Radio Rock Revolution: Movie Soundtrack

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Friday on My Mind
Produzent(in):
Shel Talmy
phonographisches Urheberrecht (℗) von:
Albert Productions (in 1966, in 1967) und United Artists (in 1966)
produced for:
Albert Productions
recording of:
Friday on My Mind
Verfasser(in):
Vanda & Young (songwriting & producing duo), Harry Vanda (Australian musician) und George Young (Australian musician and producer)
publisher:
J. Albert & Son P/L, J. Albert & Son Pty. Ltd. und Unart Music Corporation (in 1973)
The Easybeats3.52:53
2My Generation
Produzent(in):
Shel Talmy
Bass:
John Entwistle (am 1965-10-13)
Gitarre:
Pete Townshend (of The Who) (am 1965-10-13)
Klavier:
Nicky Hopkins (pianist and organist) (am 1965-10-13)
Perkussion und Schlagzeug:
Keith Moon (drummer) (am 1965-10-13)
Sologesang:
Roger Daltrey (am 1965-10-13)
vocals:
John Entwistle (am 1965-10-13) und Pete Townshend (of The Who) (am 1965-10-13)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1965, in 1970) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
aufgenommen bei:
IBC Studios in London (Greater London), England, Vereinigtes Königreich (am 1965-10-13)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 11), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 37) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 232)
recording of:
My Generation (am 1965-10-13)
Texter und Komponist(in):
Pete Townshend (of The Who)
publisher:
Devon Music Inc., Essex Music of Australia P/L, Essex Musikvertrieb GmbH und Fabulous Music, Ltd. (this is a publisher, not an imprint!)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
The Who4.43:20
3I Feel Free
Techniker(in):
John Timperley
Produzent(in):
Robert Stigwood
Bass und Klavier:
Jack Bruce (von 1966-07 bis 1966-09)
Gitarre:
Eric Clapton (von 1966-07 bis 1966-09)
Schlagzeug:
Ginger Baker (von 1966-07 bis 1966-09)
vocals:
Ginger Baker (von 1966-07 bis 1966-09), Jack Bruce (von 1966-07 bis 1966-09) und Eric Clapton (von 1966-07 bis 1966-09)
phonographisches Urheberrecht (℗) von:
Robert Stigwood Group Ltd. (in 1966) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1966)
aufgenommen bei:
Chalk Farm Studios in London (Greater London), England, Vereinigtes Königreich (von 1966-07 bis 1966-09) und Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich (von 1966-07 bis 1966-09)
mixed at:
Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich (am 1966-12-08)
recording of:
I Feel Free (von 1966-07 bis 1966-09)
Texter:
Pete Brown (UK poet & producer, with Cream and Jack Bruce)
Komponist(in):
Jack Bruce
publisher:
Casserole Music Corp., Dratleaf Music Ltd., Unichappell Music, Inc., Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) und Unichappell-Stigwood Music (in 1967)
Cream4.22:55
4The Wind Cries Mary
Techniker(in):
Dave Siddle (DeLane Lea) (engineer) (in 1967-02) und Eddie Kramer (Olympic) (engineer) (in 1967-02)
Produzent(in):
Chas Chandler
E-Bass:
Noel Redding (in 1967-02)
E-Gitarre und Sologesang:
Jimi Hendrix (in 1967-02)
Schlagzeug:
Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others) (in 1967-02)
phonographisches Urheberrecht (℗) von:
PolyGram International Music B.V. (not for release label use!) (in 1967) und Experience Hendrix, L.L.C. (in 2010)
aufgenommen bei:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1967-02) und Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (am 1967-02-08)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 371)
recording of:
The Wind Cries Mary (in 1967-02)
Texter und Komponist(in):
Jimi Hendrix
publisher:
Bella Godiva Music, Experience Hendrix, L.L.C. und Sea-Lark Enterprises, Inc.
