The Hits Album: The Seventies Album

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
2CD
Nr.TitelKünstlerBewertungLänge
1Denis
Techniker(in):
Rob Freeman (engineer)
Produzent(in):
Richard Gottehrer (American songwriter and music executive)
Bassgitarre:
Frank Infante (von 1977-06 bis 1977-07) und Chris Stein (von 1977-06 bis 1977-07)
E-Gitarre [lead guitar] und Vibraphon:
Chris Stein (von 1977-06 bis 1977-07)
E-Gitarre [rhythm guitar]:
Frank Infante (von 1977-06 bis 1977-07)
Farfisa-Orgel, Flügel, Saiteninstrumente, Synthesizer [Polymoog] und Synthesizer [Roland]:
Jimmy Destri (von 1977-06 bis 1977-07)
Schlagzeug:
Clem Burke (von 1977-06 bis 1977-07)
Hintergrundgesang:
Clem Burke (von 1977-06 bis 1977-07) und Jimmy Destri (von 1977-06 bis 1977-07)
Sologesang:
Deborah Harry (von 1977-06 bis 1977-07)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1977), Chrysalis Records, Inc. (not for release label use!) (in 1977, in 2001) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978)
aufgenommen bei:
Plaza Sound Studios in New York, New York, Vereinigte Staaten (von 1977-06 bis 1977-07)
cover recording of:
Denise (von 1977-06 bis 1977-07)
Texter und Komponist(in):
Neil Levenson (pianist and songwriter)
publisher:
Bright Tunes Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), Minder Music Ltd. und Taking Care of Business Music Inc. (BMI)
Blondie3.552:17
2I Fought the Law
cover recording of:
I Fought the Law
Texter und Komponist(in):
Sonny Curtis
publisher:
Acuff-Rose Publications, Inc. (BMI), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Clash2:40
3Sound of the Suburbs
The Members3:54
4Strange Town
recording of:
Strange Town
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
BMG Music Publishing Ltd. und Stylist Music Ltd.
The Jam3:47
5My Sharona
Bass:
Prescott Niles (in 1979-04)
Gitarre [lead guitar]:
Berton Averre (in 1979-04)
Gitarre [rhythm guitar] und Sologesang:
Doug Fieger (in The Knack) (in 1979-04)
Schlagzeug:
Bruce Gary (in 1979-04)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2002), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
My Sharona (in 1979-04)
Verfasser(in):
Berton Averre und Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia und Wise Brothers Music LLC
The Knack4.23:59
6Making Plans for Nigel
XTC4:13
7Airport
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1978)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 19)
recording of:
Airport
Verfasser(in):
Andy McMaster
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und Island Music Ltd. (vom 1978 bis heute)
The Motors3.354:29
8Diamond Smiles
recording of:
Diamond Smiles
Texter und Komponist(in):
Bob Geldof
The Boomtown Rats3:52
9Up the Junction
Produzent(in):
Squeeze (UK new wave band) und John Wood (UK producer)
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1979)
Musikvideos:
Up the Junction von Squeeze (UK new wave band)
recording of:
Up the Junction
Texter:
Chris Difford
Komponist(in):
Glenn Tilbrook
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Deptford Songs
Squeeze4.53:08
10OK?
