Yacht Rock 100

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1That’s Love
recording of:
That's Love
Texter und Komponist(in):
Jim Capaldi
Jim Capaldi3:34
2Shakedown Street
assistierende(r) Techniker(in):
Betty Cantor-Jackson, Jeffrey Boden, Bill Candelario, Brett Cohen, John Hagen (engineer), Steve Parish (Grateful Dead roadie), Harry Popick, Ram Rod (Grateful Dead crew member and production assistant), Sue Stephens und Robbie Taylor (technician)
Techniker(in):
Bob Matthews
Koproduzent(in):
Dan Healy
leitende(r) Produzent(in) und Partner-Produzent(in):
John Kahn
Produzent(in):
Lowell George
Harfe:
Matt Kelly (US guitarist, associated with Kingfish, Grateful Dead)
Perkussion:
Jordan Amarantha
phonographisches Urheberrecht (℗) von:
Grateful Dead Productions (in 1978)
aufgenommen bei:
Club Le Front in San Rafael, California (Kalifornien), Vereinigte Staaten (von 1978-07-31 bis 1978-08-18)
mixed at:
Club Le Front in San Rafael, California (Kalifornien), Vereinigte Staaten
recording of:
Shakedown Street (von 1978-07-31 bis 1978-08-18)
Texter:
Robert Hunter (American lyricist, non‐performing member of the Grateful Dead)
Komponist(in):
Jerry Garcia (guitarist / vocalist in Grateful Dead)
publisher:
Ice Nine Publishing Company, Inc.
Grateful Dead45:00
3Fool (If You Think It’s Over)
Techniker(in):
Justin Shirley‐Smith
Produzent(in):
Jon Kelly (engineer at Air London Studios) und Chris Rea
phonographisches Urheberrecht (℗) von:
Magnet Records Ltd. (in 1988)
aufgenommen bei:
Sol Mill Studios (The Sol) in Windsor and Maidenhead, England, Vereinigtes Königreich (in 2007)
recording of:
Fool (If You Think It’s Over) (in 2007)
Texter und Komponist(in):
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Chris Rea54:07
4Another Night
Wilson Bros.4:00
5Jealousy (Geyster remix)
recording of:
Jealousy
Texter und Komponist(in):
Michael Franks
publisher:
Mississippi Mud Music Co., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und 大洋音楽 (Taiyō Music)
Michael Franks4:21
6Ride Like the Wind
assistierende(r) Techniker(in):
Stuart Gitlin
Techniker(in) und Mix:
Chet Himes
Produzent(in):
Michael Omartian
Akustikgitarre, E-Gitarre, Solo-Gitarre und Sologesang:
Christopher Cross (US singer‐songwriter)
Bassgitarre:
Andy Salmon
Hybrid-Piano und Klavier:
Michael Omartian
Perkussion:
Lenny Castro
Schlagzeug:
Tommy Taylor (US drummer)
Synthesizer:
Rob Meurer
Hintergrundgesang:
Christopher Cross (US singer‐songwriter) und Michael McDonald (R&B & soul singer)
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer und Michael Omartian
phonographisches Urheberrecht (℗) von:
Warner Bros. (holding: file NO releases) (in 1979) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
produced for:
Free Flow Productions
aufgenommen bei:
Pecan Street Studios in Austin, Texas, Vereinigte Staaten und Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Ride Like the Wind
Texter und Komponist(in):
Christopher Cross (US singer‐songwriter)
publisher:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher) und Universal Music–MGB Songs
sub-publisher:
Shinko Music Entertainment Co., Ltd. und Universal Music Publishing, Synch Division
Christopher Cross4.24:36
7She’s Gone
recorded in:
New York, New York, Vereinigte Staaten (in 1973)
Produzent(in):
Arif Mardin
Bass:
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (in 1973)
E-Gitarre, mellotron und Synthesizer:
Chris Bond (producer, active circa 1970s) (in 1973)
Gitarre:
John Oates (in 1973)
Hybrid-Piano:
Daryl Hall (in 1973)
Perkussion:
Ralph MacDonald (in 1973)
Schlagzeug:
Bernard “Pretty” Purdie (in 1973)
Tenorsaxophon:
Joe Farrell (in 1973)
Sologesang:
Daryl Hall (in 1973) und John Oates (in 1973)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 336)
recording of:
She’s Gone (in 1973)
Texter und Komponist(in):
Daryl Hall und John Oates
publisher:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Daryl Hall & John Oates3.655:13
8Must of Got Lost
recording of:
Must of Got Lost
Verfasser(in):
The J. Geils Band
The J. Geils Band52:58
9Shakedown Cruise
Techniker(in) und Mix:
Terry Nelson (recording engineer)
Produzent(in):
Ed “Radar” Mashal und Jay Ferguson (Californian rock & roll artist, member of Spirit & Jo Jo Gunne)
Bassgitarre [bass]:
Scott Chambers
Bootsmannpfeife [bosun's whistle]:
Tom Peer U.S.N.
