Boys for Pele
~ Parution par Tori Amos (afficher toutes les versions de cette parution, 20 proposées)
Annotation
Recorded at a church in Delgancy, Co. Wicklow, a house in Co. Cork, Ireland, additional recording at The Egyptian Room and Dinosaur Studios, New Orleans, LA.
The Sinfonia of London recorded at Air Studios, London.
Mixed at Jacobs Studios, Surrey, England, This! Studios, Los Angeles, CA, and Record One, Los Angeles, CA.
Mastered at Gateway Mastering, Portland, ME.
NB: Note that there are at least two very similar versions of this album distinguished by the length of track 12. On this version, the original release, the track is called Talula, and is 4:08 long, and the entire album is 70:34. On later pressings this track was replaced with a re-mixed version known as Talula (The Tornado Mix) that is 3:45 long, and the entire album is 70:10. That second version can be found here. Before linking discids or PUIDs please be sure you are using the correct release.
Matrix / Runout (Variant 1, 2, 4 to 10): 756782862-2 WME
Matrix / Runout (Variant 3): 756782862-2.2 WME
Matrix / Runout (Mould, variant 2, 5, 9): Warner 'Big W' logo
Matrix (variant 8): 756782862-2.2 WME
Mastering SID (variant 8): IFPI L012
Mould SID (variant 8): IFPI 0511
DiscID: 1YF4tikt0PFUVGUGbsQisPtrtG0-
Liste de pistes
| 1CD | |||
|---|---|---|---|
| no | Titre | Évaluation | Durée |
| 1 | Beauty Queen / Horses
| 6:07 | |
| 2 | Blood Roses
| 3:56 | |
| 3 | Father Lucifer
| 3:43 | |
| 4 | Professional Widow
| 4:32 | |
| 5 | Mr. Zebra
| 1:07 | |
| 6 | Marianne
| 4:10 | |
| 7 | Caught a Lite Sneeze
| 4:26 | |
| 8 | Muhammad My Friend
| 3:49 | |
| 9 | Hey Jupiter
| 5:12 | |
| 10 | Way Down
| 1:13 | |
| 11 | Little Amsterdam
| 4:31 | |
| 12 | Talula
| 4:08 | |
| 13 | Not the Red Baron
| 3:51 | |
| 14 | Agent Orange
| 1:26 | |
| 15 | Doughnut Song
| 4:21 | |
| 16 | In the Springtime of His Voodoo
| 5:34 | |
| 17 | Putting the Damage On
| 5:15 | |
| 18 | Twinkle
| 3:11 | |
Crédits
Parution
| fabriqué à : | Allemagne |
|---|
| photographie : | Cindy Palmano (art director and photographer) |
|---|---|
| conception graphique : | Paddy Cramsie |
| producteur : | Tori Amos |
| aussi ingénieur du son : | Rob van Tuin |
| ingénieur du son : | Mark Hawley Marcel van Limbeek |
| matriçage : | Bob Ludwig (mastering engineer) |
| société de gestion des droits : | BIEM (international rights organization representing member societies from 58 countries) GEMA (German rights society; do not use this as a label or work publisher!) |
|---|---|
| fabriqué par : | Warner Music Manufacturing Europe (manufacturing company; not for release label use!) |
| protégé par les droits d'auteur (©) de : | Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (le 1996) |
| Discogs : | https://www.discogs.com/release/831210 [info] |
|---|
Groupe de parution
| soutien artiste & répertoire : | Hugh Gilmour John Witherspoon (A&R/creative direction) |
|---|---|
| direction créative : | John Witherspoon (A&R/creative direction) |
| singles/EP associés : | Caught a Lite Sneeze Hey Jupiter Hey Jupiter / Professional Widow In the Springtime of His Voodoo Professional Widow Talula |
|---|
| partie de : | Grammy Award: Best Alternative Music Album nominees (numéro : 1997) (ordre : 32) |
|---|
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