The Radio Essential Series

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Swing the Mood
registrazione di:
Swing the Mood
autore:
Jive Bunny (Jive Bunny)
medley di:
Let’s Twist Again
medley di:
In the Mood
medley di:
Rock Around the Clock (Bill Haley’s version)
medley di:
Rock‐a‐Beatin’ Boogie
medley di:
Tutti Frutti
medley di:
Wake Up Little Susie
medley di:
C’mon Everybody
medley di:
Hound Dog
medley di:
Shake, Rattle and Roll
medley di:
All Shook Up
medley di:
Jailhouse Rock
medley di:
At the Hop
Jive Bunny & the Mastermixers6:08
2Runaround Sue
registrazione di:
Runaround Sue
paroliere:
Dion (US singer-songerwriter, blends doo-wop, pop rock & R&B)
compositore:
Ernie Maresca
editore:
Bronx Soul Music, Mijac Music, Shinko Music Entertainment Co., Ltd. e Universal Music Publishing Group Japan (work publisher – do NOT use as a release label)
sub-editore:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Dion2:41
3Stayin’ Alive
produttore:
Bee Gees, Albhy Galuten e Karl Richardson
basso :
Maurice Gibb (nel 1977)
batteria :
Dennis Bryon (Welsh drummer, author) (nel 1977)
chitarra [rhythm guitar] e voce principale:
Barry Gibb (nel 1977)
chitarra elettrica :
Alan Kendall (nel 1977)
percussione :
Dennis Bryon (Welsh drummer, author) (nel 1977) e Joe Lala (nel 1977)
pianoforte , sintetizzatore e tastiera :
Blue Weaver (nel 1977)
altra voce [harmony vocals] e voce di accompagnamento:
Barry Gibb (nel 1977), Maurice Gibb (nel 1977) e Robin Gibb (nel 1977)
esecutore:
Bee Gees (nel 1977)
diritti fonografici (℗) detenuti da:
Barry Gibb (nel 1977), Maurice Gibb (nel 1977) e Robin Gibb (nel 1977)
diritti fonografici (℗) detenuti da:
PolyGram International Ltd. (nel 1977), PolyGram International Music B.V. (not for release label use!) (nel 1977), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1977) e RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (nel 1977)
parte di:
Q50 – December 2005 (numero: 3), Billboard Year-End Hot 100 singles of 1978 (numero: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 32), Billboard: Greatest of All Time Hot 100 Songs (numero: 66), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 99), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 189) e BILLIONS CLUB
registrazione di:
Stayin’ Alive (nel 1977)
autore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
BMG Music, BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Chappell & Co Ltd., Crompton Songs, Gibb Brothers Music, R.S.O. Publishing Ltd., Universal Music Publishing International MGB Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Stigwood Music, Inc. (nel 1978) e Unichappell Music (nel 1978)
Bee Gees3.94:42
4I Can’t Help Myself
Four Tops2:43
5Shame
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 64)
registrazione di:
Shame
autore:
Reuben Cross e John H. Fitch, Jr.
editore:
Dunbar Music, Inc. e Mills & Mills Music
Evelyn “Champagne” King43:16
6Last Dance
produttore:
Pete Bellotte (English lyricist and producer) e Giorgio Moroder
diritti fonografici (℗) detenuti da:
The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1978)
registrazione di:
Last Dance
paroliere e compositore:
Paul Jabara
editore:
EMI Blackwood Music Inc., Management Three Music, Olga Music e フジパシフィックミュージック (Fujipacific Music, Inc.)
parte di:
The 51st Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1978 winner)
Donna Summer3.653:17
7Sweet Caroline
tecnico:
Armin Steiner
produttore:
Tom Catalano, Tommy Cogbill e Neil Diamond
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 117)
registrazione di:
Sweet Caroline (nel 1969)
paroliere:
Neil Diamond
compositore:
Neil Diamond (nel 1969)
editore:
Ahab Music Co., Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Sony Tunes, Inc., Stone Bridge Music Co., Tree Publishing e MCA Records (1967–2003; name as in imprint during 1972–1990) (nel 1969)
Neil Diamond4.13:28
8She’s a Beauty
produttore:
David Foster (Canadian music producer, arranger and composer)
è stato produttore per:
Foster Frees Music Inc.
