Don't Stop the 80's

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

First edition with yellow 2-D cover.

FIXME: The track times on disc 1 differ significantly from those on disc 1 of the second edition. I'm skeptical whether that is correct.

Anmerkung zuletzt geändert am 2015-12-28 17:02 UTC.

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Take On Me
Bass-Programmierung:
Magne Furuholmen
Produzent(in):
Alan Tarney
Mix:
a‐ha (Norwegian synth‐pop band) und John Ratcliff
drum machine und Gitarre:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Keyboard:
Magne Furuholmen
Hintergrundgesang:
Magne Furuholmen und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Sologesang:
Morten Harket
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985, in 2004)
Musikvideos:
Take On Me (2019 4K remaster of 1985 mix with diegetic audio) von a‐ha (Norwegian synth‐pop band) und Take On Me (official music video, 1985 version) von a‐ha (Norwegian synth‐pop band)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 26), The Downloader’s Music Source Book (Nummer: 284) und BILLIONS CLUB
recording of:
Take On Me
Verfasser(in):
Magne Furuholmen, Morten Harket und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. und EMI Music Publishing (do not use as a release label!)
Version von:
Miss Eerie
a‐ha4.43:49
2Sweet Dreams (Are Made of This)
Techniker(in):
A. Williams, D. A. Stewart (UK guitarist/singer for Eurythmics) und R. Crash
Produzent(in):
David A. Stewart (UK guitarist/singer for Eurythmics)
Interpret(in):
Eurythmics
phonographisches Urheberrecht (℗) von:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1983) und RCA Ltd. (UK arm of RCA) (in 1983)
Musikvideos:
Sweet Dreams von Eurythmics
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 50), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 141), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 353) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 357)
recording of:
Sweet Dreams (Are Made of This)
Texter:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
Komponist(in):
Eurythmics, Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
arranger:
Miriama Young
publisher:
BMG Music, BMG Music Publishing Ltd., D’n’A Ltd., Sunbury Music Ltd. und Universal Music–MGB Songs
Eurythmics4.153:36
3Big in Japan
Produzent(in):
Orlando
phonographisches Urheberrecht (℗) von:
WEA MUSIK GMBH (company, not a label) (vom 1984 bis heute) und wea music (“wea” logo with “music” below; mainly used in Europe and Brazil) (in 1984)
Bearbeitung von:
Big in Japan (album version) von Alphaville (German synth pop band)
recording of:
Big in Japan
Texter:
Marian Gold
Komponist(in):
Marian Gold, Lloyd Bernhard und Frank Mertens (German synthpop keyboardist Frank Sorgatz)
publisher:
Rolf Budde Musikverlag (aka Budde Music)
Alphaville53:53
4Like a Virgin
assistierende(r) Techniker(in):
Melanie West (engineer)
Techniker(in):
Jason Corsaro (U.S. music engineer, and record producer) und Michael Hutchinson (engineer)
zusätzliche(r) Techniker(in):
Rob "Ace" Eaton
Produzent(in):
Nile Rodgers
remixer:
Jellybean (US producer John Benitez)
recording of:
Like a Virgin
Verfasser(in):
Tom Kelly (songwriter) und Billy Steinberg
publisher:
Billy Steinberg Music, Denise Barry Music, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) und Warner / Chappell Music Publishing (Warner/Chappell Music, Inc.)
Madonna56:08
5Kids in America
recording engineer:
Jeo (von 1980 bis 1981)
Programmierung:
Jörn‐Uwe Fahrenkrog‐Petersen (von 1980 bis 1981) und Derek von Krogh (von 1980 bis 1981)
Techniker(in):
Steve Stewart (engineer, guitarist of The Enid)
Produzent(in):
Ricky Wilde
Bassgitarre:
Martin Russell (recording engineer, producer, composer & musician) (von 1980 bis 1981) und Derek von Krogh (von 1980 bis 1981)
Gitarre:
Thomas Hahn (von 1980 bis 1981), Charlotte Hatherley (von 1980 bis 1981), Francis Lickerish (von 1980 bis 1981), Steve Stewart (engineer, guitarist of The Enid) (von 1980 bis 1981), James Stevenson (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (von 1980 bis 1981), Robert John Godfrey (member of The Enid) (von 1980 bis 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (von 1980 bis 1981), Derek von Krogh (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Schlagzeug:
