Tracklist

1Hybrid SACD: The Sacred Cantatas disc 1
2Hybrid SACD: The Sacred Cantatas disc 2
3Hybrid SACD: The Sacred Cantatas disc 3
4Hybrid SACD: The Sacred Cantatas disc 4
5Hybrid SACD: The Sacred Cantatas disc 5
6Hybrid SACD: The Sacred Cantatas disc 6
7Hybrid SACD: The Sacred Cantatas disc 7
8Hybrid SACD: The Sacred Cantatas disc 8
9Hybrid SACD: The Sacred Cantatas disc 9
10Hybrid SACD: The Sacred Cantatas disc 10
11Hybrid SACD: The Sacred Cantatas disc 11
12Hybrid SACD: The Sacred Cantatas disc 12
13Hybrid SACD: The Sacred Cantatas disc 13
14Hybrid SACD: The Sacred Cantatas disc 14
15Hybrid SACD: The Sacred Cantatas disc 15
16Hybrid SACD: The Sacred Cantatas disc 16
17Hybrid SACD: The Sacred Cantatas disc 17
18Hybrid SACD: The Sacred Cantatas disc 18
19Hybrid SACD: The Sacred Cantatas disc 19
20Hybrid SACD: The Sacred Cantatas disc 20
21Hybrid SACD: The Sacred Cantatas disc 21
22Hybrid SACD: The Sacred Cantatas disc 22
23Hybrid SACD: The Sacred Cantatas disc 23
24Hybrid SACD: The Sacred Cantatas disc 24
25Hybrid SACD: The Sacred Cantatas disc 25
26Hybrid SACD: The Sacred Cantatas disc 26
27Hybrid SACD: The Sacred Cantatas disc 27
28Hybrid SACD: The Sacred Cantatas disc 28
29Hybrid SACD: The Sacred Cantatas disc 29
30Hybrid SACD: The Sacred Cantatas disc 30
31Hybrid SACD: The Sacred Cantatas disc 31
32Hybrid SACD: The Sacred Cantatas disc 32
33Hybrid SACD: The Sacred Cantatas disc 33
34Hybrid SACD: The Sacred Cantatas disc 34
35Hybrid SACD: The Sacred Cantatas disc 35
36Hybrid SACD: The Sacred Cantatas disc 36
37Hybrid SACD: The Sacred Cantatas disc 37
38Hybrid SACD: The Sacred Cantatas disc 38
39Hybrid SACD: The Sacred Cantatas disc 39
40Hybrid SACD: The Sacred Cantatas disc 40
41Hybrid SACD: The Sacred Cantatas disc 41
42Hybrid SACD: The Sacred Cantatas disc 42
43Hybrid SACD: The Sacred Cantatas disc 43
44Hybrid SACD: The Sacred Cantatas disc 44
45Hybrid SACD: The Sacred Cantatas disc 45
46Hybrid SACD: The Sacred Cantatas disc 46
47Hybrid SACD: The Sacred Cantatas disc 47
48Hybrid SACD: The Sacred Cantatas disc 48
#TitleArtistRatingLength
1O ewiges Feuer, o Ursprung der Liebe, BWV 34: I. [Chorus] "O ewiges Feuer, o Ursprung der Liebe"
sound engineer:
Matthias Spitzbarth (in 2010-06)
producer:
Thore Brinkmann
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-06)
performer:
Bach Collegium Japan (in 2010-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-06)
recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": I. Coro "O ewiges Feuer, o Ursprung der Liebe" (in 2010-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
Johann Sebastian Bach7:06
2O ewiges Feuer, o Ursprung der Liebe, BWV 34: II. Recitativo "Herr, unsre Herzen halten dir" (Tenore)
sound engineer:
Matthias Spitzbarth (in 2010-06)
producer:
Thore Brinkmann
tenor vocals:
Satoshi Mizukoshi (in 2010-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-06)
performer:
Bach Collegium Japan (in 2010-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-06)
recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": II. Recitativo (Tenore) "Herr, unsre Herzen halten dir" (in 2010-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
Johann Sebastian Bach0:46
3O ewiges Feuer, o Ursprung der Liebe, BWV 34: III. Aria "Wohl euch, ihr auserwählten Seelen" (Alto)
sound engineer:
Matthias Spitzbarth (in 2010-06)
producer:
Thore Brinkmann
alto vocals:
Robin Blaze (countertenor) (in 2010-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-06)
performer:
Bach Collegium Japan (in 2010-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-06)
recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": III. Aria (Alto) "Wohl euch, ihr auserwählten Seelen" (in 2010-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
Johann Sebastian Bach5:35
4O ewiges Feuer, o Ursprung der Liebe, BWV 34: IV. Recitativo "Erwählt sich Gott die heilgen Hütten" (Basso)
sound engineer:
Matthias Spitzbarth (in 2010-06)
producer:
Thore Brinkmann
bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 2001-06 until 2010-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-06)
performer:
Bach Collegium Japan (in 2010-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-06)
recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": IV. Recitativo (Basso) "Erwählt sich Gott die heilgen Hütten" (in 2010-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
Johann Sebastian Bach0:34
5O ewiges Feuer, o Ursprung der Liebe, BWV 34: V. Tutti. Friede über Israel
sound engineer:
Matthias Spitzbarth (in 2010-06)
producer:
Thore Brinkmann
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-06)
performer:
Bach Collegium Japan (in 2010-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-06)
recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": V. Coro "Friede über Israel" (in 2010-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
Johann Sebastian Bach2:24
6Sei Lob und Ehr dem höchsten Gut, BWV 117: I. [Chorus] "Sei Lob und Ehr dem höchsten Gut"
sound engineer:
Matthias Spitzbarth (in 2010-06)
producer:
Thore Brinkmann
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-06)
performer:
Bach Collegium Japan (in 2010-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-06)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": I. Coro "Sei Lob und Ehr dem höchsten Gut" (in 2010-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
Johann Sebastian Bach3:57
7Sei Lob und Ehr dem höchsten Gut, BWV 117: II. Recitativo "Es danken dir die Himmelsheer" (Basso)
sound engineer:
Matthias Spitzbarth (in 2010-06)
producer:
Thore Brinkmann
bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 2001-06 until 2010-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-06)
performer:
Bach Collegium Japan (in 2010-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-06)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": II. Recitativo (Bass) "Es danken dir die Himmelsheer" (in 2010-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
Johann Sebastian Bach1:10
8Sei Lob und Ehr dem höchsten Gut, BWV 117: III. Aria "Was unser Gott geschaffen hat" (Tenore)
sound engineer:
Matthias Spitzbarth (in 2010-06)
producer:
Thore Brinkmann
tenor vocals:
Satoshi Mizukoshi (in 2010-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-06)
performer:
Bach Collegium Japan (in 2010-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-06)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": III. Aria (Tenor) "Was unser Gott geschaffen hat" (in 2010-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
Johann Sebastian Bach2:46
9Sei Lob und Ehr dem höchsten Gut, BWV 117: IV. [Choral] "Ich rief dem Herrn in meiner Not"
sound engineer:
Matthias Spitzbarth (in 2010-06)
producer:
Thore Brinkmann
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-06)
performer:
Bach Collegium Japan (in 2010-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-06)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": IV. Choral "Ich rief dem Herrn in meiner Not" (in 2010-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Breitkopf 389 Choralgesänge (number: 90)
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
Johann Sebastian Bach0:54
10Sei Lob und Ehr dem höchsten Gut, BWV 117: V. Recitativo "Der Herr ist noch und nimmer nicht" (Alto)
sound engineer:
Matthias Spitzbarth (in 2010-06)
producer:
Thore Brinkmann
alto vocals:
Robin Blaze (countertenor) (in 2010-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-06)
performer:
Bach Collegium Japan (in 2010-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-06)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": V. Recitativo (Alt) "Der Herr ist noch und nimmer nicht" (in 2010-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
Johann Sebastian Bach1:22
11Sei Lob und Ehr dem höchsten Gut, BWV 117: VI. [Aria] "Wenn Trost und Hülf ermangeln muss" (Basso)
sound engineer:
Matthias Spitzbarth (in 2010-06)
producer:
Thore Brinkmann
bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 2001-06 until 2010-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-06)
performer:
Bach Collegium Japan (in 2010-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-06)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": VI. Aria (Bass) "Wenn Trost und Hülf ermangeln muss" (in 2010-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
Johann Sebastian Bach3:08
12Sei Lob und Ehr dem höchsten Gut, BWV 117: VII. [Aria] "Ich will dich all mein Leben lang" (Alto)
sound engineer:
Matthias Spitzbarth (in 2010-06)
producer:
Thore Brinkmann
alto vocals:
Robin Blaze (countertenor) (in 2010-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-06)
performer:
Bach Collegium Japan (in 2010-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-06)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": VII. Aria (Alt) "Ich will dich all mein Leben lang" (in 2010-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
Johann Sebastian Bach3:28
13Sei Lob und Ehr dem höchsten Gut, BWV 117: VIII. Recitativo "Ihr, die ihr Christi Namen nennt" (Tenore)
