100 Hits American Woman

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1Daten-CD
Nr.TitelKünstlerBewertungLänge
1American Woman
Produzent(in):
Nimbus 9 und Jack Richardson
phonographisches Urheberrecht (℗) von:
RCA (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle) (in 1970) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 3) und Huffington Post: 100 Best Canadian Songs Ever (Nummer: 4)
recording of:
American Woman (von 1969-08 bis 1969-11)
Verfasser(in):
Randy Bachman (Canadian guitarist, singer & songwriter), Burton Cummings, Jim Kale (original bassist for The Guess Who) und Garry Peterson (Canadian drummer for The Guess Who)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Bug Music Ltd., Bug Music, Inc., Cirrus Musik, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Inc., Hello Mr. Wilson, Shilleagh Music, Unichappell Music und Unichappell Music, Inc.
The Guess Who4.15:07
2L.A. Woman
recording of:
L.A. Woman
Texter:
Jim Morrison (lead vocalist of the Doors)
Komponist(in):
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek und Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company und Rondor Music (London) Ltd.
The Doors7:48
3Livin’ in the USA
Produzent(in):
Glyn Johns und Steve Miller Band (American rock band)
recording of:
Living in the U.S.A. (in 1968)
Texter und Komponist(in):
Steve Miller (leader of Steve Miller Band)
publisher:
Sailor Music
Steve Miller Band44:03
4Long Train Runnin’
Techniker(in):
Donn Landee
Produzent(in):
Ted Templeman
Becken, Conga und Timbales:
Michael Hossack
Gast-Synthesizer:
Malcolm Cecil und Robert Margouleff
Gitarre:
Jeff “Skunk” Baxter, Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) und Patrick Simmons
Keyboard, Klavier und Orgel:
Bill Payne
membranophone:
John Hartman (drummer for the Doobie Brothers) und Michael Hossack
Mundharmonika:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
Perkussion:
John Hartman (drummer for the Doobie Brothers) und Ted Templeman
Steel-Gitarre:
Jeff “Skunk” Baxter
Synthesizer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) und Patrick Simmons
vocals:
John Hartman (drummer for the Doobie Brothers), Tom Johnston (guitarist and vocalist with “The Doobie Brothers”), Tiran Porter und Patrick Simmons
Bass arranger:
Tiran Porter
Saiteninstrumente arranger:
Nick de Caro
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (, in 1973) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
aufgenommen bei:
Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Long Train Runnin’
Texter und Komponist(in):
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner Bros. Music (publisher; do NOT use as release label) (in 1982) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) (in 1991)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers4.13:26
5I Fell for Your Love
Grand Funk Railroad54:07
6Call Me the Breeze
Techniker(in) und Produzent(in):
Al Kooper
E-Bass und Hintergrundgesang:
Leon Wilkeson
E-Gitarre:
Allen Collins, Ed King (US guitarist, bassist & songwriter) und Gary Rossington
Händeklatschen:
Cockroach (Lynyrd Skynyrd), Gooshie (Lynyrd Skynyrd), Kooder (Lynyrd Skynyrd), Moochie (Lynyrd Skynyrd), Mr. Feedback (Lynyrd Skynyrd), Punnel (Lynyrd Skynyrd), Toby (Lynyrd Skynyrd), Wicker und Wolfman (Lynyrd Skynyrd)
Horn:
Bobby Keys (American saxophonist), Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.) und Steve Madaio
Klavier:
Billy Powell
Schlagzeug:
Bob Burns (Lynyrd Skynyrd drummer and songwriter)
Sologesang:
Ronnie Van Zant
Horn arranger:
Al Kooper
aufgenommen bei:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1974-01)
cover recording of:
Call Me the Breeze (in 1974-01)
Texter und Komponist(in):
J.J. Cale
publisher:
Johnny Bienstock Music
sub-publisher:
Warner Chappell Music France
Lynyrd Skynyrd3.95:06
7Tombstone Shadow
recording of:
Tombstone Shadow
Texter und Komponist(in):
John Fogerty
publisher:
Cody River Music Company, Jondora Music und Prestige Music ltd.
Creedence Clearwater Revival3:36
8She’s a Woman
Techniker(in):
Norman Smith (UK producer/engineer, performed as Hurricane Smith)
zusätzliche(r) Techniker(in):
Ken Scott (UK record producer & engineer) und Mike Stone (producer aka Mike “Clay” Stone)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
E-Bass, Klavier und Sologesang:
Paul McCartney (The Beatles) (am 1964-10-08)
E-Gitarre [lead guitar]:
George Harrison (The Beatles) (am 1964-10-08)
E-Gitarre [rhythm guitar]:
John Lennon (The Beatles) (am 1964-10-08)
Perkussion und Schlagzeug:
Ringo Starr (The Beatles) (am 1964-10-08)
phonographisches Urheberrecht (℗) von:
Calderstone Productions Limited (in 1964) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
aufgenommen bei:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1964-10-08)
mixed at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1964-10-12)
recording of:
She’s a Woman (am 1964-10-08)
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs und Sony/ATV Music Publishing LLC (1995–2020)
The Beatles3:01
9Highway Chile
recording of:
Highway Chile
Texter und Komponist(in):
Jimi Hendrix
publisher:
Bella Godiva Music
Jimi Hendrix3:31
10Easy Ride
recording of:
Easy Ride
Texter und Komponist(in):
Jim Morrison (lead vocalist of the Doors)
publisher:
Nipper Music, Doors Music Company (in 1969) und Nipper Music Co., Inc. (in 1969)
The Doors2:40
11Under the Falling Sky
recording engineer:
Kendall “Do the Dog” Pacios
Techniker(in):