registrazione di:
She’s a Beauty
autore:
David Foster (Canadian music producer, arranger and composer), Steve Lukather (guitarist, vocalist, composer, producer and arranger) e Fee Waybill
editore:
Boones Tunes, Decomposition Music, Foster Frees Music Inc., Peermusic III, Ltd. (BMI), Rehtakul Veets Music, Sony/ATV Songs LLC e Universal Music–MGB Songs
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Tubes33:57
9That’s the Way (I Like It)
produttore:
Harry Wayne Casey e Richard Finch
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
registrazione di:
That’s the Way (I Like It)
autore:
Harry Wayne Casey e Richard Finch
editore:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) e Mushroom Music (Mushroom label’s publishing company)
KC and the Sunshine Band45:05
10500 Miles (I’m Gonna Be)
registrazione di:
I’m Gonna Be (500 Miles)
autore:
Charlie Reid e Craig Reid
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers3:32
11Love Will Keep Us Together
registrazione cover di:
Love Will Keep Us Together
paroliere:
Howard Greenfield
compositore:
Neil Sedaka
editore:
Don Kirshner Music Inc., Kirshner-Warner Bros Music Ltd. e Neil Sedaka Music (BMI-affiliated)
Captain & Tennille3:30
12Crocodile Rock
tecnico:
Ken Scott (UK record producer & engineer)
produttore:
Gus Dudgeon
batteria :
Nigel Olsson
chitarra basso :
Dee Murray
chitarra elettrica :
Davey Johnstone
farfisa e pianoforte e voce principale:
Elton John (English singer, songwriter, pianist, and composer)
diritti fonografici (℗) detenuti da:
This Record Co. Ltd. (copyright holder) (nel 1972, nel 1973) e Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 2022)
registrata presso:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Francia
registrazione di:
Crocodile Rock
paroliere:
Bernie Taupin
compositore:
Elton John (English singer, songwriter, pianist, and composer)
editore:
PolyGram Music Publishing, Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. (fka Dick James Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Elton John3.53:54
13ABC
produttore:
The Corporation (Motown songwriters)
basso elettrico :
Wilton Felder (nel 1970-01) e Bob West (US session bassist, producer & songwriter) (nel 1970-01)
batteria :
Gene Pello (nel 1970-01)
chitarra :
Don Peake (nel 1970-01), Louis Shelton (nel 1970-01) e David T. Walker (nel 1970-01)
tastiera :
Freddie Perren (nel 1970-01)
voce di accompagnamento:
Jackie Jackson (member of the Jackson 5) (nel 1970-01), Marlon Jackson (nel 1970-01) e Tito Jackson (nel 1970-01)
voce di accompagnamento e voce principale:
Michael Jackson (“King of Pop”) (nel 1970-01)
voce principale:
Jackie Jackson (member of the Jackson 5) (nel 1970-01), Jermaine Jackson (soul/pop singer, of Jackson 5) (nel 1970-01) e Tito Jackson (nel 1970-01)
arrangiatore:
The Corporation (Motown songwriters)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1970)
registrata presso:
Sound Factory (1969–1980) in Los Angeles, California, Stati Uniti (nel 1970-01)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 174)
registrazione di:
ABC (nel 1970-01)
autore:
Berry Gordy, Fonce Mizell, Freddie Perren e Deke Richards (American songwriter and record producer)
compositore:
Erik Huber (audio engineer, producer, composer)
editore:
Jobete Music Co., Inc.
