Rock Classics: The Ultimate Rock Anthems

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Bad Company
tecnico di registrazione e tecnico di missaggio:
Ron Nevison
tecnico:
Ron Fawcus (incarico: tape operator)
produttore:
Bad Company (British blues-rock supergroup)
basso :
Boz Burrell (English musician) (nel 1973-11)
batteria :
Simon Kirke (nel 1973-11)
chitarra :
Mick Ralphs (nel 1973-11)
pianoforte :
Paul Rodgers (nel 1973-11)
voce:
Paul Rodgers (nel 1973-11)
diritti fonografici (℗) detenuti da:
Swan Song Inc. (nel 1974)
registrata presso:
Headley Grange (Grade II listed building, best known for its use as a recording and rehearsal venue in the 1960s–70s) in Hampshire, England, Regno Unito (nel 1973-11)
mixata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito
registrazione di:
Bad Company (nel 1973-11)
autore:
Simon Kirke e Paul Rodgers
editore:
Badco Music, Inc.
Bad Company3.44:46
2Cold as Ice
tecnico:
Gary Lyons (UK engineer & producer)
tecnico associato:
Jimmy Douglass (engineer), Michael Getlin, Kevin Herron e Randy Mason
co-produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
produttore:
Gary Lyons (UK engineer & producer) e John Sinclair (engineer)
tecnico di missaggio:
Jimmy Douglass (engineer), Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
batteria :
Dennis Elliott
chitarra :
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
chitarra basso :
Ed Gagliardi (bass player (Foreigner))
corno :
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
sintetizzatore :
Al Greenwood
tastiera :
Al Greenwood e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
voce:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
voce di accompagnamento:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France), Ian Lloyd (of Stories) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1977) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrazione di:
Cold as Ice
autore:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) e Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Intersong Music Ltd., MVA Music, Somerset Songs Publishing Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Fuji Pacific Music inc. (Fujipacific Music inc.) (fino al 2014-12-31), Yamaha Music Publishing (fino al 2017-03-31), Fujipacific Music, Inc. (dal 2015-01-01 a oggi) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (dal 2017-04-01 a oggi)
Foreigner43:18
3Don’t Stop
assistente tecnico:
Chris Morris (LA engineer & producer (late ’70s))
tecnico:
Ken Caillat e Richard Dashut
produttore:
Ken Caillat, Richard Dashut e Fleetwood Mac
produttore aggiunto:
Ken Caillat e Richard Dashut
batteria e percussione :
Mick Fleetwood
chitarra :
Lindsey Buckingham (guitarist, singer, songwriter and producer)
chitarra basso :
John McVie
tastiera e sintetizzatore :
Christine McVie
voce:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie e Stevie Nicks
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1977) e Warner Bros. (holding: file NO releases) (nel 2004)
mixata presso:
Producer’s Workshop in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Don’t Stop
paroliere e compositore:
Christine McVie
editore:
BMG Music, BMG Music Publishing Ltd., Fleetwood Mac Music (publisher), Universal Music Publishing (use ONLY if no country‐specific information is available) e Gentoo Music, Inc. (nel 1977)
Fleetwood Mac4.13:10
4For What It’s Worth
produttore:
Charles Greene (producer) e Brian Stone (producer)
voce:
Stephen Stills
voce di accompagnamento:
Richie Furay e Dewey Martin
diritti fonografici (℗) detenuti da:
Warner Music International (trademark of Warner Music International the company) (nel 1967) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1969)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 63)
registrazione di:
For What It’s Worth (il 1966-12-05)
paroliere e compositore:
Stephen Stills
editore:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East e Ten‐East Music (BMI)
Buffalo Springfield4.252:37
5Black Velvet
produttore:
David Tyson (Canadian producer/songwriter)
tecnico di missaggio:
Kevin Doyle (award-winning sound engineer, producer)
voce principale:
Alannah Myles
diritti fonografici (℗) detenuti da:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (nel 1989) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1989)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 2) (numero: 6)
registrazione di:
Black Velvet
autore:
David Tyson (Canadian producer/songwriter) e Christopher Ward (Canadian songwriter & veejay)
editore:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin’, Kobalt Music Publishing Ltd. (UK), Ole Media Management LP e Zomba Music Publishing Ltd.
