Let’s Dance: Das Tanzalbum 2018

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
2CD
Nr.TitelKünstlerBewertungLänge
1The Winner Takes It All (Rumba)
Techniker(in):
Michael B. Tretow
Produzent(in):
Benny Andersson (ABBA) und Björn Ulvaeus
Bassgitarre:
Mike Watson (English‐Swedish rock musician) (am 1980-06-06)
Bratsche / Viola:
Nils Heie (am 1980-06-16), Håkan Roos (Swedish violist) (am 1980-06-16) und Bo Söderström (Swedish violinist) (am 1980-06-16)
Cello:
Olle Gustafsson (cellist) (am 1980-06-16) und Åke Olofsson (Swedish cellist) (am 1980-06-16)
Geige / Violine:
Martin Bylund (Swedish violinist) (am 1980-06-16), Anders Dahl (Swedish violinist) (am 1980-06-16), Lars Stegenberg (Swedish violinist) (am 1980-06-16), Gunnar Michols (Swedish violinist) (am 1980-06-16), Bernt Nylund (Swedish violinist) (am 1980-06-16), Bertil Orsin (Swedish violinist) (am 1980-06-16), Sixten Strömvall (Swedish violinist) (am 1980-06-16) und Harry Teike (am 1980-06-16)
Gitarre:
Lasse Wellander (am 1980-06-06)
Keyboard und Synthesizer:
Benny Andersson (ABBA) (am 1980-06-06)
Perkussion:
Åke Sundqvist (am 1980-06-06)
Schlagzeug:
Ola Brunkert (am 1980-06-06)
Hintergrundgesang:
Frida (Swedish singer and member of ABBA) (am 1980-06-06)
Sologesang:
Agnetha Fältskog (am 1980-06-06)
Cello, Bratsche / Viola und Geige / Violine arranger:
Rutger Gunnarsson (in 1980)
arranger:
Benny Andersson (ABBA) und Björn Ulvaeus
phonographisches Urheberrecht (℗) von:
Polar Music International AB (in 1980)
aufgenommen bei:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Schweden (am 1980-06-06, am 1980-06-16)
mixed at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Schweden (am 1980-06-18)
Teil von:
The Downloader’s Music Source Book (Nummer: 66)
recording of:
The Winner Takes It All (in 1980-06)
Verfasser(in):
Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
EMI Music Publishing (do not use as a release label!) (beendet), Universal Music Publishing Group (beendet), Universal/Union Songs Musikförlag AB (beendet), Bocu Music, EMI Waterford Music, Union Songs AB (publisher), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Artwork Music Co., Inc. (vom 1980 bis ????) und Countless Songs, Ltd. (vom 1980 bis ????)
Teil von:
Mamma Mia! (1999 musical)
ABBA3.94:55
2Love’s Divine (Rumba)
recording engineer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
assistierende(r) Techniker(in):
Tim Lambert und Phil Tyreman
Techniker(in) und Mix:
Robert Orton und Tim Weidner (engineer)
Koproduzent(in):
Mark Batson (American producer, songwriter, composer, arranger, and musician)
leitende(r) Produzent(in):
Seal (English‐born singer and songwriter) und Jill Sinclair (British record company director, co-founded Sarm Studios and ZTT Records)
Produzent(in):
Trevor Horn
Bassgitarre [bass] und Klavier:
Mark Batson (American producer, songwriter, composer, arranger, and musician)
Gitarre:
Chris Bruce, Tim Cansfield und Gus Isidore
Keyboard [keyboards]:
Jamie Muhoberac und Seal (English‐born singer and songwriter)
Klavier:
Pete Murray (pianist and keyboardist)
Perkussion:
Luís Jardim
Schlagzeug [drums]:
Ian Thomas (drummer)
Sologesang:
Seal (English‐born singer and songwriter)
conductor:
Gavin Wright (UK violinist, conductor)
Saiteninstrumente arranger und Chorgesang [choir] arranger:
Nick Ingman
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2003), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003, in 2009) und Warner Music Argentina S.A. (in 2009)
aufgenommen bei:
Angel Studios in Islington, London (Greater London), England, Vereinigtes Königreich, Sarm Hook End (Sarm Hook End) in Checkendon, Oxfordshire, England, Vereinigtes Königreich und Sarm West in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
mixed at:
Sarm Hook End (Sarm Hook End) in Checkendon, Oxfordshire, England, Vereinigtes Königreich und Sarm West in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
recording of:
Love’s Divine
Verfasser(in):
Mark Batson (American producer, songwriter, composer, arranger, and musician) und Seal (English‐born singer and songwriter)
publisher:
Bat Future Music (BMI) und Perfect Songs (UK publisher, affiliated with BMI)
Seal4.54:36
3You Light Up My Life (Langsamer Walzer)
