RV Life

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Copyright: 2023 Warner Music Group - X5 Music Group

Anmerkung zuletzt geändert am 2025-04-21 02:00 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Listen to the Music
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972)
Bearbeitung von:
Listen to the Music von The Doobie Brothers
recording of:
Listen to the Music
Texter und Komponist(in):
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner Bros. Music (publisher; do NOT use as release label) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers43:47
2Take It Easy
Akustikgitarre:
Larry Byrom
Banjo:
Joe Spivey
Bassgitarre:
Byron House (American bass player)
E-Gitarre:
Dann Huff
Keyboard:
Steve Nathan
membranophone:
Paul Leim
Steel-Gitarre:
Sonny Garrish
Hintergrundgesang:
Curtis Wright und Curtis Young (country singer)
Sologesang:
Travis Tritt
cover recording of:
Take It Easy
Verfasser(in):
Jackson Browne (American singer-songwriter) und Glenn Frey (US musician/singer/songwriter, member of the Eagles)
publisher:
Swallow Turn Music und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Travis Tritt33:34
3Roll On Down the Highway
Produzent(in):
Fred Turner, Randy Murray, Robin Bachman und Blair Thornton
Bassgitarre und Sologesang:
Fred Turner
Gitarre:
Randy Murray und Blair Thornton
Perkussion und Schlagzeug:
Robin Bachman
recording of:
Roll on Down the Highway
Verfasser(in):
Robbie Bachman und C.F. “Fred” Turner
publisher:
Eventide Music (1970s publisher, likely Canadian), Ranbach Music (publisher), Randy Backman Music, Sony Songs Inc., Sony/ATV Songs LLC und Top Soil Music (publisher) (vom 1975 bis heute)
BTO4:08
4Never Run Outta Road
The Washboard Union3:29
5Hasn’t Hit Me Yet
Blue Rodeo5:11
6Riptide
Produzent(in):
John Castle, James Keogh (Australian singer-songwriter) und Edwin White (Australian musician and producer)
vocals:
Vance Joy (Australian singer-songwriter)
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 48), triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 2013), Billboard Year-End Hot 100 singles of 2015 (Nummer: 71), Indie 88: Top 500 Indie Rock Songs (Nummer: 72) und BILLIONS CLUB
recording of:
Riptide
Texter und Komponist(in):
James Keogh (Australian singer-songwriter)
publisher:
Mushroom Music Pty. Ltd. und WB Music Corp. (1929–2019)
Vance Joy3.63:24
7For What It’s Worth
Produzent(in):
Charles Greene (producer) und Brian Stone (producer)
Hintergrundgesang:
Richie Furay und Dewey Martin
vocals:
Stephen Stills
phonographisches Urheberrecht (℗) von:
Warner Music International (trademark of Warner Music International the company) (in 1967) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 63)
recording of:
For What It’s Worth (am 1966-12-05)
Texter und Komponist(in):
Stephen Stills
publisher:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East und Ten‐East Music (BMI)
Buffalo Springfield4.252:34
8Southern Cross
recording engineer:
Steve Gursky und Stanley Johnston
Produzent(in):
David Crosby, Graham Nash und Stephen Stills
zusätzliche(r) Produzent(in):
Steve Gursky und Stanley Johnston
Akustikgitarre:
Michael Stergis (in 1981)
Akustikgitarre und E-Gitarre:
Stephen Stills (in 1981)
Bass:
George "Chocolate" Perry (bassist aka "Chocolate") (in 1981)
Keyboard [CP-30]:
Michael Finnigan (keyboardist) (in 1981)
Klavier und Synthesizer:
Richard T. Bear (US rock singer/keyboardist aka T Bear) (in 1981)
Perkussion:
Joe Lala (in 1981)
Schlagzeug:
Joe Vitale (in 1981)
vocals:
David Crosby (in 1981), Graham Nash (in 1981) und Stephen Stills (in 1981)
zusätzlich vocals:
Michael Finnigan (keyboardist) (in 1981) und Timothy B. Schmit (in 1981)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1982) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
aufgenommen bei:
Rudy Records in San Francisco, California (Kalifornien), Vereinigte Staaten (in 1981)
recording of:
Southern Cross (in 1981)
Texter und Komponist(in):
Michael Curtis (member of Crazy Horse), Richard Curtis (UK songwriter aka Richard Dew-Curtis) und Stephen Stills
publisher:
Gold Hill Music (BMI) und Three Wise Boys Music LLC
Crosby, Stills & Nash3.254:41
9Under the Bridge
Techniker(in):
Brendan O’Brien (engineer)
Produzent(in):
Rick Rubin (US record producer, former co‐president of Columbia Records)
Bass:
Flea (US bassist)
Gitarre:
John Frusciante
Schlagzeug:
Chad Smith (drummer from Red Hot Chili Peppers)
Gast Chorgesang:
Gail Frusciante
Sologesang:
Anthony Kiedis
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1991) und Warner Bros., Inc. (not for release label use!) (in 1991)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 33), BILLIONS CLUB und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 328)
recording of:
Under the Bridge
Texter:
Anthony Kiedis
Komponist(in):
John Frusciante, Anthony Kiedis, Michael Peter Balzary (US bassist) und Chad Smith (drummer from Red Hot Chili Peppers)
publisher:
EMI Blackwood Music Inc., Moebetoblame Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell Artemis Music
Red Hot Chili Peppers4.254:24
10Ooh La La
assistierende(r) Techniker(in):
Phil Chapman (engineer)
Techniker(in) und Produzent(in):
Glyn Johns
Akustikgitarre:
Ronnie Lane und Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
Harmonium und Klavier:
Ian McLagan
Perkussion und Schlagzeug:
Kenney Jones (drummer for Small Faces, Faces, and The Who)
Sologesang:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 246)
recording of:
Ooh La La
Texter:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
Komponist(in):
Ronnie Lane und Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
publisher:
WB Music Corp. (1929–2019)
Faces3.753:34
11Bright Lights
Matchbox Twenty3:54
12Good Lovin’ (single version)
The Young Rascals2:30
13You’re So Vain
recording engineer:
Robin Geoffrey Cable (von 1972-09 bis 1972-10)
Techniker(in):
Robin Geoffrey Cable
Produzent(in):
Richard Perry (producer)
Bass:
Klaus Voorman (von 1972-09 bis 1972-10)
Gitarre:
Jimmy Ryan (American guitarist and singer/songwriter) (von 1972-09 bis 1972-10)
Klavier und Sologesang:
Carly Simon (von 1972-09 bis 1972-10)
Perkussion:
Richard Perry (producer) (von 1972-09 bis 1972-10)
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos) (von 1972-09 bis 1972-10)
Hintergrundgesang:
Mick Jagger (The Rolling Stones) (von 1972-09 bis 1972-10)
zusätzlich Hintergrundgesang:
Carly Simon (von 1972-09 bis 1972-10) und Doris Troy (von 1972-09 bis 1972-10)
Saiteninstrumente arranger:
Carly Simon
Orchestrator(in):
Paul Buckmaster
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) und Rhino Entertainment Company (not for release label use!) (in 2015)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1972-09 bis 1972-10)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 140) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 495)
recording of:
You’re So Vain (von 1972-09 bis 1972-10)
Texter und Komponist(in):
Carly Simon
publisher:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) und Universal Music Publishing Group
Carly Simon4.554:18
14Get Along
phonographisches Urheberrecht (℗) von:
Blue Chair Records, LLC (in 2018)
Teil von:
Billboard Year-End Hot 100 singles of 2018 (Nummer: 87)
recording of:
Get Along
Verfasser(in):
Ross Copperman, Shane McAnally und Josh Osborne (country songwriter)
Kenny Chesney43:20
15Virginia (Wind in the Night)
The Head and the Heart23:25
16Something in the Orange
phonographisches Urheberrecht (℗) von:
Belting Bronco Records (in 2022)
Teil von:
Billboard Year-End Hot 100 singles of 2023 (Nummer: 13), Billboard Year-End Hot 100 singles of 2022 (Nummer: 39), Top Songs of 2024: Global (Nummer: 73), Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 194) und BILLIONS CLUB
recording of:
Something in the Orange