Nick Jameson und Kendall “Do the Dog” Pacios
Produzent(in):
Michael Cuscuna
Akustikgitarre und Sologesang:
Bonnie Raitt (in 1972-06)
cowbell und Schlagzeug:
Wells Kelly (in 1972-06)
E-Gitarre:
T.J. Tindall (in 1972-06)
Fretless Bass [Fender fretless bass]:
Freebo (in 1972-06)
Hybrid-Piano:
Mark Jordan (in 1972-06)
Mundharmonika [harp]:
Paul Butterfield (in 1972-06)
Hintergrundgesang:
Tim Moore (70s Singer/songwriter) (in 1972-06) und Bonnie Raitt (in 1972-06)
remixer:
Nick Jameson und Kendall “Do the Dog” Pacios
aufgenommen bei:
Bearsville Studios in Bearsville, New York, Vereinigte Staaten (in 1972-06)
cover recording of:
Under the Falling Sky (in 1972-06)
Texter und Komponist(in):
Jackson Browne (American singer-songwriter)
publisher:
Benchmark Music
Bonnie Raitt43:41
12Subterranean Homesick Blues
recording of:
Subterranean Homesick Blues
Texter:
Bob Dylan (von 1964-12 bis 1965-01)
Komponist(in):
Bob Dylan (in 1965-01)
publisher:
Blossom Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) (von 1965 bis 1993), Warner Bros. Music (publisher; do NOT use as release label) (in 1974) und Special Rider Music (vom 1993 bis heute)
Bob Dylan2:17
13After Midnight
Produzent(in):
Delaney Bramlett
Bassgitarre:
Carl Radle
elektronische Orgel:
Bobby Whitlock
Gitarre:
Eric Clapton
Gitarre [rhythm guitar]:
Delaney Bramlett
Klavier:
Leon Russell
Saxophon:
Bobby Keys (American saxophonist)
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos)
Trompete:
Jim Price (horn session musician)
vocals:
Eric Clapton und Bobby Whitlock
arranger:
Delaney Bramlett
phonographisches Urheberrecht (℗) von:
Robert Stigwood Group Ltd. (in 1970), RSO Records Ltd. (in 1970) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1970)
cover recording of:
After Midnight
Texter und Komponist(in):
J.J. Cale
publisher:
Mijac Music, Robert Stigwood Organisation Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Australia Pty. Ltd., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Eric Clapton33:08
14Road to Alaska
Produzent(in):
Bee Gees und Robert Stigwood
aufgenommen bei:
IBC Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Road to Alaska
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
Abigail Music und Robin Gibb Publishing
Bee Gees12:41
15Pretty Woman
Juicy Lucy3:12
16Shake Your Moneymaker
cover recording of:
Shake Your Moneymaker
Texter und Komponist(in):
Elmore James
publisher:
EMI Longitude Music
Fleetwood Mac42:55
17Time Machine
Produzent(in):
Terry Knight
recording of:
Time Machine
Texter und Komponist(in):
Mark Farner
Grand Funk Railroad53:44
18Tell the Truth
Ike & Tina Turner2:53
19Living for the City
recording of:
Living for the City
Texter und Komponist(in):
Stevie Wonder
publisher:
Black Bull Music, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music Co., Inc., Stein & Van Stock, Inc. und 大洋音楽 (Taiyō Music)
Stevie Wonder6:55
20Move Over
Techniker(in):
Phil Macy (50s-70s engineer)
Produzent(in):
Paul A. Rothchild
Bassgitarre:
Brad Campbell (bassist, member of Full Tilt Boogie)
Gast-Bongos, Gast-Bongos und Conga und Gast-Conga:
Bobbye Hall
Gast-Tamburin:
Sandra Crouch
Gitarre:
John Till (rock guitarist)
Klavier:
Richard Bell (Canadian keyboardist for The Band/Janis Joplin)
Orgel:
Ken Pearson
Schlagzeug:
Clark Pierson
Hintergrundgesang:
Phil Badella, Richard Bell (Canadian keyboardist for The Band/Janis Joplin), Brad Campbell (bassist, member of Full Tilt Boogie), John Cooke, Janis Joplin, Vince Mitchell, Ken Pearson, Clark Pierson und John Till (rock guitarist)
Sologesang:
Janis Joplin (am 1970-09-25)
Interpret(in):
Full Tilt Boogie (am 1970-09-25)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1970-09-25)
recording of:
Move Over (am 1970-09-25)
Texter und Komponist(in):
Janis Joplin
publisher:
Budde (aka Budde Music)
Janis Joplin3.33:39
21Been Down So Long
Produzent(in):
Bruce Botnick und The Doors
Bassgitarre:
Jerry Scheff
Gitarre [lead guitar]:
Robby Krieger (American guitarist, member of The Doors)
Gitarre [rhythm guitar]:
Marc Benno und Ray Manzarek
Keyboard:
Ray Manzarek
Schlagzeug:
John Densmore
Sologesang:
Jim Morrison (lead vocalist of the Doors)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1971)
aufgenommen bei:
The Doors Workshop in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1970)
recording of:
Been Down So Long (in 1970)
Texter:
Jim Morrison (lead vocalist of the Doors)
Komponist(in):
The Doors
publisher:
Doors Music Company
The Doors3.34:39
22My Sunday Feeling
recording of:
My Sunday Feeling
Texter und Komponist(in):
Ian Anderson (of Jethro Tull)
Jethro Tull3:39
23Get Down Your Line
recorded in:
London (Greater London), England, Vereinigtes Königreich (am 1971-07-28)
recording engineer:
Mike Ross‐Trevor (engineer) (am 1971-07-28)
Gitarre:
Clarence White (US bluegrass and country-rock guitarist) (am 1971-07-28)
Schlagzeug:
Gene Parsons (am 1971-07-28)
vocals:
Gene Parsons (am 1971-07-28)
Samples von:
Farther Along von The Byrds (American rock band) (am 1971-11-17)
recording of:
Get Down Your Line (am 1971-07-28)
Texter und Komponist(in):
Gene Parsons
The Byrds3:28
24Waitin’ on You
Sound-Engineering:
Eric Bakker
Produzent(in):
Jaap Eggermont
aufgenommen bei:
G.T.B. Studio in Den Haag (The Hague), Zuid-Holland (Provinz Südholland), Niederlande, Kingdom of the Netherlands (von 1969-07-21 bis 1969-07-23)
cover recording of:
Waitin' on You
Verfasser(in):
B.B. King und Fats Washington
publisher:
LZMC und Pamco Music Inc.
