| # | Title | Artist | Rating | Length |
|---|
| 1 | Kantate, BWV 51 “Jauchzet Gott in allen Landen”: I. Arie (Sopran): »Jauchzet Gott in allen Landen« | Johann Sebastian Bach | | 4:42 |
| 2 | Kantate, BWV 51 “Jauchzet Gott in allen Landen”: II. Rezitativ (Sopran): »Wir beten zu dem Tempel an« | Johann Sebastian Bach | | 2:24 |
| 3 | Kantate, BWV 51 “Jauchzet Gott in allen Landen”: III. Arie (Sopran): »Höchster, mache deine Güte« | Johann Sebastian Bach | | 4:28 |
| 4 | Kantate, BWV 51 “Jauchzet Gott in allen Landen”: IV. Choral (Sopran): »Sei Lob und Preis mit Ehren« | Johann Sebastian Bach | | 3:49 |
| 5 | Kantate, BWV 51 “Jauchzet Gott in allen Landen”: V. Arie (Sopran): »Alleluja« | Johann Sebastian Bach | | 2:32 |
| 6 | Kantate, BWV 100 “Was Gott tut, das ist wohlgetan”: 1. Versus I. Chor: »Was Gott tut, das ist wohlgetan, es bleibt gerecht sein Wille«- recording engineer:
- Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- flute:
- Aurèle Nicolet (in 1976-03, in 1976-10, in 1977-06)
- horn [horn I]:
- Hermann Baumann (in 1976-03, in 1976-10, in 1977-06)
- horn [horn II]:
- Christoph Brandt (in 1976-03, in 1976-10, in 1977-06)
- oboe d'amore:
- Manfred Clement (in 1976-03, in 1976-10, in 1977-06)
- timpani:
- Mathias Holm (in 1976-03, in 1976-10, in 1977-06)
- choir vocals:
- Münchener Bach‐Chor (in 1976-03, in 1976-10, in 1977-06)
- orchestra:
- Münchener Bach‐Orchester (in 1976-03, in 1976-10, in 1977-06)
- conductor:
- Karl Richter (in 1976-03, in 1976-10, in 1977-06)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1978)
- recorded at:
- Herkulessaal in München , Bayern , Germany (in 1976-03, in 1976-10, in 1977-06)
- recording of:
- Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": I. Choral "Was Gott tut, das ist wohlgetan" (in 1977-06)
- composer:
- Johann Sebastian Bach (in 1732)
- part of:
- Kantate, BWV 100 "Was Gott tut, das ist wohlgetan"
| Johann Sebastian Bach | | 5:21 |
| 7 | Kantate, BWV 100 “Was Gott tut, das ist wohlgetan”: 2. Versus II. Duett (Alt, Tenor) »Was Gott tut, das ist wohlgetan, er wird mich nicht betrügen«- recording engineer:
- Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- horn [horn I]:
- Hermann Baumann (in 1976-03, in 1976-10, in 1977-06)
- horn [horn II]:
- Christoph Brandt (in 1976-03, in 1976-10, in 1977-06)
- oboe d'amore:
- Manfred Clement (in 1976-03, in 1976-10, in 1977-06)
- timpani:
- Mathias Holm (in 1976-03, in 1976-10, in 1977-06)
- alto vocals:
- Julia Hamari (in 1976-03, in 1976-10, in 1977-06)
- tenor vocals:
- Peter Schreier (in 1976-03, in 1976-10, in 1977-06)
- orchestra:
- Münchener Bach‐Orchester (in 1976-03, in 1976-10, in 1977-06)
- conductor:
- Karl Richter (in 1976-03, in 1976-10, in 1977-06)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1978)
- recorded at:
- Herkulessaal in München , Bayern , Germany (in 1976-03, in 1976-10, in 1977-06)
- recording of:
- Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": II. Duetto (Alt, Tenor) "Was Gott tut, das ist wohlgetan" (in 1977-06)
- composer:
- Johann Sebastian Bach (in 1732)
- part of:
- Kantate, BWV 100 "Was Gott tut, das ist wohlgetan"
| Johann Sebastian Bach | | 2:58 |
| 8 | Kantate, BWV 100 “Was Gott tut, das ist wohlgetan”: 3. Versus III. Arie (Sopran): »Was Gott tut, das ist wohlgetan, er wird mich wohl bedenken«- recording engineer:
- Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- flute:
- Peter-Lukas Graf (in 1976-03, in 1976-10, in 1977-06)
- horn [horn I]:
- Hermann Baumann (in 1976-03, in 1976-10, in 1977-06)
- horn [horn II]:
- Christoph Brandt (in 1976-03, in 1976-10, in 1977-06)
- oboe d'amore:
- Manfred Clement (in 1976-03, in 1976-10, in 1977-06)
- timpani:
- Mathias Holm (in 1976-03, in 1976-10, in 1977-06)
- soprano vocals:
- Edith Mathis (in 1976-03, in 1976-10, in 1977-06)
- orchestra:
- Münchener Bach‐Orchester (in 1976-03, in 1976-10, in 1977-06)
