100 Hits She’s a Lady

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1Daten-CD
Nr.TitelKünstlerBewertungLänge
1She’s a Lady
phonographisches Urheberrecht (℗) von:
Decca Records Co. Ltd. (Decca Records) (in 1971) und Tom Jones Enterprises Ltd. (in 1971)
cover recording of:
She’s a Lady (in 1971)
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Chrysalis Music Publishing Australia, Chrysalis Standards Inc. und Spanka Music Corp.
recording of:
She’s a Lady
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Chrysalis Music Publishing Australia, Chrysalis Standards Inc. und Spanka Music Corp.
Tom Jones3.92:52
2You’re Such a Good Looking Woman
recording of:
You're Such a Good Looking Woman
Verfasser(in):
Joe Dolan
Joe Dolan2:57
3Bensonhurst Blues
recording of:
Bensonhurst Blues
Verfasser(in):
Artie Kaplan und Artie Kornfeld
Oscar Benton3:35
4Dancin’ Party
cover recording of:
Dancing Party
Texter:
Kal Mann
Komponist(in):
Dave Appell
Showaddywaddy2:25
5Please Mr. Postman
Techniker(in):
Ray Gerhardt (Recording and mixing engineer)
Partner-Produzent(in):
Karen Carpenter
Produzent(in):
Richard Carpenter (The Carpenters)
Sologesang:
Karen Carpenter
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1974)
cover recording of:
Please Mr. Postman (am 1974-07-22)
Verfasser(in):
Robert Bateman (R&B singer/songwriter/record producer) (in 1961), Georgia Dobbins (in 1961), William Garrett (in 1961), Freddie Gorman (in 1961) und Brian Holland (Motown producer & songwriter) (in 1961)
publisher:
Dominion Music, EMI Blackwood Music Inc., EMI United Partnership Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division und United Partnership Ltd.
Carpenters42:46
6Raindrops Keep Fallin’ on My Head
recording of:
Raindrops Keep Fallin’ on My Head
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), New Hidden Valley Music Co., PW Arrangements, Rondor Music (Australia) Pty Ltd, Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd., WB Music Corp. (1929–2019), フジパシフィックミュージック (Fujipacific Music, Inc.) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
Teil von:
The 42nd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1969 winner)
Andy Williams13:08
7Who Was It
recording of:
Who Was It?
Texter und Komponist(in):
Gilbert O’Sullivan
publisher:
Grand Upright Music Ltd.
sub-publisher:
渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
Gilbert O’Sullivan2:29
8You Are the Sunshine of My Life
Liza Minnelli2:34
9Tie a Yellow Ribbon ’round the Ole Oak Tree
phonographisches Urheberrecht (℗) von:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1973)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 52)
recording of:
Tie a Yellow Ribbon Round the Ole Oak Tree
Verfasser(in):
Lawrence Russell Brown (lyricist) und Irwin Levine
publisher:
Irwin Levine Music (BMI-affiliated), Larball Publishing Co., Inc. und peermusic (“Peermusic—the global independent”)
Tony Orlando & Dawn53:24
10Another Day
Assistent recording engineer:
Ted Brosnan (von 1970-10-12 bis 1971-01)
recording engineer:
Tim Geelan (von 1970-10-12 bis 1971-01)
Produzent(in):
Paul McCartney (The Beatles) (von 1970-10-12 bis 1971-01)
Mix:
Dixon Van Winkle (am 1971-02-08)
Akustikgitarre und E-Gitarre:
Paul McCartney (The Beatles) (von 1970-10-12 bis 1971-01) und David Spinozza (von 1970-10-12 bis 1971-01)
Bassgitarre, Tamburin und Sologesang:
Paul McCartney (The Beatles) (von 1970-10-12 bis 1971-01)
Perkussion:
Paul McCartney (The Beatles) (von 1970-10-12 bis 1971-01) und Denny Seiwell (US drummer) (von 1970-10-12 bis 1971-01)
Schlagzeug:
Denny Seiwell (US drummer) (von 1970-10-12 bis 1971-01)
Hintergrundgesang:
Linda McCartney (von 1970-10-12 bis 1971-01) und Paul McCartney (The Beatles) (von 1970-10-12 bis 1971-01)
vocals:
Paul McCartney (The Beatles)
phonographisches Urheberrecht (℗) von:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 2012) und MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (in 2012)
aufgenommen bei:
CBS Studios (New York City, encompassing studios at 7th Ave, and 52nd & 30th St) in New York, New York, Vereinigte Staaten (am 1970-10-12) und A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten (in 1971-01)
zusätzlich aufgenommen bei:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten (in 1971-01)
mixed at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten (am 1971-02-08)
recording of:
Another Day (1970 McCartney song) (von 1970-10-12 bis 1971-01-21)
Verfasser(in):
Linda McCartney und Paul McCartney (The Beatles)
publisher:
Maclen (Music) Ltd. (U.K. based publisher for Lennon-McCartney), McCartney Music Inc. und Northern Songs
Paul McCartney3.33:44
11Rose Garden
cover recording of:
Rose Garden (in 1970)
Texter und Komponist(in):
Joe South
publisher:
BMG Music Publishing Ltd. und Sony/ATV Songs LLC
Lynn Anderson4.152:58
12Sunny Honey Girl
Cliff Richard2:46
13Yellow River
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1970)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 83)
recording of:
Yellow River (in 1970)
Texter und Komponist(in):
Jeff Christie
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Christie3.352:45
14Have You Ever Seen the Rain
recording engineer und Mix:
Russ Gary
Produzent(in):
John Fogerty
Bassgitarre:
Stu Cook
Gitarre:
John Fogerty und Tom Fogerty
Schlagzeug:
Doug Clifford
Sologesang:
John Fogerty
arranger:
John Fogerty
phonographisches Urheberrecht (℗) von:
Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1976)
aufgenommen bei und mixed at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten
recording of:
Have You Ever Seen the Rain? (in 1971-11)
Texter und Komponist(in):
John Fogerty
publisher:
Burlington Music Co., Ltd., Jondora Music und Prestige Music Co. Ltd.
Creedence Clearwater Revival4.42:41
15My Sweet Lord
recording engineer:
Phil McDonald (engineer and producer) (von 1970-05-26 bis 1970-08) und Ken Scott (UK record producer & engineer) (von 1970-05-26 bis 1970-08)
Produzent(in):
George Harrison (The Beatles) und Phil Spector
Akustikgitarre:
Eric Clapton (von 1970-05-26 bis 1970-08), Tom Evans (UK guitarist for Badfinger) (von 1970-05-26 bis 1970-08), Peter Frampton (von 1970-05-26 bis 1970-08), Pete Ham (von 1970-05-26 bis 1970-08), George Harrison (The Beatles) (von 1970-05-26 bis 1970-08) und Joey Molland (von 1970-05-26 bis 1970-08)
Bassgitarre:
Klaus Voormann (von 1970-05-26 bis 1970-08)
Hybrid-Piano:
Gary Wright (US singer/keyboardist) (von 1970-05-26 bis 1970-08)
Klavier:
Billy Preston (von 1970-05-26 bis 1970-08)
Schlagzeug:
Andy White (Scottish drummer) (von 1970-05-26 bis 1970-08)
Slide-Gitarre und Sologesang:
George Harrison (The Beatles) (von 1970-05-26 bis 1970-08)
Tamburin:
Mike Gibbins (drummer for Badfinger) (von 1970-05-26 bis 1970-08) und Ringo Starr (The Beatles) (von 1970-05-26 bis 1970-08)
Hintergrundgesang:
Eric Clapton (von 1970-05-26 bis 1970-08), George Harrison (The Beatles) (von 1970-05-26 bis 1970-08), Phil Spector (von 1970-05-26 bis 1970-08) und Bobby Whitlock (von 1970-05-26 bis 1970-08)
vocals:
Bobby Whitlock (von 1970-05-26 bis 1970-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001) und G.H. Estate Limited (in 2014)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1970-05-26 bis 1970-08)
Musikvideos:
My Sweet Lord (50th anniversary video) von George Harrison (The Beatles)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 454)
recording of:
My Sweet Lord (von 1970-05-26 bis 1970-08)
geschrieben in:
Europa (in 1969-12)
Texter und Komponist(in):
George Harrison (The Beatles) (von 1969-12 bis 1970)
publisher:
Harrisongs Ltd.
Version von:
He’s So Fine
George Harrison4.454:43
16Everything I Own
Sologesang:
David Gates (singer/songwriter, lead singer of Bread)
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1972)
recording of:
Everything I Own
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Laetrec Music, Screen Gems, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd. und Sony/ATV Music Publishing (UK) Ltd.