Livin’ Blues2:43
25Long Way to Go
Techniker(in):
Brian Christian
leitende(r) Produzent(in):
Jack Richardson
Produzent(in):
Bob Ezrin und Jack Richardson
Bassgitarre:
Dennis Dunaway (original bass player for Alice Cooper)
Gitarre:
Michael Bruce (of Alice Cooper) und Glen Buxton (American guitarist)
Keyboard:
Michael Bruce (of Alice Cooper)
Schlagzeug:
Neal Smith (former Alice Cooper drummer)
Hintergrundgesang:
Michael Bruce (of Alice Cooper), Dennis Dunaway (original bass player for Alice Cooper) und Neal Smith (former Alice Cooper drummer)
Sologesang:
Alice Cooper (the singer, active as a solo artist 1975‐present)
Interpret(in):
Toronto Bob
arranger:
Alice Cooper (the band, active 1964–1974/5) und Bob Ezrin
aufgenommen bei:
RCA Mid-America in Chicago, Illinois, Vereinigte Staaten
recording of:
Long Way to Go
Texter und Komponist(in):
Michael Bruce (of Alice Cooper)
publisher:
Bizarre Music Co. (US work publisher), Carlin Music Corporation, EMI Blackwood Music Inc., Ezra Music Corp., Third Palm Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper43:03
26Country Boy
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1970)
Christie2:38
27Strange BrewCream2:47
28Boogie Woogie Woman
recording of:
Boogie Woogie Woman
Texter und Komponist(in):
Richard Pulin
Livin’ Blues3:16
29Gotta Go
Lynyrd Skynyrd4:30
30Singin’ the Blues
Techniker(in):
Graeme Goodall und Karl Richardson
zusätzliche(r) Techniker(in):
Don Gehman, Steve Klein (Engineer), Carlton Lee und Ronald Logan
Produzent(in):
Tom Dowd
aufgenommen bei:
Dynamic Sounds in Kingston (Kingston Parish), Jamaika (von 1974-08-29 bis 1974-09-18) und Criteria Studios in Miami, Florida, Vereinigte Staaten (in 1974-11)
cover recording of:
Singing the Blues (von 1974-08-29 bis 1974-11)
Texter und Komponist(in):
Mary McCreary
publisher:
Campbell Connelly & Co. Ltd. und Rondor Music (London) Ltd.
Eric Clapton2.53:26
31The Chain
assistierende(r) Techniker(in):
Chris Morris (LA engineer & producer (late ’70s))
Techniker(in):
Ken Caillat und Richard Dashut
Produzent(in):
Fleetwood Mac
zusätzliche(r) Produzent(in):
Ken Caillat und Richard Dashut
Bassgitarre:
John McVie
Gitarre:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
Keyboard und Synthesizer:
Christine McVie
Schlagzeug und Perkussion:
Mick Fleetwood
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie und Stevie Nicks
phonographisches Urheberrecht (℗) von:
Warner Bros. (holding: file NO releases) (in 2004)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Chain
Verfasser(in):
Lindsey Buckingham (guitarist, singer, songwriter and producer), Mick Fleetwood, Christine McVie, John McVie und Stevie Nicks
publisher:
Gentoo Music, Inc., Now Sounds Music und Welsh Witch Music (BMI affiliated)
Revision von:
Keep Me There
Fleetwood Mac4.44:30
32The Lord Loves the One (That Loves the Lord)
recording engineer und Mix:
Phil McDonald (engineer and producer)
Produzent(in):
George Harrison (The Beatles)
E-Bass:
Klaus Voormann
E-Gitarre:
George Harrison (The Beatles)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973) und G.H. Estate Limited (in 2014)
aufgenommen bei:
Apple Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
The Lord Loves the One (That Loves the Lord)
Komponist(in):
George Harrison (The Beatles)
publisher:
Material World Charitable Foundation
George Harrison44:33
33Feelin’ Allright
Produzent(in):
Denny Cordell
Mix:
Tony Visconti
Bass:
Carol Kaye
Gitarre:
David Cohen (British guitarist)
Klavier:
Artie Butler
Maracas / Rumba-Rasseln und tumbi:
Laudir de Oliveira
membranophone:
Paul Humphries (drums)
Hintergrundgesang:
Merry Clayton, Brenda Holloway und Patrice Holloway
cover recording of:
Feelin’ Alright
Texter und Komponist(in):
Dave Mason (co‐founder of Traffic)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP)
Joe Cocker34:09
34Stagger Lee
cover recording of:
Stagger Lee (Lloyd Price version)
Verfasser(in):
Harold Logan und Lloyd Price (US R&B/soul singer)
publisher:
EMI Catalogue Partnership, Irving Music (BMI) und Travis Music Co.
Version von:
Stagger Lee (“Stackolee” etc., traditional)
Ike & Tina Turner2:43
35Steady Rollin’ Man
assistierende(r) Techniker(in):
Steve Klein (Engineer)
Techniker(in):
Karl Richardson
Produzent(in):
Tom Dowd
Clavichord und Klavier:
Albhy Galuten (von 1974-04-18 bis 1974-05-10)
E-Bass [Bass]:
Carl Radle (von 1974-04-18 bis 1974-05-10)
elektronische Orgel:
Dick Sims (von 1974-04-18 bis 1974-05-10)
Gitarre:
Eric Clapton (von 1974-04-18 bis 1974-05-10) und George Terry (guitar player with Clapton in 70's) (von 1974-04-18 bis 1974-05-10)
Schlagzeug:
Jim Fox (American percussionist) (von 1974-04-18 bis 1974-05-10)
Sologesang:
Eric Clapton (von 1974-04-18 bis 1974-05-10)
phonographisches Urheberrecht (℗) von:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1974)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (von 1974-04-18 bis 1974-05-10)
cover recording of:
I’m a Steady Rollin’ Man (von 1974-04-18 bis 1974-05-10)
Texter und Komponist(in):
Robert Johnson (1930s blues legend)
publisher:
Paul Rodriguez Music Ltd.