- conductor:
- Karl Richter (in 1976-03, in 1976-10, in 1977-06)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1978)
- recorded at:
- Herkulessaal in München , Bayern , Germany (in 1976-03, in 1976-10, in 1977-06)
- recording of:
- Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": III. Aria (Sopran) "Was Gott tut, das ist wohlgetan" (in 1977-06)
- composer:
- Johann Sebastian Bach (in 1732)
- part of:
- Kantate, BWV 100 "Was Gott tut, das ist wohlgetan"
| Johann Sebastian Bach | | 4:41 |
| 9 | Kantate, BWV 100 “Was Gott tut, das ist wohlgetan”: 4. Versus IV. Arie (Baß): »Was Gott tut, das ist wohlgetan, er ist mein Licht, mein Leben«- recording engineer:
- Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- horn [horn I]:
- Hermann Baumann (in 1976-03, in 1976-10, in 1977-06)
- horn [horn II]:
- Christoph Brandt (in 1976-03, in 1976-10, in 1977-06)
- oboe d'amore:
- Manfred Clement (in 1976-03, in 1976-10, in 1977-06)
- timpani:
- Mathias Holm (in 1976-03, in 1976-10, in 1977-06)
- bass vocals:
- Dietrich Fischer‐Dieskau (in 1976-03, in 1976-10, in 1977-06)
- orchestra:
- Münchener Bach‐Orchester (in 1976-03, in 1976-10, in 1977-06)
- conductor:
- Karl Richter (in 1976-03, in 1976-10, in 1977-06)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1978)
- recorded at:
- Herkulessaal in München , Bayern , Germany (in 1976-03, in 1976-10, in 1977-06)
- recording of:
- Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": IV. Aria (Bass) "Was Gott tut, das ist wohlgetan" (in 1977-06)
- composer:
- Johann Sebastian Bach (in 1732)
- part of:
- Kantate, BWV 100 "Was Gott tut, das ist wohlgetan"
| Johann Sebastian Bach | | 3:32 |
| 10 | Kantate, BWV 100 “Was Gott tut, das ist wohlgetan”: 5. Versus V. Arie (Alt): »Was Gott tut, das ist wohlgetan, muß ich den Kelch gleich schmecken«- recording engineer:
- Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- horn [horn I]:
- Hermann Baumann (in 1976-03, in 1976-10, in 1977-06)
- horn [horn II]:
- Christoph Brandt (in 1976-03, in 1976-10, in 1977-06)
- oboe d'amore:
- Manfred Clement (in 1976-03, in 1976-10, in 1977-06)
- timpani:
- Mathias Holm (in 1976-03, in 1976-10, in 1977-06)
- alto vocals:
- Julia Hamari (in 1976-03, in 1976-10, in 1977-06)
- orchestra:
- Münchener Bach‐Orchester (in 1976-03, in 1976-10, in 1977-06)
- conductor:
- Karl Richter (in 1976-03, in 1976-10, in 1977-06)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1978)
- recorded at:
- Herkulessaal in München , Bayern , Germany (in 1976-03, in 1976-10, in 1977-06)
- recording of:
- Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": V. Aria (Alt) "Was Gott tut, das ist wohlgetan" (in 1977-06)
- composer:
- Johann Sebastian Bach (in 1732)
- part of:
- Kantate, BWV 100 "Was Gott tut, das ist wohlgetan"
| Johann Sebastian Bach | | 4:54 |
| 11 | Kantate, BWV 100 “Was Gott tut, das ist wohlgetan”: 6. Versus VI. Choral: »Was Gott tut, das ist wohlgetan, dabei will ich verbleiben«- recording engineer:
- Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- flute:
- Aurèle Nicolet (in 1976-03, in 1976-10, in 1977-06)
- horn [horn I]:
- Hermann Baumann (in 1976-03, in 1976-10, in 1977-06)
- horn [horn II]:
- Christoph Brandt (in 1976-03, in 1976-10, in 1977-06)
- oboe d'amore:
- Manfred Clement (in 1976-03, in 1976-10, in 1977-06)
- timpani:
- Mathias Holm (in 1976-03, in 1976-10, in 1977-06)
- choir vocals:
- Münchener Bach‐Chor (in 1976-03, in 1976-10, in 1977-06)
- orchestra:
- Münchener Bach‐Orchester (in 1976-03, in 1976-10, in 1977-06)
- conductor:
- Karl Richter (in 1976-03, in 1976-10, in 1977-06)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1978)
- recorded at:
- Herkulessaal in München , Bayern , Germany (in 1976-03, in 1976-10, in 1977-06)
- recording of:
- Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": VI. Choral "Was Gott tut, das ist wohlgetan" (in 1977-06)
