Classic Rock: Rock Renaissance II

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1White Room
recording engineer:
Adrian Barber (producer/engineer) (from 1967-07 until 1968-06) and Tom Dowd (from 1967-07 until 1968-06)
engineer:
Adrian Barber (producer/engineer) and Tom Dowd
producer:
Felix Pappalardi
bass:
Jack Bruce (from 1967-07 until 1968-06)
drums (drum set) and percussion and timpani:
Ginger Baker (from 1967-07 until 1968-06)
guitar:
Eric Clapton (from 1967-07 until 1968-06)
viola:
Felix Pappalardi (from 1967-07 until 1968-06)
vocals:
Jack Bruce (from 1967-07 until 1968-06)
phonographic copyright (℗) by:
Robert Stigwood Group Ltd. (in 1968), Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1968) and Robert Stigwood Organisation Ltd. (in 1969)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (from 1967-07 until 1967-08) and Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1967-09 until 1967-10, from 1968-02 until 1968-06)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 368)
recording of:
White Room (from 1967-07 until 1968-06)
writer:
Pete Brown (UK poet & producer, with Cream and Jack Bruce) and Jack Bruce
publisher:
BG Publishing, Casserole Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dratleaf Music Ltd., Unichappell Music, Inc., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) and Warner Chappell Music, Inc.
sub-publisher:
Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Cream4.24:59
2Pushin’ Too Hard
recording of:
Pushin’ Too Hard (First released as “You’re Pushing Too Hard”, later under the better known title “Pushin’ Too Hard”.)
lyricist and composer:
Sky Saxon
publisher:
Marada Music Ltd.
The Seeds2:37
3My Back Pages
producer:
Gary Usher
solo guitar:
Roger McGuinn (on 1966-12-05)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967)
cover recording of:
My Back Pages (on 1966-12-05)
lyricist and composer:
Bob Dylan (in 1964)
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1964 until 1992) and Special Rider Music (from 1992 to present)
The Byrds3.53:09
4Pay You Back With Interest
recording of:
Pay You Back With Interest
writer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
The Hollies2:42
5Bumblebee
The Searchers2:18
6Don’t Bring Me Down
bass guitar:
John Stax
drums (drum set):
Viv Prince
guitar:
Brian Pendleton
guitar [lead guitar]:
Dick Taylor (Pretty Things guitarist)
harmonica:
Phil May (lead singer of The Pretty Things)
vocals:
Phil May (lead singer of The Pretty Things)
recording of:
Don’t Bring Me Down
lyricist and composer:
Johnny Dee
The Pretty Things42:13
7I Can’t Control Myself
recording of:
I Can’t Control Myself
lyricist and composer:
Reg Presley
The Troggs4.353:06
8My Little Red Book
engineer:
Bruce Botnick
producer:
Mark Abramson and Jac Holzman
lead vocals:
Arthur Lee
recording of:
My Little Red Book
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
EMI U Catalog Inc. (publisher; do NOT use as release label)
Love32:32
9Dedicated Follower of Fashion
engineer:
Alan McKenzie (engineer) and Alan O’Duffy
producer:
Shel Talmy
phonographic copyright (℗) by:
Castle Communications (primary imprint of Castle Communications PLC) (in 1966)
produced for:
Shel Talmy Productions
recorded at:
Pye Studios in London (Greater London), England, United Kingdom (from 1966-02-07 until 1966-02-10)
recording of:
Dedicated Follower of Fashion (from 1966-02-07 until 1966-02-10)
lyricist and composer:
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Davray Music (publisher) and Rightsong Music Inc.
The Kinks43:03
10Evil Ways
engineer:
Bob Breault and Eric Prestidge
producer:
Brent Dangerfield and Santana (US Latin, blues, & rock band)
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1969-05-12)
congas and percussion:
Michael Carabello (percussionist) (on 1969-05-12)
congas, percussion and timbales:
José “Chepito” Áreas (on 1969-05-12)
drums (drum set):
Michael Shrieve (drummer) (on 1969-05-12)
guitar:
Carlos Santana (on 1969-05-12)
organ and piano:
Gregg Rolie (keyboardist and vocalist) (on 1969-05-12)
vocals:
Gregg Rolie (keyboardist and vocalist) (on 1969-05-12) and Carlos Santana (on 1969-05-12)
arranger:
Alberto Gianquinto
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1969), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1969) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1969)
recorded at:
Pacific Recording Studio in San Mateo, California, United States (on 1969-05-12)
mixed at:
Pacific Recording Studio in San Mateo, California, United States
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 69)
cover recording of:
Evil Ways (on 1969-05-12)
lyricist and composer:
Clarence “Sonny” Henry (US jazz guitarist aka Sonny Henry)
publisher:
EMI United Partnership Ltd., Gibson Music, Richcar Music, Sah Music and Universal–Songs of PolyGram International, Inc.