Eric Clapton3.753:14
36Close to You
Assistent recording engineer:
Fritz Richmond
recording engineer, Produzent(in) und Mix:
Bruce Botnick
aufgenommen bei:
The Theater at Madison Square Garden in New York, New York, Vereinigte Staaten (am 1970-01-18)
mixed at:
Uniteye in California (Kalifornien), Vereinigte Staaten
live cover recording of:
Close to You (am 1970-01-18)
Texter und Komponist(in):
Willie Dixon
publisher:
Arc Music (U.S. rock & blues publisher) und Arc Music Corp. (U.S. rock & blues publisher)
The Doors23:57
37Lost and Found by Trial and Error / Hodge, Podge, Strained Through a Leslie / ResurrectionSteppenwolf7:48
38Pouk Hill
Produzent(in):
Bryan “Chas” Chandler
recording of:
Pouk Hill
Verfasser(in):
Noddy Holder, Jim Lea und Don Powell (UK drummer for Slade)
Slade42:24
39Down South Jukin’
Produzent(in):
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) und Tim Smith (producer/singer/songwriter; brother of Steve Smith)
Bassgitarre:
Leon Wilkeson
Gitarre:
Allen Collins, Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section), Ed King (US guitarist, bassist & songwriter), Wayne Perkins und Gary Rossington
Saxophon:
Ronald Eades (American saxophonist)
Schlagzeug:
Bob Burns (Lynyrd Skynyrd drummer and songwriter)
Hintergrundgesang:
Cassie Gaines, Leslie Hawkins und Jo Billingsly
Sologesang:
Ronnie Van Zant
recording of:
Down South Jukin’
Verfasser(in):
Gary Rossington und Ronnie Van Zant
Lynyrd Skynyrd2:12
40Love Me Like a Man
recording engineer:
Kendall “Do the Dog” Pacios
Techniker(in):
Nick Jameson und Kendall “Do the Dog” Pacios
Produzent(in):
Michael Cuscuna
Akustikgitarre:
Bonnie Raitt (in 1972-06)
Fretless Bass [Fender fretless bass]:
Freebo (in 1972-06)
Schlagzeug:
Dennis Whitted (in 1972-06)
vocals:
Bonnie Raitt (in 1972-06)
remixer:
Nick Jameson und Kendall “Do the Dog” Pacios
aufgenommen bei:
Bearsville Studios in Bearsville, New York, Vereinigte Staaten (in 1972-06)
recording of:
Love Me Like a Man (in 1972-06)
Texter und Komponist(in):
Chris Smither (folk musician)
zusätzlicher Texter:
Bonnie Raitt
publisher:
Homunculus Music und Poppy Music
Version von:
Love You Like a Man
Bonnie Raitt33:09
41Love Me Two Times
recording of:
Love Me Two Times
Verfasser(in):
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek und Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music und Rondor Music (London) Ltd.
The Doors3:14
42B.B. Class Road
recorded in:
London (Greater London), England, Vereinigtes Königreich (am 1971-07-25)
recording engineer:
Mike Ross‐Trevor (engineer) (am 1971-07-25)
Samples von:
Farther Along von The Byrds (American rock band) (am 1971-11-17)
recording of:
B.B. Class Road (am 1971-07-25)
Verfasser(in):
Stuart "Dinky" Dawson und Gene Parsons
The Byrds2:18
43Shackles and Chains
Steppenwolf34:59
44I Got My Mojo Working
Ike & Tina Turner3:13
45Well All Right
Produzent(in):
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2001)
cover recording of:
Well… All Right
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter), Joe B. Mauldin (double bassist, songwriter, and recording engineer) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) und MPL Music Publishing Inc.
Blind Faith4.54:26
46I Ain’t the One
Produzent(in):
Tom Dowd
aufgenommen bei:
Fabulous Fox Theatre in Atlanta, Georgia, Vereinigte Staaten (am 1976-07-08)
live recording of:
I Ain’t the One (am 1976-07-08)
Verfasser(in):
Gary Rossington und Ronnie Van Zant
Lynyrd Skynyrd3:35
47Hey Lawdy Mama
recording of:
Hey Lawdy Mama (Steppenwolf song)
Verfasser(in):
Larry Byrom, Jerry Edmonton (former Steppenwolf drummer) und John Kay (lead singer of Steppenwolf)
publisher:
Black Leather Music und Songs of Universal, Inc. (BMI)
Steppenwolf3.62:55
48And I Love You
recording of:
And I Love You
Verfasser(in):
Tom Fogerty
publisher:
Woodmont Music
Tom Fogerty2:23
49Little Rachel
Techniker(in):
Graeme Goodall und Karl Richardson
zusätzliche(r) Techniker(in):
Don Gehman, Steve Klein (Engineer), Carlton Lee und Ronald Logan
Produzent(in):
Tom Dowd
aufgenommen bei:
Dynamic Sounds in Kingston (Kingston Parish), Jamaika (von 1974-08-29 bis 1974-09-18) und Criteria Studios in Miami, Florida, Vereinigte Staaten (in 1974-11)
recording of:
Little Rachel (von 1974-08-29 bis 1974-11)
Texter und Komponist(in):
Jim Byfield (American blues rock musician)
Eric Clapton2.54:06
50Bringing It Back
recording of:
Bringing It Back
Texter und Komponist(in):
J.J. Cale
publisher:
Johnny Bienstock Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
J.J. Cale2:30
51Caught in a Dream
Techniker(in):
Brian Christian
leitende(r) Produzent(in):
Jack Richardson
Produzent(in):
Bob Ezrin und Jack Richardson
Bassgitarre:
Dennis Dunaway (original bass player for Alice Cooper)
Gitarre:
Michael Bruce (of Alice Cooper) und Glen Buxton (American guitarist)
Keyboard:
Michael Bruce (of Alice Cooper)
Schlagzeug:
Neal Smith (former Alice Cooper drummer)
Hintergrundgesang:
Michael Bruce (of Alice Cooper), Dennis Dunaway (original bass player for Alice Cooper) und Neal Smith (former Alice Cooper drummer)
Sologesang:
Alice Cooper (the singer, active as a solo artist 1975‐present)
Interpret(in):
Toronto Bob
arranger:
Alice Cooper (the band, active 1964–1974/5) und Bob Ezrin
aufgenommen bei:
RCA Mid-America in Chicago, Illinois, Vereinigte Staaten
recording of:
Caught in a Dream
Texter und Komponist(in):
Michael Bruce (of Alice Cooper)
publisher:
Bizarre Music Co. (US work publisher), Carlin Music Corporation, EMI Blackwood Music Inc., Ezra Music Corp., Third Palm Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.253:03
52Midnight Rider
cover recording of:
Midnight Rider
Texter und Verfasser(in):
Gregg Allman und Robert Kim Payne
Komponist(in):
Gregg Allman
publisher:
Elijah Blue Music, Unichappell Music, Inc. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Juicy Lucy3:16
53Woodstock
Techniker(in):
Bill Halverson
Produzent(in):
David Crosby, Graham Nash, Stephen Stills und Neil Young (Canadian singer, songwriter & musician)
Bass:
Greg Reeves (bass guitarist)
Gitarre:
David Crosby, Stephen Stills und Neil Young (Canadian singer, songwriter & musician)
Keyboard:
Graham Nash und Stephen Stills
Perkussion und Schlagzeug:
Dallas Taylor (drummer for Crosby, Stills, Nash & Young)
vocals:
David Crosby, Graham Nash und Stephen Stills
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 94)
recording of:
Woodstock
Texter und Komponist(in):
Joni Mitchell
publisher:
Warner Bros. Music (publisher; do NOT use as release label)
cover recording of:
Woodstock
Texter und Komponist(in):
Joni Mitchell
publisher:
Warner Bros. Music (publisher; do NOT use as release label)
Crosby, Stills, Nash & Young3.653:56
54Tryin’
Produzent(in):
Glyn Johns
phonographisches Urheberrecht (℗) von:
Asylum Records (Warner Music subsidiary) (in 1972)
recording of:
Tryin’
Texter und Komponist(in):
Randy Meisner
Eagles32:54
55Long Way From L.A.