Gitarre:
Bob Webb (vocalist/guitarist with: The Measles, The James Gang, and Jay Ferguson’s band)
Gitarre [lead guitar]:
Tony Battaglia
Klavier, Synthesizer [synthesizers] und Vibraphon [vibes]:
Jay Ferguson (Californian rock & roll artist, member of Spirit & Jo Jo Gunne)
Schlagzeug [drums]:
Curly Smith (Jo Jo Gunne musician)
Hintergrundgesang:
Bill Szymczyk
aufgenommen bei:
Santa Barbara Sound Studios in Santa Barbara, California (Kalifornien), Vereinigte Staaten
Jay Ferguson4:12
10Baby What a Big Surprise
Assistent recording engineer und recording engineer:
Armin Steiner (Saiteninstrumente)
assistierende(r) Techniker(in):
Tom Likes
Techniker(in):
Wayne Tarnowski
Produzent(in):
James William Guercio
Akustikgitarre und Bass:
James William Guercio (in 1977)
zusätzlich Hintergrundgesang:
Tim Cetera (in 1977) und Carl Wilson (Beach Boys) (in 1977)
Orchestrator(in):
Peter Cetera, Dominic Frontiere und James William Guercio
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977, in 1978), Chicago Records Inc. (in 1977) und Rhino Entertainment Company (not for release label use!) (in 2002, in 2007)
aufgenommen bei:
Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten und Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (Saiteninstrumente)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten
recording of:
Baby, What a Big Surprise (in 1977)
Orchestrator(in):
Dominic Frontiere
Texter und Komponist(in):
Peter Cetera (in 1977)
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Island Music Ltd. und Universal Music Publishing MGB Ltd.
Chicago33:06
11Turn It On Salvador
Toy Matinee4:55
12Queen of the Masquerade Ball
Techniker(in) und Mix:
Terry Christian (US recording and mixing engineer) und John Guess
Produzent(in):
Michael Omartian
Sologesang:
Peter Cetera
aufgenommen bei und mixed at:
Lion Share Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Queen of the Masquerade Ball
Verfasser(in):
Peter Cetera und Michael Omartian
publisher:
Fall Line Orange Music (in 1986) und See This House Music (in 1986)
Peter Cetera3:54
13Baker Street
assistierende(r) Techniker(in):
Stefan Heller
Techniker(in):
Peter R. Vince (engineer, producer)
Produzent(in):
The Shadows (British pop/rock band that once backed Cliff Richard)
Bassgitarre:
Alan Jones (member of the Shadows, 60s Merseybeat group)
Gitarre:
Hank Marvin (lead guitarist of The Shadows, songwriter) und Bruce Welch (English guitarist, singer, songwriter and producer)
Perkussion und Schlagzeug:
Brian Bennett (Shadows drummer/library music composer)
Synthesizer:
Dave Lawson (UK keyboardist & composer)
arranger:
The Shadows (British pop/rock band that once backed Cliff Richard)
aufgenommen bei:
EMI, Abbey Road in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich und The Music Centre in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
instrumental cover recording of:
Baker Street
Texter und Komponist(in):
Gerry Rafferty
publisher:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) und Universal–Songs of PolyGram International, Inc.