Jimi Hendrix3.93:22
5A Whiter Shade of Pale
Produzent(in):
Denny Cordell
Bassgitarre:
David Knights
Gast-Schlagzeug:
Bill Eyden
Gitarre:
Ray Royer
Hammond-Orgel:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
vocals:
Gary Brooker
phonographisches Urheberrecht (℗) von:
Onward Music Ltd. (in 1967)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 57) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 271)
recording of:
A Whiter Shade of Pale
Texter:
Keith Reid
Komponist(in):
Gary Brooker und Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) und Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
basiert auf:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
basiert auf:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:01
6These Arms of Mine
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1962-10)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (in 1962-10)
Bassgitarre:
Lewie Steinberg (in 1962-10)
Gitarre:
Steve Cropper (in 1962-10) und Johnny Jenkins (US blues guitarist) (in 1962-10)
Klavier:
Steve Cropper (in 1962-10)
Orgel:
Booker T. Jones (in 1962-10)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1962-10)
Tenorsaxophon:
Charles “Packy” Axton (in 1962-10)
vocals:
Otis Redding (in 1962-10)
recording of:
These Arms of Mine (in 1962-10)
Texter und Komponist(in):
Otis Redding
publisher:
Irving Music, Inc. und Regent Music Corp. (BMI)
Otis Redding3.52:33
7Cleo’s Mood
Produzent(in):
Harvey Fuqua
recording of:
Cleo’s Mood
Komponist(in):
Autry De Walt, Harvey Fuqua und Willie Woods (US guitarist & songwriter)
Junior Walker & the All Stars2:43
8The Happening
recording engineer:
Russ Terrana
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
Bass:
James Jamerson (am 1967-03-02)
Instrumente:
The Funk Brothers (am 1967-03-02)
Hintergrundgesang:
Florence Ballard (am 1967-03-02) und Mary Wilson (am 1967-03-02)
Sologesang:
Diana Ross (am 1967-03-02)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1967-03-02)
recording of:
The Happening (am 1967-03-08)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Frank De Vol, Lamont Dozier und Brian Holland (Motown producer & songwriter)
The Supremes52:51
9She’d Rather Be With Me
Interpret(in):
The Turtles (late 60s US rock band)
recording of:
She’d Rather Be With Me
Verfasser(in):
Garry Bonner (singer and songwriter) und Alan Gordon (American songwriter who co‐wrote The Turtles’ hit “Happy Together”)
The Turtles3.352:21
1098.6
recording of:
98.6
Verfasser(in):
George Fischoff und Tony Powers
The Bystanders3:20
11Sunny Afternoon
recording engineer:
Shel Talmy (am 1966-05-13)
assistierende(r) Techniker(in):
Alan O’Duffy
Techniker(in):
Alan McKenzie (engineer)
Produzent(in):
Shel Talmy
Bassgitarre:
Pete Quaife (Kinks' bass guitarist) (am 1966-05-13)
Cembalo und Keyboard:
Nicky Hopkins (pianist and organist) (am 1966-05-13)
Gitarre:
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (am 1966-05-13) und Ray Davies (UK singer/songwriter, member of The Kinks) (am 1966-05-13)
Schlagzeug:
Mick Avory (am 1966-05-13)
Hintergrundgesang:
Rasa Didzpetris-Davies (am 1966-05-13) und Pete Quaife (Kinks' bass guitarist) (am 1966-05-13)
vocals:
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (am 1966-05-13) und Ray Davies (UK singer/songwriter, member of The Kinks) (am 1966-05-13)
Interpret(in):
Ray Davies (UK singer/songwriter, member of The Kinks) (am 1966-05-13)
instruments arranger:
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) und Ray Davies (UK singer/songwriter, member of The Kinks)
phonographisches Urheberrecht (℗) von:
Castle Communications PLC (not for label use, copyright holder) (in 1966) und Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1966)
produced for:
Shel Talmy Productions
aufgenommen bei:
Pye Studios, Studio 2 in London (Greater London), England, Vereinigtes Königreich (am 1966-05-13)
recording of:
Sunny Afternoon (am 1966-05-13)
Texter und Komponist(in):
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Carlin Music Corporation, Davray Music Ltd., Carlin (in 1984) und Davray (publisher) (in 1984)