Produzent(in):
Jim Taylor (Disco songwriter, producer, arranger) und Skip Taylor
aufgenommen bei:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1971-07-21)
recording of:
Long Way From L.A. (am 1971-07-21)
Verfasser(in):
Jud Baker
publisher:
Bullfrog Music
Canned Heat3:02
56High Falootin’ Woman
recording of:
High Falootin’ Woman
Verfasser(in):
Mark Farner
Grand Funk Railroad52:59
57Too Much Woman (For a Hen Pecked Man)
recording of:
Too Much Woman
Texter und Komponist(in):
Ike Turner
Ike & Tina Turner2:33
58Vancouver Shakedown
recording of:
Vancouver Shakedown
Verfasser(in):
Pete Agnew (singer-songwriter and bassist), Manny Charlton (singer-songwriter and guitarist), Dan McCafferty (singer, songwriter) und Darrell Sweet (drummer and songwriter)
Nazareth4:05
59Wasn’t That a Woman
assistierende(r) Techniker(in):
Steve Holroyd und Bobby Macias
Techniker(in):
Jeffrey Norman
Produzent(in):
John Fogerty
Bass:
Neil Stubenhaus
Gitarre und Keyboard:
John Fogerty
Schlagzeug:
John “JR” Robinson (session drummer)
Hintergrundgesang:
John Fogerty, Willie Greene, Jr. und Bobby King (American gospel‐style, R&B and soul singer)
vocals:
John Fogerty
arranger:
John Fogerty
phonographisches Urheberrecht (℗) von:
BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint) (in 2018)
aufgenommen bei:
The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Wasn’t That a Woman
Texter und Komponist(in):
John Fogerty
publisher:
Wenaha Music und Wenaha Music Company (in 1986)
John Fogerty4:12
60Big Road Blues
Sound-Engineering:
Eric Bakker
Produzent(in):
Jaap Eggermont
aufgenommen bei:
G.T.B. Studio in Den Haag (The Hague), Zuid-Holland (Provinz Südholland), Niederlande, Kingdom of the Netherlands (von 1969-07-21 bis 1969-07-23)
recording of:
Big Road Blues
Texter und Komponist(in):
Tommy Johnson (American Delta blues musician)
publisher:
Kokomo Music
Livin’ Blues2:43
61Rocky Road Blues
cover recording of:
Rocky Road Blues
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
Tom Fogerty3:54
62One Way Hotel
Techniker(in):
George Chkiantz
Produzent(in):
Bryan “Chas” Chandler
recording of:
One Way Hotel
Verfasser(in):
Noddy Holder, Jim Lea und Don Powell (UK drummer for Slade)
Slade2:43
63Feelin’ Blue
recording of:
Feelin’ Blue
Texter und Komponist(in):
John Fogerty
publisher:
Jondora Music
Creedence Clearwater Revival5:03
64Love Don’t Mean a Thing
recording engineer:
Martin Birch (in 1974-08)
Produzent(in):
Martin Birch und Deep Purple
Mix:
Martin Birch (in 1974-09) und Ian Paice (in 1974-09)
E-Bass:
Glenn Hughes (UK rock bassist and vocalist) (in 1974-08)
E-Gitarre:
Ritchie Blackmore (in 1974-08)
Keyboard:
Jon Lord (in 1974-08)
Schlagzeug:
Ian Paice (in 1974-08)
Sologesang:
David Coverdale (in 1974-08)
vocals:
Glenn Hughes (UK rock bassist and vocalist) (in 1974-08)
phonographisches Urheberrecht (℗) von:
Purple Records Ltd. (in 1974)
aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland (in 1974-08)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1974-09)
recording of:
Love Don’t Mean a Thing (in 1974-08)
Verfasser(in):
Ritchie Blackmore, David Coverdale, Glenn Hughes (UK rock bassist and vocalist), Jon Lord und Ian Paice
publisher:
Deep Purple Music Ltd.
Deep Purple3.254:20
65Lies
Techniker(in):
Jerry Masters (US bassist & engineer, in The Hombres)
Produzent(in):
Audie Ashworth
baritone saxophone:
Norm Ray
Bass:
David Hood (Muscle Shoals, AL guitarist and trombonist)
Gitarre:
J.J. Cale und Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
Hybrid-Piano:
Barry Beckett
Instrumente:
J.J. Cale
Posaune:
Bill Humble (trombone)
Schlagzeug:
Roger Hawkins (drummer and producer)
Trompete:
Don Sheffield und Bob Phillips (trumpet)
vocals:
Joann Sweeney
Horn arranger:
Bob Holmes (US sax player)
recording of:
Lies
Texter und Komponist(in):
J.J. Cale
J.J. Cale32:55
66Evil Ways
Techniker(in):
Bob Breault und Eric Prestidge
Produzent(in):
Brent Dangerfield und Santana (US Latin, blues, & rock band)
Bassgitarre:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (am 1969-05-12)
Conga und Perkussion:
Michael Carabello (percussionist) (am 1969-05-12)
Conga, Perkussion und Timbales:
José “Chepito” Áreas (am 1969-05-12)
Gitarre:
Carlos Santana (am 1969-05-12)
Klavier und Orgel:
Gregg Rolie (keyboardist and vocalist) (am 1969-05-12)
Schlagzeug:
Michael Shrieve (drummer) (am 1969-05-12)
vocals:
Gregg Rolie (keyboardist and vocalist) (am 1969-05-12) und Carlos Santana (am 1969-05-12)
arranger:
Alberto Gianquinto
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1969), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1969) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1969)
aufgenommen bei:
Pacific Recording Studio in San Mateo, California (Kalifornien), Vereinigte Staaten (am 1969-05-12)
mixed at:
Pacific Recording Studio in San Mateo, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 69)
cover recording of:
Evil Ways (am 1969-05-12)
Texter und Komponist(in):
Clarence “Sonny” Henry (US jazz guitarist aka Sonny Henry)
publisher:
EMI United Partnership Ltd., Gibson Music, Richcar Music, Sah Music und Universal–Songs of PolyGram International, Inc.