Santana4.153:53
11Forty Thousand Headmen
producer:
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1968-01 until 1968-05) and The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1968-01 until 1968-05)
recording of:
40,000 Headmen
writer and composer:
Jim Capaldi and Steve Winwood
Traffic3:18
12Mystic Eyes
recording of:
Mystic Eyes (Van Morrison)
lyricist and composer:
Van Morrison
publisher:
Cabaret Music Inc. and Piccadilly Music Corporation
Them2:43
13Sweet Jane
engineer:
Adrian Barber (producer/engineer) and Geoffrey Haslam
producer:
Geoffrey Haslam and Shel Kagan
bass guitar and drums (drum set):
Doug Yule
electric guitar:
Sterling Morrison
electric guitar [rhythm guitar] and lead vocals:
Lou Reed
phonographic copyright (℗) by:
Warner Special Products and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1970)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1970-04 until 1970-08)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 294) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 335)
recording of:
Sweet Jane
lyricist and composer:
Lou Reed
publisher:
Oakfield Avenue Music Ltd.
The Velvet Underground53:17
14Moondance
executive producer:
Lewis Merenstein
producer:
Van Morrison
mixer:
Elliot Scheiner (in 1969-12)
lead vocals:
Van Morrison (in 1969)
phonographic copyright (℗) by:
Exile Productions Ltd. (not for Label Release) (in 1970) and Warner Bros. Records, Ltd. (UK holding, not for label use) (in 1970)
produced for:
Inherit Productions
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (in 1969)
mixed at:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, United States (in 1969-12)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 226)
recording of:
Moondance (in 1969)
lyricist and composer:
Van Morrison
publisher:
Caledonia Productions, Inc. (Caledonia Soul Music Division), Chappell Music (UK), Van-Jan Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, Caledonia Soul Music (from 1970 until 1971), WB Music Corp. (1929–2019) (from 1970 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Van Morrison3.84:37
15Christine’s Tune
producer:
Henry Lewy and Larry Marks (US producer/songwriter/executive for Columbia, A&M Records & Warner Bros)
drums (drum set):
Jon Corneal
recording of:
Christine's Tune
composer:
Chris Hillman and Gram Parsons
recording of:
Devil in Disguise
composer:
Chris Hillman and Gram Parsons
The Flying Burrito Brothers3.53:03
16A Question of Temperature
The Balloon Farm2:41
17Stroll On
recording of:
Stroll On
writer:
Jeff Beck (English rock guitarist), Chris Dreja, Jim McCarty (UK drummer, Yardbirds member), Jimmy Page and Keith Relf
publisher:
EMI Miller Catalog, Inc.
version of:
Train Kept A‐Rollin’ (The Yardbirds’ arrangement)
The Yardbirds2:47
18Tales of Brave Ulysses
recording engineer:
Tom Dowd (from 1967-04 until 1967-05)
producer:
Felix Pappalardi
bass:
Jack Bruce (from 1967-04 until 1967-05)
drums (drum set):
Ginger Baker (from 1967-04 until 1967-05)
guitar:
Eric Clapton (from 1967-04 until 1967-05)
vocals:
Jack Bruce (from 1967-04 until 1967-05)
performer:
Cream (British 1960s rock supergroup)
phonographic copyright (℗) by:
Robert Stigwood Group Ltd. (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1967-04 until 1967-05)
recording of:
Tales of Brave Ulysses (from 1967-04 until 1967-05)
lyricist:
Martin Sharp (Australian artist, cartoonist, songwriter & filmmaker)
composer:
Eric Clapton
publisher:
Casserole Music Corp., Dratleaf Music Ltd., Unichappell Music, Inc. and Warner Chappell Music, Inc.
Cream3.82:48
19Sometimes Good Guys Don’t Wear White
recording of:
Sometimes Good Guys Don’t Wear White
lyricist and composer:
Ed Cobb
The Standells2:39
20The Rains Came
The Sir Douglas Quintet2:17
21Who Do You Love
bass:
David Freiberg
guitar:
John Cipollina and Gary Duncan (guitarist with Quicksilver Messenger Service)
membranophone:
Greg Elmore (drummer for Quicksilver Messenger Service)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
live partial cover recording of:
Who Do You Love? (in 1968)
lyricist and composer:
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (in 1956)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) and Tristan Music Ltd.
Quicksilver Messenger Service43:34
22Can’t Find My Way Home
producer:
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
bass:
Ric Grech (in 1969-06)
drums (drum set):
Ginger Baker (in 1969-06)
guitar:
Eric Clapton (in 1969-06) and Steve Winwood (in 1969-06)
vocals:
Steve Winwood (in 1969-06)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2001)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (in 1969-06)
recording of:
Can’t Find My Way Home (in 1969-06)
lyricist and composer:
Steve Winwood
publisher:
F.S. Music Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell Music Ltd. (1996–2019)
Blind Faith43:16