Bach Zum Entspannen Und Geniessen

~ Release by Johann Sebastian Bach (see all versions of this release, 2 available)

Tracklist

1▶CD-R
2▼CD-R
#TitleRatingLength
1Toccata in D-Moll
miscellaneous support:
Erich Thienhaus (task: production and recording supervision)
producer:
Erich Thienhaus
organ:
Helmut Walcha (German organist) (on 1956-09-17)
balance engineer:
Hansjoachim Reiser (engineer/producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1959) and Polydor International GmbH (not for release label use!) (in 1963)
recorded at:
Grote Sint Laurenskerk in Alkmaar, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1956-09-17)
recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata (on 1956-09-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Classic 100: Piano (2025) (number: 30)
part of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
2:38
2Cembalokonzert Nr.2 - II. Siciliano (arr. für Oboe)
oboe:
Douglas Boyd (oboist and conductor)
orchestra:
The Chamber Orchestra of Europe
conductor:
Douglas Boyd (oboist and conductor)
recorded at:
Berliner Philharmonie: Kammermusiksaal in Mitte, Berlin, Germany (in 1989-03)
recording of:
Oboe Concerto in F major, BWV 1053R: II. Siciliano
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oboe Concerto in F major, BWV 1053R
5:09
3Magnificat in D-Dur - Magnificat
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
balance engineer:
Walter Alfred Wettler
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (in 1961-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
3:05
4Orchestersuite Nr.3 - II. Air
recording engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1960-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1960-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1960-06)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1960-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
5:43
5Brandenburg. Konzert Nr.6 - II. Adagio
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Wolfgang Mitlehner
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (from 1987-02 until 1987-06)
conductor:
Reinhard Goebel (violinist and conductor) (from 1987-02 until 1987-06)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1987-02 until 1987-06)
recording of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: II. Adagio ma non tanto (from 1987-02 until 1987-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)
4:13
6Egnlische Suite Nr.2 - V. Bourrèe I & II
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1979-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1979-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1980)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1979-02)
recording of:
Englische Suite Nr. 2 a-Moll, BWV 807: V. Bourrée I (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Englische Suite Nr. 2 a-Moll, BWV 807 (English Suite No. 2 in A minor, BWV 807)
recording of:
Englische Suite Nr. 2 a-Moll, BWV 807: VI. Bourrée II - Bourrée I da capo (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Englische Suite Nr. 2 a-Moll, BWV 807 (English Suite No. 2 in A minor, BWV 807)
3:58
7Konzert für 2 Violinen - II. Largo ma non tanto
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
violin:
Midori (Japanese American violinist Midori Gotō) (in 1986-03) and Pinchas Zukerman (violinist/conductor) (in 1986-03)
orchestra:
Saint Paul Chamber Orchestra (in 1986-03)
conductor:
Pinchas Zukerman (violinist/conductor) (in 1986-03)
balance engineer:
John Newton (editor, engineer mixer) and Onno Scholtze (sound engineer)
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1986-03)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto (in 1986-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
7:12
8Brandenburg. Konzert Nr.1 - IV. Menuett
orchestra:
Chamber Orchestra of Europe
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: IV. Menuetto – Trio I – Menuetto da capo – Polacca – Menuetto da capo – Trio II – Menuetto da capo
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
7:57
9Partita Nr.1 - I. Präludium
producer:
Helmut Burk
piano:
Maria João Pires (pianist) (in 1994-01)
balance engineer:
Helmut Burk (in 1994-01: piano)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (in 1994-01)
recording of:
Partita no. 1 in B-flat major, BWV 825: I. Prelude (in 1994-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 1 in B-flat major, BWV 825
1:55
10Wachet auf, ruft uns die Stimme
organ:
Simon Preston (organist, conductor, composer)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 645)
is based on:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen”
part of:
Sechs Choräle von verschiedener Art
4:54
11Orchestersuite Nr.2 - VII: Badinerie
engineer and balance engineer:
Karl-August Naegler (balance engineer)
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (engineer)
cello:
Anthony Pleeth (cellist) (in 1978-06)
double bass and violone:
Richard Webb (cellist) (in 1978-06)
flute:
Lisa Beznosiuk (flautist)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1978-06)
transverse flute:
Stephen Preston (flutist) (in 1978-06)
viola:
Trevor Jones (British violist, ex. Salomon Quartet) (in 1978-06)
violin:
Monica Huggett (violinist) (in 1978-06) and Simon Standage (English violinist and conductor) (in 1978-06)
orchestra:
The English Concert (in 1978-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1978-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1979) and Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-06)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (in 1978-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
1:35
12Italienisches Konzert - II. Andante
piano:
Friedrich Gulda (pianist) (on 1970-11-10)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (on 1970-11-10)
recording of:
Italienisches Konzert F-Dur, BWV 971: II. Andante (Italian Concerto in F major, BWV 971: II. Andante) (on 1970-11-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
4:21
13Violinkonzert Nr.2 - II. Adagio
assistant engineer:
Sherri Hendrickson (in 2002-10)
engineer:
Marc Stedman (in 2002-10)
producer:
Thomas Frost (classical music producer)
violin:
Hilary Hahn (violinist) (in 2002-10)
orchestra:
Los Angeles Chamber Orchestra (in 2002-10)
conductor:
Jeffrey Kahane (pianist and conductor) (in 2002-10)
balance engineer:
Tom Lazarus (in 2002-10)
recorded at:
Zipper Hall in Los Angeles, California, United States (in 2002-10)
recording of:
Konzert für Violine und Orchester E-Dur, BWV 1042: II. Adagio (Violin Concerto in E major, BWV 1042: II. Adagio) (in 2002-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Konzert für Violine und Orchester E-Dur, BWV 1042 (Violin Concerto in E major, BWV 1042)
7:09
14Das wohltemp. Klavier - Fuge in cis-Moll
assistant engineer:
Jürgen Bulgrin (sound engineer)
engineer:
Stephan Flock (task: Tonmeister)
producer:
Stephan Flock
piano:
Hélène Grimaud (French pianist) (in 2008-08)
piano technician:
Serge Poulain (piano technician)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2008)
recorded at:
Funkhaus Nalepastraße, Saal 1 in Berlin, Germany (in 2008-08)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 4 in C-sharp minor, BWV 849: Fugue (in 2008-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 4 in C-sharp minor, BWV 849
4:12
15H-Moll-Messe - Dona nobis pacem
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (engineer) and Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1985-02)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (British label, see annotation) (in 1985)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (in 1985-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
3:22