Bread4.353:06
17You Know It’s for You
Produzent(in):
Bee Gees und Robert Stigwood
aufgenommen bei:
IBC Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
You Know It’s for You
Texter und Komponist(in):
Maurice Gibb
Bee Gees2:58
18Oye cómo va
Techniker(in):
David Brown (US producer, engineer – Record Plant Studios, Wally Heider Studios) und John Fiore (engineer)
Produzent(in):
Fred Catero und Carlos Santana
Bassgitarre:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (am 1970-07-08)
Conga und Perkussion:
Michael Carabello (percussionist) (am 1970-07-08)
Conga, Perkussion und Timbales:
José “Chepito” Áreas (am 1970-07-08)
Gitarre:
Carlos Santana (am 1970-07-08)
Keyboard und Sologesang:
Gregg Rolie (keyboardist and vocalist) (am 1970-07-08)
Perkussion:
Rico Reyes (am 1970-07-08)
Schlagzeug:
Michael Shrieve (drummer) (am 1970-07-08)
tabla:
Steven Saphore (am 1970-07-08)
Hintergrundgesang:
Rico Reyes (am 1970-07-08) und Carlos Santana (am 1970-07-08)
arranger:
Santana (US Latin, blues, & rock band)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
aufgenommen bei:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1970-07-08)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 479)
cover recording of:
Oye como va (am 1970-07-08)
Texter und Komponist(in):
Tito Puente
publisher:
EMI Full Keel Music, Full Keel Music, Planetary Music Publ. Corp., Sony/ATV Music Publishing LLC (1995–2020) und Windswept Pacific Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
basiert auf:
Chanchullo
basiert auf:
Te enseñaré
Santana3.854:17
19In the Summertime
Produzent(in):
Barry Murray (producer, associated with Mungo Jerry)
phonographisches Urheberrecht (℗) von:
Castle Copyrights Ltd. (in 1970) und Dawn (UK 70s 'underground and progressive' label, a subsidiary of Pye Records) (in 1970)
früheste Veröffentlichung:
In the Summertime von Mungo Jerry
Musikvideos:
In the Summertime von Mungo Jerry
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 40) und Billboard Year-End Hot 100 singles of 1970 (Nummer: 53)
recording of:
In the Summertime
Texter und Komponist(in):
Ray Dorset
publisher:
Associated Music International Ltd., Bovina Music Inc., Broadley Music (International) Ltd. (PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Our Music Ltd. (possibly aka Our Music Ltd., associated mostly with Mungo Jerry), Satellite Music Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Tunes LLC (ASCAP) und Universal Music Publishing (use ONLY if no country‐specific information is available)
Mungo Jerry3.753:29
20MexicoLes Humphries Singers4:03
21Two of Us
cover recording of:
Two of Us
geschrieben in:
Vereinigtes Königreich (von 1968 bis 1969-01-31)
Verfasser(in):
Paul McCartney (The Beatles) (von 1968 bis 1969-01-31) und John Lennon (The Beatles) (von 1969-01-02 bis 1969-01-31)
publisher:
Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Northern Songs und Sony/ATV Music Publishing LLC (1995–2020)
Boney M.3:16
22Sunshine Day
Techniker(in):
Ashley Howe
Produzent(in):
Gerry Bron
arranger:
Osibisa
phonographisches Urheberrecht (℗) von:
Bronze Records Ltd.
aufgenommen bei:
Roundhouse Studios in London (Greater London), England, Vereinigtes Königreich (in 1975)
recording of:
Sunshine Day
Verfasser(in):
Sol Amarfio, Teddy Osei und Mac Tontoh
publisher:
Sparta Florida Music Group Ltd.
Osibisa44:57
23Let’s Get Started
Mungo Jerry3:33
24If You Wanna Be Happy
cover recording of:
If You Wanna Be Happy
Verfasser(in):
Carmela Guida, Frank Guida und Joseph Royster
Bill Wyman2:48
25One Love / People Get Ready
recording of:
One Love / People Get Ready
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist) und Curtis Mayfield
publisher:
Blackwell Fuller Music Publishing LLC, Bob Marley Music, Cayman Music, Cayman Music Inc, EMI April Music Inc., Leosong Copyright Service Ltd., Mijac Music, Rondor Music (London) Ltd., Shakat Music Publishing, TRO Essex Music Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Blue Mountain Music (in 1968), Fifty Six Hope Road Music Limited (in 1968), Odnil Music Ltd. (in 1968), EMI Tunes PLC (publisher) (vom 1991 bis heute) und Warner Chappell Music Ltd. (no slash; used 1988–1996) (vom 1991 bis heute)
basiert auf:
People Get Ready
Bob Marley & The Wailers17:07
26Another Star
Produzent(in):
Stevie Wonder
alto saxophone:
Hank Redd
Bassgitarre:
Nathan Watts
flute und Gast-flute:
Bobbi Humphrey
Gast-Gitarre, Gitarre und Gast Hintergrundgesang:
George Benson (jazz guitarist/singer)
Klavier, Schlagzeug, Hintergrundgesang und Sologesang und Sologesang:
Stevie Wonder
Perkussion:
Nathan Alford, Jr.