Hintergrundgesang:
Babyface (R&B musician Kenny Edmonds), Sharlotte Gibson und Gary Houston
recording of:
You Light Up My Life
Texter und Komponist(in):
Joseph Brooks (US songwriter/film director)
publisher:
Curb Songs, Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 電通ミュージック・アンド・エンタテインメント PR第3事業部
Teil von:
The 50th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1977 winner)
cover recording of:
You Light Up My Life
Texter und Komponist(in):
Joseph Brooks (US songwriter/film director)
publisher:
Curb Songs, Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 電通ミュージック・アンド・エンタテインメント PR第3事業部
Teil von:
The 50th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1977 winner)
Whitney Houston3:43
4Do You Really Want to Hurt Me (Rumba)
assistierende(r) Techniker(in):
Gordon Milne (engineer)
Techniker(in) und Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist)
Gitarre, Hybrid-Piano und Synthesizer:
Roy Hay (Member of Culture Club and composer for film and television)
Schlagzeug und Vibraphon:
Jon Moss
Synclavier:
Keith Miller (Synthesiser Pioneer)
Sologesang:
Boy George
zusätzlich vocals:
Helen Terry (UK singer)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
aufgenommen bei:
Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1982)
Musikvideos:
Do You Really Want to Hurt Me von Culture Club (English pop group)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 58)
recording of:
Do You Really Want to Hurt Me
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
publisher:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. und Virgin Music (Publishers) Ltd.
Culture Club3.954:23
5You’re the One That I Want (Quickstep)
Techniker(in) und Mix:
David J. Holman
Produzent(in):
John Farrar
E-Bass:
David Hungate
arranger:
John Farrar, Michael Gibson (trombone) und Louis St. Louis (American songwriter, music arranger and singer)
phonographisches Urheberrecht (℗) von:
Robert Stigwood Organisation Ltd. (in 1978) und RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1978)
Karaokeversion von:
You’re the One That I Want (sing‐a‐long version) von John Farrar
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 13) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 250)
recording of:
You’re the One That I Want (Grease, 1978 film)
Texter und Komponist(in):
John Farrar
publisher:
Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13), Sony/ATV Melody, Unichappell Music, Inc., Ensign Music, Inc. (publisher) (in 1978), John Farrar Music (in 1978), Stigwood Music, Inc. (in 1978) und Unichappell Music (in 1978)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
Grease (1978 film)
John Travolta & Olivia Newton‐John42:49
6Danger Zone (Jive)
Synthesizer [synth]-Programmierung:
Hans Zimmer (German score composer)
Techniker(in):
Dave Concors, Dave Connors und Tom Whitlock
leitende(r) Produzent(in):
Michael Dilbeck
Produzent(in):
Giorgio Moroder und Tom Whitlock
Mix:
Giorgio Moroder und Brian Reeves
Gitarre:
Dann Huff und Kenny Loggins
Keyboard:
Giorgio Moroder
Saxophon:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
Schlagzeug:
John Robinson (session drummer)
Synthesizer:
Tom Whitlock
Sologesang:
Kenny Loggins
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1986), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1986), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1986) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
aufgenommen bei:
Oasis Recording Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
a cappella versions:
Danger Zone von Tufts Beelzebubs (Tufts University all-male a cappella group)
recording of:
Danger Zone (Top Gun)
Texter:
Thomas Whitlock
Komponist(in):
Giorgio Moroder
publisher:
Budde Music Inc. (US publisher), Neue Welt Musikverlag GmbH (2017 – present), Sony/ATV Harmony, Sony/ATV Harmony UK, Sony/ATV Music Publishing (Germany) GmbH (1998–2002), Warner Chappell Overseas Holdings Ltd., Warner/Chappell North America, WB Music Corp. (1929–2019), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1986) und GMPC (in 1986)
Kenny Loggins4.33:35
7Freedom (Quickstep)
cover recording of:
Freedom 90
Texter und Komponist(in):
George Michael
publisher:
Morrison Leahy Music Ltd.
