Mozart: Le nozze di Figaro / Don Giovanni / Così fan tutte / Die Zauberflöte

~ Release by Mozart; Philharmonia Orchestra, Otto Klemperer (see all versions of this release, 1 available)

Tracklist

1▶CD: Le nozze di Figaro disc 1
2▶CD: Le nozze di Figaro disc 2
3▶CD: Le nozze di Figaro disc 3
4▶CD: Don Giovanni disc 1
5▼CD: Don Giovanni disc 2
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1Don Giovanni: Act I. Recitative: "Masetto, senti un po'!"
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. Recitativo “Masetto: senti un po’!” (Zerlina, Masetto)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:24
2Don Giovanni: Act I. Aria: "Batti, batti, o bei Masetto...Guarda un po'"
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
soprano vocals [Zerlina]:
Mirella Freni (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
recording of:
Don Giovanni: Atto I. Recitativo “Guarda un po’ come seppe” (Masetto, Don Giovanni, Zerlina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:44
3Don Giovanni: Act I. Finale: "Presto, presto, pria ch'ei venga"
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. No. 13 Finale “Presto, presto, pria ch’ei venga” (Masetto, Zerlina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:07
4Don Giovanni: Act I. Finale: "Tra quest'arbori celata"
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. “Tra quest’ arbori celata” (Zerlina, Don Giovanni, Masetto, Coro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:41
5Don Giovanni: Act I. Finale: "Bisogna aver coraggio"
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. “Bisogna aver coraggio” (Donna Elvira, Don Ottavio, Donna Anna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:32
6Don Giovanni: Act I. Finale: "Protegga il giusto cielo"
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. “Protegga il giusto cielo” (Donna Anna, Donna Elvira, Don Ottavio)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:20
7Don Giovanni: Act I. Finale: "Riposate, vezzose ragazze"
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. “Riposate, vezzose ragazze” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:25
8Don Giovanni: Act I. Finale: "Venite pur avanti"
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. “Venite, pur avanti” … “Ricominciate il suono” … Minuetto (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:47
9Don Giovanni: Act I. Finale: "Ecco il birbo"
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. “Ecco il birbo che t'ha offesa!” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:37
10Don Giovanni: Act I. Finale: "Trema, trema, o scellerato!"
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. “Trema, trema, o scellerato!” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:26
11Don Giovanni: Act II. Duet: "Eh va, buffone"
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
partial recording of:
Don Giovanni: Atto II. No. 14 Duetto “Eh via buffone, non mi seccar” (Don Giovanni, Leporello)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:14
12Don Giovanni: Act II. Recitative: "Leporello!...Signore"
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto II. Recitativo “Leporello! Signore?” (Don Giovanni, Leporello)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:53
13Don Giovanni: Act II. Trio: "A taci, ingiusto core!"
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto II. No. 15 Terzetto “Ah taci, ingiusto core” (Donna Elvira, Leporello, Don Giovanni)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart5:24
14Don Giovanni: Act II. Recitative: "Amico, che ti par"
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto II. Recitativo “Amico che ti par?” (Don Giovanni, Leporello, Donna Elvira)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:57
15Don Giovanni: Act II. Canzonetta: "Deh vieni alla finestra...V'e gente alla finestra"
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
bass vocals [Don Giovanni]:
Nicolaï Ghiaurov (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
recording of:
Don Giovanni: Atto II. Recitativo “V’è gente alla finestra!” (Don Giovanni) / “Non ci stanchiamo” (Masetto, Don Giovanni)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:15
16Don Giovanni: Act II. Aria: "Meta di voi qua vadano"
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto II. No. 17 Aria “Metà di voi qua vadano” (Don Giovanni)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:21
17Don Giovanni: Act II. Recitative: "Zitto, lascia ch'io senta!"
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto II. Recitativo “Zitto! Lascia ch’io senta” (Don Giovanni, Masetto, Zerlina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:03
18Don Giovanni: Act II. Aria: "Vedrai, carino"
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
soprano vocals [Zerlina]:
Mirella Freni (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:46
19Don Giovanni: Act II. Recitative: "Di molte faci il lume...Sola, sola in buio loco"
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto II. No. 19 Sestetto “Sola sola in buio loco” (Donna Elvira, Leporello, Don Ottavio, Donna Anna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
recording of:
Don Giovanni: Atto II. Recitativo “Di molte faci il lume” (Leporello, Donna Elvira)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart6:35
20Don Giovanni: Act II. Recitative: "Mille torbidi pensieri"
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
partial recording of:
Don Giovanni: Atto II. Recitativo “Ferma, briccone” … “Mille torbidi pensieri” (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:43
21Don Giovanni: Act II. Recitative: "Dunque quello sei tu...Ah, pieta...Ferma, perfido"
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto II. No. 20 Aria “Ah pietà, signori miei” (Leporello)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
recording of:
Don Giovanni: Atto II. Recitativo “Dunque quello sei tu” (Zerlina, Donna Elvira, Don Ottavio, Masetto)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Don Giovanni: Atto II
recording of:
Don Giovanni: Atto II. Recitativo “Ferma, perfido, ferma” (Donna Elvira, Masetto, Zerlina, Don Ottavio)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:17
22Don Giovanni: Act II. Aria: "Il mio tesoro intanto"
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart5:05
23Don Giovanni: Act II. Recitative: "In quali eccessi...Mi tradi, quell'alma ingrata"
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Aria “Mi tradi quell’alma ingrata” (Donna Elvira) [540c/2]
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
partial recording of:
Don Giovanni: Atto II. Anhang. No. 21b Recitativo accompagnato “In quali eccessi, o Numi” (Donna Elvira) [540c/1]
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
Wolfgang Amadeus Mozart6:06
6▶CD: Don Giovanni disc 3
7▶CD: Così fan tutte disc 1
8▶CD: Così fan tutte disc 2
9▶CD: Così fan tutte disc 3
10▶CD: Die Zauberflöte disc 1
11▶CD: Die Zauberflöte disc 2