sound engineer:
Matthias Spitzbarth (in 2010-06)
producer:
Thore Brinkmann
tenor vocals:
Satoshi Mizukoshi (in 2010-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-06)
performer:
Bach Collegium Japan (in 2010-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-06)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": VIII. Recitativo (Tenor) "Ihr, die ihr Christi Namen nennt" (in 2010-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
Johann Sebastian Bach0:44
14Sei Lob und Ehr dem höchsten Gut, BWV 117: IX. [Chorus] "So kommet vor sein Angesicht"
sound engineer:
Matthias Spitzbarth (in 2010-06)
producer:
Thore Brinkmann
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-06)
performer:
Bach Collegium Japan (in 2010-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-06)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": IX. Choral "So kommet vor sein Angesicht" (in 2010-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
Johann Sebastian Bach4:02
15Was Gott tut, das ist wohlgetan (I), BWV 98: I. [Chorus] "Was Gott tut, das ist wohlgetan"
sound engineer:
Matthias Spitzbarth (in 2010-06)
producer:
Thore Brinkmann
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-06)
performer:
Bach Collegium Japan (in 2010-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-06)
recording of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan": I. Coro "Was Gott tut, das ist wohl getan" (in 2010-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Samuel Rodigast (German poet)
part of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach3:52
16Was Gott tut, das ist wohlgetan (I), BWV 98: II. Recitativo "Ach Gott! wenn wirst du mich einmal" (Tenore)
sound engineer:
Matthias Spitzbarth (in 2010-06)
producer:
Thore Brinkmann
tenor vocals:
Satoshi Mizukoshi (in 2010-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-06)
performer:
Bach Collegium Japan (in 2010-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-06)
recording of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan": II. Recitativo (Tenor) "Ach Gott! wenn wirst du mich einmal" (in 2010-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach1:06
17Was Gott tut, das ist wohlgetan (I), BWV 98: III. Aria "Hört, ihr Augen, auf zu weinen!" (Soprano)
sound engineer:
Matthias Spitzbarth (in 2010-06)
producer:
Thore Brinkmann
soprano vocals:
Hana Blažíková (in 2010-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-06)
performer:
Bach Collegium Japan (in 2010-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-06)
recording of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan": III. Aria (Sopran) "Hört, ihr Augen, auf zu weinen!" (in 2010-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach3:50
18Was Gott tut, das ist wohlgetan (I), BWV 98: IV. Recitativo "Gott hat ein Herz, das des Erbarmens Überfluss" (Alto)
sound engineer:
Matthias Spitzbarth (in 2010-06)
producer:
Thore Brinkmann
alto vocals:
Robin Blaze (countertenor) (in 2010-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-06)
performer:
Bach Collegium Japan (in 2010-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-06)
recording of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan": IV. Recitativo (Alt) "Gott hat ein Herz, das des Erbarmens Überfluß" (in 2010-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach1:03
19Was Gott tut, das ist wohlgetan (I), BWV 98: V. Aria "Meinen Jesum lass ich nicht" (Basso)
sound engineer:
Matthias Spitzbarth (in 2010-06)
producer:
Thore Brinkmann
bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 2001-06 until 2010-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-06)
performer:
Bach Collegium Japan (in 2010-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-06)
recording of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan": V. Aria (Bass) "Meinen Jesum laß ich nicht" (in 2010-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach3:47
20Gott, man lobet dich in der Stille zu Zion, BWV 120: I. [Aria] "Gott, man lobet dich in der Stille zu Zion" (Alto)
sound engineer:
Matthias Spitzbarth (in 2010-06)
producer:
Thore Brinkmann
alto vocals:
Robin Blaze (countertenor) (in 2010-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-06)
performer:
Bach Collegium Japan (in 2010-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-06)
recording of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": I. Aria (Alt) "Gott, man lobet dich in der Stille" (former BWV 120) (in 2010-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille" (former BWV 120)