assistierende(r) Techniker(in):
Steve Prestage (in 1977) und John Walls (in 1977)
Techniker(in):
Denny Bridges (in 1977)
Produzent(in):
Andy Mackay (of Roxy Music) (in 1977)
Bass:
Tony Stevens (Bass player for Foghat) (in 1977)
Gitarre:
Ray Russell (guitar, composer, producer) (in 1977)
Schlagzeug:
Peter Van Hooke (in 1977)
Sologesang:
Julie Covington (in 1977)
vocals:
Sue Jones‐Davies, Charlotte Cornwell (in 1977) und Rula Lenska (in 1977)
aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (in 1977)
recording of:
OK? (in 1977)
Texter:
Howard Schuman
Komponist(in):
Andy Mackay (of Roxy Music)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it)
Rock Follies53:33
11The Boys Are Back in Town
Assistent recording engineer:
Neil Hornby
Techniker(in):
Will Reid-Dick
Produzent(in):
John Alcock (producer)
Akustikgitarre und Bassgitarre und Sologesang:
Phil Lynott
Gitarre:
Scott Gorham (Thin Lizzy guitarist) und Brian Robertson (Thin Lizzy & Motörhead)
Schlagzeug:
Brian Downey (Thin Lizzy drummer)
vocals:
Brian Robertson (Thin Lizzy & Motörhead)
phonographisches Urheberrecht (℗) von:
Mercury Records Limited (not for release label use!) (in 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 272) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 499)
recording of:
The Boys Are Back in Town
Texter und Komponist(in):
Phil Lynott
publisher:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und PolyGram Music Publishing (in 1989)
Thin Lizzy4.24:26
12You Ain’t Seen Nothing Yet
recording engineer und Mix:
Mark K. Smith (Canadian engineer)
assistierende(r) Techniker(in):
Buzz Richmond
Produzent(in):
Randy Bachman (Canadian guitarist, singer & songwriter)
assistierende(r) Mix:
Richard Dashut
Solo-Gitarre und Sologesang:
Randy Bachman (Canadian guitarist, singer & songwriter)
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1974) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974)
aufgenommen bei:
Kaye–Smith Studios in Seattle, Washington, Vereinigte Staaten
mixed at:
Sound City Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten
recording of:
You Ain’t Seen Nothing Yet
Texter und Komponist(in):
Randy Bachman (Canadian guitarist, singer & songwriter)
publisher:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC und Top Soil Music (publisher)
sub-publisher:
Ranbach Music Ltd. und Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive4.653:55
13Since You Been Gone
recording engineer:
Leigh Mantle (in 1979-04) und Dr. Michael Palmer (engineer) (in 1979-04)
Techniker(in):
Gary Edwards (producer, engineer)
Produzent(in):
Roger Glover
Bassgitarre:
Roger Glover (in 1979-04)
Gitarre:
Ritchie Blackmore (in 1979-04)
Keyboard:
Don Airey (in 1979-04)
Schlagzeug:
Cozy Powell (in 1979-04)
Sologesang:
Graham Bonnet (British rock vocalist) (in 1979-04)
phonographisches Urheberrecht (℗) von:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1979), Polydor Records Inc. (in 1979), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979) und Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1979)
aufgenommen bei:
Château de Pelly in Desingy, Haute-Savoie, Auvergne-Rhône-Alpes, Frankreich (in 1979-04) und Maison Rouge Mobile Studio (in 1979-04)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 82)
cover recording of:
Since You Been Gone (in 1979-04)
Texter und Komponist(in):
Russ Ballard
publisher:
BMG Gold Songs, BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Complete Music Ltd., EMI Virgin Music Ltd. (do not use this as a release label!), Island Music (Island Music Ltd.), Island Music Ltd., Russell Ballard Ltd, Union Square Music Songs Ltd. und Virgin Music (Publishers) Ltd.