Bernhard Hahn (von 1980 bis 1981), Chris North (UK drummer of The Enid) (von 1980 bis 1981) und Tobias Wörner (von 1980 bis 1981)
zusätzlich Keyboard:
Nick Priessnitz (von 1980 bis 1981)
Hintergrundgesang:
D. Janz (von 1980 bis 1981), M. Janz (von 1980 bis 1981), N. Janz (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Sologesang:
Charlotte Hatherley (von 1980 bis 1981) und Kim Wilde (von 1980 bis 1981)
vocals:
Kim Wilde (von 1980 bis 1981)
phonographisches Urheberrecht (℗) von:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1996, in 2001), EMI France (in 1993) und EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
aufgenommen bei:
Amira Studio (von 1980 bis 1981), RAK Studios in London (Greater London), England, Vereinigtes Königreich (von 1980 bis 1981), Soundmastaz Studios (von 1980 bis 1981), Studio 77 in Stuttgart, Baden-Württemberg, Deutschland (von 1980 bis 1981) und The Lodge Recording Studio in Northampton, Northamptonshire, England, Vereinigtes Königreich (von 1980 bis 1981)
mixed at:
Jeopark in Buchholz, Niedersachsen, Deutschland, RAK Studios in London (Greater London), England, Vereinigtes Königreich und Studio 77 in Stuttgart, Baden-Württemberg, Deutschland
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 55)
recording of:
Kids in America (von 1980 bis 1981)
Verfasser(in):
Marty Wilde und Ricky Wilde
publisher:
All Nations Music, EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. und Rickim Music Ltd.
Kim Wilde4.13:26
6Running Up That Hill
assistierende(r) Techniker(in):
Pearse Dunne
Techniker(in):
Haydn Bendall (producer and engineer), James Guthrie, Paul Hardiman, Del Palmer, Brian Tench und Nigel Walker (UK producer/engineer/guitarist)
Produzent(in):
Kate Bush
Mix:
Brian Tench
Balalaika:
Paddy Bush
Bass:
Del Palmer
Gitarre:
Alan Murphy (UK session guitarist)
Schlagzeug:
Stuart Elliott (session drummer, member of Cockney Rebel)
vocals:
Kate Bush
phonographisches Urheberrecht (℗) von:
EMI America Records (holding – file NO releases here!) (in 1985), EMI Korea (in 1985), EMI Records (not for release label use!) (in 1985), EMI Records Group N.A. (in 1985), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985), Noble & Brite Ltd. (in 1985), Novercia Ltd. (in 1985), Oasis (in 1985), CEMA Special Markets (a division of Capitol‐EMI Music, Inc.) (in 1993), Universal Domestic Division (do not use as a release label! sub-division of Universal Music GmbH) (in 2006), Noble and Brite (in 2011) und Noble & Brite Ltd (in 2018)
aufgenommen bei:
Wickham Farm Home Studio in Welling, Bexley (London Borough of Bexley), London (Greater London), England, Vereinigtes Königreich
engineered at:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
Musikvideos:
Running Up That Hill (music video) von Kate Bush
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 7), Billboard Year-End Hot 100 singles of 2022 (Nummer: 23), Billboard Hot 100: 2026-01-17 (Nummer: 46), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 60), BILLIONS CLUB und Indie 88: Top 500 Indie Rock Songs (Nummer: 279)
recording of:
Running Up That Hill
Texter und Komponist(in):
Kate Bush
publisher:
EMI Music Publishing Germany GmbH (2008–today), EMI Music Publishing Ltd. (PRS‐affiliated), Kate Bush Ltd., Noble & Brite Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing LLC (1995–2020) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Kate Bush3.955:00
7Love Is a Battlefield
Produzent(in):
Neil Geraldo (multi-instrumentalist, songwriter, producer), Peter Coleman und Peter Coleman (British engineer & producer)
Mix:
Neil Giraldo (multi-instrumentalist, songwriter, producer) und Peter Coleman (British engineer & producer)
Bassgitarre:
Roger Capps
E-Gitarre:
Neil Giraldo (multi-instrumentalist, songwriter, producer)
Keyboard:
Charles Giordano (American keyboardist and accordionist)
Schlagzeug:
Myron Grombacher
Sologesang:
Pat Benatar
vocals:
Pat Benatar
phonographisches Urheberrecht (℗) von:
EMI Records (UK label renamed from Virgin EMI Records in 2020), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1983), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1983) und Chrysalis Records, Inc. (not for release label use!) (in 1983, in 1984)
aufgenommen bei:
MCA Whitney Recording Studios in Glendale, California (Kalifornien), Vereinigte Staaten (in 1983)