- composer:
- Johann Sebastian Bach (in 1732)
- part of:
- Kantate, BWV 100 "Was Gott tut, das ist wohlgetan"
| Johann Sebastian Bach | | 2:12 |
| 12 | Kantate, BWV 27 “Wer weiß, wie nahe mir mein Ende!”: I. Choral mit Rezitativen (Sopran, Alt, Tenor): »Wer weiß, wie nahe mir mein Ende!«- recording engineer:
- Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- cor anglais:
- Edgar Shann (in 1976-03, in 1976-10, in 1977-06)
- horn:
- Hermann Baumann (in 1976-03, in 1976-10, in 1977-06)
- oboe [oboe I]:
- Manfred Clement (in 1976-03, in 1976-10, in 1977-06)
- oboe [oboe II]:
- Robert Eliscú (in 1976-03, in 1976-10, in 1977-06)
- organ:
- Elmar Schloter (in 1976-03, in 1976-10, in 1977-06)
- alto vocals:
- Julia Hamari (in 1976-03, in 1976-10, in 1977-06)
- choir vocals:
- Münchener Bach‐Chor (in 1976-03, in 1976-10, in 1977-06)
- soprano vocals:
- Edith Mathis (in 1976-03, in 1976-10, in 1977-06)
- tenor vocals:
- Peter Schreier (in 1976-03, in 1976-10, in 1977-06)
- orchestra:
- Münchener Bach‐Orchester (in 1976-03, in 1976-10, in 1977-06)
- conductor:
- Karl Richter (in 1976-03, in 1976-10, in 1977-06)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1978)
- recorded at:
- Herkulessaal in München , Bayern , Germany (in 1976-03, in 1976-10, in 1977-06)
- recording of:
- Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": I. Choral e Recitativi (Soprano, Alto, Tenore, Basso) "Wer weiß, wie nahe mir mein Ende?" (in 1977-06)
- composer:
- Johann Sebastian Bach (in 1726)
- librettist:
- Ämilie Juliane von Schwarzburg-Rudolstadt (in 1695)
- part of:
- Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
| Johann Sebastian Bach | | 4:15 |
| 13 | Kantate, BWV 27 “Wer weiß, wie nahe mir mein Ende!”: II. Rezitativ (Tenor): »Mein Leben hat kein ander Ziel«- recording engineer:
- Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- cor anglais:
- Edgar Shann (in 1976-03, in 1976-10, in 1977-06)
- horn:
- Hermann Baumann (in 1976-03, in 1976-10, in 1977-06)
- oboe [oboe I]:
- Manfred Clement (in 1976-03, in 1976-10, in 1977-06)
- oboe [oboe II]:
- Robert Eliscú (in 1976-03, in 1976-10, in 1977-06)
- organ:
- Elmar Schloter (in 1976-03, in 1976-10, in 1977-06)
- tenor vocals:
- Peter Schreier (in 1976-03, in 1976-10, in 1977-06)
- orchestra:
- Münchener Bach‐Orchester (in 1976-03, in 1976-10, in 1977-06)
- conductor:
- Karl Richter (in 1976-03, in 1976-10, in 1977-06)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1978)
- recorded at:
- Herkulessaal in München , Bayern , Germany (in 1976-03, in 1976-10, in 1977-06)
- recording of:
- Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": II. Recitativo (Tenore) "Mein Leben hat kein ander Ziel" (in 1977-06)
- composer:
- Johann Sebastian Bach (in 1726)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
| Johann Sebastian Bach | | 1:07 |
| 14 | Kantate, BWV 27 “Wer weiß, wie nahe mir mein Ende!”: III. Arie (Alt): »Willkommen! will ich sagen«- recording engineer:
- Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- cor anglais:
- Edgar Shann (in 1976-03, in 1976-10, in 1977-06)
- horn:
- Hermann Baumann (in 1976-03, in 1976-10, in 1977-06)
- oboe [oboe I]:
- Manfred Clement (in 1976-03, in 1976-10, in 1977-06)
- oboe [oboe II]:
- Robert Eliscú (in 1976-03, in 1976-10, in 1977-06)
- organ:
- Elmar Schloter (in 1976-03, in 1976-10, in 1977-06)
- alto vocals:
- Julia Hamari (in 1976-03, in 1976-10, in 1977-06)
- orchestra:
- Münchener Bach‐Orchester (in 1976-03, in 1976-10, in 1977-06)
- conductor:
- Karl Richter (in 1976-03, in 1976-10, in 1977-06)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1978)
- recorded at:
- Herkulessaal in München , Bayern , Germany (in 1976-03, in 1976-10, in 1977-06)
- recording of:
- Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": III. Aria (Alto) "Willkommen! will ich sagen" (in 1977-06)