The Kinks4.53:34
12Father and Son
Produzent(in):
Paul Samwell-Smith
Bassgitarre:
John Ryan (producer a/k/a “The Chicago Kid”) (in 1970-07)
Gitarre und Keyboard:
Cat Stevens (now known as Yusuf Islam) (in 1970-07)
Gitarre [2nd]:
Alun Davies (in 1970-07)
Schlagzeug:
Harvey Burns (in 1970-07)
Solo-Geige / Violine:
John Rostein (in 1970-07)
vocals:
Cat Stevens (now known as Yusuf Islam) (in 1970-07)
Saiteninstrumente arranger:
Del Newman (British conductor, orchestrator, arranger)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970) und Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 1970)
aufgenommen bei:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1970-07)
instrumental version of:
Father and Son von Giacomo Bucci
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 408)
recording of:
Father and Son (Cat Stevens) (in 1970-07)
Texter und Komponist(in):
Cat Stevens (now known as Yusuf Islam)
publisher:
Cat Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Freshwater Music Ltd. (vom 1970 bis heute) und Irving Music, Inc. (vom 1970 bis heute)
Cat Stevens4.253:42
13Nights in White Satin
leitende(r) Produzent(in):
Hugh Mendl
Produzent(in):
Tony Clark (engineer, Abbey Road)
phonographisches Urheberrecht (℗) von:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1967)
recording of:
Nights in White Satin (in 1967)
Texter und Komponist(in):
Justin Hayward (of the Moody Blues)
publisher:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. und Tyler Music Ltd.
The Moody Blues4.44:26
14You Don’t Have to Say You Love Me
Produzent(in):
John Franz
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 491)
recording of:
You Don’t Have to Say You Love Me
Texter:
Simon Napier-Bell, Vito Pallavicini (Lyricist) und Vicki Wickham
Komponist(in):
Pino Donaggio (Italian singer‐songwriter and score composer)
publisher:
Accordo Ediccione, B. Feldman & Co. Ltd. (publisher est. 1946), EMI Miller Catalog, Inc., EMI United Partnership Ltd. und Miller Music Corp.
übersetzte Version von:
Io che non vivo (senza te)
Dusty Springfield3.72:50
15Stay With Me (Baby)
Produzent(in):
Jerry Ragovoy
conductor:
Garry Sherman (mid-20th century composer, arranger & conductor)
arranger:
Jerry Ragovoy und Garry Sherman (mid-20th century composer, arranger & conductor)
recording of:
Stay With Me (in 1966-07)
Verfasser(in):
Jerry Ragovoy und George David Weiss
publisher:
TRO Essex Music Ltd.
Lorraine Ellison43:34
16Hang On Sloopy
recording of:
Hang On Sloopy
Verfasser(in):
Bert Russell Berns und Wes Farrell
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Morris Music Inc und Robert Mellin Music, Inc.
The McCoys33:53
17This Old Heart of Mine
Produzent(in):
Lamont Dozier, Holland–Dozier (with Brian Holland) und Brian Holland (Motown producer & songwriter)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1966)
recording of:
This Old Heart of Mine (Is Weak for You)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Verfasser(in):
Holland–Dozier–Holland
Komponist(in):
Lamont Dozier, Brian Holland (Motown producer & songwriter) und Sylvia Moy
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.) und Stone Agate Music Division
The Isley Brothers4.252:51
18Let’s Dance
Techniker(in) und Mix:
Bob Clearmountain
Produzent(in):
David Bowie (English singer‐songwriter) und Nile Rodgers
assistierende(r) Mix:
David Bowie (English singer‐songwriter) und Nile Rodgers
Solo-Gitarre:
Stevie Ray Vaughan
Sologesang:
David Bowie (English singer‐songwriter)
phonographisches Urheberrecht (℗) von:
David Bowie (English singer‐songwriter) (in 1983)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1982-12 bis 1983-01)
recording of:
Let’s Dance (von 1982-12 bis 1983-01)
Texter und Komponist(in):
David Bowie (English singer‐songwriter)
publisher:
Essex (publisher), Jones Music (publishers associated with David Bowie), Jones Music America, RZO Music Ltd und Watanabe Music Publishing CM division
David Bowie44:07