Tenorsaxophon:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
Timbales:
Carmelo Garcia und Hungaria "Carmelo" Garcia
Trompete:
Steve Madaio und Raymond Maldonado
Hintergrundgesang:
George Benson (jazz guitarist/singer), Josie James und Stevie Wonder
Interpret(in):
Stevie Wonder
arranger:
Stevie Wonder
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1976)
recording of:
Another Star
Texter und Komponist(in):
Stevie Wonder
publisher:
Arabella Éditions Musicales SARL, Black Bull Music, Jobete Music Co., Inc. und 大洋音楽 (Taiyō Music)
Stevie Wonder8:28
27Nothing Else Matters
Santa Esmeralda6:27
28Freedom Come, Freedom Go
recording of:
Freedom Come, Freedom Go
Verfasser(in):
Roger Cook (US‐based British singer, songwriter and producer) (in 1971), Roger Greenaway (in 1971), Albert Hammond (in 1971) und Mike Hazlewood (in 1971)
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) und PolyGram Music Publishing
The Fortunes3:02
29Sugar Me
recording of:
Sugar Me
Verfasser(in):
Barry Ian Green (singer, producer, and songwriter) und Lynsey de Paul
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und ATV Kirshner (publisher) (in 1972)
Lynsey de Paul4:58
30One Night (with You)
Produzent(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
cover recording of:
One Night (of Sin)
Texter und Komponist(in):
Dave Bartholomew und Pearl King
Verfasser(in):
Dave Bartholomew, Pearl King und Anita Steiman
publisher:
Elvis Presley Music Inc. und EMI / Utd Partnership
Mud2:54
31Never Had a Dream Come TrueStevie Wonder53:15
32Soley Soley
arranger:
Giosy Capuano und Mario Capuano
phonographisches Urheberrecht (℗) von:
BMG Ariola Hamburg GmbH (in 1973)
recording of:
Soley Soley (1971 song)
Texter und Komponist(in):
Fernando Arbex
publisher:
Universal Music Publishing S.L. (Spain)
Middle of the Road2:57
33Stoney End
Produzent(in):
Richard Perry (producer)
vocals:
Barbra Streisand
arranger:
Gene Page (conductor, composer, arranger and record producer)
cover recording of:
Stoney End (am 1970-07-29)
Texter und Komponist(in):
Laura Nyro
publisher:
EMI Blackwood Music Inc.
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Barbra Streisand3:02
34If I Only Had My Mind on Something Else
Produzent(in):
Bee Gees und Robert Stigwood
phonographisches Urheberrecht (℗) von:
PolyGram International Ltd. (in 1970)
recording of:
If Only I Had My Mind on Something Else (in 1969-10)
Verfasser(in):
Barry Gibb und Maurice Gibb
publisher:
BMG Music, Careers Music, Inc. und Gibb Brothers Music
Bee Gees12:35
35(They Long to Be) Close to You
Techniker(in):
Dick Bogert (Recording and mixing engineer) und Ray Gerhardt (Recording and mixing engineer)
Produzent(in):
Jack Daugherty (American Multi-instrumentalist and music producer)
Bass:
Joe Osborn (American bass guitar player, session musician and songwriter) und Danny Woodhams (Bassist, drummer, vocalist and songwriter)
Holzblasinstrumente [woodwinds]:
Doug Strawn (American woodwinds and saxophonist), Jim Horn (saxophonist, hornist, flutist and oboist) und Bob Messenger (Woodwind and bass player)
Schlagzeug [Ludwig drums]:
Hal Blaine (U.S. studio drummer and percussionist) und Karen Carpenter
Wurlitzer Electric Piano [Wurlizer pianos]:
Richard Carpenter (The Carpenters)
Sologesang [all vocals]:
Karen Carpenter und Richard Carpenter (The Carpenters)
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1970)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 2) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 171)
cover recording of:
(They Long to Be) Close to You (am 1970-03-24)
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Albert Music Publishing, Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Carlin Music Corporation, Casa David LP, J. Albert & Son Pty. Ltd., Jac Music, Inc., New Hidden Valley Music Co., U.S. Songs, Inc., Universal/MCA Music Ltd. (not for release label use!), Windswept Music (London) Ltd. und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Carpenters44:36
36Darlin’
recording of:
Darlin’
Verfasser(in):
Alan Osmond, Merrill Osmond und Wayne Osmond
The Osmonds3:10
37Song Sung Blue
Techniker(in):
Armin Steiner
Produzent(in):
Tom Catalano und Neil Diamond
recording of:
Song Sung Blue (in 1972-06)
Texter und Komponist(in):
Neil Diamond (in 1972)
publisher:
Chappell Music Ltd., EMI Music Publishing Germany GmbH (1967–2001), Prophet Music Inc. und Sony Tunes, Inc.