Texter und Komponist(in):
Zach Bryan
Zach Bryan43:48
17Edge of Seventeen
Techniker(in):
Shelly Yakus
Produzent(in):
Jimmy Iovine
Bassgitarre [bass]:
Bob Glaub
Gitarre:
Waddy Wachtel
Klavier:
Roy Bittan
Orgel:
Benmont Tench
Perkussion:
Bobbye Hall
Schlagzeug:
Russ Kunkel (session drummer)
Sologesang:
Stevie Nicks
phonographisches Urheberrecht (℗) von:
Modern Records, Inc. (in 1981) und Rhino Entertainment Company (not for release label use!) (in 2016)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 217)
recording of:
Edge of Seventeen
Texter und Komponist(in):
Stevie Nicks
gewidmet:
John Lennon (The Beatles)
Stevie Nicks4.055:29
18Feeling Good
Techniker(in):
Roger Moutenot
Koproduzent(in):
Roger Moutenot und Austin Scaggs
Produzent(in):
Patrick Carney
Mix:
Tchad Blake
aufgenommen bei:
Haptown Studio in Nashville, Tennessee, Vereinigte Staaten
recording of:
Feeling Good
Verfasser(in):
Ewan Currie (member of The Sheepdogs)
publisher:
Full Beard Publishing (publisher)
The Sheepdogs4.53:10
19All Summer Long
recording engineer und Mix:
Rob Cavallo, Kid Rock (American singer/rapper) und Al Sutton
Programmierung und Produzent(in):
Kid Rock (American singer/rapper)
Techniker(in):
Al Sutton
Koproduzent(in):
Rob Cavallo
Bassgitarre [bass]:
Aaron Julison
Gitarre [guitars]:
Marlon Young
Klavier:
Billy Powell
Hintergrundgesang:
Thornetta Davis (Detroit, MI R&B vocalist), Andre Jones und Barbara Payton
Sologesang:
Kid Rock (American singer/rapper)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2007) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2007)
aufgenommen bei und mixed at:
The Allen Roadhouse in Clarkston, Michigan, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2008 (Nummer: 85)
recording of:
All Summer Long
Verfasser(in):
Kid Rock (American singer/rapper) und Uncle Kracker
basiert auf:
Sweet Home Alabama
basiert auf:
Werewolves of London
Kid Rock3.24:58
20The River
zusätzlich recording engineer:
Greg Koller und Will Maclellan
assistierende(r) Techniker(in):
Maddy Baltor
Techniker(in):
Joseph Lorge
Produzent(in):
Blake Mills
zusätzliche(r) Produzent(in):
Tony Berg (record producer, executive, and session guitarist)
Mix:
Joseph Lorge und Blake Mills
Bassgitarre, Gitarre und Keyboard:
Blake Mills
Schlagzeug:
Kane Ritchotte
Hintergrundgesang:
Z Berg und James Petralli
vocals:
Sam Claflin und Riley Keough (American actress)
mixed at und engineered at:
Sound City Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten
recording of:
The River
Verfasser(in):
Z Berg, Kayslee Collins, Joseph Keefe und Blake Mills
Daisy Jones & the Six4:55
21Rhiannon (Will You Ever Win)
Fleetwood Mac3:47
22Flatliner
Cole Swindell feat. Dierks Bentley32:57
23You Ain’t Seen Nothing Yet (re‐recorded version)
BTO3:56
24New Girl Now
Honeymoon Suite3:37
25Here Comes the Night
cover recording of:
Here Comes the Night
Texter und Komponist(in):
Bert Russell Berns
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), KEETCH CAESAR AND DINO MUSIC INC, Sloopy II Music, Sony Music Publishing (UK) Ltd. (2003–2008, 2021–present), Sony/ATV Songs LLC und Wren Music Co.
Teil von:
Ace Ventura: When Nature Calls
Streetheart3:51
26To Love Somebody
Blue Rodeo5:48
27Feel Like Makin’ Love
recording engineer:
Ron Nevison (in 1974-09)
Produzent(in):
Bad Company (British blues-rock supergroup)
Mix:
Ron Nevison
E-Bass:
Boz Burrell (English musician) (in 1974-09)
Gitarre:
Mick Ralphs (in 1974-09) und Paul Rodgers (in 1974-09)
Keyboard:
Mick Ralphs (in 1974-09)
Klavier und Sologesang:
Paul Rodgers (in 1974-09)
Schlagzeug:
Simon Kirke (in 1974-09)
phonographisches Urheberrecht (℗) von:
Swan Song Inc. (in 1975)
aufgenommen bei:
Clearwell Castle in Gloucestershire, England, Vereinigtes Königreich (in 1974-09)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 78)
recording of:
Feel Like Makin’ Love (in 1974-09)
Verfasser(in):
Mick Ralphs und Paul Rodgers