The Shadows4:55
14Night Moves
Produzent(in):
Phil Chapman (engineer) und John Astley
recording of:
Night Moves (Marilyn Martin song)
Verfasser(in):
Jon Astley, Marilyn Martin und John Parr
Marilyn Martin5:19
15Believe It or Not (from “Greatest American Hero”)
vocals:
Joey Scarbury
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1981)
recording of:
Believe It or Not (theme from “The Greatest American Hero”)
Texter:
Stephen Geyer
Komponist(in):
Mike Post
publisher:
Darjen Music, EMI April Music Inc., EMI Blackwood Music Inc., Lokey Publishing und Stephen Cannell Music
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Joey Scarbury43:15
16Kiss Me Like You Mean It
Air Supply4:27
17Don’t Cha Love Me
Analoger Synthesizer [ARP 2600]-Programmierung:
Jay Graydon
Techniker(in):
John Guess und Tom Perry (engineer)
Produzent(in):
Michael Omartian
Mix:
Tom Perry (engineer)
Bassgitarre:
Rick “Cheese” Chudacoff
flute:
Ernie Watts (Ernest James Watts, jazz and blues saxophonist)
Gitarre:
Bob Bordy und Brian Ray
Keyboard:
George T. Clinton (member of Crackin’) und Michael Omartian
Perkussion:
Peter Bunetta, Arno Lucas, Michael Omartian und Leslie Smith (funk/soul singer)
Schlagzeug:
Peter Bunetta
Solo-Synthesizer und Synthesizer:
George T. Clinton (member of Crackin’)
Hintergrundgesang:
Julia Tillman Waters, Maxine Willard Waters und Michael Omartian
vocals:
Arno Lucas und Leslie Smith (funk/soul singer)
arranger:
Crackin’ und Michael Omartian
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
aufgenommen bei:
Hollywood Sound Recorders in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Don’t Cha Love Me
Verfasser(in):
John Carter (US disco songwriter), Arno Lucas, Leslie Smith (funk/soul singer) und Ray White
Crackin’3:49
18Out in the Night
Serge Ponsar6:56
19We’re All Alone
cover recording of:
We’re All Alone
Texter und Komponist(in):
Boz Scaggs
publisher:
BMG Songs, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK) und Boz Scaggs Music (publisher) (vom 1975 bis heute)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Frankie Valli4:08
20Magic
Produzent(in):
Alan Parsons (of The Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974, in 1975, in 2003)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 41)
recording of:
Magic
Verfasser(in):
Billy Lyall und David Paton (of Pilot)
publisher:
Beechwood Music Corp., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Robbins Music Corp. Ltd.
Pilot4.753:06
21I.G.Y.
alto saxophone:
David Tofani
baritone saxophone:
Ronnie Cuber
Bassgitarre:
Anthony Jackson (US bassist)
Gitarre:
Hugh McCracken
Hybrid-Piano:
Greg Phillinganes
Perkussion:
Roger Nichols (US mastering, recording engineer and producer) und Starz Vanderlocket
Posaune:
Dave Bargeron (US trombonist & tubist)
Schlagzeug:
James Gadson (American drummer)
Synthesizer:
Donald Fagen und Rob Mounsey
Tenorsaxophon:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
Trompete:
Randy Brecker
zusätzlich Schlagzeug:
Jeff Porcaro
Hintergrundgesang:
Frank Floyd (US soul disco funk singer), Gordon Grody, Zachary Sanders und Valerie Simpson
Sologesang:
Donald Fagen
arranger:
Donald Fagen
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982)
recording of:
I.G.Y. (What a Beautiful World)
Texter und Komponist(in):
Donald Fagen
publisher:
Freejunket Music
Donald Fagen6:03
22I’d Love You to Want Me
recording of:
I’d Love You to Want Me
Texter und Komponist(in):
Kent LaVoie (American singer-songwriter Roland Kent LaVoie)
publisher:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Lobo34:04
23You Might Need Somebody
recording of:
You Might Need Somebody
Komponist(in):
Nan O’Byrne (American songwriter and composer) und Tom Snow (US keyboardist/songwriter)
Turley Richards3:37
24Too Young
Jack Wagner4:11
25Nice Girls
Eye to Eye5:09
26All in a Game
The Dukes3:03
27Frankie, I’m So Sorry
David Geddes3:18
28Lonely Boy
assistierende(r) Techniker(in):
Dennis Kirk und Greg Ladanyi
Techniker(in):
Val Garay
Produzent(in):
Peter Asher
Bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (von 1976-03 bis 1976-10)
cowbell, Klavier und Tamburin:
Andrew Gold (von 1976-03 bis 1976-10)
Gitarre:
Dan Dugmore (von 1976-03 bis 1976-10)
Gitarre [Lead Guitar]:
Waddy (von 1976-03 bis 1976-10)
Glocken [Sleigh] und Schlagzeug:
Michael Botts (von 1976-03 bis 1976-10)
Händeklatschen:
Peter Asher (von 1976-03 bis 1976-10) und Andrew Gold (von 1976-03 bis 1976-10)
Hybrid-Piano und Synthesizer [Arp String Ensemble]:
Brock Walsh (singer, producer, songwriter) (von 1976-03 bis 1976-10)
Hintergrundgesang:
Linda Ronstadt (von 1976-03 bis 1976-10)
vocals:
Andrew Gold (von 1976-03 bis 1976-10)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1976-03 bis 1976-10)
recording of:
Lonely Boy (von 1976-03 bis 1976-10)
Texter und Komponist(in):
Andrew Gold
publisher:
Luckyu Music
Andrew Gold44:25
29Look Who’s Lonely Now
recording engineer und Mix:
Al Schmitt
Produzent(in):
Tommy LiPuma
Bass:
Abraham Laboriel
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger) und Dean Parks (American session guitarist)
Horn:
Gary Grant (brass), Gary Herbig, Jerry Hey, Jim Horn (saxophonist, hornist, flutist and oboist), Charles Loper (American trombonist), Lew McCreary und Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
Keyboard:
Leon Pendarvis
membranophone:
Jeff Porcaro
Perkussion:
Lenny Castro
Solo-Saxophon:
David Sanborn
Hintergrundgesang:
Paulette Brown, Bill Champlin, Steve George (US keyboardist for Mr. Mister & Pages), Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister) und Carmen Twillie
Horn arranger:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
Saiteninstrumente arranger:
Nick de Caro
arranger:
Leon Pendarvis
Randy Crawford3:39
30Change of Heart
Nick Heyward4:25
31She’s Not in Love
Techniker(in) und Mix:
Al Schmitt
Produzent(in):
Tommy LiPuma
Larsen/Feiten Band4:42
32Sue Sad
Patrick Simmons3:19
33Don’t Worry Baby
recording of:
Don’t Worry Baby
Texter und Komponist(in):
John McBurnie
publisher:
Copyright Administration Services Ltd. (Copyright Administration Services Limited) und Victor Music Arts
Vapour Trails3:46
34Lonely Night
Joe Fagin3:37
35So Easy
Aztec Two‐Step51:49
36Survivor
Mickey Thomas4:08
37One Way Ticket
recording of:
One Way Ticket
Verfasser(in):
Laura Allan und Chuck Plotkin
Laura Allan4:01
38Radioland
Produzent(in):
Ted Templeman
recording of:
Radioland
Texter und Komponist(in):
Sumner Mering
Nicolette Larson3:08
39Heart and Soul
recording of:
Heart and Soul
Verfasser(in):
Simon Byrne und Andrew Howell
The Monkees3:55
40Calico
Tommy James3:11
41Fighting Chance
recording of:
Fighting Chance
Komponist(in):
Richard Gower (singer and keyboard player for Racey)
Racey3:48
42Kiss and Run
Jorge Calderón3:16
43Does Our Love (Depend on the Night)
Roger Voudouris3:14
44You Belong to You
Off Broadway3:40
45I Can’t Stand It
Produzent(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
recording of:
I Can’t Stand It
Komponist(in):
Rob Davis (songwriter/producer was in Mud), Les Gray, Dave Mount und Ray Stiles
Mud2:42
46Small Talk Time
Tom Johnston3:54
47Moonlighting
recording of:
Moonlighting (theme for the TV show)
Texter:
Al Jarreau (jazz, pop and r&b singer-songwriter)
Komponist(in):
Lee Holdridge
Al Jarreau33:04
48Ventura Highway
assistierende(r) Techniker(in):
Chuck Leary
Techniker(in):
Mike Stone (producer and engineer, 1960s–80s)
Produzent(in):
America (US folk/soft rock band) und George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
Gitarre:
Gerry Beckley, Dewey Bunnell und Dan Peek
Keyboard:
Gerry Beckley und Dan Peek
Perkussion und Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
vocals:
Gerry Beckley, Dewey Bunnell und Dan Peek
remixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972), Warner Music International (trademark of Warner Music International the company) (in 1972) und Rhino Entertainment Company (not for release label use!) (in 2011)
recording of:
Ventura Highway
Texter und Komponist(in):
Dewey Bunnell
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
America43:32
49I Just Can’t Let Go
Produzent(in):
David Pack und Michael Verdick
Hintergrundgesang:
James Ingram (R&B singer) und Michael McDonald (R&B & soul singer)
vocals:
David Pack
recording of:
I Just Can't Let Go
Texter und Komponist(in):
David Pack
publisher:
Art Street Music und EMI Longitude Music
David Pack4:53
50Stay the Night
recording of:
Stay the Night
Verfasser(in):
Benjamin Orr (co-lead singer for The Cars) und Diane Grey Page
Benjamin Orr4:22
51What Do You Want the Girl to Do
cover recording of:
What Do You Want the Girl to Do?