- composer:
- Johann Sebastian Bach (in 1726)
- librettist:
- Erdmann Neumeister
- part of:
- Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
| Johann Sebastian Bach | | 5:52 |
| 15 | Kantate, BWV 27 “Wer weiß, wie nahe mir mein Ende!”: IV. Rezitativ (Sopran): »Ach, wer doch schon im Himmel wär«- recording engineer:
- Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- cor anglais:
- Edgar Shann (in 1976-03, in 1976-10, in 1977-06)
- horn:
- Hermann Baumann (in 1976-03, in 1976-10, in 1977-06)
- oboe [oboe I]:
- Manfred Clement (in 1976-03, in 1976-10, in 1977-06)
- oboe [oboe II]:
- Robert Eliscú (in 1976-03, in 1976-10, in 1977-06)
- organ:
- Elmar Schloter (in 1976-03, in 1976-10, in 1977-06)
- soprano vocals:
- Edith Mathis (in 1976-03, in 1976-10, in 1977-06)
- orchestra:
- Münchener Bach‐Orchester (in 1976-03, in 1976-10, in 1977-06)
- conductor:
- Karl Richter (in 1976-03, in 1976-10, in 1977-06)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1978)
- recorded at:
- Herkulessaal in München , Bayern , Germany (in 1976-03, in 1976-10, in 1977-06)
- recording of:
- Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": IV. Recitativo (Soprano) "Ach, wer doch schon im Himmel wär!" (in 1977-06)
- composer:
- Johann Sebastian Bach (in 1726)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
| Johann Sebastian Bach | | 0:59 |
| 16 | Kantate, BWV 27 “Wer weiß, wie nahe mir mein Ende!”: V. Arie (Baß): »Gute Nacht, du Weltgetümmel!«- recording engineer:
- Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- cor anglais:
- Edgar Shann (in 1976-03, in 1976-10, in 1977-06)
- horn:
- Hermann Baumann (in 1976-03, in 1976-10, in 1977-06)
- oboe [oboe I]:
- Manfred Clement (in 1976-03, in 1976-10, in 1977-06)
- oboe [oboe II]:
- Robert Eliscú (in 1976-03, in 1976-10, in 1977-06)
- organ:
- Elmar Schloter (in 1976-03, in 1976-10, in 1977-06)
- bass vocals:
- Dietrich Fischer‐Dieskau (in 1976-03, in 1976-10, in 1977-06)
- orchestra:
- Münchener Bach‐Orchester (in 1976-03, in 1976-10, in 1977-06)
- conductor:
- Karl Richter (in 1976-03, in 1976-10, in 1977-06)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1978)
- recorded at:
- Herkulessaal in München , Bayern , Germany (in 1976-03, in 1976-10, in 1977-06)
- recording of:
- Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": V. Aria (Basso) "Gute Nacht, du Weltgetümmel!" (in 1977-06)
- composer:
- Johann Sebastian Bach (in 1726)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
| Johann Sebastian Bach | | 3:29 |
| 17 | Kantate, BWV 27 “Wer weiß, wie nahe mir mein Ende!”: VI. Choral: »Welt, ade! ich bin dein müde«- recording engineer:
- Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- cor anglais:
- Edgar Shann (in 1976-03, in 1976-10, in 1977-06)
- horn:
- Hermann Baumann (in 1976-03, in 1976-10, in 1977-06)
- oboe [oboe I]:
- Manfred Clement (in 1976-03, in 1976-10, in 1977-06)
- oboe [oboe II]:
- Robert Eliscú (in 1976-03, in 1976-10, in 1977-06)
- organ:
- Elmar Schloter (in 1976-03, in 1976-10, in 1977-06)
- choir vocals:
- Münchener Bach‐Chor (in 1976-03, in 1976-10, in 1977-06)
- orchestra:
- Münchener Bach‐Orchester (in 1976-03, in 1976-10, in 1977-06)
- conductor:
- Karl Richter (in 1976-03, in 1976-10, in 1977-06)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1978)
- recorded at:
- Herkulessaal in München , Bayern , Germany (in 1976-03, in 1976-10, in 1977-06)
- recording of:
- Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": VI. Choral "Welt, ade! ich bin dein müde" (in 1977-06)
- composer:
- Johann Sebastian Bach (in 1726)
- librettist:
- Johann Georg Albinus (in 1649)
- part of:
- Breitkopf 389 Choralgesänge (number: 350)
- part of:
- Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
| Johann Sebastian Bach | | 1:37 |
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