The Complete Recordings

~ Release by Vaughan Williams; Sir Adrian Boult (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Dona nobis pacem: I. Agnus Dei: Lento –
audio engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
John Carol Case (English baritone) (from 1973-04-16 until 1973-04-18)
choir vocals:
London Philharmonic Choir (from 1973-04-16 until 1973-04-18)
soprano vocals:
Sheila Armstrong (soprano) (from 1973-04-16 until 1973-04-18)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-04-16 until 1973-04-18)
conductor:
Sir Adrian Boult (conductor) (from 1973-04-16 until 1973-04-18)
chorus master:
John Alldis (chorusmaster and conductor) (from 1973-04-16 until 1973-04-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-04-16 until 1973-04-18)
recording of:
Dona nobis pacem: I. Agnus Dei (from 1973-04-16 until 1973-04-18)
lyricist:
[traditional] (special purpose artist)
composer:
Ralph Vaughan Williams (English composer) (in 1936)
part of:
Dona nobis pacem (Vaughan Williams Cantata for soprano, baritone, choir, and orchestra)
Ralph Vaughan Williams3:32
2Dona nobis pacem: II. Beat! beat! drums!: Allegro moderato –
audio engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
John Carol Case (English baritone) (from 1973-04-16 until 1973-04-18)
choir vocals:
London Philharmonic Choir (from 1973-04-16 until 1973-04-18)
soprano vocals:
Sheila Armstrong (soprano) (from 1973-04-16 until 1973-04-18)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-04-16 until 1973-04-18)
conductor:
Sir Adrian Boult (conductor) (from 1973-04-16 until 1973-04-18)
chorus master:
John Alldis (chorusmaster and conductor) (from 1973-04-16 until 1973-04-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-04-16 until 1973-04-18)
recording of:
Dona nobis pacem: II. "Beat! beat! drums!" (Allegro moderato) (from 1973-04-16 until 1973-04-18)
lyricist:
Walt Whitman (19th c. American poet, essayist, and journalist)
composer:
Ralph Vaughan Williams (English composer) (in 1936)
part of:
Dona nobis pacem (Vaughan Williams Cantata for soprano, baritone, choir, and orchestra)
Ralph Vaughan Williams3:48
3Dona nobis pacem: III. Reconciliation: Andantino –
audio engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
John Carol Case (English baritone) (from 1973-04-16 until 1973-04-18)
choir vocals:
London Philharmonic Choir (from 1973-04-16 until 1973-04-18)
soprano vocals:
Sheila Armstrong (soprano) (from 1973-04-16 until 1973-04-18)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-04-16 until 1973-04-18)
conductor:
Sir Adrian Boult (conductor) (from 1973-04-16 until 1973-04-18)
chorus master:
John Alldis (chorusmaster and conductor) (from 1973-04-16 until 1973-04-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-04-16 until 1973-04-18)
recording of:
Dona nobis pacem: III. Reconciliation (Andantino) (from 1973-04-16 until 1973-04-18)
lyricist:
Walt Whitman (19th c. American poet, essayist, and journalist)
composer:
Ralph Vaughan Williams (English composer) (in 1936)
part of:
Dona nobis pacem (Vaughan Williams Cantata for soprano, baritone, choir, and orchestra)
Ralph Vaughan Williams5:59
4Dona nobis pacem: IV. Dirge for Two Veterans: Moderato alla marcia
audio engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
John Carol Case (English baritone) (from 1973-04-16 until 1973-04-18)
choir vocals:
London Philharmonic Choir (from 1973-04-16 until 1973-04-18)
soprano vocals:
Sheila Armstrong (soprano) (from 1973-04-16 until 1973-04-18)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-04-16 until 1973-04-18)
conductor:
Sir Adrian Boult (conductor) (from 1973-04-16 until 1973-04-18)
chorus master:
John Alldis (chorusmaster and conductor) (from 1973-04-16 until 1973-04-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-04-16 until 1973-04-18)
recording of:
Dona nobis pacem: IV. Dirge for Two Veterans (Moderato alla marcia) (from 1973-04-16 until 1973-04-18)
lyricist:
Walt Whitman (19th c. American poet, essayist, and journalist)
composer:
Ralph Vaughan Williams (English composer) (in 1936)
part of:
Dona nobis pacem (Vaughan Williams Cantata for soprano, baritone, choir, and orchestra)