Santana4.153:56
67Do It Again
assistierende(r) Techniker(in):
Tim Weston (in 1972-08)
Techniker(in):
Roger Nichols (US mastering, recording engineer and producer) (in 1972-08)
Produzent(in):
Gary Katz (in 1972-08)
E-Bass:
Walter Becker (in 1972-08)
E-Gitarre:
Jeff “Skunk” Baxter (in 1972-08)
Hybrid-Piano, Keyboard [Yamaha YC-30] und Sologesang:
Donald Fagen (in 1972-08)
Perkussion:
Victor Feldman (jazz musician) (in 1972-08)
Schlagzeug:
Jim Hodder (in 1972-08)
Solo-E-Sitars:
Denny Dias (in 1972-08)
phonographisches Urheberrecht (℗) von:
ABC Records, Inc (in 1972), Geffen Records (in 1972) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1972)
engineered at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1972-08)
recording of:
Do It Again (in 1972-08)
Verfasser(in):
Walter Becker und Donald Fagen
publisher:
American Broadcasting Music, Inc., Anchor Music Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., Red Giant Music, Inc., Universal/MCA Music Ltd. (not for release label use!) und Wingate Music Corp.
Steely Dan4.155:54
68You Make Loving Fun
assistierende(r) Techniker(in):
Chris Morris (LA engineer & producer (late ’70s))
Techniker(in):
Ken Caillat und Richard Dashut
Produzent(in):
Ken Caillat, Richard Dashut und Fleetwood Mac
zusätzliche(r) Produzent(in):
Ken Caillat und Richard Dashut
Bassgitarre:
John McVie
Gitarre:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
Keyboard und Synthesizer:
Christine McVie
Schlagzeug und Perkussion:
Mick Fleetwood
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie und Stevie Nicks
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977) und Warner Bros. (holding: file NO releases) (in 2004)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
You Make Loving Fun
Texter und Komponist(in):
Christine McVie
publisher:
Careers–BMG Music Publishing, Inc. und Gentoo Music, Inc.
Fleetwood Mac3.93:33
69Higher Ground
Produzent(in):
Stevie Wonder
arranger:
Stevie Wonder
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 113) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 261)
recording of:
Higher Ground
Texter und Komponist(in):
Stevie Wonder
publisher:
Black Bull Music, Inc., EMI Music Publishing (do not use as a release label!), Jobete Music (UK) Ltd., Jobete Music Co., Inc. und Stein & Van Stock, Inc.
Stevie Wonder4.53:42
70Change in the Weather
assistierende(r) Techniker(in):
Steve Holroyd und Bobby Macias
Techniker(in):
Jeffrey Norman
Produzent(in):
John Fogerty
Bass:
Neil Stubenhaus
Gitarre und Keyboard:
John Fogerty
Perkussion und Schlagzeug:
John “JR” Robinson (session drummer)
Hintergrundgesang:
Terry Evans, Willie Greene, Jr. und Bobby King (American gospel‐style, R&B and soul singer)
vocals:
John Fogerty
arranger:
John Fogerty
phonographisches Urheberrecht (℗) von:
BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint) (in 2018)
aufgenommen bei:
The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Change in the Weather
Texter und Komponist(in):
John Fogerty
publisher:
Wenaha Music und Wenaha Music Company (in 1986)
John Fogerty6:48
71Whiskey Drinkin’ Woman
recording engineer:
Tony Taverner
zusätzlich recording engineer und zusätzliche(r) Mix:
John Punter
Produzent(in):
Manny Charlton (singer-songwriter and guitarist)
Bassgitarre:
Pete Agnew (singer-songwriter and bassist)
Gitarre und Synthesizer:
Manny Charlton (singer-songwriter and guitarist)
Schlagzeug:
Darrell Sweet (drummer and songwriter)
Hintergrundgesang:
Pete Agnew (singer-songwriter and bassist) und Darrell Sweet (drummer and songwriter)
Sologesang:
Dan McCafferty (singer, songwriter)
aufgenommen bei:
Associated Recording Studios in London (Greater London), England, Vereinigtes Königreich und Escape Studios in Kent, England, Vereinigtes Königreich
recording of:
Whiskey Drinkin’ Woman
Verfasser(in):
Pete Agnew (singer-songwriter and bassist), Manny Charlton (singer-songwriter and guitarist), Dan McCafferty (singer, songwriter) und Darrell Sweet (drummer and songwriter)
Nazareth5:29
72Drowning in the Sea of Love
recording engineer:
Lew Hahn (von 1977-01-26 bis 1977-03)
assistierende(r) Techniker(in):
Tom Heid, Michael O’Reilly (engineer) und Steve Brandon
zusätzliche(r) Techniker(in):
Gene Paul
Produzent(in):
Arif Mardin
Mix:
Lew Hahn
Bass:
Tony Levin (US rock bassist/Chapman stick player) (von 1977-01-26 bis 1977-03)
Gitarre:
David Spinozza (von 1977-01-26 bis 1977-03)
Keyboard:
Don Grolnick (von 1977-01-26 bis 1977-03)
Schlagzeug:
Steve Gadd (drummer) (von 1977-01-26 bis 1977-03) und Ringo Starr (The Beatles) (von 1977-01-26 bis 1977-03)
Sologesang:
Ringo Starr (The Beatles) (von 1977-01-26 bis 1977-03)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1977-01-26)
cover recording of:
Drowning in the Sea of Love (von 1977-01-26 bis 1977-03)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Assorted Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Ringo Starr5:08
73Things Goin’ On
Produzent(in):
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) und Tim Smith (producer/singer/songwriter; brother of Steve Smith)
Bassgitarre:
Leon Wilkeson
Gitarre:
Allen Collins, Ed King (US guitarist, bassist & songwriter) und Gary Rossington
Schlagzeug:
Bob Burns (Lynyrd Skynyrd drummer and songwriter)
Sologesang:
Rickey Medlocke
recording of:
Things Goin’ On
Verfasser(in):
Gary Rossington und Ronnie Van Zant
Lynyrd Skynyrd5:10
74Mirror, Mirror
The Osmonds2:24
75Pardon Me Sir
recording of:
Pardon Me, Sir
Verfasser(in):
Joe Cocker und Chris Stainton (keyboard player, session musician and songwriter)
Joe Cocker3:18
76Nowhere to Run
Gitarre:
J.J. Cale
Klavier:
Bob Wilson (US keyboardist, songwriter, arranger & producer)
Mundharmonika:
Ed Colis
Schlagzeug:
Karl T. Himmel
vocals:
J.J. Cale
aufgenommen bei:
Bradley’s Barn in Mt. Juliet, Tennessee, Vereinigte Staaten (von 1970-10-02 bis 1970-10-04)
recording of:
Nowhere to Run (von 1970-10-02 bis 1970-10-04)
Texter und Komponist(in):
J.J. Cale
J.J. Cale3.352:27
77Hardwood Floor
Techniker(in):
Henry Lewy
Produzent(in):
The Doors
Bassgitarre:
Leland Sklar (bassist, session musician)
Gitarre und Mundharmonika:
Robby Krieger (American guitarist, member of The Doors)
Keyboard und Sologesang:
Ray Manzarek
Schlagzeug:
John Densmore
Hintergrundgesang:
Venetta Fields, Clydie King und Melissa Mackay
recording of:
Hardwood Floor
Texter und Komponist(in):
Robby Krieger (American guitarist, member of The Doors)
The Doors2.253:27
78So Fine
Samples von:
Farther Along von The Byrds (American rock band) (am 1971-11-17)
cover recording of:
So Fine
Texter und Komponist(in):
Johnny Otis
publisher:
Eldorado Music Co. und Valley Music Ltd (publisher)
The Byrds2:39
79Get Your Ribbons On
The Guess Who2:33
80She’s Not There
Produzent(in):
Tom Coster und Carlos Santana
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1977), RCA/Jive Label Group (holding company, not a release label) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
cover recording of:
She’s Not There
Texter und Komponist(in):
Rod Argent
publisher:
Al Gallico Music Corp., Essex Music of Australia Pty. Ltd., Marquis Music Co., Ltd., Marquis Songs USA und Parker Music
sub-publisher:
Bocu Music Ltd., Marquis Music Co., Ltd., Marquis Music Ltd. und シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Santana34:06
81Dreams
assistierende(r) Techniker(in):
Chris Morris (LA engineer & producer (late ’70s))
Techniker(in):
Ken Caillat und Richard Dashut
Produzent(in):
Ken Caillat, Richard Dashut und Fleetwood Mac
zusätzliche(r) Produzent(in):
Ken Caillat und Richard Dashut
Bassgitarre:
John McVie
Gitarre:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
Keyboard und Synthesizer:
Christine McVie
Schlagzeug und Perkussion:
Mick Fleetwood
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie und Stevie Nicks
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977) und Warner Bros. (holding: file NO releases) (in 2004)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 9) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 17)
recording of:
Dreams
Texter und Komponist(in):
Stevie Nicks
publisher:
Gentoo Music, Inc., Kobalt Music Publishing Ltd. (publisher) und Welsh Witch Music (BMI affiliated) (in 1977)
Fleetwood Mac4.34:16
82Peaceful, Easy Feeling
Produzent(in):
Glyn Johns
Akustikgitarre und Sologesang:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
E-Bass:
Randy Meisner
E-Gitarre:
Bernie Leadon
Schlagzeug und Perkussion:
Don Henley
Hintergrundgesang:
Bernie Leadon und Randy Meisner
phonographisches Urheberrecht (℗) von:
Asylum Records (Warner Music subsidiary) (in 1972)
recording of:
Peaceful Easy Feeling
Texter und Komponist(in):
Jack Tempchin
Eagles3.94:19
83Mexico
recording of:
Mexico
Verfasser(in):
Rick Roberts (member of Firefall & The Flying Burrito Brothers)
Firefall4:18
84Me and Bobby McGee
Techniker(in):
Phil Macy (50s-70s engineer)
Produzent(in):
Paul Rothchild
Akustikgitarre und Sologesang:
Janis Joplin (am 1970-09-25)
Bassgitarre:
Brad Campbell (bassist, member of Full Tilt Boogie) (am 1970-09-25)
Gast-Bongos und Gast-Conga:
Bobbye Hall
Gast-Bongos und Conga:
Bobbye Hall (am 1970-09-25)
Gast-Tamburin:
Sandra Crouch (am 1970-09-25)
Gitarre:
John Till (rock guitarist) (am 1970-09-25)
Klavier:
Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (am 1970-09-25)
Orgel:
Ken Pearson (am 1970-09-25)
Schlagzeug:
Clark Pierson (am 1970-09-25)
Hintergrundgesang:
Phil Badella (am 1970-09-25), Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (am 1970-09-25), Brad Campbell (bassist, member of Full Tilt Boogie) (am 1970-09-25), John Cooke (am 1970-09-25), Janis Joplin (am 1970-09-25), Vince Mitchell (am 1970-09-25), Ken Pearson (am 1970-09-25), Clark Pierson (am 1970-09-25) und John Till (rock guitarist) (am 1970-09-25)
Interpret(in):
Full Tilt Boogie (am 1970-09-25)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1970-09-25)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 31) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 148)
cover recording of:
Me and Bobby McGee (am 1970-09-25)
Texter und Komponist(in):
Fred Foster und Kris Kristofferson
publisher:
Combine Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Ltd. und Keith Prowse Music Publishing Co. Ltd.