basiert auf:
Concerto for Piano no. 21 in C major, K. 467
Neil Diamond3.653:14
38Just Gotta Sing
Rick Springfield2:28
39One More Kiss
Assistent recording engineer:
Mark Vigars (engineer) (am 1972-09-30)
recording engineer:
Alan Parsons (of The Alan Parsons Project) (am 1972-09-30)
Produzent(in):
Paul McCartney (The Beatles)
assistierende(r) Mix:
Mark Vigars (engineer) (am 1972-12-11)
Mix:
Alan Parsons (of The Alan Parsons Project) (am 1972-12-11)
Akustikgitarre und Sologesang:
Paul McCartney (The Beatles) (am 1972-09-30)
Cembalo [Electric Harpsichord]:
Linda McCartney (am 1972-09-30)
E-Bass:
Denny Laine (am 1972-09-30)
E-Gitarre:
Henry McCullough (Northern Irish guitarist, vocalist and songwriter) (am 1972-09-30)
Schlagzeug:
Denny Seiwell (US drummer) (am 1972-09-30)
phonographisches Urheberrecht (℗) von:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1993) und MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (in 1993)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1972-09-30)
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1972-12-11)
recording of:
One More Kiss (am 1972-09-30)
Verfasser(in):
Linda McCartney und Paul McCartney (The Beatles)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
recording of:
One More Kiss
Paul McCartney & Wings3.52:28
40Candida
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 18)
recording of:
Candida (1970 song)
Verfasser(in):
Irwin Levine und Toni Wine
Tony Orlando & Dawn2.53:07
41Stop What You Doing
recording of:
Stop What You're Doing
Verfasser(in):
Oscar Benton und Dries Holten
Oscar Benton2:54
42Donna
cover recording of:
Donna
Texter und Komponist(in):
Ritchie Valens
publisher:
Aberbach Musikverlag (German publisher) und Carlin Music Corporation
recording of:
Donna
Texter und Komponist(in):
Ritchie Valens
publisher:
Aberbach Musikverlag (German publisher) und Carlin Music Corporation
Gary Glitter2.54:19
43(Call Me) Number One
recording of:
(Call Me) Number One
Verfasser(in):
Alan Blakley und Len "Chip" Hawkes
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Tremeloes4:27
44Chop‐Chop
arranger:
Fiachra Trench
recording of:
Chop Chop
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
The Sweet2:56
45Bottoms Up
phonographisches Urheberrecht (℗) von:
BMG Ariola Hamburg GmbH (in 1973)
recording of:
Bottoms Up
Texter:
Lally Stott
Komponist(in):
Giosy Capuano und Mario Capuano
publisher:
Catoca (in 1972)
Middle of the Road3:10
46Mull of Kintyre
Assistent recording engineer:
Tim Summerhayes (von 1977-08-09 bis 1977-10)
recording engineer:
Geoff Emerick (British recording engineer) (von 1977-08-09 bis 1977-10)
Produzent(in):
Paul McCartney (The Beatles)
Mix:
Geoff Emerick (British recording engineer)
Akustikgitarre:
Denny Laine (von 1977-08-09 bis 1977-10) und Paul McCartney (The Beatles) (von 1977-08-09 bis 1977-10)
akustische Bassgitarre und Sologesang:
Paul McCartney (The Beatles) (von 1977-08-09 bis 1977-10)
Dudelsack:
John Lang Brown (von 1977-08-09 bis 1977-10), Campbelltown Pipe Band (von 1977-08-09 bis 1977-10), Archie Coffield (von 1977-08-09 bis 1977-10), Dougie Lang (von 1977-08-09 bis 1977-10), John McGeachy (von 1977-08-09 bis 1977-10), Ian McKerral (von 1977-08-09 bis 1977-10) und Tony Wilson (bagpipes) (von 1977-08-09 bis 1977-10)
E-Gitarre:
Denny Laine (von 1977-08-09 bis 1977-10)
Perkussion:
Linda McCartney (von 1977-08-09 bis 1977-10)
Schlagzeug:
Tommy Blue (von 1977-08-09 bis 1977-10), Joe English (von 1977-08-09 bis 1977-10), Campbell Maloney (von 1977-08-09 bis 1977-10) und Jimmy McGeachy (von 1977-08-09 bis 1977-10)