Alannah Myles4.54:48
6Ooh La La
assistente tecnico:
Phil Chapman (engineer)
tecnico e produttore:
Glyn Johns
armonium e pianoforte :
Ian McLagan
batteria e percussione :
Kenney Jones (drummer for Small Faces, Faces, and The Who)
chitarra acustica :
Ronnie Lane e Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
voce principale:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
registrata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 246)
registrazione di:
Ooh La La
paroliere:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
compositore:
Ronnie Lane e Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
editore:
WB Music Corp. (1929–2019)
Faces3.753:31
7Jane Says
batteria :
Stephen Perkins (American drummer)
chitarra :
Dave Navarro (American guitarist)
chitarra basso :
Eric Avery
voce:
Perry Farrell
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 129)
registrazione di:
Jane Says
paroliere:
Perry Farrell
compositore:
Eric Avery, Perry Farrell, Dave Navarro (American guitarist) e Stephen Perkins (American drummer)
Jane’s Addiction4.14:47
8When the Children Cry
assistente tecnico:
Garth Richardson (Canadian music producer and engineer)
tecnico, produttore e tecnico di missaggio:
Michael Wagener
chitarra :
Vito Bratta
voce principale:
Mike Tramp
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1987)
registrazione di:
When the Children Cry
paroliere e compositore:
Vito Bratta
autore:
Mike Tramp
White Lion3.54:15
9Touch of Grey
programmazione:
Bob Bralove
tecnico:
Guy Charbonneau e John Cutler (California producer/engineer)
tecnico aggiunto:
Joe Gastwirt, Dan Healy, Justin Kreutzmann, Jeffrey Norman, David Roberts (engineer) e Jeff Sterling (recording engineer)
produttore:
John Cutler (California producer/engineer) e Jerry Garcia (guitarist / vocalist in Grateful Dead)
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1987) e Grateful Dead Productions (nel 1987)
registrata in aggiunta presso:
Club Front in San Rafael, California, Stati Uniti
registrata presso:
Club Front in San Rafael, California, Stati Uniti (dal 1987-01-06 al 1987-01-13) e Marin County Civic Center: Veterans Memorial Auditorium in San Rafael, California, Stati Uniti (dal 1987-01-06 al 1987-01-13)
mixata presso:
Club Front in San Rafael, California, Stati Uniti
registrazione di:
Touch of Grey (dal 1987-01-06 al 1987-01-13)
testi scritti a:
England, Regno Unito
paroliere:
Robert Hunter (American lyricist, non‐performing member of the Grateful Dead)
compositore:
Jerry Garcia (guitarist / vocalist in Grateful Dead)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ice Nine Publishing Company, Inc., Universal Music Corp. (USA, affiliated with ASCAP) e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Grateful Dead45:45
10Alone Again Or
tecnico:
Bruce Botnick
produttore:
Bruce Botnick e Arthur Lee
basso elettrico :
Ken Forssi (il 1967-09-10)
batteria :
Michael Stuart-Ware (US drummer for Love) (il 1967-09-10)
chitarra acustica e voce principale:
Bryan MacLean (il 1967-09-10)
voce principale aggiuntiva:
Arthur Lee (nel 1967-09)
arrangiatore archi e arrangiatore corno :
David Angel (composer and arranger) (il 1967-09-10)
registrata presso:
Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (il 1967-09-10)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 436)
registrazione di:
Alone Again Or (il 1967-09-10)
paroliere e compositore:
Bryan MacLean
Love4.23:12
11Willin’
tecnico di registrazione e tecnico di missaggio:
Donn Landee
produttore:
Ted Templeman
batteria e percussione :
Richie Hayward
chitarra e voce principale:
Lowell George
chitarra basso :
Roy Estrada
chitarra steel ospite :
Sneaky Pete Kleinow
tastiera :
Bill Payne
voce di accompagnamento:
Roy Estrada e Richie Hayward
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1972)
registrazione di:
Willin’
paroliere e compositore:
Lowell George
editore:
Abraham Music e Naked Snake Music
Little Feat2:54
12Cats in the Cradle
registrazione di:
Cat’s in the Cradle
autore:
Sandra Campbell Chapin e Harry F Chapin
editore:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Harry Chapin33:33
13To Be With You
assistente tecnico:
Chris Kupper, David Luke (engineer), Scott Ralston, Michael Semanick e Andy Udoff
tecnico e tecnico di missaggio:
Kevin Elson e Tom Size (US audio engineer)
produttore:
Kevin Elson
batteria [drums] :
Pat Torpey
chitarra :
Paul Gilbert (hard rock/heavy metal guitarist; Mr. Big, Racer X, etc.)