mixed at:
MCA Whitney Recording Studios in Glendale, California (Kalifornien), Vereinigte Staaten
recording of:
Love Is a Battlefield
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Holly Knight
publisher:
BMG Gold Songs, BMG Music, BMG Music Pbl. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Universal Music–MGB Songs, Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) und Zomba Music Publishing Ltd.
Pat Benatar4.14:10
8I'm Not Scared
recording of:
I’m Not Scared
Verfasser(in):
Chris Lowe (1/2 of Pet Shop Boys) und Neil Tennant
publisher:
10 Music Ltd. (in 1988) und Cage Music Ltd. (in 1988)
Eighth Wonder3:46
9I Engineer
Animotion4:15
10Too Shy
Schlagzeug-Programmierung:
Jez Strode
Techniker(in):
Colin Thurston
Produzent(in):
Nick Rhodes und Colin Thurston
Bassgitarre:
Nick Beggs
E-Bow [e bow] und Gitarre:
Steve Askew
Synthesizer:
Stuart Croxford Neale
Sologesang:
Limahl
zusätzlich vocals:
Nick Beggs und Stuart Croxford Neale
arranger:
Kajagoogoo
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982, in 1983)
Musikvideos:
Too Shy von Kajagoogoo
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 9) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 27)
recording of:
Too Shy
Texter:
Nick Beggs und Christopher Hamill
Komponist(in):
Steve Askew, Nick Beggs, Christopher Hamill, Stuart Croxford Neale und Jez Strode
publisher:
EMI Songs und Tritec Music Ltd. (publisher and copyrights holder)
Kajagoogoo3.553:46
11Dance Hall Days
Produzent(in):
Ross Cullum und Chris Hughes (producer, aka “Merrick”)
phonographisches Urheberrecht (℗) von:
Geffen Records und The David Geffen Company (legal rights relating to Geffen Records) (in 1984)
recording of:
Dance Hall Days
Verfasser(in):
Darren Costin, Nick Feldman und Jack Hues
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Wang Chung3.23:56
12Cold Days Hot Nights
recording of:
Cold Days, Hot Nights
Texter:
Richard Palmer‐James (guitarist and lyricist)
Komponist(in):
Tissy Thiers
Moti Special3:40
13Smalltown Boy
recording of:
Smalltown Boy
Verfasser(in):
Steve Bronski, Jimmy Somerville und Larry Steinbachek
publisher:
BMG Music Publishing Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bronski Music Ltd., Bucks Music Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Fujipacific Music, Inc., The Copyright Collective, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Teil von:
Gotcha! (1985 film soundtrack)
Bronski Beat3:58
14Square Rooms
recording of:
Square Rooms
Verfasser(in):
Al Corley, Harold Faltermeyer und Peter Wood (UK keyboardist/pianist)
publisher:
Kilauea Musikverlag und Ufaton (publisher)
Al Corley3:42
15Precious Little Diamond
recording of:
Precious Little Diamond
Texter:
Silhouette Musmin
Komponist(in):
Berth Tamaëla
publisher:
Colgems-EMI Music Inc. und Foxhole Music
Fox the Fox53:51
16If I Was
Produzent(in):
Midge Ure
Gast-Interpret(in):
Mark King (bass guitarist and vocalist)
arranger:
Midge Ure
phonographisches Urheberrecht (℗) von:
Chrysalis (in 1985)
recording of:
If I Was
Verfasser(in):
Danny Mitchell (Scottish songwriter and member of Messengers) und Midge Ure
Midge Ure45:21
17New Song
Techniker(in) und Produzent(in):
Colin Thurston
Sologesang:
Howard Jones (English singer, songwriter)
Teil von:
Anti-Hit List: March 18, 1996 (Nummer: 9)
recording of:
New Song
Texter und Komponist(in):
Howard Jones (English singer, songwriter)
Howard Jones4.54:16
18Everything's Coming Up Roses
Produzent(in):
Dave Dix (Dave Dix)
Mix:
Dave Dix (Dave Dix) und Bill Price (UK producer/engineer)
recording of:
Everything’s Coming Up Roses
Texter und Komponist(in):
Colin Vearncombe
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation) und Copyright Control Shares (not for release label use! this is only for copyrights and publishing relationships)
Black4.54:08
19Cry
Produzent(in):
Godley & Creme und Trevor Horn
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1985) und Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1985)
recording of:
Cry
Verfasser(in):
Lol Creme und Kevin Godley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und St. Anne’s Music Ltd. (in 1985)
Godley & Creme43:55

Nennungen

Veröffentlichungsgruppe

Teil von:Don’t Stop the 80’s (Nummer: 1) (Reihenfolge: 1)
Allmusic:https://www.allmusic.com/album/mw0001212454 [Info]