Elvis 75: The King Is Born...

~ Veröffentlichung von Elvis Presley (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelBewertungLänge
1Old Shep
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1956-09-01 bis 1956-09-03)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1956-09-01 bis 1956-09-03) und Elvis Presley (“The King of Rock and Roll”) (von 1956-09-01 bis 1956-09-03)
Klavier:
Elvis Presley (“The King of Rock and Roll”) (von 1956-09-01 bis 1956-09-03) und Gordon Stoker (US pianist, tenor vocalist and music publisher) (von 1956-09-01 bis 1956-09-03)
Schlagzeug:
D.J. Fontana (von 1956-09-01 bis 1956-09-03)
vocals:
The Jordanaires (southern gospel group) (von 1956-09-01 bis 1956-09-03)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1956-09-01 bis 1956-09-03)
cover recording of:
Old Shep (von 1956-09-01 bis 1956-09-03)
publisher:
Clyde Julian Foley (US country music musician) (am 1935-06-24)
Texter:
Willis Arthur (lyricist)
Komponist(in):
Clyde Julian Foley (US country music musician)
publisher:
Westpar Music
34:11
2Have I Told You Lately That I Love You?
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1957-01-19)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1957-01-19) und Elvis Presley (“The King of Rock and Roll”) (am 1957-01-19)
Klavier:
Dudley Brooks (am 1957-01-19)
Orgel:
Hoyt Hawkins (am 1957-01-19)
Schlagzeug:
D.J. Fontana (am 1957-01-19)
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Jordanaires (southern gospel group) (am 1957-01-19)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-01-19)
cover recording of:
Have I Told You Lately That I Love You? (am 1957-01-19)
Texter und Komponist(in):
Scott Wiseman (in 1945)
publisher:
Duchess Music Corporation (BMI-affiliated), MCA Duchess Music Corporation, Universal Duchess Music Corp., Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und Leeds Music Ltd. (in 1982)
32:36
3Blueberry Hill
cover recording of:
Blueberry Hill
Texter:
Al Lewis (Tin Pan Alley era lyricist) und Larry Stock
Verfasser(in):
Al Lewis (Tin Pan Alley era lyricist), Vincent Rose (early-20th century violinist, pianist, composer & bandleader) und Larry Stock
Komponist(in):
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company und Victoria Music Publishing Co. Ltd.
Teil von:
12 Monkeys Soundtrack
2:45
4Love Me
Techniker(in):
Thorne Nogar
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-09-01, von 1956-09-01 bis 1956-09-03)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-09-01, von 1956-09-01 bis 1956-09-03) und Elvis Presley (“The King of Rock and Roll”) (am 1956-09-01, von 1956-09-01 bis 1956-09-03)
Klavier:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1956-09-01, von 1956-09-01 bis 1956-09-03) und Elvis Presley (“The King of Rock and Roll”) (von 1956-09-01 bis 1956-09-03)
Schlagzeug:
D.J. Fontana (am 1956-09-01, von 1956-09-01 bis 1956-09-03)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-09-01)
vocals:
The Jordanaires (southern gospel group) (von 1956-09-01 bis 1956-09-03)
zusätzlich vocals:
The Jordanaires (southern gospel group) (am 1956-09-01)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-09-01, von 1956-09-01 bis 1956-09-03)
cover recording of:
Love Me (von 1956-09-01 bis 1956-09-03)
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Hornall Brothers Music Ltd. (limited company), Jerry Leiber Music, Mike Stoller Music (ASCAP), Quintet Music (Leiber & Stoller) und Sony/ATV Songs LLC
recording of:
Love Me, Love Me
Verfasser(in):
George Richey und Glenn Sutton (US songwriter and producer)
42:48
5One Sided Love Affair
recording of:
One-Sided Love Affair
Texter und Komponist(in):
Bill Campbell (US songwriter)
publisher:
EMI Unart Catalog Inc. und Sheldon Music
2:15
6I Want You, I Need You, I Love You
Techniker(in):
Bob Ferris (engineer)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-04-14)
Gitarre:
Chet Atkins (am 1956-04-14) und Scotty Moore (American guitarist and recording engineer) (am 1956-04-14)
Klavier:
Marvin Hughes (am 1956-04-14)
Schlagzeug:
D.J. Fontana (am 1956-04-14)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-04-14)
vocals:
Brock Speer (am 1956-04-14), Ben Speer (am 1956-04-14), Lena Brock "Mom" Speer (am 1956-04-14) und Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1956-04-14)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
aufgenommen bei:
RCA Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1956-04-14)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 25)
recording of:
I Want You, I Need You, I Love You (am 1956-04-14)
Verfasser(in):
Ira Kosloff und Maurice Mysels
publisher:
Carlin Music Corporation, Cherry Lane Music Publishing, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Elvis Presley Music, Elvis Presley Music Inc., Gladys Music und Williamson Music Company
3.652:43
7How’s the World Treating You
cover recording of:
How’s the World Treating You
Komponist(in):
Chet Atkins und Boudleaux Bryant
publisher:
Acuff-Rose Publications, Inc. (BMI)
2:30
8I’m Left, You’re Right, She’s Gone
cover recording of:
I’m Left, You’re Right, She’s Gone
Verfasser(in):
Stan Kesler (US session musician, composer and producer) und Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
publisher:
Hi Lo Music Inc. (BMI-affiliated)
2:42
9My Baby Left Me
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-30, von 1956-01-30 bis 1956-02-03)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10, von 1956-01-30 bis 1956-02-03) und Scotty Moore (American guitarist and recording engineer) (am 1956-01-30, von 1956-01-30 bis 1956-02-03)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-01-30, von 1956-01-30 bis 1956-02-03)
Schlagzeug:
D.J. Fontana (am 1956-01-30, von 1956-01-30 bis 1956-02-03)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956) und BMG Music (in 1956)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-01-30, von 1956-01-30 bis 1956-01-31, am 1956-02-03)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 29)
cover recording of:
My Baby Left Me (von 1956-01-30 bis 1956-02-03)
Texter und Komponist(in):
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. und Williamson Music Company
recording of:
My Baby Left Me
Texter und Komponist(in):
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. und Williamson Music Company
3.252:16
10I Need You So
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1957-02-23 bis 1957-02-24)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1957-02-23 bis 1957-02-24) und Elvis Presley (“The King of Rock and Roll”) (von 1957-02-23 bis 1957-02-24)
Klavier:
Dudley Brooks (von 1957-02-23 bis 1957-02-24)
Schlagzeug:
D.J. Fontana (von 1957-02-23 bis 1957-02-24)
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Jordanaires (southern gospel group) (von 1957-02-23 bis 1957-02-24)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1957-02-23 bis 1957-02-24)
cover recording of:
I Need You So (von 1957-02-23 bis 1957-02-24)
Texter und Komponist(in):
Ivory Joe Hunter (American rhythm and blues singer, songwriter and pianist)
publisher:
Hill and Range Songs, Inc. (publisher), St. Louis Music Corp. und Unichappell Music
2.52:43
11When My Blue Moon Turns to Gold Again
cover recording of:
When My Blue Moon Turns to Gold Again
Verfasser(in):
Gene Sullivan (in 1940) und Wiley Walker (in 1940)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)) und Peer International Corporation (BMI) (am 1941-12-03)
2:26
12You’re a Heartbreaker
cover recording of:
You’re a Heartbreaker
Verfasser(in):
Jack Sallee (Charles Alvin Sallee, writer of Elvis’ “You’re a Heartbreaker”)
2:15
13I’m Counting on You
recording of:
I’m Counting on You
Texter und Komponist(in):
Don Robertson (“Happy Whistler” songwriter)
publisher:
Carlin Music Corporation, Don Robertson Music Corp. und Ross Jungnickel, Inc.