Texter und Komponist(in):
Allen Toussaint
publisher:
Marsaint Music Inc. (publishing), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Lowell George54:49
52Lost Inside Your Love
Badfinger52:42
53Keep a Light On
zusätzliche Synthesizer-Programmierung:
Ian Underwood
assistierende(r) Techniker(in):
Robin Laine und Karen Siegel (engineer)
Techniker(in) und Mix:
Frank Wolf (engineer at Skyline Recording)
Produzent(in):
Michael Omartian
Bassgitarre:
Mark Leonard
Gitarre:
Michael Landau
Klavier:
Robbie Buchanan (Canadian producer) und Jay Gruska
Perkussion:
Paulinho da Costa (Brazilian percussionist) und Michael Omartian
Schlagzeug:
Doane Perry
Synthesizer:
Robbie Buchanan (Canadian producer)
zusätzlich Synthesizer:
Michael Omartian
Sologesang:
Jay Gruska
vocals:
Robbie Buchanan (Canadian producer), Mark Leonard und Doane Perry
zusätzlich Hintergrundgesang:
Bill Champlin, Tommy Funderburk und Jennifer Williams (vocalist)
Saiteninstrumente arranger:
Michael Omartian
arranger:
Maxus und Michael Omartian
concertmaster:
Assa Drori
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
produced for:
Lewis Kaplan Enterprises, Inc.
aufgenommen bei und mixed at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Keep a Light On
Texter:
Jay Gruska
Komponist(in):
Paul Gordon (musical theatre composer (Jane Eyre)) und Jay Gruska
publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30), Colgems-EMI Music Inc. (vom 1980 bis heute), J‐88 Music (vom 1980 bis heute), Paul Doll Music (vom 1980 bis heute) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Maxus3:22
54Tickets to Rio
Produzent(in):
Brian Elliot (singer‐songwriter, also wrote “Papa Don’t Preach”) und Eric Jacobsen (cellist and conductor)
Keyboard und Sologesang:
Brian Elliot (singer‐songwriter, also wrote “Papa Don’t Preach”)
arranger:
Brian Elliot (singer‐songwriter, also wrote “Papa Don’t Preach”) und Jimmie Haskell
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
produced for:
Sweet Reliable Productions
recording of:
Tickets to Rio
Texter und Komponist(in):
Brian Elliot (singer‐songwriter, also wrote “Papa Don’t Preach”)
publisher:
Oh Boy Music Company und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Brian Elliot2:47
55Down in the Bottom
Bass und Ukulele:
Walter Becker
Gitarre:
Walter Becker und Dean Parks (American session guitarist)
Keyboard:
John Beasley (American jazz pianist) und Donald Fagen
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Posaune:
Bruce Paulson
Saxophon:
Bob Sheppard (American jazz musician)
vocals:
Walter Becker
recording of:
Down in the Bottom
Texter und Komponist(in):
Walter Becker
Walter Becker34:16
56Why I Came to California
Koproduzent(in):
Marty Paich
Produzent(in):
Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
recording of:
Why I Came to California
Verfasser(in):
Janis Siegel und Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Morton St. Publishing, ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Leon Ware4:09
57Sensitive Soul
Bearbeitung von:
Sensitive Soul von Jerry Corbetta
recording of:
Sensitive Soul
Verfasser(in):
Jerry Corbetta und Bob Crewe
publisher:
Corbetta Music, Heart’s Delight Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Jerry Corbetta3:23
58Through the Fire
recording of:
Through the Fire (in 1984)
Verfasser(in):
David Foster (Canadian music producer, arranger and composer), Tom Keane (keyboards, of The Keane Brothers) und Cynthia Weil
publisher:
Bravo and Encore Music, Dyad Music Ltd., Peermusic III, Ltd. (BMI), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), TomJon Music Publishing Company, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Chaka Khan4:43
59One Love Too Late
recording engineer:
Phil Kaye und Roger Nichols (US mastering, recording engineer and producer)
Synthesizer-Programmierung:
Ian Underwood
assistierende(r) Techniker(in):
John Banuelos, Dennis Eveland und Cecilia Perna
Produzent(in):
Steve Barri
Mix:
Phil Kaye
arranger:
Michael Omartian
aufgenommen bei und mixed at:
Jennifudy Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Patty Weaver4:13
60Savannah Sunny Sunday
Galdston & Thom5:40
61I Want Something to Find Me
Brenda Russell3:05
62Hello It’s Me
phonographisches Urheberrecht (℗) von:
Bearsville Records Inc. (in 1972)
recording of:
Hello, It’s Me
Texter und Komponist(in):
Todd Rundgren
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Todd Rundgren53:52
63Goodbye Girl
Akustikgitarre, Bassgitarre und Klavier:
David Gates (singer/songwriter, lead singer of Bread)
E-Gitarre:
Dean Parks (American session guitarist)
Schlagzeug:
Mike Botts
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1977)
recording of:
Goodbye Girl
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
David Gates2:49
64We’ll Never Have to Say Goodbye Again (single version)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1975)
recording of:
We’ll Never Have to Say Goodbye Again
Texter und Komponist(in):
Jeffrey Comanor
publisher:
BMG Sapphire Songs, Chicken Key Music, Faizilu Publishing, Reservoir 416, Sutjujo Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィックミュージック (Fujipacific Music, Inc.) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
England Dan & John Ford Coley2:52
65Yachting Types
Yachts2:44
66Baby I’m‐a Want You
Sologesang:
David Gates (singer/songwriter, lead singer of Bread)
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972)
recording of:
Baby I’m‐a Want You
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher) und Screen Gems–EMI Music Ltd.
Bread42:23
67Ride Captain Ride
Produzent(in):
Richard Podolor
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 32)
recording of:
Ride Captain Ride
Texter:
Frank “Skip” Konte (US keyboardist)
Komponist(in):
Mike Pinera
publisher:
Atlantic (Warner Music imprint) und ATM Music
Blues Image4.53:46
68High Sierra
Keith Carradine4:06
69Suzy
Terence Boylan2:51
70Break the Chain
Jim Messina3:06
71Where Have You Been All My Life
Fotomaker3:37
72Still the One
Sologesang:
Larry Hoppen
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1976) und Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1976)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 18)
recording of:
Still the One
Verfasser(in):
Johanna Hall und John Hall (US guitarist/vocalist for Orleans, later US congressman)
publisher:
Siren Songs
Orleans53:53
73I Love a Rainy Night
recording of:
I Love a Rainy Night
Verfasser(in):
David Malloy (American country music and pop songwriter, record producer and A&R executive), Eddie Rabbitt (US country singer & songwriter) und Even Stevens (singer / songwriter)
Eddie Rabbitt53:11
74Crazy in the Night
assistierende(r) Techniker(in):
David Cafe und Neil Rawle
Techniker(in):
Richard Lush
Produzent(in):
Richard Lush und Sherbs (Australian rock band)
Bass:
Tony Mitchell (bass, songwriter, Australia)
Gitarre:
Harvey James
Keyboard:
Garth Porter
Schlagzeug:
Alan Sandow
Sologesang:
Daryl Braithwaite
aufgenommen bei:
Paradise Studios (Sydney) in Sydney, New South Wales, Australien
The Sherbs3:52
75Lookin’ Out
Brian Briggs3:30
76Fantasy
recording of:
Fantasy
Verfasser(in):
Barry Goldberg (blues rock keyboardist and producer) und Will Jennings
publisher:
Irving Music (BMI)
Cilla Black3:19
77She’s Not for You
recording engineer und Mix:
Kent Nebergall
Produzent(in):
Joey Carbone und Richie Zito
Bassgitarre:
Dennis Belfield
Gitarre:
Richie Zito
Keyboard:
Joey Carbone
Perkussion:
Joey Carbone und Lenny Castro
Schlagzeug:
Carlos Vega
Sologesang:
John O’Banion
arranger:
Richie Zito
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1981)
produced for:
Carbone and Zito Productions, Inc.