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und Badco Music, Inc. (vom 1974 bis heute)
Bad Company4.255:15
28La Grange
ZZ Top3:50
29Fall in Love
phonographisches Urheberrecht (℗) von:
Elektra Records LLC (in 2022)
Teil von:
Billboard Year-End Hot 100 singles of 2022 (Nummer: 54)
Bailey Zimmerman43:52
30Don’t Stop Believin’
Teddy Swims44:08
31Broken Horses
Programmierung und Mix:
Tom Elmhirst (mixing engineer)
Techniker(in):
Brandon Bell (engineer) und Phillip Smith (engineer)
zusätzliche(r) Techniker(in):
Nathan Yaccino und Sean Quackenbush
Produzent(in):
Dave Cobb (producer/songwriter) und Shooter Jennings
assistierende(r) Mix:
Matt Scatchell
Akustikgitarre:
Brandi Carlile (American country singer-songwriter)
Bass:
Phil Hanseroth (guitarist and songwriter)
E-Gitarre und zwölfsaitige Gitarre:
Tim Hanseroth
Klavier:
Shooter Jennings
Schlagzeug [drums]:
Chris Powell (US drummer for Man Man/Lilys/Need New Body)
vocals:
Brandi Carlile (American country singer-songwriter), Phil Hanseroth (guitarist and songwriter) und Tim Hanseroth
aufgenommen bei:
Historic RCA Studio A in Nashville, Tennessee, Vereinigte Staaten
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
additionally engineered at:
Northern Lights in Maple Valley, Wisconsin, Vereinigte Staaten
recording of:
Broken Horses
Verfasser(in):
Brandi Carlile (American country singer-songwriter), Phil Hanseroth (guitarist and songwriter) und Tim Hanseroth
publisher:
Southern Oracle Music
Brandi Carlile5:04
32Good Vibes
phonographisches Urheberrecht (℗) von:
Warner Music Nashville LLC (not for release label use!) (in 2019)
Teil von:
Billboard Year-End Hot Country Songs of 2019 (Nummer: 34)
Chris Janson32:46
33Sunshine & Whiskey
assistierende(r) Techniker(in):
Nathan Yarborough
Produzent(in):
Marshall Altman
Bassgitarre:
Tony Lucido
Gitarre:
Troy Lancaster (US guitarist / studio musician) und Rob McNelley
Händeklatschen:
Laura Allen, Amanda Shelton, Jean Arnellano, Cassidy Brown, Wendel Burt, Colette Busch, Marlene Cooper, Geneva Manchester, Sonya McDole, Helen Mills, Carmen Plumb, Anna Riggi, Dean Riggi, Tawnie Shelton, John Wilson (background vocalist) und Kim Wilson
Keyboard:
Tim Lauer
Schlagzeug:
Greg Morrow (session drummer)
zusätzlich Hintergrundgesang:
Laura Allen, Amanda Shelton, Jean Arnellano, Cassidy Brown, Wendel Burt, Colette Busch, Marlene Cooper, Geneva Manchester, Sonya McDole, Helen Miles, Carmen Plumb, Anna Riggi, Dean Riggi, Tawnie Shelton, John Wilson (background vocalist) und Kim Wilson
recording of:
Sunshine & Whiskey
Texter:
Jaren Johnston und Luke Laird (country music songwriter)
Frankie Ballard33:02
34Truckin’
Grateful Dead5:07
35Yellow
Techniker(in):
Ken Nelson (UK record producer)
zusätzliche(r) Techniker(in):
Simon “Barny” Barnicott, Jon Coles, Paul Read (UK engineer) und Andrea Wright
Produzent(in):
Coldplay und Ken Nelson (UK record producer)
Mix:
Michael Brauer (engineer)
Akustikgitarre, Keyboard, Klavier und Sologesang:
Chris Martin (lead singer of Coldplay)
Bassgitarre:
Guy Berryman
E-Gitarre:
Jonny Buckland
Perkussion und Schlagzeug:
Will Champion
Hintergrundgesang:
Jonny Buckland und Will Champion
phonographisches Urheberrecht (℗) von:
Parlophone Records Ltd (not for release label use! a Warner Music Group company) (in 2000)
Musikvideos:
Yellow von Coldplay
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 52) und BILLIONS CLUB
recording of:
Yellow
Verfasser(in):
Guy Berryman, Jonny Buckland, Will Champion und Chris Martin (lead singer of Coldplay)
publisher:
BMG Music Publishing Ltd. und Universal Music Publishing MGB Limited
Coldplay3.34:27
36Love Is Alive
aufgenommen bei und mixed at:
Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Love Is Alive
Texter und Komponist(in):
Gary Wright (US singer/keyboardist)
publisher:
High Wave Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal-MCA Publishing (US) und WB Music Corp.
