Compact Jazz: Cannonball Adderley

~ Release by Cannonball Adderley (see all versions of this release, 1 available)

Annotation

Label: Emarcy - Catalog #: 842930-2

Annotation last modified on 2006-05-22 11:20 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Cannonball
recorded in:
New York, New York, United States (on 1955-07-29)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-07-29)
baritone saxophone:
Cecil Payne (on 1955-07-29)
cornet:
Nat Adderley (on 1955-07-29)
double bass:
Paul Chambers (US jazz bassist) (on 1955-07-29)
drums (drum set):
Kenny Clarke (on 1955-07-29)
flute and tenor saxophone:
Jerome Richardson (on 1955-07-29)
piano:
John Williams (American jazz pianist) (on 1955-07-29)
trombone:
J. Johnson (jazz/bop trombonist/session leader) (on 1955-07-29)
arranger:
Quincy Jones
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955)
recording of:
Cannonball (on 1955-07-29)
composer:
Julian “Cannonball” Adderley
4:19
2You'd Be So Nice to Come Home To
recorded in:
New York, New York, United States (on 1955-07-29)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-07-29)
baritone saxophone:
Cecil Payne (on 1955-07-29)
cornet:
Nat Adderley (on 1955-07-29)
double bass:
Paul Chambers (US jazz bassist) (on 1955-07-29)
drums (drum set):
Kenny Clarke (on 1955-07-29)
flute and tenor saxophone:
Jerome Richardson (on 1955-07-29)
piano:
John Williams (American jazz pianist) (on 1955-07-29)
trombone:
J. Johnson (jazz/bop trombonist/session leader) (on 1955-07-29)
arranger:
Quincy Jones
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955), HHO Licensing (in 2005, in 2008) and Xelon Productions (in 2010)
instrumental cover recording of:
You’d Be So Nice to Come Home To (on 1955-07-29)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
recording of:
You’d Be So Nice to Come Home To
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
3:40
3Hurricane Connie
recording of:
Hurricane Connie
composer:
Quincy Jones
4:20
4Crazy Baby
recorded in:
New York, New York, United States (on 1955-09-06)
producer:
Bob Shad
alto saxophone:
Cannonball Adderley (on 1955-09-06)
double bass:
Paul Chambers (US jazz bassist) (on 1955-09-06)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1955-09-06)
piano:
Horace Silver (on 1955-09-06)
trumpet:
Nat Adderley (on 1955-09-06)
recording of:
Crazy Baby (on 1955-09-06)
composer:
J. Adderley and N. Adderley
publisher:
Drexall Music
6:05
5Two Brothers
recorded in:
New York, New York, United States (on 1955-09-06)
producer:
Bob Shad
alto saxophone:
Cannonball Adderley (on 1955-09-06)
double bass:
Paul Chambers (US jazz bassist) (on 1955-09-06)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1955-09-06)
piano:
Horace Silver (on 1955-09-06)
trumpet:
Nat Adderley (on 1955-09-06)
recording of:
Two Brothers (on 1955-09-06)
composer:
J. Adderley and N. Adderley
publisher:
Drexall Music
3:33
6Friday Nite
recorded in:
New York, New York, United States (on 1955-09-06)
producer:
Bob Shad
alto saxophone:
Cannonball Adderley (on 1955-09-06)
double bass:
Paul Chambers (US jazz bassist) (on 1955-09-06)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1955-09-06)
piano:
Horace Silver (on 1955-09-06)
trumpet:
Nat Adderley (on 1955-09-06)
recording of:
Friday Nite (on 1955-09-06)
composer:
J. Adderley and N. Adderley
publisher:
Drexall Music
3:15
7Fort Lauderdale
recording of:
Fort Lauderdale
composer:
J. Adderley and N. Adderley
publisher:
Drexall Music
3:22
8Miss Jackie's Delight
alto saxophone:
Cannonball Adderley (on 1957-02-06)
cornet:
Nat Adderley (on 1957-02-06)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-06)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1957-02-06)
piano:
Junior Mance (on 1957-02-06)
6:15
9Jubilation
recorded in:
New York, New York, United States (on 1958-03-04)
alto saxophone:
Cannonball Adderley (on 1958-03-04)
bass:
Sam Jones (US jazz bassist) (on 1958-03-04)
cornet:
Nat Adderley (on 1958-03-04)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-03-04)
piano:
Junior Mance (on 1958-03-04)
recording of:
Jubilation (on 1958-03-04)
composer:
Cannonball Adderley
5:29
10Limehouse Blues
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1959-02-03)
double bass:
Paul Chambers (US jazz bassist) (on 1959-02-03)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-02-03)
piano:
Wynton Kelly (on 1959-02-03)
tenor saxophone:
John Coltrane (on 1959-02-03)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999, in 2001) and Count Records (in 2013)
recorded at:
Universal Recording: Studio B in Chicago, Illinois, United States (on 1959-02-03)
instrumental cover recording of:
Limehouse Blues (on 1959-02-03)
lyricist:
Douglas Furber
composer:
Philip Braham
publisher:
Harms, Inc. and Warner Bros. Mus. (ASCAP) (publisher; do NOT use as release label)
44:40
11Wabash
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1959-02-03)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1959-02-03)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-02-03)
piano:
Wynton Kelly (on 1959-02-03)
tenor saxophone:
John Coltrane (on 1959-02-03)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999)
recorded at:
Universal Recording: Studio B in Chicago, Illinois, United States (on 1959-02-03)
recording of:
Wabash (on 1959-02-03)
composer:
Cannonball Adderley
5:46
12The Sleeper
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1959-02-03)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1959-02-03)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-02-03)
piano:
Wynton Kelly (on 1959-02-03)
tenor saxophone:
John Coltrane (on 1959-02-03)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999)
recorded at:
Universal Recording: Studio B in Chicago, Illinois, United States (on 1959-02-03)
recording of:
The Sleeper (on 1959-02-03)
composer:
John Coltrane
publisher:
Jowcol Music
7:16
13Cannon Bilt
alto saxophone:
Cannonball Adderley (on 1962-01-22) and Earle Warren (on 1962-01-22)
baritone saxophone:
Jerome Richardson (on 1962-01-22)
bass:
Ray Brown (jazz bassist) (on 1962-01-22)
cornet:
Nat Adderley (on 1962-01-22)
drums (drum set):
Osie Johnson (on 1962-01-22)
flute:
Yusef Lateef (on 1962-01-22) and Jerome Richardson (on 1962-01-22)
piano:
Tommy Flanagan (on 1962-01-22)
tenor saxophone:
Budd Johnson (on 1962-01-22), Yusef Lateef (on 1962-01-22) and Seldon Powell (on 1962-01-22)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1962-01-22), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1962-01-22), Melba Liston (US jazz trombonist) (on 1962-01-22) and Britt Woodman (on 1962-01-22)
trumpet:
Joe Newman (US jazz trumpeter) (on 1962-01-22), Ernie Royal (on 1962-01-22) and Clark Terry (American swing trumpeter) (on 1962-01-22)
vibraphone:
Milt Jackson (on 1962-01-22)
conductor:
Ernie Wilkins (on 1962-01-22)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1962-01-22)
3:35
14Work Song
performer:
Ray Brown (jazz bassist)
recording of:
Work Song (original instrumental)
writer:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
composer:
Nat Adderley
5:16

Credits

Release

part of:Compact Jazz (order: 51)