sub-editore:
ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
parte di:
MJ: The Musical
The Jackson 54.12:56
14Sexual Healing
assistente tecnico:
Henri Van Durme e Didier Leonard
tecnico:
Dan Bates (strumenti a fiato [horns]), Mike Butcher (recording engineer and guitarist) e John Kovorak
produttore:
Marvin Gaye
produttore esecutivo:
Larkin Arnold
tecnico di missaggio e editor:
Harvey Fuqua
batteria , bonghi , campana [bells] , campana [orchestra bells] , cimbalini a dita , congas , glockenspiel , organo , pianoforte elettrico [Fender Rhodes] e sintetizzatore :
Marvin Gaye
chitarra :
Gordon Banks
strumenti a fiato [horns] :
The L.A. Horn Section e David Stout (American trombonist)
voce:
Marvin Gaye
voce di accompagnamento:
Gordon Banks, Harvey Fuqua e Marvin Gaye
direttore d'orchestra:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer) (strumenti a fiato [horns])
arrangiatore strumenti a fiato [horns] :
McKinley T. Jackson (Trombone player, songwriter, arranger and producer)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1982), Sony BMG Music Entertainment Inc. (nel 1982) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982)
registrata presso:
Arco Studios in München (Munich), Bayern (Baviera), Germania (voce principale, voce di accompagnamento), Kendun Recorders in Burbank, California, Stati Uniti (strumenti a fiato [horns]), Studio Katy in Waterloo, Brabant wallon (Provincia del Brabante Vallone), Wallonie (Wallonia), Belgio e Studio Katy in Waterloo, Brabant wallon (Provincia del Brabante Vallone), Wallonie (Wallonia), Belgio (voce principale, voce di accompagnamento)
mixata presso:
Studio Katy in Waterloo, Brabant wallon (Provincia del Brabante Vallone), Wallonie (Wallonia), Belgio
editing effettuato presso e remixata presso:
Devonshire Studios in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 198) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 231)
registrazione di:
Sexual Healing
autore:
Odell Brown, Marvin Gaye e David Ritz (American author)
editore:
April Music Publishing Inc., Blackwood Music Inc. (1953-02-07–1987-12-30), Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. e April Music Inc. (nel 1982)
Marvin Gaye3.63:53
15Red Red Wine
tecnico:
Howard Gray (UK producer, engineer, and electronic musician)
produttore:
Ray “Pablo” Falconer e UB40
basso :
Earl Falconer
chitarra :
Ali Campbell (UB40’s former vocalist) e Robin Campbell
drum machine e batteria :
Jim Brown (UB40 drummer)
percussione :
Astro (UB40 toast, trumpet & percussion) e Norman Hassan
sassofono :
Brian Travers
tastiera :
Michael Virtue (keyboardist)
altra voce:
Astro (UB40 toast, trumpet & percussion)
voce:
Ali Campbell (UB40’s former vocalist), Robin Campbell e Norman Hassan
arrangiatore:
UB40
registrazione cover di:
Red Red Wine
paroliere e compositore:
Neil Diamond (nel 1967)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label) e Bang Records (Bert Berns label) (nel 1968)
UB4045:16
16The Wanderer
registrazione di:
The Wanderer
paroliere e compositore:
Ernie Maresca
editore:
Mijac Music, Schwartz Music Ltd., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America Ltd., Warner/Chappell Music, Inc. e Warner/Chappell North America
Dion2:45
17Shout
Otis Day & the Knights4:10
18Tequila
registrazione di:
Tequila
paroliere e compositore:
Daniel Flores (Daniel Flores)
The Champs2:10
19Saturday Night
produttore:
Phil Coulter e Bill Martin (Scottish songwriter & producer)
arrangiatore:
Phil Coulter
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1975) e Arista Records, LLC (holding company - file NO releases here!) (nel 1975)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 382)
registrazione di:
Saturday Night
autore:
Phil Coulter e Bill Martin (Scottish songwriter & producer)
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!) e Mews Music Ltd.
Bay City Rollers52:53
20It’s Not Unusual
tecnico di registrazione:
Bill Price (UK producer/engineer)
produttore:
Peter Sullivan (UK producer)
diritti fonografici (℗) detenuti da:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (nel 1965) e The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1965)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 393)
registrazione di:
It’s Not Unusual
autore:
Gordon Mills (60s/70s UK producer and songwriter) e Les Reed
editore:
Leeds Music (conclusa), BMG Platinum Songs US, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Valley Music Ltd (publisher) e Universal Duchess Music Corp. (nel 1964)
Tom Jones4.51:58
21Old Time Rock and Roll
tecnico:
Greg Hamm (US engineer)
produttore:
The Muscle Shoals Rhythm Section e Bob Seger
tecnico di missaggio:
John Arrias (engineer), Punch (Ed Andrews, Bob Seger's Manager) e Bob Seger
basso :
David Hood (Muscle Shoals, AL guitarist and trombonist)
batteria e percussione :
Roger Hawkins (drummer and producer)
chitarra :
Ken Bell e Howie McDonald
pianoforte :
Randy McCormick (session musician and songwriter)
sassofono :
Alto Reed
voce:
Bob Seger
voce di accompagnamento:
Stanley Carter, George Jackson (US soul songwriter/vocalist) e James Lavell Easley (Blues harmonica player)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978) e Hideout Records & Distributors, Inc. (nel 1978)
registrata presso:
Muscle Shoals Sound Studio in Sheffield, Alabama, Stati Uniti
registrazione di:
Old Time Rock & Roll
autore:
George Jackson (US soul songwriter/vocalist) e Thomas Jones, III (Songwriter)
editore:
Muscle Shoals Sound Publishing, Peermusic (UK) Limited e Peermusic III, Ltd. (BMI)
parte di:
Risky Business (film soundtrack)
Bob Seger & the Silver Bullet Band4.53:12
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