5 Great Operas on Deutsche Grammophon & Decca

~ Release by Mozart, Weber, Verdi, Mascagni, Leoncavallo; Solti, Kubelík, Serafin, Karajan (see all versions of this release, 1 available)

Annotation

Box-Set: 5 Great Operas on Deutsche Grammophon & Decca

Annotation last modified on 2022-11-02 17:01 UTC.

Tracklist

1▶Hybrid SACD
2▶Hybrid SACD
3▶Hybrid SACD
4▶Hybrid SACD
5▶Hybrid SACD
6▶Hybrid SACD
7▼Hybrid SACD
#TitleArtistRatingLength
1Il trovatore: Or co' dadi ... Squilli, echeggi la tromba guerriera
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
bass vocals [Ferrando]:
Ivo Vinco (operatic bass) (in 1962-07)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto III, scena 1. “Or co' dadi, ma fra poco” (soldati, Ferrando) (“Soldier's Chorus”) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
recording of:
Il trovatore: Atto III, scena 1. “Squilli, echeggi la tromba guerriera” (Ferrando, soldiers) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi4:42
2Il trovatore: In braccio al mio rival!
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (in 1962-07)
bass vocals [Ferrando]:
Ivo Vinco (operatic bass) (in 1962-07)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1962-07)
mezzo-soprano vocals [Azucena]:
Fiorenza Cossotto (mezzo-soprano) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto III, scena 1. “In braccio al mio rival!” (Conte Luna, Ferrando, Azucena, soldati) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:16
3Il trovatore: Giorni poveri vivea
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (in 1962-07)
bass vocals [Ferrando]:
Ivo Vinco (operatic bass) (in 1962-07)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1962-07)
mezzo-soprano vocals [Azucena]:
Fiorenza Cossotto (mezzo-soprano) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto III, scena 1. “Giorni poveri vivea” (Azucena, Ferrando, Conte Luna, soldati) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi5:07
4Il trovatore: Quale d'armi fragor poc'anzi intesi?
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto III, scena 2. “Quale d'armi fragor poc' anzi intesi?” (Leonora, Manrico) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:00
5Il trovatore: Ah! sì, ben mio
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:54
6Il trovatore: L'onda de' suoni mistici
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
partial recording of:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi0:59
7Il trovatore: Manrico? - Che? - La zingara
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
tenor vocals [Ruiz]:
Franco Ricciardi (Italian tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
partial recording of:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi0:49
8Il trovatore: Di quella pira l'orrendo foco
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1962-07)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
tenor vocals [Ruiz]:
Franco Ricciardi (Italian tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:07
9Il trovatore: Siam giunti
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
tenor vocals [Ruiz]:
Franco Ricciardi (Italian tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto IV, scena 1. “Siam giunti; ecco la torre” … “Vanne, lasciami” (Ruiz, Leonora) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:51
10Il trovatore: D'amor sull'ali rosee
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi3:22
11Il trovatore: Miserere - Ah! che la morte ognora
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1962-07)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto IV, scena 1. “Miserere d’un’alma già vicina” ... “Quel suon, quelle preci” (Leonora, Manrico, coro) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi5:15
12Il trovatore: Tu vedrai che amore in terra
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto IV, scena 1. “Tu vedrai che amore in terra” (Leonora) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:17
13Il trovatore: Udiste? Come albeggi
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (in 1962-07)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
partial recording of:
Il trovatore: Atto IV, scena 1. “Udiste? Come albeggi, la scure al figlio” … “Qual voce” (Conte Luna, Leonora) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi1:00
14Il trovatore: Qual voce! - Mira, di acerbe lagrime ... Virà! Contende il giubilo
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (in 1962-07)
mezzo-soprano vocals:
Fiorenza Cossotto (mezzo-soprano) (in 1962-07)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
tenor vocals:
Carlo Bergonzi (tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto IV, scena 1. “Mira, d'acerbe lagrime“ (Leonora, Conte Luna) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
partial recording of:
Il trovatore: Atto IV, scena 1. “Udiste? Come albeggi, la scure al figlio” … “Qual voce” (Conte Luna, Leonora) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 1. “Vivrà, contende il giubilo” (Leonora, Conte Luna) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi6:33
15Il trovatore: Madre, non dormi? - Ai nostri monti
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
mezzo-soprano vocals [Azucena]:
Fiorenza Cossotto (mezzo-soprano)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto IV, scena 2. “Ai nostri monti ritorneremo” (Azucena, Manrico) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 2. “Madre, non dormi?” … “Un giorno …” (Manrico, Azucena) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 2. “Se m'ami ancor” … “Si, la stanchezza m'opprime” (Manrico, Azucena)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi8:36
16Il trovatore: Che! Non m'inganna quel fioco lume? ... Ha quest' infame l'amor venduto
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone)
mezzo-soprano vocals [Azucena]:
Fiorenza Cossotto (mezzo-soprano) (in 1962-07)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto IV, scena 2. “Che! Non m’inganna quel fioco lume?” (Manrico, Leonora, Azucena, Conte Luna) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 2. "Parlar non vuoi?" ... "Ha quest'infame l'amor venduto" (Manrico, Leonora) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:15
17Il trovatore: Ti scosta! - Non respingermi
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (in 1962-07)
mezzo-soprano vocals [Azucena]:
Fiorenza Cossotto (mezzo-soprano) (in 1962-07)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto IV, scena 2. “Prima che d'altri vivere” (Manrico, Leonora, Azucena, Conte Luna) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 2. “Ti scosta” (Manrico, Leonora) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:53
8▶Hybrid SACD
9▶Hybrid SACD

Credits

Release group

includes:Der Freischütz by Carl Maria von Weber (composer); Hildegard Behrens (soprano), Helen Donath (soprano), Peter Meven (operatic bass), René Kollo (tenor), Raimund Grumbach (operatic baritone), Wolfgang Brendel (baritone), Kurt Moll (operatic bass), Rolf Boysen (German actor), Chor des Bayerischen Rundfunks (Bavarian Radio Choir), Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra), Rafael Kubelík (conductor)
Die Zauberflöte by Mozart (Wolfgang Amadeus Mozart, classical composer); Pilar Lorengar (soprano), Cristina Deutekom (soprano), Stuart Burrows (tenor), Dietrich Fischer‐Dieskau (baritone), Hermann Prey (baritone), Martti Talvela (operatic bass), Vienna State Opera Chorus (Wiener Staatsoper Choir), Vienna Philharmonic Orchestra (Vienna Philharmonic), Georg Solti (Sir Georg Solti, conductor)
Il trovatore by Giuseppe Verdi (Italian opera composer); Carlo Bergonzi (tenor), Antonietta Stella (soprano), Fiorenza Cossotto (mezzo-soprano), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Coro del Teatro alla Scala di Milano, Tullio Serafin (conductor)
Mascagni: Cavalleria rusticana / Leoncavallo: Pagliacci by Pietro Mascagni (composer & conductor); Ruggero Leoncavallo (composer); Herbert von Karajan (conductor), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Fiorenza Cossotto (mezzo-soprano) & Carlo Bergonzi (tenor)