolling Stone: 500 Greatest Songs of All Time (number: 194) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 370)
- recording of:
- Peggy Sue (from 1957-06-29 until 1957-07-01)
- writer:
- Jerry Allison, Buddy Holly and Norman Petty
- publisher:
- Copyright Control , McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. , MPL Musik Verlags GmbH , Peermusic (UK) Limited, Southern Music and Wren Music Co.
| Buddy Holly | 4.5 | 2:31 |
| 17 | That’s Amore (That’s Love) | Dean Martin | 4.35 | 3:08 |
| 18 | Non, je ne regrette rien | Édith Piaf | 5 | 2:23 |
| 19 | These Boots Are Made for Walkin’ | Nancy Sinatra | 4.05 | 2:44 |
| 20 | River of No Return | Marilyn Monroe | | 2:14 |
| 21 | Diana | Paul Anka | 4.2 | 2:19 |
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