chitarra basso [bass] :
Billy Sheehan
voce principale [vocals]:
Eric Martin (vocalist for Mr. Big)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (nel 1991), Warner Music International (trademark of Warner Music International the company) (nel 1991) e Warner Music H.K. Ltd. (nel 1997)
registrata presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti, Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti e Rumbo Recorders in Canoga Park, Los Angeles, California, Stati Uniti
video musicali:
To Be With You di Mr. Big (American hard rock band)
registrazione di:
To Be With You
autore:
David Grahame e Eric Martin (vocalist for Mr. Big)
editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30), Dog Turner Music (dal 1991 a oggi), EMI April Music Inc. (dal 1991 a oggi), Eric Martin Songs (dal 1991 a oggi), Tasmanian Compositions (dal 1991 a oggi), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Mr. Big4.43:26
14You’re the Inspiration
tecnico e tecnico di missaggio:
Humberto Gatica
produttore:
David Foster (Canadian music producer, arranger and composer)
assistente tecnico di missaggio:
Larry Fergusson
arrangiatore strumenti:
Jeremy Lubbock
arrangiatore:
Peter Cetera e David Foster (Canadian music producer, arranger and composer)
diritti fonografici (℗) detenuti da:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1984, nel 2010) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrata presso:
Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (nel 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California, Stati Uniti (nel 1984) e The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (nel 1984)
mixata presso:
Lion Share Recording Studios in Los Angeles, California, Stati Uniti
registrazione di:
You’re the Inspiration (nel 1984)
autore:
Peter Cetera (nel 1984) e David Foster (Canadian music producer, arranger and composer) (nel 1984)
editore:
BMG Music Publishing Ltd., Universal Music Publishing MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (nel 1984) e Foster Frees Music Inc. (nel 1984)
Chicago53:48
15Walking in Memphis
tecnico di registrazione, tecnico e tecnico di missaggio:
Ben Wisch
produttore:
Marc Cohn e Ben Wisch
basso e organo :
John Leventhal
batteria :
Dennis McDermott
chitarra :
Marc Cohn e John Leventhal
organo Hammond :
Chris Palmaro
tastiera :
Eric Rehl
voce:
Marc Cohn
voce di accompagnamento:
Vivian Cherry, Dennis Collins (backing vocalist), Ada Dyer (American soul singer) e Darryl Tookes
voce di accompagnamento ospite:
James Taylor (singer-songwriter and guitarist)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1991), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1991) e Warner Music H.K. Ltd. (nel 1997)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 415)
registrazione di:
Walking in Memphis
paroliere e compositore:
Marc Cohn
editore:
BMG Music e Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Marc Cohn3.94:12
16Werewolves of London
registrazione di:
Werewolves of London
autore:
LeRoy P. Marinell, Waddy Wachtel e Warren Zevon
editore:
Leadsheet Land Music, Polite Music, Tiny Tunes e Zevon Music Inc. (BMI)
Warren Zevon3:25
17All Right
tecnico di registrazione e tecnico di missaggio:
Chet Himes
assistente tecnico:
Stuart Gitlin e Margaret Gwynne (engineer)
tecnico aggiunto:
John Guess, Lee Herschberg, Mark Linett e Richard Mullen
assistente produttore:
Rob Meurer e Michael Ostin
produttore:
Michael Omartian
chitarra solista :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
voce aggiuntiva:
Michael McDonald (R&B & soul singer)
voce principale:
Christopher Cross (US singer‐songwriter)
direttore d'orchestra:
Michael Omartian
arrangiatore archi :
Michael Omartian
arrangiatore:
Christopher Cross (US singer‐songwriter), Rob Meurer e Michael Omartian
primo violino:
Assa Drori
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1983) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1983)
è stato produttore per:
Free Flow Productions
registrata presso:
Pop ’n’ Roll Studios in Santa Monica, California, Stati Uniti, Studio South in Austin, Texas, Stati Uniti, The Aspen Studios in Aspen, Colorado, Stati Uniti e Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
All Right
paroliere e compositore:
Christopher Cross (US singer‐songwriter)
editore:
Pop ’n’ Roll Music (US work publisher), Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Christopher Cross54:15
18Polk Salad Annie
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 1969)
registrazione di:
Polk Salad Annie
paroliere e compositore:
Tony Joe White
editore:
Combine Music Corp. e EMI Blackwood Music Inc.
Tony Joe White3:41
19Ride Captain Ride
produttore:
Richard Podolor
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 32)
registrazione di:
Ride Captain Ride
paroliere:
Frank “Skip” Konte (US keyboardist)
compositore:
Mike Pinera
editore:
Atlantic (Warner Music imprint) e ATM Music
Blues Image4.53:42
20Listen to the Music
registrazione di:
Listen to the Music
paroliere e compositore:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
editore:
Warner Bros. Music (publisher; do NOT use as release label) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers4.44:41
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