Dick Brave & the Backbeats3:59
8I Want You to Want Me (Quickstep)
Techniker(in):
Antonio Reale
Produzent(in):
Tom Werman
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
aufgenommen bei:
Kendun Recorders in Burbank, California (Kalifornien), Vereinigte Staaten (in 1977)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1977)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 266)
recording of:
I Want You to Want Me (in 1977)
Texter und Komponist(in):
Rick Nielsen
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Gil Music Corporation, Screen Gems–EMI Music Ltd., Adult Music (in 1977) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1977)
Teil von:
10 Things I Hate About You
Cheap Trick4.153:06
9The Power of Love (Cha Cha Cha)
recording engineer:
Jim Gaines und Robert Missbach
assistierende(r) Techniker(in):
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) und Jim “Watts” Vereecke
zusätzliche(r) Techniker(in):
Michael Christopher (engineer), Phil Kaffel und Malcolm Pollack
Produzent(in):
Bob Clearmountain, Jellybean (US producer John Benitez) und Huey Lewis and the News (American pop rock band)
Mix:
Robert Missbach
Bassgitarre:
Mario Cipollina
Gitarre:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) und Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
Keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
Mundharmonika:
Huey Lewis
Perkussion und Schlagzeug:
Bill Gibson (US drummer for Huey Lews & the News)
Saxophon:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) und Huey Lewis
phonographisches Urheberrecht (℗) von:
Chrysalis Records, Inc. (not for release label use!) (in 1984, in 1985, in 1986) und Chrysalis (in 1985)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten, Studio D Recording in Sausalito, California (Kalifornien), Vereinigte Staaten und The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
Musikvideos:
The Power of Love (full length) von Huey Lewis and the News (American pop rock band)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 108)
recording of:
The Power of Love (Back to the Future)
Verfasser(in):
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) und Huey Lewis
publisher:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) und WB Music Corp. (1929–2019)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Teil von:
The 58th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1985 nominee)
Teil von:
Back to the Future: the Musical
Huey Lewis and the News43:50
10Burning Heart (Tango)
Techniker(in):
Phil Bonanno, Mike Clink und Larry Millas (guitarist, bassist, keyboardist, producer and engineer)
Produzent(in):
Jim Peterik und Frankie Sullivan (US guitarist and songwriter, member of Survivor)
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1985), Scotti Bros. (in 1985), Scotti Brothers Records, Inc. (company behind Scotti Bros. Records) (in 1985, in 1986) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1985)
recording of:
Burning Heart
Verfasser(in):
Jim Peterik und Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
BMG VM Music Ltd., Concord Bicycle Assets, EMI Virgin Music Limited (do not use this as a release label!), Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13), Scotti Brothers Records, Inc. (company behind Scotti Bros. Records), Sony/ATV Harmony UK und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Survivor4.253:50
11Somebody’s Watching Me (Cha Cha Cha/disco Fox)
recording engineer:
Arne Frager, Joe Q. Hall (engineer), Booker T. Jones III und Scott Skidmore
drum machine-Programmierung:
Rockwell (R & B – “Somebody’s Watching Me”) (in 1983)
Produzent(in):
Curtis Anthony Nolen und Rockwell (R & B – “Somebody’s Watching Me”)
drum machine, Orgel, Schlagzeug, Synthesizer und Vocoder:
Rockwell (R & B – “Somebody’s Watching Me”) (in 1983)
Hintergrundgesang:
Jermaine Jackson (soul/pop singer, of Jackson 5) (in 1983) und Michael Jackson (“King of Pop”) (in 1983)
vocals:
Michael Jackson (“King of Pop”)
arranger:
Curtis Anthony Nolen und Rockwell (R & B – “Somebody’s Watching Me”)
vocals arranger:
Curtis Anthony Nolen
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1983) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2021)
arranged for und produced for:
Super Three Productions
aufgenommen bei:
Mars Recording Studio (Hollywood) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1983)
mixed at:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Somebody’s Watching Me von Rockwell (R & B – “Somebody’s Watching Me”)
Teil von:
Billboard Hot 100: 2025-11-15 (Nummer: 24)
recording of:
Somebody’s Watching Me
Texter und Komponist(in):
Rockwell (R & B – “Somebody’s Watching Me”)
publisher:
EMI Music (do not use as release label! this is a music publisher) und Jobete Music (appears also as: Jobete Msc.)
