Bernstein Favorites: Children’s Classics: Carnival of the Animals / Peter and the Wolf / Young Person’s Guide to the Orchestra

~ Release by Leonard Bernstein (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Peter and the Wolf
producer:
Howard Scott (classical music producer)
spoken vocals:
Leonard Bernstein (American conductor, composer, pianist) (on 1960-02-16)
orchestra:
New York Philharmonic (on 1960-02-16)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1960-02-16)
recorded at:
Hotel St. George in Brooklyn Heights, New York, New York, United States (on 1960-02-16)
recording of:
Peter and the Wolf, op. 67 (on 1960-02-16)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
adaptations:
פטר והזאב
Sergei Prokofiev27:18
2The Carnival of the Animals: I. Introduction and Royal March of the Lion
producer:
John McClure (recording engineer and record producer)
piano:
Naomi Segal (duo-pianist) (on 1962-04-09) and Ruth Segal (duo-pianist) (on 1962-04-09)
spoken vocals [narrated by]:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-05-21)
orchestra:
New York Philharmonic (on 1962-04-09)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-04-09)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1962-04-09, on 1962-05-21)
recording of:
Le Carnaval des animaux : I. Introduction et marche royale du lion (The Carnival of the Animals: I. Introduction and Royal March of the Lion, strings and two pianos) (on 1962-04-09)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns3:21
3The Carnival of the Animals: II. Hens and Cocks
producer:
John McClure (recording engineer and record producer)
clarinet:
Paul Green (clarinet · classical, jazz & klezmer) (on 1962-04-09)
piano:
Naomi Segal (duo-pianist) (on 1962-04-09) and Ruth Segal (duo-pianist) (on 1962-04-09)
spoken vocals [narrated by]:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-05-21)
orchestra:
New York Philharmonic (on 1962-04-09)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-04-09)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1962-04-09, on 1962-05-21)
recording of:
Le Carnaval des animaux : II. Poules et coqs (The Carnival of the Animals: II. Hens and Cocks, violins, viola, two pianos and clarinet) (on 1962-04-09)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:32
4The Carnival of the Animals: III. Mules
producer:
John McClure (recording engineer and record producer)
piano:
Naomi Segal (duo-pianist) (on 1962-04-09) and Ruth Segal (duo-pianist) (on 1962-04-09)
orchestra:
New York Philharmonic (on 1962-04-09)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-04-09)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1962-04-09)
recording of:
Le Carnaval des animaux : III. Hémiones (Animaux véloces) (The Carnival of the Animals: III. Wild Asses, two pianos) (on 1962-04-09)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:35
5The Carnival of the Animals: IV. Tortoises
producer:
John McClure (recording engineer and record producer)
piano:
Naomi Segal (duo-pianist) (on 1962-04-09) and Ruth Segal (duo-pianist) (on 1962-04-09)
spoken vocals [narrated by]:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-05-21)
orchestra:
New York Philharmonic (on 1962-04-09)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-04-09)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1962-04-09, on 1962-05-21)
recording of:
Le Carnaval des animaux : IV. Tortues (The Carnival of the Animals: IV. Tortoises, strings and piano) (on 1962-04-09)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
quotes music from:
Orphée aux Enfers: Acte II, Scene 2. Galop Infernal (Orpheus in the Underworld: Infernal Galop, widely known as “Can-can”)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:12
6The Carnival of the Animals: V. The Elephant
producer:
John McClure (recording engineer and record producer)
piano:
Naomi Segal (duo-pianist) (on 1962-04-09) and Ruth Segal (duo-pianist) (on 1962-04-09)
spoken vocals [narrated by]:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-05-21)
orchestra:
New York Philharmonic (on 1962-04-09)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-04-09)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1962-04-09, on 1962-05-21)
recording of:
Le Carnaval des animaux : V. L’Éléphant (The Carnival of the Animals: V. The Elephant, double bass and piano) (on 1962-04-09)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:06
7The Carnival of the Animals: VI. Kangaroos
producer:
John McClure (recording engineer and record producer)
piano:
Naomi Segal (duo-pianist) (on 1962-04-09) and Ruth Segal (duo-pianist) (on 1962-04-09)
spoken vocals [narrated by]:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-05-21)
orchestra:
New York Philharmonic (on 1962-04-09)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-04-09)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1962-04-09, on 1962-05-21)
recording of:
Le Carnaval des animaux : VI. Kangourous (The Carnival of the Animals: VI. Kangaroos, two pianos) (on 1962-04-09)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:05
8The Carnival of the Animals: VII. Aquarium
producer:
John McClure (recording engineer and record producer)
flute:
Paula Robison (flutist) (on 1962-04-09)
glockenspiel:
David Hopper (glockenspiel) (on 1962-04-09)
piano:
Naomi Segal (duo-pianist) (on 1962-04-09) and Ruth Segal (duo-pianist) (on 1962-04-09)
spoken vocals [narrated by]:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-05-21)
orchestra:
New York Philharmonic (on 1962-04-09)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-04-09)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1962-04-09, on 1962-05-21)
recording of:
Le Carnaval des animaux : VII. Aquarium (The Carnival of the Animals: VII. Aquarium, string quartet (violins, viola, cello), two pianos, flute, and glass harmonica) (on 1962-04-09)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns3:25
9The Carnival of the Animals: VIII. Personages With Long Ears
producer:
John McClure (recording engineer and record producer)
violin [violins]:
New York Philharmonic (on 1962-04-09)
spoken vocals [narrated by]:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-05-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-04-09)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1962-04-09, on 1962-05-21)
recording of:
Le Carnaval des animaux : VIII. Personnages à longues oreilles (The Carnival of the Animals: VIII. Personages With Long Ears, two violins) (on 1962-04-09)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:18
10The Carnival of the Animals: IX. The Cuckoo in the Woods
producer:
John McClure (recording engineer and record producer)
clarinet:
Paul Green (clarinet · classical, jazz & klezmer) (on 1962-04-09)
piano:
Naomi Segal (duo-pianist) (on 1962-04-09) and Ruth Segal (duo-pianist) (on 1962-04-09)
orchestra:
New York Philharmonic (on 1962-04-09)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-04-09)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1962-04-09)
recording of:
Le Carnaval des animaux : IX. Le Coucou au fond des bois (The Carnival of the Animals: IX. The Cuckoo in the Heart of the Woods, two pianos and clarinet) (on 1962-04-09)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:01
11The Carnival of the Animals: X. Aviary
producer:
John McClure (recording engineer and record producer)
flute:
Paula Robison (flutist) (on 1962-04-09)
piano:
Naomi Segal (duo-pianist) (on 1962-04-09) and Ruth Segal (duo-pianist) (on 1962-04-09)
spoken vocals [narrated by]:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-05-21)
orchestra:
New York Philharmonic (on 1962-04-09)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-04-09)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1962-04-09, on 1962-05-21)
recording of:
Le Carnaval des animaux : X. Volière (The Carnival of the Animals: X. Aviary, strings, pianos and flute) (on 1962-04-09)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:18
12The Carnival of the Animals: XI. Pianists
producer:
Howard Scott (classical music producer) and John McClure (recording engineer and record producer)
piano:
Naomi Segal (duo-pianist) (on 1962-04-09) and Ruth Segal (duo-pianist) (on 1962-04-09)
spoken vocals [narrated by]:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-05-21)
orchestra:
New York Philharmonic (on 1962-04-09)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-04-09)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1962-04-09, on 1962-05-21)
recording of:
Le Carnaval des animaux : XI. Pianistes (The Carnival of the Animals: XI. Pianists, strings and two pianos) (on 1962-04-09)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:29
13The Carnival of the Animals: XII. Fossils
producer:
John McClure (recording engineer and record producer)
clarinet:
Paul Green (clarinet · classical, jazz & klezmer) (on 1962-04-09)
piano:
Naomi Segal (duo-pianist) (on 1962-04-09) and Ruth Segal (duo-pianist) (on 1962-04-09)
xylophone:
Tony Cirone (xylophonist and percussionist) (on 1962-04-09)
spoken vocals [narrated by]:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-05-21)
orchestra:
New York Philharmonic (on 1962-04-09)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-04-09)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1962-04-09, on 1962-05-21)
recording of:
Le Carnaval des animaux : XII. Fossiles (The Carnival of the Animals: XII. Fossils, strings, two pianos, clarinet, and xylophone) (on 1962-04-09)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns3:33
14The Carnival of the Animals: XIII. The Swan
producer:
John McClure (recording engineer and record producer)
double bass:
Gary Karr (double bass player) (on 1962-04-09)
piano:
Naomi Segal (duo-pianist) (on 1962-04-09) and Ruth Segal (duo-pianist) (on 1962-04-09)
spoken vocals [narrated by]:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-05-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-04-09)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1962-04-09, on 1962-05-21)
edit of:
Le Carnaval des animaux : XIII. Le Cygne (with 1:15 narration) by Leonard Bernstein (American conductor, composer, pianist), Gary Karr (double bass player), Naomi Segal (duo-pianist), Ruth Segal (duo-pianist)
recording of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello) (on 1962-04-09)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
arranger:
Pege Aladár
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns3:26
15The Carnival of the Animals: XIV. Finale
producer:
John McClure (recording engineer and record producer)
clarinet:
Paul Green (clarinet · classical, jazz & klezmer) (on 1962-04-09)
flute:
Paula Robison (flutist) (on 1962-04-09)
piano:
Naomi Segal (duo-pianist) (on 1962-04-09) and Ruth Segal (duo-pianist) (on 1962-04-09)
xylophone:
Tony Cirone (xylophonist and percussionist) (on 1962-04-09)
spoken vocals [narrated by]:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-05-21)
orchestra:
New York Philharmonic (on 1962-04-09)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-04-09)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1962-04-09, on 1962-05-21)
recording of:
Le Carnaval des animaux : XIV. Finale (The Carnival of the Animals: XIV. Finale, full ensemble) (on 1962-04-09)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:33
16The Young Person’s Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Allegro maestoso e largamente (Full Orchestra)
producer:
Howard Scott (classical music producer)
spoken vocals:
Henry Chapin (on 1961-03-20, on 1961-04-25)
orchestra:
New York Philharmonic (on 1961-03-20, on 1961-04-25)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1961-03-20, on 1961-04-25)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-03-20, on 1961-04-25)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente (on 1961-03-20)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten1:00
17The Young Person’s Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Theme B (Woodwinds)
producer:
Howard Scott (classical music producer)
spoken vocals:
Henry Chapin (on 1961-03-20, on 1961-04-25)
orchestra:
New York Philharmonic (on 1961-03-20, on 1961-04-25)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1961-03-20, on 1961-04-25)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-03-20, on 1961-04-25)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente (on 1961-03-20)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:35
18The Young Person’s Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Theme C (Brass)
producer:
Howard Scott (classical music producer)
spoken vocals:
Henry Chapin (on 1961-03-20, on 1961-04-25)
orchestra:
New York Philharmonic (on 1961-03-20, on 1961-04-25)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1961-03-20, on 1961-04-25)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-03-20, on 1961-04-25)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente (on 1961-03-20)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:27
19The Young Person’s Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Theme D (Strings)
producer:
Howard Scott (classical music producer)
spoken vocals:
Henry Chapin (on 1961-03-20, on 1961-04-25)
orchestra:
New York Philharmonic (on 1961-03-20, on 1961-04-25)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1961-03-20, on 1961-04-25)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-03-20, on 1961-04-25)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente (on 1961-03-20)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:33
20The Young Person’s Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Theme E (Percussion)
producer:
Howard Scott (classical music producer)
spoken vocals:
Henry Chapin (on 1961-03-20, on 1961-04-25)
orchestra:
New York Philharmonic (on 1961-03-20, on 1961-04-25)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1961-03-20, on 1961-04-25)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-03-20, on 1961-04-25)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente (on 1961-03-20)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:08
21The Young Person’s Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Theme F (Full Orchestra)
producer:
Howard Scott (classical music producer)
spoken vocals:
Henry Chapin (on 1961-03-20, on 1961-04-25)
orchestra:
New York Philharmonic (on 1961-03-20, on 1961-04-25)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1961-03-20, on 1961-04-25)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-03-20, on 1961-04-25)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente (on 1961-03-20)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:41
22The Young Person’s Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation A. Presto (Piccolo & Flutes)
producer:
Howard Scott (classical music producer)
spoken vocals:
Henry Chapin (on 1961-03-20, on 1961-04-25)
orchestra:
New York Philharmonic (on 1961-03-20, on 1961-04-25)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1961-03-20, on 1961-04-25)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-03-20, on 1961-04-25)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: II. Variation A. Presto (flute and piccolo) (on 1961-03-20)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:30
23The Young Person’s Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation B. Lento (Oboes)
producer:
Howard Scott (classical music producer)
spoken vocals:
Henry Chapin (on 1961-03-20, on 1961-04-25)
orchestra:
New York Philharmonic (on 1961-03-20, on 1961-04-25)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1961-03-20, on 1961-04-25)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-03-20, on 1961-04-25)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: III. Variation B. Lento (oboe) (on 1961-03-20)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten1:08
24The Young Person’s Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation C. Moderato (Clarinets)
producer:
Howard Scott (classical music producer)
spoken vocals:
Henry Chapin (on 1961-03-20, on 1961-04-25)
orchestra:
New York Philharmonic (on 1961-03-20, on 1961-04-25)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1961-03-20, on 1961-04-25)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-03-20, on 1961-04-25)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: IV. Variation C. Moderato (clarinet) (on 1961-03-20)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:42
25The Young Person’s Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation D. Allegro alla marcia (Bassoons)
producer:
Howard Scott (classical music producer)
spoken vocals:
Henry Chapin (on 1961-03-20, on 1961-04-25)
orchestra:
New York Philharmonic (on 1961-03-20, on 1961-04-25)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1961-03-20, on 1961-04-25)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-03-20, on 1961-04-25)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: V. Variation D. Allegro alla marcia (bassoon) (on 1961-03-20)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:53
26The Young Person’s Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation E. Brillante – alla polacca (Violins)
producer:
Howard Scott (classical music producer)
spoken vocals:
Henry Chapin (on 1961-03-20, on 1961-04-25)
orchestra:
New York Philharmonic (on 1961-03-20, on 1961-04-25)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1961-03-20, on 1961-04-25)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-03-20, on 1961-04-25)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: VI. Variation E. Brillante - Alla polacca (violin) (on 1961-03-20)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:48
27The Young Person’s Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation F. Meno mosso (Violas)
producer:
Howard Scott (classical music producer)
spoken vocals:
Henry Chapin (on 1961-03-20, on 1961-04-25)
orchestra:
New York Philharmonic (on 1961-03-20, on 1961-04-25)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1961-03-20, on 1961-04-25)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-03-20, on 1961-04-25)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: VII. Variation F. Meno mosso (viola) (on 1961-03-20)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:52
28The Young Person’s Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation G. Lusingando (Cellos)
producer:
Howard Scott (classical music producer)
spoken vocals:
Henry Chapin (on 1961-03-20, on 1961-04-25)
orchestra:
New York Philharmonic (on 1961-03-20, on 1961-04-25)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1961-03-20, on 1961-04-25)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-03-20, on 1961-04-25)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: VIII. Variation G. (cello) (on 1961-03-20)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:58
29The Young Person’s Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation H. Cominciando lento ma poco a poco accel. al Allegro (Double basses)
producer:
Howard Scott (classical music producer)
spoken vocals:
Henry Chapin (on 1961-03-20, on 1961-04-25)
orchestra:
New York Philharmonic (on 1961-03-20, on 1961-04-25)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1961-03-20, on 1961-04-25)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-03-20, on 1961-04-25)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: IX. Variation H. Cominciando lento ma poco a poco accelerando (double-bass) (on 1961-03-20)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:55
30The Young Person’s Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation I. Maestoso (Harp)
producer:
Howard Scott (classical music producer)
spoken vocals:
Henry Chapin (on 1961-03-20, on 1961-04-25)
orchestra:
New York Philharmonic (on 1961-03-20, on 1961-04-25)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1961-03-20, on 1961-04-25)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-03-20, on 1961-04-25)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: X. Variation I. Maestoso (harp) (on 1961-03-20)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:49
31The Young Person’s Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation J. L’istesso tempo (French Horns)
producer:
Howard Scott (classical music producer)
spoken vocals:
Henry Chapin (on 1961-03-20, on 1961-04-25)
orchestra:
New York Philharmonic (on 1961-03-20, on 1961-04-25)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1961-03-20, on 1961-04-25)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-03-20, on 1961-04-25)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XI. Variation J. L’istesso tempo (horn) (on 1961-03-20)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:44
32The Young Person’s Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation K. Vivace (Trumpets)
producer:
Howard Scott (classical music producer)
spoken vocals:
Henry Chapin (on 1961-03-20, on 1961-04-25)
orchestra:
New York Philharmonic (on 1961-03-20, on 1961-04-25)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1961-03-20, on 1961-04-25)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-03-20, on 1961-04-25)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XII. Variation K. Vivace (trumpet) (on 1961-03-20)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:29
33The Young Person’s Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation L. Allegro pomposo (Trombones & Tuba)
producer:
Howard Scott (classical music producer)
spoken vocals:
Henry Chapin (on 1961-03-20, on 1961-04-25)
orchestra:
New York Philharmonic (on 1961-03-20, on 1961-04-25)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1961-03-20, on 1961-04-25)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-03-20, on 1961-04-25)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XIII. Variation L. Allegro pomposo (trombone) (on 1961-03-20)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten1:07
34The Young Person’s Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation M. Moderato (Percussion)
producer:
Howard Scott (classical music producer)
spoken vocals:
Henry Chapin (on 1961-03-20, on 1961-04-25)
orchestra:
New York Philharmonic (on 1961-03-20, on 1961-04-25)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1961-03-20, on 1961-04-25)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-03-20, on 1961-04-25)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XIV. Variation M. Moderato (percussion) (on 1961-03-20)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten1:37
35The Young Person’s Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Fugue. Allegro molto (Full Orchestra)
producer:
Howard Scott (classical music producer)
spoken vocals:
Henry Chapin (on 1961-03-20, on 1961-04-25)
orchestra:
New York Philharmonic (on 1961-03-20, on 1961-04-25)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1961-03-20, on 1961-04-25)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-03-20, on 1961-04-25)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XV. Fugue. Allegro molto (on 1961-03-20)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten3:04