recording of:
She’s Not for You
Texter und Komponist(in):
Richie Zito
publisher:
Richie Zito Music, Sixty‐Ninth Street Music, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
John O’Banion4:07
78She’s Gone
recorded in:
New York, New York, Vereinigte Staaten (in 1973)
Produzent(in):
Arif Mardin
Bass:
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (in 1973)
E-Gitarre, mellotron und Synthesizer:
Chris Bond (producer, active circa 1970s) (in 1973)
Gitarre:
John Oates (in 1973)
Hybrid-Piano:
Daryl Hall (in 1973)
Perkussion:
Ralph MacDonald (in 1973)
Schlagzeug:
Bernard “Pretty” Purdie (in 1973)
Tenorsaxophon:
Joe Farrell (in 1973)
Sologesang:
Daryl Hall (in 1973) und John Oates (in 1973)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 336)
recording of:
She’s Gone (in 1973)
Texter und Komponist(in):
Daryl Hall und John Oates
publisher:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Daryl Hall & John Oates3.655:15
79Good as It Can Be
Eric Kaz2:40
80Sail Away
Produzent(in):
Van Dyke Parks
arranger:
Van Dyke Parks
recording of:
Sail Away
Verfasser(in):
Larry Millas (guitarist, bassist, keyboardist, producer and engineer), Jim Peterik, Joe Thomas (producer/composer/piano player) und Brian Wilson (Beach Boys co‐founder)
Brian Wilson & Van Dyke Parks5:16
81Cool Fool
Produzent(in):
David Malloy (American country music and pop songwriter, record producer and A&R executive)
recording of:
Cool Fool
Verfasser(in):
Bruce Roberts (American singer-songwriter) und Allee Willis
publisher:
Fedora Music, Irving Music (BMI), Reservoir Media Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bruce Roberts4:25
82What a Fool Believes
cover recording of:
What a Fool Believes
Verfasser(in):
Ken Loggins und Mike McDonald (R&B & soul singer)
publisher:
Milk Money Music (in 1978) und Snug Music (in 1978)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Matt Bianco4:25
83Do It Again
Bassgitarre:
Keni Burke
Terry Callier4:53
84All the Love You Give Me
Mark Farner4:49
85Atlantic Liner
Chunky, Novi & Ernie3:45
86One Good Friend
Roger Tillison2:40
87Night Time in the Switching Yard
Techniker(in):
Dennis Kirk und Greg Ladanyi
Produzent(in):
Jackson Browne (American singer-songwriter) und Waddy Wachtel
Bassgitarre:
Bob Glaub
cowbell:
Greg Ladanyi
Gitarre:
Danny Kortchmar (Danny Kootch)
guitar family und Synthesizer:
Waddy Wachtel
Schlagzeug und Perkussion:
Jeff Porcaro
Synthesizer:
Warren Zevon
Hintergrundgesang:
The Gentlemen Boys
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978)
recording of:
Nighttime in the Switching Yard
Verfasser(in):
Jorge Calderón, David Lindell, Waddy Wachtel und Warren Zevon
Warren Zevon34:19
88You Are the Woman
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1976)
recording of:
You Are the Woman
Texter und Komponist(in):
Rick Roberts (member of Firefall & The Flying Burrito Brothers)
Firefall2.52:46
89Dream Weaver
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975)
aufgenommen bei und mixed at:
Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 25)
recording of:
Dream Weaver (Gary Wright)
Texter und Komponist(in):
Gary Wright (US singer/keyboardist) (in 1975)
publisher:
High Wave Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) und WB Music Corp.
