| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | Gimme! Gimme! Gimme! (A Man After Midnight) | ABBA | 4 | 4:47 |
| 2 | Funkytown- phonographisches Urheberrecht (℗) von:
- PolyGram Records, Inc. (in 1979), The Island Def Jam Music Group (in 1979) und UMG Recordings, Inc. (in 1980)
- Bearbeitung von:
- Funkytown (12″ version) von Lipps, Inc.
- Teil von:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 37)
- recording of:
- Funkytown
- Texter und Komponist(in):
- Steven Greenberg
- publisher:
- Copyright Control , Intersong Music, Red Sea Songs, Rick S. Music , Steven Greenberg Music, Warner Chappell, Warner Chappell Music , Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell Music Ltd.
| Lipps, Inc. | 4.1 | 4:00 |
| 3 | I Was Made for Lovin’ You- recording engineer und Mix:
- Jay Messina
- assistierende(r) Techniker(in):
- Jim Galante und Jon Mathias
- Produzent(in):
- Vini Poncia
- Keyboard und Hintergrundgesang:
- Vini Poncia
- Schlagzeug:
- Anton Fig
- Sologesang:
- Paul Stanley
- phonographisches Urheberrecht (℗) von:
- Casablanca Record & FilmWorks, Inc. (in 1979), PolyGram Records, Inc. (in 1979) und The Island Def Jam Music Group (in 1979)
- produced for:
- Mad Vincent Productions
- aufgenommen bei:
- Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten und The Record Plant in Midtown Manhattan, New York, New York, Vereinigte Staaten
- recording of:
- I Was Made for Lovin’ You
- Verfasser(in):
- Desmond Child, Vini Poncia und Paul Stanley
- publisher:
- Desmobile Inc., Hori Productions America Inc., Universal Music Publishing , Universal Polygram International Publishing I , Universal–Songs of PolyGram International, Inc., Kiss (in 1979) und Mad Vincent Music (in 1979)
- sub-publisher:
- Taiyō Music, Universal Music Publishing France , Universal Music Publishing GmbH und Universal Music Publishing Ltd.
| KISS | 4.45 | 4:27 |
| 4 | I Don’t Believe You Want to Get Up and Dance (Oops, Up Side Your Head)- Produzent(in):
- Lonnie Simmons
- phonographisches Urheberrecht (℗) von:
- Phonogram, Inc. (in 1979), UMG Recordings, Inc. (in 1979) und The Island Def Jam Music Group (in 1980)
- produced for:
- Total Experience Productions
- recording of:
- I Don’t Believe You Want to Get Up and Dance (Oops!)
- Verfasser(in):
- Lonnie Simmons , Rudy Taylor , Charlie Wilson , Robert Wilson und Ronnie Wilson
- publisher:
- Minder Music Ltd., Rachel Music Ltd., Total Experience Music Publ. Co., Leosong (in 1979) und Total Experience Music (in 1979)
- cover recording of:
- I Don’t Believe You Want to Get Up and Dance (Oops!)
- Verfasser(in):
- Lonnie Simmons , Rudy Taylor , Charlie Wilson , Robert Wilson und Ronnie Wilson
- publisher:
- Minder Music Ltd., Rachel Music Ltd., Total Experience Music Publ. Co., Leosong (in 1979) und Total Experience Music (in 1979)
| The Gap Band | | 3:28 |
| 5 | I Will Survive- Partner-Produzent(in):
- Freddie Perren
- Produzent(in):
- Dino Fekaris
- phonographisches Urheberrecht (℗) von:
- PolyGram Records, Inc. (in 1978), Universal Records (in 1978) und Polydor Incorporated (in 1979)
- Bearbeitung von:
- I Will Survive von Gloria Gaynor
- Teil von:
- Billboard: The 500 Best Pop Songs (Nummer: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 251) und Rolling Stone: 500 Greatest Songs of All Time (Nummer: 489)
- recording of:
- I Will Survive
- Verfasser(in):
- Dino Fekaris und Freddie Perren
- publisher:
- ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. , Universal Music Publishing , Universal Music Publishing Ltd. , Universal Music Publishing Pty Ltd. und Universal PolyGram International Publishing, Inc.
| Gloria Gaynor | 3.95 | 3:10 |
| 6 | Fess Up to the Boogie | Bionic Boogie | | 5:25 |
| 7 | Sacrifice | Chilly | | 3:52 |
| 8 | Love Pains- assistierende(r) Techniker(in):
- Frank Jones , Mark Linett, Raffaelo Maza und John Weaver
- Techniker(in):
- Joe Bogan und Phil Kaye
- Produzent(in):
- Steve Barri
- Bassgitarre [bass]:
- Mike Porcaro
- Gitarre [guitars]:
- Jay Graydon und Marty Walsh
- Keyboard [all keyboards]:
- Michael Omartian
- Perkussion:
- Steve Barri und Victor Feldman
- Schlagzeug:
- Jeffrey Porcaro
- Solo-Saxophon:
- Jim Horn
- Hintergrundgesang:
- Stan Farber, Jim Haas , Jon Joyce , Julia Waters Tillman, John Henry Kurtz und Maxine Waters Willard
- Sologesang:
- Yvonne Elliman
- conductor:
- Michael Omartian
- Saiteninstrumente arranger:
- Jimmy Haskell
- arranger:
- Michael Omartian
- concertmaster:
- Assa Drori
- aufgenommen bei:
- Dawnbreaker Studios in San Fernando, California , Vereinigte Staaten und Jennifudy Recording Studios in North Hollywood, Los Angeles, California , Vereinigte Staaten
- mixed at:
- Jennifudy Recording Studios in North Hollywood, Los Angeles, California , Vereinigte Staaten
- recording of:
- Love Pains
- Verfasser(in):
- Steve Barri, Michael Price und Dan Walsh
- publisher:
- Golden Clover Music, Sony Music Publishing (Japan) Inc. , World Song Publishing Inc., ヤマハミュージックEH(CM) , ヤマハミュージックエンタテインメントホールディングス , ワーナー・チャペル音楽出版 Synch事業部 und Warner/Chappell Music Ltd. (in 1989)
| Yvonne Elliman | | 3:50 |
| 9 | What Am I Gonna Do With You | Barry White | | 3:35 |
| 10 | Ladies Night | Kool & the Gang | 4.15 | 3:27 |
| 11 | Ain’t Nothin’ Gonna Keep Me From You | Teri DeSario | | 3:51 |
| 12 | When You’re in Love With a Beautiful Woman | Dr. Hook | | 2:52 |
| 13 | H.A.P.P.Y. Radio | Edwin Starr | | 3:21 |
| 14 | Reunited | Peaches & Herb | 5 | 3:58 |
| 15 | Got a Feeling | Patrick Juvet | 3 | 3:41 |
| 16 | Lady (You Bring Me Up) | Commodores | 4 | 4:02 |
| 17 | Circles | Atlantic Starr | | 4:03 |
| 18 | Let It Whip | Dazz Band | | 4:03 |
| 19 | On the Beat | The Brooklyn, Bronx & Queens Band | 3 | 5:55 |
| 20 | Grease (from “Grease”) | Frankie Valli | 4.4 | 3:25 |
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