Janis Joplin4.34:29
85Whisky in My Jar
recording of:
Whisky in My Jar
Komponist(in):
Keith Ian Ellis, Micky Moody und Paul Williams (British blues bassist & singer, member of Juicy Lucy)
Juicy Lucy4:00
86Stuck in the Middle With You
recording engineer:
Geoff Emerick (British recording engineer) (in 1972) und John Mills (recording/mix engineer) (in 1972)
Produzent(in):
Jerry Leiber und Mike Stoller
E-Bass:
Tony Williams (bass) (in 1972)
Gitarre:
Paul Pilnick (in 1972) und Gerry Rafferty (in 1972)
Keyboard:
Joe Egan (Scottish singer-songwriter) (in 1972)
Schlagzeug:
Rod Coombes (in 1972)
vocals:
Joe Egan (Scottish singer-songwriter) (in 1972) und Gerry Rafferty (in 1972)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1972) und A&M Records, Ltd. (in 1972)
Musikvideos:
Stuck in the Middle With You von Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
Texter und Komponist(in):
Gerald Rafferty und Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. und Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel4.13:22
87The Ballad of John and Yoko
Techniker(in):
Geoff Emerick (British recording engineer)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Akustikgitarre, E-Gitarre und Perkussion und Sologesang:
John Lennon (The Beatles) (am 1969-04-14)
Schlagzeug, E-Bass, Maracas / Rumba-Rasseln und Klavier und Hintergrundgesang:
Paul McCartney (The Beatles) (am 1969-04-14)
phonographisches Urheberrecht (℗) von:
Calderstone Productions Limited (in 1969), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969, in 1988) und The Gramophone Co., Ltd. (UK record company) (in 1969)
aufgenommen bei:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1969-04-14)
Musikvideos:
The Ballad of John and Yoko von The Beatles (UK rock band, “The Fab Four”)
recording of:
The Ballad of John and Yoko (am 1969-04-14)
geschrieben in:
Paris, Île-de-France, Frankreich (in 1969)
Verfasser(in):
John Lennon (The Beatles) (in 1969) und Paul McCartney (The Beatles) (in 1969)
publisher:
Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tunes LLC (ASCAP)
The Beatles3.452:57
88Space Cowboy
live recording of:
Space Cowboy
Verfasser(in):
Steve Miller (leader of Steve Miller Band) und Ben Sidran
publisher:
Sailor Music
Steve Miller Band4:27
89Earlybird
Produzent(in):
Glyn Johns
phonographisches Urheberrecht (℗) von:
Asylum Records (Warner Music subsidiary) (in 1972)
recording of:
Earlybird
Verfasser(in):
Bernie Leadon und Randy Meisner
Eagles2.653:01
90Willie and the Hand Jive
assistierende(r) Techniker(in):
Steve Klein (Engineer)
Techniker(in):
Karl Richardson
Produzent(in):
Tom Dowd
E-Bass [Bass]:
Carl Radle (von 1974-04-18 bis 1974-05-10)
elektronische Orgel:
Dick Sims (von 1974-04-18 bis 1974-05-10)
Gitarre:
Eric Clapton (von 1974-04-18 bis 1974-05-10) und George Terry (guitar player with Clapton in 70's) (von 1974-04-18 bis 1974-05-10)
Schlagzeug:
Jamie Oldaker (von 1974-04-18 bis 1974-05-10)
Sologesang:
Eric Clapton (von 1974-04-18 bis 1974-05-10)
vocals:
Yvonne Elliman (von 1974-04-18 bis 1974-05-10)
phonographisches Urheberrecht (℗) von:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1974)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (von 1974-04-18 bis 1974-05-10)
cover recording of:
Willie and the Hand Jive (von 1974-04-18 bis 1974-05-10)
Texter und Komponist(in):
Johnny Otis
publisher:
Eldorado Music Company
Eric Clapton3.653:31
91I Got a Man
Ike & Tina Turner4:30
92Dear Landlord
cover recording of:
Dear Landlord
Texter und Komponist(in):
Bob Dylan (von 1967-10 bis 1967-11)
publisher:
Dwarf Music (vom 1968 bis heute)
Joe Cocker3:25
93Jessica
Juicy Lucy4:07
94You Ain’t Going Nowhere
Techniker(in):
Charlie Bragg und Roy Halee
Produzent(in):
Gary Usher
Hintergrundgesang:
Chris Hillman (am 1968-03-09)
vocals:
Roger McGuinn (am 1968-03-09)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1968) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1968)
Samples von:
Sweetheart of the Rodeo (stereo) von The Byrds (American rock band) (am 1968-08-30)
cover recording of:
You Ain’t Goin’ Nowhere (am 1968-03-09)
Texter und Komponist(in):
Bob Dylan (in 1967)
zusätzlicher Texter:
Bob Dylan (in 1971)
publisher:
Dwarf Music (vom 1967 bis heute)
The Byrds3.52:33
95Blue Turk
Produzent(in):
Bob Ezrin
E-Bass:
Dennis Dunaway (original bass player for Alice Cooper)
E-Gitarre:
Michael Bruce (of Alice Cooper) und Glen Buxton (American guitarist)
Keyboard:
Michael Bruce (of Alice Cooper)
Schlagzeug:
Neil Smith (former Alice Cooper drummer)
Sologesang:
Alice Cooper (the singer, active as a solo artist 1975‐present)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972)
produced for:
Alive Enterprises Incorporated und Nimbus 9 Productions
recording of:
Blue Turk
Verfasser(in):
Michael Bruce (of Alice Cooper) und Alice Cooper (the singer, active as a solo artist 1975‐present)
publisher:
Ezra Music Corp., Third Palm Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper45:30
96Bye Bye Baby
recording engineer:
David Dillar (am 1968-04-12)
vocals:
Janis Joplin (am 1968-04-12)
aufgenommen bei:
Winterland Ballroom in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1968-04-12)
Bearbeitung von:
Bye, Bye Baby (live, 1968-04-12: Winterland Ballroom, San Francisco, CA, USA) von Big Brother & the Holding Company
live cover recording of:
Bye, Bye Baby (am 1968-04-12)
Texter und Komponist(in):
Powell St. John
Janis Joplin3:40
97Hello I Love You
recording of:
Hello, I Love You
Verfasser(in):
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek und Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Rondor Music (London) Ltd. und Nipper Music Co., Inc. (in 1968)
The Doors2:12
98Indian Reservation (The Lament of the Cherokee Reservation Indian)Paul Revere and the Raiders feat. Mark Lindsay2:53
99Jesus Children of AmericaStevie Wonder34:10
100The Soft Parade
Techniker(in):
Bruce Botnick
Produzent(in):
Paul A. Rothchild
Bass:
Harvey Brooks (US electric bassist) (von 1969-01-02 bis 1969-01-15)
Conga:
Reinol Andino (von 1969-01-02 bis 1969-01-15)
Gitarre:
Robby Krieger (American guitarist, member of The Doors) (von 1969-01-02 bis 1969-01-15)
Keyboard:
Ray Manzarek (von 1969-01-02 bis 1969-01-15)
Schlagzeug:
John Densmore (von 1969-01-02 bis 1969-01-15)
vocals:
Jim Morrison (lead vocalist of the Doors) (von 1969-01-02 bis 1969-01-15)
aufgenommen bei:
Elektra Sound Recorders in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1969-01-02, am 1969-01-14, am 1969-01-15)
recording of:
The Soft Parade (von 1969-01-02 bis 1969-01-15)
Texter und Komponist(in):
Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company (in 1969) und Nipper Music Co., Inc. (in 1969)
The Doors3.58:34

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Teil von:100 Hits (Russian series of mp3 CDs) (Reihenfolge: 2)