Gary Wright44:16
90Marina del Rey
Produzent(in):
Gary Katz
Sologesang:
Marc Jordan (US‐born Canadian singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
recording of:
Marina Del Rey
Texter und Komponist(in):
Marc Jordan (US‐born Canadian singer‐songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Mortgage Music, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Marc Jordan3:12
91Steal Away Again
Julie Felix4:02
92Just When I Needed You Most
Produzent(in):
Del Newman (British conductor, orchestrator, arranger)
phonographisches Urheberrecht (℗) von:
Bearsville Records Inc. (in 1979) und Rhino Records, Inc. (company credits only; not for release label use!) (in 1979)
recording of:
Just When I Needed You Most
Texter und Komponist(in):
Randy VanWarmer
publisher:
Fourth Floor Music Inc. (US publisher), Terraform Music (publisher), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Randy VanWarmer4:02
93The Air That I Breathe
Ko-Techniker(in):
Alan Rouse
Techniker(in):
Tony Clark (engineer, Abbey Road)
Produzent(in):
John Farrar
arranger:
John Fiddy (songwriter/singer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
cover recording of:
The Air That I Breathe
Verfasser(in):
Albert Hammond und Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd. und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Olivia Newton‐John3:52
94I Can’t Tell You Why
drum machine-Programmierung:
Shai (R&B soul quartet)
Produzent(in):
Paul Brown (smooth jazz performer/producer) und Larry Carlton
Mix:
Paul Brown (smooth jazz performer/producer)
Editing:
Stewart Whitmore
Gitarre:
Larry Carlton
Keyboard:
Shai (R&B soul quartet)
zusätzlich Keyboard:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
vocals:
Shai (R&B soul quartet)
arranger:
Shai (R&B soul quartet)
mixed at:
Schnee Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Larry Carlton4:28
95Say Goodbye to Hollywood
vocals:
Bette Midler
cover recording of:
Say Goodbye to Hollywood
Texter und Komponist(in):
Billy Joel (American singer‐songwriter and pianist)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Songs Ltd., Home Grown Music (formerly Home Grown Music Network), Tin Pan Tunes, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Joelsongs (in 1976) und CBS Songs Ltd. (in 1981)
Bette Midler3:02
96You’re Moving Out Today
recording of:
You're Moving out Today
Verfasser(in):
Carole Bayer Sager, Bette Midler und Bruce Roberts (American singer-songwriter)
Carole Bayer Sager4.353:35
97How Long
recording of:
How Long
Texter und Komponist(in):
J.D. Souther
J.D. Souther3:23
98Just the Way It Is, Baby
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1990), WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (in 1990) und Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1991)
recording of:
Just the Way It Is, Baby
Verfasser(in):
Phil Solem und Danny Wilde (The Rembrandts, Great Buildings & The Quick)
publisher:
Poppy‐Due Music (publisher; do NOT use as release label), Tiger God Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und WB Music Corp. (1929–2019)
The Rembrandts3.54:04
99Midnight at the Oasis
Techniker(in):
Lee Herschberg und Donn Landee
Produzent(in):
Joe Boyd (US producer, founder of Hannibal Records) und Lenny Waronker
Mix:
Lee Herschberg
Akustikgitarre:
David Nichtern
Bassgitarre:
Freebo
E-Gitarre:
Amos Garrett
Klavier:
Mark T. Jordan
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos)
Sprecher:
Greg Prestopino
vocals:
Maria Muldaur
Saiteninstrumente arranger:
Nick de Caro
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Midnight at the Oasis
Texter und Komponist(in):
David Nichtern
publisher:
Space Potato Music (in 1974)
Maria Muldaur43:50
100Love Is the Answer
recording engineer und Mix:
Billy Sherwood
Produzent(in):
Bob Kulick und Billy Sherwood
Bassgitarre, Perkussion, Schlagzeug und Hintergrundgesang:
Billy Sherwood
Gitarre:
Gary Hoey
Sologesang:
Todd Rundgren
aufgenommen bei und mixed at:
Office Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten
recording of:
Love Is the Answer
Texter und Komponist(in):
Todd Rundgren
publisher:
Earmark Music Inc., Fiction Music Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Utopia4:18

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von:Warner Music Group (holding company – file NO releases) (in 2020)
X5 Music Group (in 2020)
phonographisches Urheberrecht (℗) von:Warner Music Group (holding company – file NO releases) (in 2020)
X5 Music Group (in 2020)
kostenlos streamen:https://open.spotify.com/album/5JIz7ERaS0emrETI56hZ1X [Info]
https://www.deezer.com/album/150464242 [Info]
Streaming-Seite:Amazon Music US [Info]
https://tidal.com/album/142728156 [Info]