Rockwell4.54:53
12I’m So Excited (Jive)
Produzent(in):
Richard Perry (producer)
Bassgitarre:
Nathan East
Gitarre:
George Doering und Lee Ritenour
Keyboard [keyboards] und Synthesizer:
Michael Boddicker und Greg Phillinganes
Klavier:
William D. “Smitty” Smith (organist/keyboardist)
Schlagzeug:
John “JR” Robinson (session drummer)
Hintergrundgesang:
June Pointer und Ruth Pointer
Sologesang:
Anita Pointer
phonographisches Urheberrecht (℗) von:
BMG Music (in 1982)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 5) (Nummer: 6) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 258)
recording of:
I’m So Excited
Verfasser(in):
Anita Pointer, June Pointer, Ruth Pointer und Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
publisher:
’Til Dawn Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Songs, EMI Songs Ltd. und SBK Blackwood Music Inc. (1987-12-30–1989-07-14)
sub-publisher:
Fujipacific Music Inc. SBK Division (bis 2014-12-31), EMI Music Publishing Japan Ltd., Sony Division (bis 2021-06-30), Fuji Pacific Music SBK Department (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The Pointer Sisters4.83:53
13Tainted Love (Paso Doble)
Techniker(in):
Paul Hardiman
Produzent(in):
Mike Thorne (UK producer & keyboardist)
Mix:
Harvey Goldberg
elektronische Instrumente und andere Instrumente:
Dave Ball (UK electronic musician, part of Soft Cell)
Saxophon:
David Tofani
Hintergrundgesang:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
aufgenommen bei:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Tainted Love von Soft Cell (1980s English synth‐pop duo)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 8), New York Post: 100 Greatest Covers (2007) (Nummer: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 33) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 46)
cover recording of:
Tainted Love
Texter und Komponist(in):
Ed Cobb
publisher:
Burlington Music Co., Ltd. und Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:35
14I’m Still Standing (Jive)
recording engineer:
Bill Price (UK producer/engineer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
E-Bass:
Dee Murray
E-Gitarre:
Davey Johnstone
Klavier, Synthesizer und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
Schlagzeug:
Nigel Olsson
Hintergrundgesang:
Davey Johnstone, Dee Murray und Nigel Olsson
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1983)
aufgenommen bei:
AIR Studios Montserrat in Saint Peter, Montserrat (am 1983-06-26)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
Musikvideos:
I’m Still Standing von Elton John (English singer, songwriter, pianist, and composer)
recording of:
I’m Still Standing
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Big Pig Music Ltd. (publisher) und Universal–Songs of PolyGram International, Inc.
