A Portrait of Norman Walker

~ Veröffentlichung von Norman Walker (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1I Rage, I Melt, I Burn... O Ruddier Than the Cherry (Acis & Galatea)
Bass-Gesang:
Norman Walker (operatic bass)
Orchester:
Orchestra ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
conductor:
Lawrance Collingwood
recording of:
Acis and Galatea, HWV 49: Act II, no. 11. Recitativo accompagnato "I rage, I melt, I burn!" (Polyphemus)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1718)
Librettist:
John Gay (English poet and dramatist) (in 1718)
Teil von:
Acis and Galatea, HWV 49: Act II
recording of:
Acis and Galatea, HWV 49: Act II, no. 12. Aria "O ruddier than the cherry" (Polyphemus)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1718)
Librettist:
John Gay (English poet and dramatist) (in 1718)
Teil von:
Acis and Galatea, HWV 49: Act II
George Frideric Handel4:17
2I Feel the Deity Within... Arm, Arm, Ye Brave (Judas Maccabaeus)
Bass-Gesang:
Norman Walker (operatic bass)
Orchester:
Orchestra ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
conductor:
Lawrance Collingwood
recording of:
Judas Maccabaeus, HWV 63: Act I, no. 9: Recitative "I feel, I feel the Deity within" (Simon)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1746)
Librettist:
Thomas Morell
Teil von:
Judas Maccabaeus, HWV 63: Act I
recording of:
Judas Maccabaeus, HWV 63: Act I, no. 10: Air "Arm, arm, ye brave!" (Simon)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1746)
Librettist:
Thomas Morell
Teil von:
Judas Maccabaeus, HWV 63: Act I
George Frideric Handel4:38
3Why Do the Nations (Messiah)
Bass-Gesang:
Norman Walker (operatic bass)
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Malcolm Sargent (conductor)
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part II
George Frideric Handel2:52
4The Trumpet Shall Sound (Messiah)
Bass-Gesang:
Norman Walker (operatic bass)
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Malcolm Sargent (conductor)
recording of:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part III
George Frideric Handel4:50
5And God Said (The Creation)
Bass-Gesang:
Norman Walker (operatic bass)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir Malcolm Sargent (conductor)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XX. Rezitativ: Und Gott sprach: Es bringe die Erde hervor lebende Geschöpfe
Komponist(in):
Joseph Haydn (composer)
Teil von:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn3:32
6Now Heav'n in Fullest Glory (The Creation)
Bass-Gesang:
Norman Walker (operatic bass)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir Malcolm Sargent (conductor)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXII. Arie: Nun scheint in vollem Glanze der Himmel
Komponist(in):
Joseph Haydn (composer)
Teil von:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn3:42
7Jesu! By That Shuddering Dread (The Dream of Genrontius)
Bass-Gesang:
Norman Walker (operatic bass)
Orchester:
Liverpool Philharmonic Orchestra
conductor:
Sir Malcolm Sargent (conductor)
teilweise recording of:
The Dream of Gerontius, op. 38: Part II, VI. Thy judgment now is near (cues 102–113)
Komponist(in):
Edward Elgar (composer) (in 1900)
Teil von:
The Dream of Gerontius, op. 38
Edward Elgar4:37
8Sea King's Song (Dylan)
Bass-Gesang:
Norman Walker (operatic bass)
Orchester:
Orchestra ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
conductor:
Joseph Holbrooke (English composer)
teilweise recording of:
Dylan, op. 53
Komponist(in):
Joseph Holbrooke (English composer) (in 1909)
Librettist:
Thomas Scott-Ellis
Joseph Holbrooke3:59
9Noden's Song (Children of Don)
Bass-Gesang:
Norman Walker (operatic bass)
Orchester:
Orchestra ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
conductor:
Clarence Raybould (conductor / pianist / composer)
teilweise recording of:
The Children of Don, op. 56
Komponist(in):
Joseph Holbrooke (English composer) (von 1910 bis 1912)
Librettist:
Thomas Scott-Ellis
Teil von:
Works of Joseph Holbrooke by opus number (Nummer: op. 56)
Joseph Holbrooke4:14
10Then Leave Her (Faust)
Bass-Gesang:
Norman Walker (operatic bass)
Chorgesang:
Sadler’s Wells Opera Chorus
Soprangesang:
Joan Cross (soprano)
Tenor-Gesang:
Webster Booth
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Warwick Braithwaite (conductor)
recording of:
Faust : Acte V. No. 31 « Alerte, alerte » … « Anges purs » (Méphistophélès, Marguerite, Faust, Chœur)
Komponist(in):
Charles Gounod (French composer)
Librettist:
Jules Barbier und Michel Carré (librettist)
Teil von:
Faust : Acte V
Charles‐François Gounod4:34
11Dalle Cime del'Alpi... Venti Olà (Le Quattro Stagioni)
Bass-Gesang:
Norman Walker (operatic bass)
Chorgesang:
London Chamber Singers
Orchester:
London Chamber Orchestra
conductor:
Anthony Bernard
teilweise recording of:
Il pianto e il riso delle quattro stagioni
Komponist(in):
Benedetto Marcello (composer)
Benedetto Marcello4:24
12Bevi, Bevi (La Morte D'orfeo)
Cello:
Terence Weil (cellist)
Cembalo:
Arnold Goldsbrough (organist / harpsichordist / conductor)
Bass-Gesang:
Norman Walker (operatic bass)
teilweise recording of:
La morte d'Orfeo
Komponist(in):
Stefano Landi (1600s Italian opera composer)
Stefano Landi1:30
13What, What Can Be Done?
Bass-Gesang:
Norman Walker (operatic bass)
Chorgesang:
London Chamber Singers
Countertenorgesang:
Alfred Deller (countertenor)
Tenor-Gesang:
Richard Lewis (Welsh tenor)
Orchester:
London Chamber Orchestra
conductor:
Anthony Bernard
Henry Purcell4:28
14The Pretty Creature
Klavier:
Gerald Moore (pianist)
Bass-Gesang:
Norman Walker (operatic bass)
recording of:
The Pretty Creature
Komponist(in):
Stephen Storace
Stephen Storace2:44
15False Phyllis
Klavier:
Gerald Moore (pianist)
Bass-Gesang:
Norman Walker (operatic bass)
recording of:
False Phyllis
Komponist(in):
Henry Lane-Wilson
Henry Lane-Wilson2:49
16Off to Philadelphia
Klavier:
Gerald Moore (pianist)
Bass-Gesang:
Norman Walker (operatic bass)
recording of:
Off to Philadelphia
Komponist(in):
Battison Haynes
Battison Haynes3:13
17Love, Could I Only Tell Thee!
Klavier:
Gerald Moore (pianist)
Bass-Gesang:
Norman Walker (operatic bass)
recording of:
Love Could I Only Tell Thee
Texter:
Graham Clifton Bingham
Komponist(in):
John Mais Capel
John Mais Capel4:19
18O Isis and Osiris (The Magic Flute)
Klavier:
Ella Walker (pianist early 1900's)
Bass-Gesang:
Norman Walker (operatic bass)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1791)
Librettist:
Emanuel Schikaneder
Teil von:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:50
19Ah, My Pretty Brace of Fellows (The Abduction From the Seraglio)
Klavier:
Gerald Moore (pianist)
Bass-Gesang:
Norman Walker (operatic bass)
Wolfgang Amadeus Mozart3:18