Johann Sebastian Bach5:26
21Gott, man lobet dich in der Stille zu Zion, BWV 120: II. Chorus "Jauchzet, ihr erfreuten Stimme"
sound engineer:
Matthias Spitzbarth (in 2010-06)
producer:
Thore Brinkmann
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-06)
performer:
Bach Collegium Japan (in 2010-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-06)
recording of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120) (in 2010-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille" (former BWV 120)
Johann Sebastian Bach6:10
22Gott, man lobet dich in der Stille zu Zion, BWV 120: III. Recitativo "Auf! du geliebte Lindenstadt" (Basso)
sound engineer:
Matthias Spitzbarth (in 2010-06)
producer:
Thore Brinkmann
bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 2001-06 until 2010-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-06)
performer:
Bach Collegium Japan (in 2010-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-06)
recording of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": III. Recitativo (Bass) "Auf, du geliebte Lindenstadt" (former BWV 120) (in 2010-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille" (former BWV 120)
Johann Sebastian Bach1:16
23Gott, man lobet dich in der Stille zu Zion, BWV 120: IV. Aria "Heil und Segen" (Soprano)
sound engineer:
Matthias Spitzbarth (in 2010-06)
producer:
Thore Brinkmann
soprano vocals:
Hana Blažíková (in 2010-06)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-06)
performer:
Bach Collegium Japan (in 2010-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-06)
recording of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": IV. Aria (Sopran) "Heil und Segen" (former BWV 120) (in 2010-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille" (former BWV 120)
Johann Sebastian Bach5:25
24Gott, man lobet dich in der Stille zu Zion, BWV 120: V. Recitativo "Nun, Herr, so weihe selbst das Regiment" (Tenore)
sound engineer:
Matthias Spitzbarth (in 2010-06)
producer:
Thore Brinkmann
tenor vocals:
Satoshi Mizukoshi (in 2010-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-06)
performer:
Bach Collegium Japan (in 2010-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-06)
recording of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": V. Recitativo (Tenor) "Nun, Herr, so weihe selbst" (former BWV 120) (in 2010-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille" (former BWV 120)
Johann Sebastian Bach0:47
25Gott, man lobet dich in der Stille zu Zion, BWV 120: VI. Choral "Nun hilf uns, Herr, den Dienern dein"
sound engineer:
Matthias Spitzbarth (in 2010-06)
producer:
Thore Brinkmann
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-06)
performer:
Bach Collegium Japan (in 2010-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-06)
recording of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": VI. Choral "Nun hilf uns, Herr, den Dienern dein" (former BWV 120) (in 2010-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Martin Luther (German theologian of the Reformation) (in 1529)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Breitkopf 389 Choralgesänge (number: 135)
part of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille" (former BWV 120)
Johann Sebastian Bach1:34
49Hybrid SACD: The Sacred Cantatas disc 49
50Hybrid SACD: The Sacred Cantatas disc 50
51Hybrid SACD: The Sacred Cantatas disc 51
52Hybrid SACD: The Sacred Cantatas disc 52
53Hybrid SACD: The Sacred Cantatas disc 53
54Hybrid SACD: The Sacred Cantatas disc 54
55Hybrid SACD: The Sacred Cantatas disc 55
56Hybrid SACD: The Secular Cantatas disc 1
57Hybrid SACD: The Secular Cantatas disc 2
58Hybrid SACD: The Secular Cantatas disc 3
59Hybrid SACD: The Secular Cantatas disc 4
60Hybrid SACD: The Secular Cantatas disc 5
61Hybrid SACD: The Secular Cantatas disc 6
62Hybrid SACD: The Secular Cantatas disc 7
63Hybrid SACD: The Secular Cantatas disc 8
64Hybrid SACD: The Secular Cantatas disc 9
65Hybrid SACD: The Secular Cantatas disc 10
66Hybrid SACD: St. John Passion
67Hybrid SACD: St. John Passion
68Hybrid SACD: St. Matthew Passion
69Hybrid SACD: St. Matthew Passion
70Hybrid SACD: Weihnachts-Oratorium
71Hybrid SACD: Weihnachts-Oratorium
72Hybrid SACD: Mass in B minor
73Hybrid SACD: Mass in B minor
74Hybrid SACD: Lutheran Masses I
75Hybrid SACD: Lutheran Masses II
76Hybrid SACD: Easter Oratorio / Ascension Oratorio
77Hybrid SACD: Motets
78Hybrid SACD: Various Vocal Works

Credits