Bolero / Cavalleria Rusticana / Carmen Suites / Wedding March

~ Pubblicazione di Ravel, Suppé, Bizet, Mascagni; London Festival Orchestra, Alfred Scholz (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Alfred Scholz related

Annotazione modificata l'ultima volta il 2023-08-27 15:04 UTC.

Elenco tracce

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1Poet and Peasant
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
direttore d'orchestra:
Alfred Scholz
registrazione di:
Dichter und Bauer: Ouvertüre (Poet and Peasant: Overture)
compositore:
Franz von Suppé (Franz von Suppè, composer)
parte di:
Dichter und Bauer (Poet and Peasant)
Franz von Suppé9:50
2Cavalleria Rusticana: Intermezzo
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
direttore d'orchestra:
Kurt Redel (German flautist and conductor) e Alfred Scholz
registrazione di:
Cavalleria rusticana: Intermezzo
compositore:
Pietro Mascagni (composer & conductor) (nel 1888)
editore:
Ascherberg Hopwood & Crew
parte di:
Cavalleria rusticana
parte di:
Cavalleria rusticana (German lyrics)
Pietro Mascagni3:27
3Marinarella
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
direttore d'orchestra:
Alfred Scholz
registrazione di:
Marinarella, op. 215
compositore:
Julius Fučík (Czech composer) (nel 1908-01)
Julius Fučík10:22
4Wedding March: Hochzeitsmarsch
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonic Orchestra (Alfred Scholz pseudonym) e Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
direttore d'orchestra:
Alfred Scholz
registrazione di:
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace (A Midsummer Night’s Dream, op. 61: no. 9. Wedding March: Allegro vivace)
compositore:
Felix Mendelssohn (composer) (nel 1842)
parte di:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn4:52
5Gayane: Sabre Dance
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) e Philharmonisches Festspielorchester (an Alfred Scholz pseudonym)
direttore d'orchestra:
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym) e Alfred Scholz
diritti fonografici (℗) detenuti da:
Pilz Media Group (company credits only; do not use as release label!) (nel 1988)
registrazione di:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55: V. Sabre Dance
compositore:
Արամ Խաչատրյան (Aram Chačaturjan, Soviet-Armenian composer) (nel 1942)
versione di:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
parte di:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55
Արամ Խաչատրյան2:32
6Valse triste
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) e Philharmonisches Festspielorchester (an Alfred Scholz pseudonym)
direttore d'orchestra:
Alfred Scholz
registrazione di:
Valse triste, op. 44 no. 1 (for orchestra)
compositore:
Jean Sibelius (Finnish composer) (nel 1903)
rivista da:
Jean Sibelius (Finnish composer) (nel 1904)
eseguita per la prima volta presso:
Konsertti (1904-04-25)
eseguita per la prima volta presso:
Svenska Teatern (Swedish Theatre, theatre in Helsinki, Finland) in Helsinki, Uusimaa, Finlandia (il 1904-04-25)
parte di:
2 Pieces from Kuolema, op. 44
revisione di:
Kuolema, JS 113: No. 1. Tempo di valse lente (for orchestra)
registrazione di:
Valse Triste, op. 44 no. 1 (catch-all for arrangements)
compositore:
Jean Sibelius (Finnish composer) (dal 1903 al 1904, nel 1904)
arrangiamento di:
Valse triste, op. 44 no. 1 (for orchestra)
Jean Sibelius4:01
7Florentine March
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
direttore d'orchestra:
Alfred Scholz
registrazione di:
Florentiner Marsch, op. 214 (Florentiner March)
ha composto a:
Budapest, Ungheria (il 1907-09-15)
compositore:
Julius Fučík (Czech composer) (il 1907-09-15)
Julius Fučík5:18
8Carmen Suite No. 1: Prélude
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) e Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato
compositore:
Georges Bizet (French composer)
parte di:
Carmen Suite no. 1
Georges Bizet1:22
9Carmen Suite No. 1: Aragonaise
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) e Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV)
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
parte di:
Carmen Suite no. 1
Georges Bizet2:14
10Carmen Suite No. 1: Intermezzo
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) e Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III)
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
parte di:
Carmen Suite no. 1
Georges Bizet2:41
11Carmen Suite No. 1: Séguedille
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) e Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 1 : IV. Séguedille. Allegretto (based on Carmen: Act I. Séguedille et Duo « Près des remparts de Séville »)
compositore:
Georges Bizet (French composer)
arrangiatore:
Ernest Guiraud (French composer)
si basa su:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José)
parte di:
Carmen Suite no. 1
Georges Bizet1:54
12Carmen Suite No. 1: Les Dragons d'Alcala
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) e Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato (based on Carmen: Entr’acte between Acts I and II)
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte I. Entr’acte (intermission between Acts I & II)
parte di:
Carmen Suite no. 1
Georges Bizet1:37
13Carmen Suite No. 1: Les Toréadors
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Nemzeti Filharmonikus Zenekar (Hungarian National Philharmonic), Orchester der Zagreber Oper (Alfred Scholz related), Orchestre radio symphonique de Paris, Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand), Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) e Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Emil Edlinger, Jovan Šajnović (conductor, Alfred Scholz related), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! »)
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
si basa su:
Carmen : Prélude
parte di:
Carmen Suite no. 1
Georges Bizet2:20
14Carmen Suite No. 2: Marche des Contrebandiers
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) e Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 2: I. Marche des contrebandiers
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte III, No. 19. Sextuor et Chœur « Écoute, écoute, compagnon, écoute » (Les contrebandiers, Le Dancaïre, Le Remendado, Don José, Carmen, Mercédès, Frasquita) (Chœur des contrebandiers)
parte di:
Carmen Suite no. 2
Georges Bizet3:58
15Carmen Suite No. 2: Habanera
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand), Symfonický orchester Slovenského rozhlasu (Slovak Radio Symphony Orchestra) e Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Zdeněk Košler (conductor), János Sándor, Alfred Scholz e Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
registrazione di:
Carmen Suite no. 2: II. Habanera
compositore:
Georges Bizet (French composer)
arrangiatore:
Ernest Guiraud (French composer)
si basa su:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
parte di:
Carmen Suite no. 2
Georges Bizet42:12
16Carmen Suite No. 2: Nocturne
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) e Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Anton Nanut (conductor), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 2: III. Nocturne
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla)
parte di:
Carmen Suite no. 2
Georges Bizet4:10
17Carmen Suite No. 2: Chanson du Toréador
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym) e Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 2: IV. Chanson du toréador
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”)
parte di:
Carmen Suite no. 2
Georges Bizet2:40
18Carmen Suite No. 2: La Garde Montante
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym) e Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 2: V. La Garde montante
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte I. No. 3 Marche et chœur des gamins : « Avec la garde montante » (Chœur des gamins, Zuniga)
parte di:
Carmen Suite no. 2
Georges Bizet3:53
19Carmen Suite No. 2: Danse Bohème
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) e Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 2: VI. Danse bohème
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen)
parte di:
Carmen Suite no. 2
Georges Bizet4:29

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