Gary Wright53:50
37Drift Away
Bass, Keyboard und Hintergrundgesang:
Michael Bradford
Gitarre:
Michael Bradford und Dean Parks (American session guitarist)
Klavier [Piano Intro]:
Richard Baker (US keyboardist for Santana)
Schlagzeug:
Russ Kunkel (session drummer)
Interpret(in):
Dobie Gray
Musikvideos:
Drift Away von Uncle Kracker
Teil von:
VH1’s Big Song of 2003 (Nummer: 14)
recording of:
Drift Away (Uncle Kracker version)
Revision von:
Drift Away
Uncle Kracker44:16
38Dreams
assistierende(r) Techniker(in):
Chris Morris (LA engineer & producer (late ’70s))
Techniker(in):
Ken Caillat und Richard Dashut
Produzent(in):
Ken Caillat, Richard Dashut und Fleetwood Mac
zusätzliche(r) Produzent(in):
Ken Caillat und Richard Dashut
Bassgitarre:
John McVie
Gitarre:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
Keyboard und Synthesizer:
Christine McVie
Schlagzeug und Perkussion:
Mick Fleetwood
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie und Stevie Nicks
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977) und Warner Bros. (holding: file NO releases) (in 2004)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 9) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 17)
recording of:
Dreams
Texter und Komponist(in):
Stevie Nicks
publisher:
Gentoo Music, Inc., Kobalt Music Publishing Ltd. (publisher) und Welsh Witch Music (BMI affiliated) (in 1977)
Fleetwood Mac4.34:17
39Sundown
assistierende(r) Techniker(in):
Chris Skene
Produzent(in):
Lenny Waronker
Akustikgitarre:
Terry Clements und Gordon Lightfoot
Bassgitarre:
John Stockfish
E-Gitarre:
Red Shea
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos)
phonographisches Urheberrecht (℗) von:
Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text), Reprise Records (in 1974, in 1975) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1974)
recording of:
Sundown
Texter und Komponist(in):
Gordon Lightfoot
publisher:
Moose Music und WB Music Corp. (1929–2019)
Gordon Lightfoot4.853:33
40Lost Together
Techniker(in):
Peter Doell
Produzent(in) und Mix:
Blue Rodeo und Peter Doell
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 29)
recording of:
Lost Together
Verfasser(in):
Jim Cuddy und Greg Keelor
publisher:
Thunderhawk Music
Blue Rodeo55:28
41Feel It Still
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2017) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2017)
Musikvideos:
Feel It Still von Portugal. The Man
Teil von:
Billboard Decade End Chart: Adult Contemporary Songs (2010s) (Nummer: 33), Billboard Year-End Hot 100 singles of 2018 (Nummer: 33), Grammy Award: Best Pop Duo/Group Performance nominees (Nummer: 2018 winner), Billboard Year-End Hot 100 singles of 2017 (Nummer: 45), BILLIONS CLUB und Indie 88: Top 500 Indie Rock Songs (Nummer: 386)
recording of:
Feel It Still
Verfasser(in):
Robert Bateman (R&B singer/songwriter/record producer), Zachary Scott Carothers, Frederick Gorman, John Baldwin Gourley, John Hill (producer and songwriter, aka Johnny Rodeo), Brian Holland (Motown producer & songwriter), Eric Howk, Zoe Manville, Kyle O’Quin, Jason Wade Sechrist und Asa Taccone
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
quotes music from:
Please Mr. Postman
Portugal. The Man4.252:42
423am
Assistent recording engineer:
John Nielsen (engineer)
Techniker(in):
Jeff Tomei
Produzent(in):
Matt Serletic
assistierende(r) Mix:
Malcolm Springer
Mix:
Greg Archilla und Matt Serletic
Editing:
Don C. Tyler (mastering engineer, electronic music producer, graphic designer)
Bassgitarre [bass]:
Brian Yale
Gitarre [lead guitar]:
Kyle Cook (member of Matchbox Twenty)
Gitarre [rhythm guitar]:
Adam Gaynor
Schlagzeug [drums]:
Paul Doucette (member of Matchbox Twenty)
Hintergrundgesang [BG’s]:
Kyle Cook (member of Matchbox Twenty) und Adam Gaynor
vocals:
Rob Thomas (Matchbox Twenty)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (vom 2005 bis heute)
aufgenommen bei:
Triclops Recording in Atlanta, Georgia, Vereinigte Staaten
mixed at:
House of Blues Studios in Memphis, Tennessee, Vereinigte Staaten
recording of:
3 A.M.
Verfasser(in):
John Goff (Orlando guitarist/producer, worked with Rob Thomas), Jay Stanley (Orlando guitarist for Tabitha's Secret), Rob Thomas (Matchbox Twenty) und Brian Yale
Matchbox Twenty3.73:46
43Take Me in Your Arms (Rock Me a Little While)
The Doobie Brothers3:40
44Snow (Hey Oh)
Assistent recording engineer:
Phillip Broussard und Anthony Zamora
recording engineer:
Ryan Hewitt, Mark Linett und Andrew Scheps
zusätzliche(r) Techniker(in):
Chris Holmes (recording engineer), Jason Lader und Dana Nielsen
Produzent(in):
Rick Rubin (US record producer, former co‐president of Columbia Records)
assistierende(r) Mix:
Jason Gossman (audio engineer)
Mix:
Andrew Scheps
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2006)
Teil von:
BILLIONS CLUB
recording of:
Snow ((Hey Oh))
Verfasser(in):
Flea (US bassist), John Frusciante, Anthony Kiedis und Chad Smith (drummer from Red Hot Chili Peppers)
Red Hot Chili Peppers4.155:35
45Easy
Produzent(in):
Faith No More und Matt Wallace (US producer & engineer)
E-Gitarre:
Jim Martin (ex-Faith No More guitarist) (von 1992-01 bis 1992-03)
phonographisches Urheberrecht (℗) von:
Slash Records (company, do not use as release label!) (in 1992)
Musikvideos:
Easy von Faith No More
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 9)
cover recording of:
Easy (von 1992-01 bis 1992-03)
Texter und Komponist(in):
Lionel Richie
publisher:
Brenda Richie Publishing, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc. und Libren Music
Faith No More3.73:07
46Cold as Ice
recording of:
Cold as Ice
Verfasser(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Intersong Music Ltd., MVA Music, Somerset Songs Publishing Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Fuji Pacific Music inc. (Fujipacific Music inc.) (bis 2014-12-31), Yamaha Music Publishing (bis 2017-03-31), Fujipacific Music, Inc. (vom 2015-01-01 bis heute) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (vom 2017-04-01 bis heute)
Foreigner3:20
47Long Cool Woman (in a Black Dress)
The Hollies3:19
48Stop Draggin’ My Heart Around
Techniker(in):
Shelly Yakus
Produzent(in):
Jimmy Iovine und Tom Petty
Bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
Gitarre:
Michael Campbell (Tom Petty and the Heartbreakers guitarist) und Tom Petty
Orgel:
Benmont Tench
Perkussion:
Phil Jones (Percussionist)
Schlagzeug:
Stan Lynch
Sologesang:
Stevie Nicks und Tom Petty
Gast-Interpret(in):
Tom Petty and the Heartbreakers
Interpret(in):
Tom Petty
phonographisches Urheberrecht (℗) von:
Modern Records, Inc. (in 1981) und Rhino Entertainment Company (not for release label use!) (in 2016)
recording of:
Stop Draggin’ My Heart Around
Texter:
Tom Petty
Komponist(in):
Mike Campbell (Tom Petty and the Heartbreakers guitarist)
publisher:
Gone Gator Music (ASCAP affiliated) und Wild Gator Music
Stevie Nicks feat. Tom Petty and the Heartbreakers4.354:04
49Picture
Techniker(in):
Al Sutton
Produzent(in):
Kid Rock (American singer/rapper)
Mix:
Kid Rock (American singer/rapper) und Al Sutton
Bass:
Sheryl Crow (American singer-songwriter and musician)
Gitarre:
Sheryl Crow (American singer-songwriter and musician), Kid Rock (American singer/rapper) und Kenny Olson (rock guitarist from Detroit, MI)
Keyboard:
Jimmie Bones
Hintergrundgesang:
Shirley Hayden und Misty Love
vocals:
Sheryl Crow (American singer-songwriter and musician) und Kid Rock (American singer/rapper)
aufgenommen bei:
The Clarkston Chophouse
mixed at:
The Mix Room in Burbank, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Picture von Kid Rock (American singer/rapper) feat. Sheryl Crow (American singer-songwriter and musician)
Teil von:
VH1’s Big Song of 2003 (Nummer: 11)
recording of:
Picture
Verfasser(in):
Robert James Ritchie (American singer/rapper)
Komponist(in):
Sheryl Crow (American singer-songwriter and musician) und Robert James Ritchie (American singer/rapper)
publisher:
Thirty Two Mile Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Kid Rock feat. Sheryl Crow3.654:59
50Hold My Hand (Don Gehman remix)
recording of:
Hold My Hand
Verfasser(in):
Mark Bryan, Dean Felber, Darius Rucker und Jim Sonefeld
Hootie & the Blowfish4:18
51Heat Wave