2:29
14I Want to Be Free
cover recording of:
I Want to Be Free
Verfasser(in):
Jerry Leiber und Mike Stoller
publisher:
Elvis Presley Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Silver Seahorse Music LLC und Sony/ATV Songs LLC
2:17
15Don’t Leave Me Now
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1957-02-23 bis 1957-02-24, von 1957-04-30 bis 1957-05-09) und Neal Matthews (von 1957-04-30 bis 1957-05-09)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1957-02-23 bis 1957-02-24, von 1957-04-30 bis 1957-05-09) und Elvis Presley (“The King of Rock and Roll”) (von 1957-02-23 bis 1957-02-24, von 1957-04-30 bis 1957-05-09)
Klavier:
Dudley Brooks (von 1957-02-23 bis 1957-02-24, von 1957-04-30 bis 1957-05-09) und Mike Stoller (von 1957-04-30 bis 1957-05-09)
Schlagzeug:
D.J. Fontana (von 1957-02-23 bis 1957-02-24, von 1957-04-30 bis 1957-05-09)
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Jordanaires (southern gospel group) (von 1957-02-23 bis 1957-02-24, von 1957-04-30 bis 1957-05-09)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1957-02-23 bis 1957-02-24, am 1957-04-30, am 1957-05-03, von 1957-05-08 bis 1957-05-09)
cover recording of:
Don’t Leave Me Now (von 1957-02-23 bis 1957-02-24)
Verfasser(in):
Aaron Schroeder (1950s~1960s US songwriter) und Ben Weisman
publisher:
A. Schroeder, Blen Music, Chappell & Co., Gladys Music Inc. und Rachel’s Own Music
cover recording of:
Don’t Leave Me Now (von 1957-04-30 bis 1957-05-09)
Verfasser(in):
Aaron Schroeder (1950s~1960s US songwriter) und Ben Weisman
publisher:
A. Schroeder, Blen Music, Chappell & Co., Gladys Music Inc. und Rachel’s Own Music
32:03
16Blue Moon of Kentucky
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1954-07-05, am 1954-07-07)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-07-05, am 1954-07-07)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05, am 1954-07-07)
vocals:
Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05, am 1954-07-07)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1954)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1954-07-05, am 1954-07-07)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 49)
cover recording of:
Blue Moon of Kentucky (am 1954-07-05)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”) (in 1946)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
cover recording of:
Blue Moon of Kentucky (am 1954-07-07)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”) (in 1946)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
2.652:07
17Long Tall Sally
cover recording of:
Long Tall Sally (am 1956-09-02)
Verfasser(in):
Enotris Johnson (am 1955-11-29), Richard Wayne Penniman (am 1955-11-29) und Robert Alexander Blackwell (am 1955-11-29)
publisher:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music und Venice Music
1:55
18I’m Gonna Sit Right Down and Cry
cover recording of:
I’m Gonna Sit Right Down and Cry (Over You)
Texter und Komponist(in):
Howard Biggs und Joe Thomas (US songwriter and Jazz saxophonist)
publisher:
Angle Music, Coblin Music Co., Copyright Records und EMI Music Publishing Ltd. (PRS‐affiliated)
2:08
19Baby I Don’t Care
cover recording of:
(You’re So Square) Baby I Don’t Care
Texter:
Jerry Leiber (in 1957)
Komponist(in):
Mike Stoller (in 1957)
publisher:
Belinda (London) Ltd. (publisher), Carlin Music Corporation, Elvis Presley Music Inc., Gladys Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Sony/ATV Songs LLC und WB Music Corp. (1929–2019)
1:56
20I Believe
cover recording of:
I Believe (am 1957-01-12)
Verfasser(in):
Ervin Drake (songwriter), Irvin Graham, Jimmy Shirl (songwriter) und Al Stillman
publisher:
Adaken Music, Cromwell Music, Inc., Gentlemen Jim Music Corp., Hampshire House Publishing Corp., L and S Freedom Music, Lindabet Music Corporation, Tadzio Music Corp., The Songwriters Guild, The Stillman Song Company und TRO Essex Music Ltd.
2:08
21Any Way You Want Me (That’s How I Will Be)
recording of:
Any Way You Want Me
Verfasser(in):
Cliff Owens und Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Rachel’s Own Music und Ross Jungnickel, Inc.
2:20
22Any Place Is Paradise
recording of:
Anyplace Is Paradise
Texter und Komponist(in):
Joe Thomas (US songwriter and Jazz saxophonist)
publisher:
Elvis Presley Music und Elvis Presley Music Inc.
2:31
23I Was the One
recording of:
I Was the One
Verfasser(in):
Hal Blair, Claude Demetrius, Bill Peppers und Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Anne-Rachel Music, Carlin Music Corporation, Chappell & Co., Inc. (USA), MCA Music Ltd. und Rachel’s Own Music
2:40
24Playing for Keeps
cover recording of:
Playing for Keeps
Texter und Komponist(in):
Stan Kesler (US session musician, composer and producer)
2:55
25I’ll Never Let You Go (Little Darlin’)
cover recording of:
I’ll Never Let You Go Little Darlin’ (am 1954-09-10)
Texter und Komponist(in):
Jimmy Wakely (Country and western singer and songwriter)
publisher:
Gordon Music Company, Inc., Marlen Music Co., Sunshine Music (Tomandl & Janisch OG (Vienna)) und Sunshine Music Co., Inc. (am 1941-11-17)
2:28
3▶CD

Nennungen