Elton John3.93:02
15Relight My Fire (disco Fox)
recording of:
Relight My Fire (in 1979)
Texter und Komponist(in):
Dan Hartman
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Dan Hartman4.653:43
16Everlasting Love (Cha Cha Cha/Foxtrott)
Produzent(in):
Michael Cretu (Romanian-born German musician, composer and record producer)
arranger:
Curt Cress und Michael Cretu (Romanian-born German musician, composer and record producer)
phonographisches Urheberrecht (℗) von:
Virgin Schallplatten GmbH (not for release label use! for copyrights use only, former German division of Virgin Records Ltd.) (in 1987)
cover recording of:
Everlasting Love
Verfasser(in):
James “Buzz” Cason und Mac Gayden
publisher:
Alberts, J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd. und Rising Sons Music Inc. (in 1967)
recording of:
Everlasting Love
Verfasser(in):
James “Buzz” Cason und Mac Gayden
publisher:
Alberts, J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd. und Rising Sons Music Inc. (in 1967)
Sandra33:39
17Sign Your Name (Rumba)
recording engineer und Mix:
Phil Legg
Produzent(in):
Terence Trent D’Arby (now known as Sananda Maitreya) und Martyn Ware
Sologesang:
Terence Trent D’Arby (now known as Sananda Maitreya)
Saiteninstrumente arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008), CBS Records (2006–2021) (in 1987) und Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1987)
recording of:
Sign Your Name
Texter:
Terence Trent D’Arby (now known as Sananda Maitreya)
Komponist(in):
Chris Cameron (British pianist, singer-songwriter, arranger and producer) und Terence Trent D’Arby (now known as Sananda Maitreya)
publisher:
Virgin Music (Publishing) Ltd., Virgin Music Ltd. und Young Terrence Music (Publisher)
Terence Trent D’Arby3.64:35
18Stay (Contemporary)
Programmierung:
Marcella Detroit
assistierende(r) Techniker(in):
Nick Addison
Techniker(in):
Alan Moulder (producer and engineer)
zusätzliche(r) Techniker(in):
Lee Manning (US engineer)
Produzent(in):
Alan Moulder (producer and engineer), Shakespears Sister und Chris Thomas (UK record producer / remixer)
E-Bass [bass]:
Ian Maidman
E-Gitarre [guitar] und Mundharmonika:
Marcella Detroit
Keyboard [keyboards]:
Ed Shearmur (English score composer)
Schlagzeug:
Steve Ferrera (UK drummer)
zusätzlich Keyboard [keyboards]:
Steve Ferrera (UK drummer), Ian Maidman und Jonathan Perkins (aka Wild Mondo)
Sologesang [vocals]:
Marcella Detroit und Siobhan Fahey
phonographisches Urheberrecht (℗) von:
London Records 90 Ltd. (renamed as Warner Records 90 Ltd. on 2011-08-26) (in 1991) und London (UK, 1947–1999, re-launched 2011–present) (in 1992)
aufgenommen bei:
Friar Park (Friar Park Studio) in Henley-on-Thames, Oxfordshire, England, Vereinigtes Königreich
mixed at:
Chapel Studios (Encino, Los Angeles) in Encino, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Stay von Shakespear's Sister
recording of:
Stay
Verfasser(in):
Marcella Detroit, Siobhan Fahey und Jean Guiot (composer credits pseudonym of Dave Stewart)
publisher:
BMG Music Publishing Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und Island Music Ltd.
Shakespears Sister3.253:46
19Sweet Child O’ Mine (Rumba)
cover recording of:
Sweet Child o’ Mine
Verfasser(in):
Steven Adler, Izzy Stradlin (US guitarist, singer & songwriter), Duff McKagan, Axl Rose und Slash (Guns N’ Roses guitarist)
publisher:
Black Frog Music und Guns N’ Roses Music
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Jasmine Thompson3:41
20Skinny Love (Blues/Rumba)
Techniker(in) und Mix:
Paul ‘P Dub’ Walton
Produzent(in):
Alex H.N.Gilbert (A&R at UK label 14th Floor Records)
Klavier:
Birdy (UK singer Jasmine van den Bogaerde)
vocals:
Birdy (UK singer Jasmine van den Bogaerde)
aufgenommen bei:
Dean St. Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Skinny Love (music video) von Birdy (UK singer Jasmine van den Bogaerde)
cover recording of:
Skinny Love
Texter und Komponist(in):
Justin Vernon
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Birdy3.553:20
21Sie Sieht Mich Nicht (Conteporaray)
recording of:
Sie sieht mich nicht
Texter:
Jean‐Jacques Goldman und Moses Pelham (German rapper, singer and producer)
Komponist(in):
Jean‐Jacques Goldman und Roland Romanelli
publisher:
Strictly Confidential GmbH
Xavier Naidoo14:29
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