Linda Ronstadt2:45
52I’m Yours
Assistent recording engineer:
Iain Hill (UK engineer)
recording engineer:
Dyre Gormsen
Produzent(in):
Martin Terefe
Mix:
Tony Maserati (engineer / mixer)
Bass:
Martin Terefe
Gitarre:
Jason Mraz
Keyboard:
Nikolaj Torp Larsen
Schlagzeug:
Kristoffer Sonne
Hintergrundgesang:
Toca Rivera
vocals:
Jason Mraz
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2008) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2008)
aufgenommen bei:
Kensaltown Recording Studios in London (Greater London), England, Vereinigtes Königreich
mixed at:
Canaan Road Studios in New York, New York, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2009 (Nummer: 7), Billboard Year-End Hot 100 singles of 2008 (Nummer: 27) und BILLIONS CLUB
recording of:
I’m Yours
Texter und Komponist(in):
Jason Mraz
publisher:
Goo Eyed Music
Jason Mraz3.454:02
53Love the One You’re With
Techniker(in):
Andy Johns
Produzent(in):
Bill Halverson und Stephen Stills
Bass:
Calvin Samuels (in 1970-03)
Conga:
Jeff Whittaker (in 1970-03)
Gitarre, Orgel, Perkussion und Sologesang:
Stephen Stills (in 1970-03)
Steel Pan:
Stephen Stills
Hintergrundgesang:
Rita Coolidge (in 1970-03), David Crosby (in 1970-03), Graham Nash (in 1970-03), Priscilla Jones (American folk, rock and pop singer) (in 1970-03) und John Sebastian (in 1970-03)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970)
aufgenommen bei:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (in 1970-03)
recording of:
Love the One You’re With (in 1970-03)
Texter und Komponist(in):
Stephen Stills
publisher:
Sony/ATV Music Publishing LLC (1995–2020), Warner Chappell, ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und Gold Hill Music, Inc. (in 1970)
sub-publisher:
EMI Music Publishing Scandinavia AB (in 1997)
Stephen Stills3.53:06
54(Sittin’ on) The Dock of the Bay
Produzent(in):
Jerry Bruckheimer, Steve Cropper und Don Simpson (American film producer, screenwriter, and actor)
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (von 1967-11-22 bis 1967-12-07)
Gitarre:
Steve Cropper (von 1967-11-22 bis 1967-12-07)
Keyboard:
Isaac Hayes (von 1967-11-22 bis 1967-12-07) und Booker T. Jones (von 1967-11-22 bis 1967-12-07)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (von 1967-11-22 bis 1967-12-07)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (von 1967-11-22 bis 1967-12-07)
vocals:
Otis Redding (von 1967-11-22 bis 1967-12-07)
whistling:
Otis Redding (von 1967-11-22 bis 1967-12-07)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 44) und Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 45)
recording of:
(Sittin’ on) the Dock of the Bay (von 1967-11-22 bis 1967-12-07)
Verfasser(in):
Steve Cropper und Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
recording of:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
Komponist(in):
Steve Cropper und Otis Redding
arranger:
Oliver Lake
Arrangement von:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:44
55The Last Waltz Suite: The Weight
The Band feat. The Staple Singers4:36
56Ride Captain Ride
Produzent(in):
Richard Podolor
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 32)
recording of:
Ride Captain Ride
Texter:
Frank “Skip” Konte (US keyboardist)
Komponist(in):
Mike Pinera
publisher:
Atlantic (Warner Music imprint) und ATM Music
Blues Image4.53:46
57Semi‐Charmed Life
Programmierung:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind) und Eric Valentine (Eric Dodd, producer and instrumentalist)
assistierende(r) Techniker(in):
Jaquire King und Kevin Scott (engineer)
Techniker(in) und Mix:
Eric Valentine (Eric Dodd, producer and instrumentalist)
Koproduzent(in):
Eric Valentine (Eric Dodd, producer and instrumentalist)
Produzent(in):
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
zusätzliche(r) Produzent(in):
Kevin Cadogan und Arion Salazar
Bassgitarre:
Arion Salazar
Besen und Sologesang:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
Gitarre:
Kevin Cadogan und Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
Schlagzeug:
Brad Hargreaves
Hintergrundgesang:
Kevin Cadogan
arranger:
Kevin Cadogan und Arion Salazar
zusätzlich arranger:
Ren Klyce