Rainbow43:18
14Again and Again
assistierende(r) Techniker(in):
Freek Feenstra
Techniker(in):
John Eden (producer)
Produzent(in):
Status Quo (UK boogie rock band) und Pip Williams (producer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1978), Mercury Records Ltd. (London) (for copyrights use only) (in 1978, in 1991), Phonogram Ltd. (not for release label use!) (in 1978) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1978)
aufgenommen bei:
Wisselord Studios in Hilversum, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands
recording of:
Again and Again
geschrieben in:
Surrey, England, Vereinigtes Königreich
Verfasser(in):
Andy Bown, Jackie Lynton und Rick Parfitt (UK guitarist for Status Quo)
publisher:
Birchwood Music Ltd., Eaton Music Limited, EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), S.Q. Publishing Eaton und Status Quo Publishing
Status Quo43:40
15All Right Now
Techniker(in):
Roy Thomas Baker (producer)
Produzent(in):
Free (60s/70s UK blues rock group) und John Kelly (producer)
Bass:
Andy Fraser (English bassist, member of Free)
Gitarre:
Paul Kossoff
Schlagzeug:
Simon Kirke
Sologesang:
Paul Rodgers
remixer:
Bob Clearmountain
phonographisches Urheberrecht (℗) von:
Free (60s/70s UK blues rock group) (in 1970)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970, in 1971)
aufgenommen bei:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich und Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
All Right Now von Free (60s/70s UK blues rock group)
recording of:
All Right Now
Verfasser(in):
Andy Fraser (English bassist, member of Free) und Paul Rodgers
publisher:
Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Publishing Ltd. (UK), Polygram Music, Songs of Kobalt Music Publishing und Universal Music Publishing (use ONLY if no country‐specific information is available)
Free4.654:13
16Stuck in the Middle With You
recording engineer:
Geoff Emerick (British recording engineer) (in 1972) und John Mills (recording/mix engineer) (in 1972)
Produzent(in):
Jerry Leiber und Mike Stoller
E-Bass:
Tony Williams (bass) (in 1972)
Gitarre:
Paul Pilnick (in 1972) und Gerry Rafferty (in 1972)
Keyboard:
Joe Egan (Scottish singer-songwriter) (in 1972)
Schlagzeug:
Rod Coombes (in 1972)
vocals:
Joe Egan (Scottish singer-songwriter) (in 1972) und Gerry Rafferty (in 1972)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1972) und A&M Records, Ltd. (in 1972)
Musikvideos:
Stuck in the Middle With You von Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
Texter und Komponist(in):
Gerald Rafferty und Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. und Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel43:24
17Lido Shuffle
Techniker(in):
Tom Perry (engineer)
Produzent(in):
Joe Wissert
Bassgitarre:
David Hungate (in 1975-09)
Blasinstrumente:
Jim Horn (saxophonist, hornist, flutist and oboist) (in 1975-09), Plas Johnson (in 1975-09), Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (in 1975-09) und Bud Shank (in 1975-09)
Blechblasinstrumente:
Dick Hyde (in 1975-09)
Gitarre:
Louie Shelton (in 1975-09) und Fred Tackett (in 1975-09)
Horn:
Vincent DeRosa (in 1975-09)
Moog:
David Paich (in 1975-09)
Schlagzeug:
Jeff Porcaro (in 1975-09)
Trompete:
Chuck Findley (trumpet, trombone, horn player) (in 1975-09) und Paul Hubinon (in 1975-09)
Sologesang:
Boz Scaggs (in 1975-09)
conductor:
Sid Sharp (in 1975-09)
arranger:
David Paich
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1976) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976)
recording of:
Lido Shuffle (in 1975-09)
Texter:
Boz Scaggs
Komponist(in):
David Paich und Boz Scaggs
publisher:
BMG Music Ltd., Boz Scaggs Music (publisher), Francis & Freedman Accountancy Corp., Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK) und Warner Chappell Music (publisher as Warner/Chappell Music)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Boz Scaggs3.653:41
18No Regrets
recording of:
No Regrets
Texter und Komponist(in):
Tom Rush
publisher:
BMG Bumblebee (BMI) (a BMI‐affiliated publishing entity of BMG Rights Management), Essex International, Tubbs Hill Music und Westminster Music Ltd.
The Walker Brothers5:40
19Baby, Stop Crying
recording of:
Baby Stop Crying
Texter und Komponist(in):
Bob Dylan (in 1978)
publisher:
Special Rider Music (vom 1978 bis heute)
Bob Dylan5:19
20Parisienne Walkways
recording of:
Parisienne Walkways
Verfasser(in):
Phil Lynott und Gary Moore (Thin Lizzy, blues guitar)
publisher:
Agelong Music Publishing Inc und Maxwood Music Ltd.
basiert auf:
Blue Bossa
Gary Moore & Phil Lynott3:22
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Veröffentlichung

ASIN:UK: B08TZ5HXC2 [Info]