8 Classic Albums

~ Release by The Three Sounds (see all versions of this release, 1 available)

Tracklist

1▶CD: Introducing the Three Sounds & Branching Out
2▼CD: Introducing the Three Sounds Volume 2 & & Bottoms Up
#TitleRatingLength
1Bobby
recording engineer:
Rudy van Gelder (on 1958-09-16)
producer:
Alfred Lion
bass:
Andy Simpkins (on 1958-09-16)
drums (drum set):
Bill Dowdy (on 1958-09-16)
keyboard:
Gene Harris (on 1958-09-16)
piano:
Gene Harris
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-09-16)
4:26
2Mo-Ge
recording engineer:
Rudy van Gelder (on 1958-09-16)
producer:
Alfred Lion
bass:
Andy Simpkins (on 1958-09-16)
drums (drum set):
Bill Dowdy (on 1958-09-16)
keyboard:
Gene Harris (on 1958-09-16)
piano:
Gene Harris
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-09-16)
4:23
3It Might as Well Be Spring
recording engineer:
Rudy van Gelder (on 1958-09-18)
producer:
Alfred Lion
bass:
Andy Simpkins (on 1958-09-18)
drums (drum set):
Bill Dowdy (on 1958-09-18)
keyboard:
Gene Harris (on 1958-09-18)
piano:
Gene Harris
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-09-18)
instrumental recording of:
It Might as Well Be Spring (State Fair) (on 1958-09-18)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1945 winner)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
6:34
4Soft Touch
recording engineer:
Rudy van Gelder (on 1958-09-16)
producer:
Alfred Lion
bass:
Andy Simpkins (on 1958-09-16)
drums (drum set):
Bill Dowdy (on 1958-09-16)
keyboard:
Gene Harris (on 1958-09-16)
piano:
Gene Harris
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-09-16)
3:43
5Don't Get Around Much Anymore
recording engineer:
Rudy van Gelder (on 1958-09-18)
producer:
Alfred Lion
bass:
Andy Simpkins (on 1958-09-18)
drums (drum set):
Bill Dowdy (on 1958-09-18)
keyboard:
Gene Harris (on 1958-09-18)
piano:
Gene Harris
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-09-18)
instrumental recording of:
Don’t Get Around Much Anymore (on 1958-09-18)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. and Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
version of:
Never No Lament
4:39
6Goin' Home (alternate master)
recording engineer:
Rudy van Gelder (on 1958-09-18)
producer:
Alfred Lion
bass:
Andy Simpkins (on 1958-09-18)
drums (drum set):
Bill Dowdy (on 1958-09-18)
keyboard:
Gene Harris (on 1958-09-18)
piano:
Gene Harris
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-09-18)
5:38
7Besame Mucho
recording engineer:
Rudy van Gelder (on 1959-02-11)
producer:
Alfred Lion
bass:
Andy Simpkins (on 1959-02-11)
drums (drum set):
Bill Dowdy (on 1959-02-11)
piano:
Gene Harris (on 1959-02-11)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1959-02-11)
instrumental recording of:
Bésame mucho (Kiss Me Much, Bésame, bésame mucho como si fuera esta noche la última vez) (on 1959-02-11)
lyricist and composer:
Consuelo Velázquez (in 1940)
publisher:
Peer International Corporation (BMI)
4:01
8Angel Eyes
recording engineer:
Rudy van Gelder (on 1958-09-16)
producer:
Alfred Lion
bass:
Andy Simpkins (on 1958-09-16)
drums (drum set):
Bill Dowdy (on 1958-09-16)
piano:
Gene Harris (on 1958-09-16)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-09-16)
instrumental recording of:
Angel Eyes (1946 jazz standard) (on 1958-09-16)
lyricist:
Earl Brent (in 1946)
composer:
Matt Dennis (American singer, pianist, band leader) (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music) and Onyx Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
5:11
9Time After Time
recording engineer:
Rudy van Gelder (on 1958-09-28)
producer:
Alfred Lion
bass:
Andy Simpkins (on 1958-09-28)
drums (drum set):
Bill Dowdy (on 1958-09-28)
piano:
Gene Harris (on 1958-09-28)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-09-28)
instrumental recording of:
Time After Time (on 1958-09-28)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell/Morris Ltd. and Sands Music Corp.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
4:50
10Love Walked In
recording engineer:
Rudy van Gelder (on 1959-02-11)
producer:
Alfred Lion
bass:
Andy Simpkins (on 1959-02-11)
drums (drum set):
Bill Dowdy (on 1959-02-11)
piano:
Gene Harris (on 1959-02-11)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1959-02-11)
instrumental recording of:
Love Walked In (on 1959-02-11)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell & Co Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
6:04
11I Could Write a Book
recording engineer:
Rudy van Gelder (on 1959-02-11)
producer:
Alfred Lion
bass:
Andy Simpkins (on 1959-02-11)
drums (drum set):
Bill Dowdy (on 1959-02-11)
piano:
Gene Harris (on 1959-02-11)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1959-02-11)
instrumental recording of:
I Could Write a Book (on 1959-02-11)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Chappell & Co. and Chappell & Co., Inc. (USA)
part of:
Pal Joey
4:53
12Jinnie Lou
recording engineer:
Rudy van Gelder (on 1959-02-11)
producer:
Alfred Lion
bass:
Andy Simpkins (on 1959-02-11)
drums (drum set):
Bill Dowdy (on 1959-02-11)
piano:
Gene Harris (on 1959-02-11)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1959-02-11)
4:53
13Nothing Ever Changes My Love for You
recording engineer:
Rudy van Gelder (on 1959-02-11)
producer:
Alfred Lion
bass:
Andy Simpkins (on 1959-02-11)
drums (drum set):
Bill Dowdy (on 1959-02-11)
piano:
Gene Harris (on 1959-02-11)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1959-02-11)
instrumental recording of:
Nothing Ever Changes My Love for You (on 1959-02-11)
writer:
Marvin Fisher and Jack Segal (US songwriter)
3:06
14Falling in Love With Love
recording engineer:
Rudy van Gelder (on 1958-09-16)
producer:
Alfred Lion
bass:
Andy Simpkins (on 1958-09-16)
drums (drum set):
Bill Dowdy (on 1958-09-16)
piano:
Gene Harris (on 1958-09-16)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-09-16)
instrumental recording of:
Falling in Love With Love (on 1958-09-16)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Chappell & Co., Inc. (USA)
part of:
The Boys From Syracuse
part of:
The Real Book (compilation of jazz standards, volume I)
6:44
3▶CD: Moodes & Hey There
4▶CD: Here We Come & Blue Hour