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 138) und Indie 88: Top 500 Indie Rock Songs (Nummer: 347)
recording of:
Semi‐Charmed Life
Texter und Komponist(in):
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
publisher:
3EB Publishing
Third Eye Blind44:28
58Let’s Shake
Teenage Head3:07
59When I Come Around
Techniker(in):
Neil King (sound engineer)
zusätzliche(r) Techniker(in):
Casey McCrankin'
Produzent(in):
Rob Cavallo und Green Day
Mix:
Rob Cavallo, Jerry Finn und Green Day
Bass:
Mike Dirnt
Gitarre:
Billie Joe
Schlagzeug:
Tré Cool
vocals:
Billie Joe und Mike Dirnt
phonographisches Urheberrecht (℗) von:
Reprise Records (in 1994) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1994)
Musikvideos:
When I Come Around von Green Day
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 88)
recording of:
When I Come Around
Texter:
Billie Joe Armstrong
Komponist(in):
Billie Joe Armstrong, Frank E. Wright III und Mike Pritchard
publisher:
Green Daze Music und WCM Music (1929–2019)
Green Day3.952:58
60Brass in Pocket
zusätzlich recording engineer:
Steve Nye (producer, engineer and pianist)
Techniker(in):
Bill Price (UK producer/engineer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
Mix:
Michael Paul Stavrou (producer/engineer)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1979, in 1987, in 2000)
aufgenommen bei:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich
zusätzlich aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 89) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 389)
recording of:
Brass in Pocket
Verfasser(in):
James Honeyman‐Scott und Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
ATV Music Ltd., Banks Clive Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Hynde House of Hits Music und Modern Music Publishing Co., Inc.
The Pretenders4.43:06
61Clocks
recording engineer und Techniker(in):
Ken Nelson (UK record producer)
zusätzlich recording engineer:
Mark Phythian
zusätzliche(r) Techniker(in):
Rik Simpson
Produzent(in):
Coldplay und Ken Nelson (UK record producer)
Mix:
Coldplay, Ken Nelson (UK record producer) und Mark Phythian
Akustikgitarre, Klavier und Sologesang:
Chris Martin (lead singer of Coldplay)
E-Bass:
Guy Berryman
E-Gitarre:
Jonny Buckland
Perkussion, Schlagzeug und Hintergrundgesang:
Will Champion
phonographisches Urheberrecht (℗) von:
Parlophone Records Ltd (not for release label use! a Warner Music Group company) (in 2002)
Musikvideos:
Clocks (music video) von Coldplay
Teil von:
VH1’s Big Song of 2003 (Nummer: 19) und Indie 88: Top 500 Indie Rock Songs (Nummer: 144)
recording of:
Clocks
Verfasser(in):
Guy Berryman, Jonny Buckland, Will Champion und Chris Martin (lead singer of Coldplay)
publisher:
BMG Music Publishing Ltd.
Coldplay4.25:08
62Satisfy Me
Anderson East2:35
63Go Your Own Way
recording of:
Go Your Own Way
Texter und Komponist(in):
Lindsey Buckingham (guitarist, singer, songwriter and producer)
publisher:
Gentoo Music, Inc. und Now Sounds Music
Fleetwood Mac3:39
64Feels Like the First Time
Foreigner3:13
65Lovers in a Dangerous Time (radio remix)
Barenaked Ladies4:07
66It’s Alright (live)
Big Head Todd and the Monsters4:42
67Easy to Slip
recording of:
Easy to Slip
Verfasser(in):
Lowell George und Martin Kibbee (singer-songwriter)
publisher:
Naked Snake Music
Little Feat3:21
68Sister Golden Hair
assistierende(r) Techniker(in):
Tom Anderson (engineer)
Techniker(in):
Geoff Emerick (British recording engineer)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
andere Instrumente:
America (US folk/soft rock band)
Bassgitarre:
David Dickey (U.S. drummer and bassist)
Schlagzeug und Perkussion:
Willie Leacox
vocals:
America (US folk/soft rock band)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975), Warner Music H.K. Ltd. (in 1997) und Rhino Entertainment Company (not for release label use!) (in 2011)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 12) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 264)
recording of:
Sister Golden Hair
Texter und Komponist(in):
Gerald Beckley
publisher:
Warner/Chappell Music Australia Pty. Ltd.
America4.13:17
69Country Thunder
The Washboard Union3:10
70Let It Ride
BTO3:59