Ralph Vaughan Williams11:10
5Dona nobis pacem: V. The Angel of Death has been abroad: L’istesso tempo –
audio engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
John Carol Case (English baritone) (from 1973-04-16 until 1973-04-18)
choir vocals:
London Philharmonic Choir (from 1973-04-16 until 1973-04-18)
soprano vocals:
Sheila Armstrong (soprano) (from 1973-04-16 until 1973-04-18)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-04-16 until 1973-04-18)
conductor:
Sir Adrian Boult (conductor) (from 1973-04-16 until 1973-04-18)
chorus master:
John Alldis (chorusmaster and conductor) (from 1973-04-16 until 1973-04-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-04-16 until 1973-04-18)
recording of:
Dona nobis pacem: V. "The Angel of Death has been abroad" (L'istesso tempo) (from 1973-04-16 until 1973-04-18)
lyricist:
[traditional] (special purpose artist) and John Bright
composer:
Ralph Vaughan Williams (English composer) (in 1936)
part of:
Dona nobis pacem (Vaughan Williams Cantata for soprano, baritone, choir, and orchestra)
Ralph Vaughan Williams3:15
6Dona nobis pacem: VI. O man greatly beloved
audio engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
John Carol Case (English baritone) (from 1973-04-16 until 1973-04-18)
choir vocals:
London Philharmonic Choir (from 1973-04-16 until 1973-04-18)
soprano vocals:
Sheila Armstrong (soprano) (from 1973-04-16 until 1973-04-18)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-04-16 until 1973-04-18)
conductor:
Sir Adrian Boult (conductor) (from 1973-04-16 until 1973-04-18)
chorus master:
John Alldis (chorusmaster and conductor) (from 1973-04-16 until 1973-04-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-04-16 until 1973-04-18)
recording of:
Dona nobis pacem: VI. O man greatly beloved (from 1973-04-16 until 1973-04-18)
lyricist:
[traditional] (special purpose artist)
composer:
Ralph Vaughan Williams (English composer) (in 1936)
part of:
Dona nobis pacem (Vaughan Williams Cantata for soprano, baritone, choir, and orchestra)
Ralph Vaughan Williams8:28
7Fantasia (quasi variazione) on the Old 104th
audio engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
producer:
Christopher Bishop (conductor/producer)
piano:
Peter Katin (on 1970-02-12)
choir vocals:
London Philharmonic Choir (on 1970-02-12)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1970-02-12)
conductor:
Sir Adrian Boult (conductor) (on 1970-02-12)
chorus master:
John Alldis (chorusmaster and conductor) (on 1970-02-12)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1970-02-12)
recording of:
Fantasia on the Old 104th Psalm Tune (on 1970-02-12)
composer:
Ralph Vaughan Williams (English composer)
Ralph Vaughan Williams14:17
8A Song of Thanksgiving
producer:
Lawrance Collingwood and George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
organ:
Harry Gabb (organist)
choir vocals:
Luton Choral Society and Luton Girls’ Choir (English choir)
soprano vocals:
Betty Dolemore
spoken vocals:
Robert Speaight
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
chorus master:
Arthur E. Davies (tenor)
recorded at:
No. 1 Studio, Abbey Road in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1951-12-18)
recording of:
A Song of Thanksgiving
lyricist:
Rudyard Kipling and William Shakespeare (English poet and playwright)
composer:
Ralph Vaughan Williams (English composer)
Ralph Vaughan Williams15:02
9The Lark Ascending (1952)
producer:
Lawrance Collingwood and George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
violin:
Jean Pougnet (violinist)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
recorded at:
No. 1 Studio, Abbey Road in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1052-10-21)
recording of:
The Lark Ascending (for violin and orchestra)
composer:
Ralph Vaughan Williams (English composer) (in 1914)
premiered at:
[concert] (1921-06-14)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1921-06-14)
arrangement of:
The Lark Ascending (for violin and piano)
Ralph Vaughan Williams13:24
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