Hintergrundgesang:
Denny Laine (von 1977-08-09 bis 1977-10), Linda McCartney (von 1977-08-09 bis 1977-10), Paul McCartney (The Beatles) (von 1977-08-09 bis 1977-10), Ian McKerral (von 1977-08-09 bis 1977-10) und Dave Paton (von 1977-08-09 bis 1977-10)
phonographisches Urheberrecht (℗) von:
MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
aufgenommen bei:
Spirit of Ranachan Studio in Scotland, Vereinigtes Königreich (am 1977-08-09) und Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1977-10)
recording of:
Mull of Kintyre (von 1977-08-09 bis 1977-10)
Verfasser(in):
Denny Laine und Paul McCartney (The Beatles)
publisher:
ATV Music
Paul McCartney & Wings2.84:45
47Movie Star
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975) und EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) (in 1976)
recording of:
Movie Star
Texter und Komponist(in):
Harpo (Swedish pop singer) (in 1975)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), RAK Publishing Ltd. und Warner/Chappell Music Scandinavia AB
Harpo4.53:22
48Mamy Blue
recording of:
Mamy Blue (English version)
Texter und Komponist(in):
Hubert Giraud
Übersetzer:
Phil Trim
übersetzte Version von:
Mamy Blue (French version)
Pop Tops3:52
49Gypsies, Tramps & Thieves
Techniker(in):
Lenny Roberts (producer/engineer)
Produzent(in):
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
arranger:
Al Capps (American record producer, arranger, songwriter, multi-instrumentalist, and vocalist; Born: Allan Alfonzo Capps)
produced for:
Garrett Music Enterprises (company owned by Tommy Garrett)
recording of:
Gypsys, Tramps & Thieves
Texter und Komponist(in):
Bob Stone (engineer, studio technician, producer, songwriter)
Verfasser(in):
Bob Stone (US lyricist, producer, arranger)
publisher:
Peso Music (publisher) (in 1971)
Cher4.252:35
50Je t’aime… moi non plus
Produzent(in):
Jean-Claude Desmarty
vocals:
Jane Birkin (in 1968-11) und Serge Gainsbourg (in 1968-11)
Orchester:
Arthur Greenslade & His Orchestra (in 1968-11)
conductor:
Arthur Greenslade (in 1968-11)
arranger:
Arthur Greenslade
recording of:
Je t’aime… Moi non plus (in 1968-11)
Texter und Komponist(in):
Serge Gainsbourg
publisher:
Heath Levy Music Co. Ltd. und Shapiro Bernstein & Co. Ltd.
Serge Gainsbourg & Jane Birkin44:20
51I Ain’t Got Time Anymore
Cliff Richard2:33
52I Surrender
The Vernons2:50
53Talk of All the USA
phonographisches Urheberrecht (℗) von:
BMG Ariola Hamburg GmbH (in 1973)
recording of:
Talk of All the USA
Texter:
Lally Stott
Komponist(in):
Giosy Capuano und Mario Capuano
Middle of the Road3:13
54I’d Like to Teach the World to Sing (In Perfect Harmony)
Produzent(in):
David Mackay (Australian producer, arranger, musical director)
vocals:
Eve Graham
arranger:
David Mackay (Australian producer, arranger, musical director)
recording of:
I’d Like to Teach the World to Sing
Verfasser(in):
Bill Backer, Roger Cook (US‐based British singer, songwriter and producer), Roquel Davis und Roger Greenaway
publisher:
PolyGram Music Publishing
Version von:
I’d Like to Buy the World a Coke (original commercial jingle off which “I’d Like to Teach the World to Sing” was based)
The New Seekers3.652:20
55Beautiful Sunday
recording of:
Beautiful Sunday
Verfasser(in):
Daniel Boone (pop singer and songwriter) und Rod McQueen (singer, composer and producer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Daniel Boone2:59
56Seasons in the Sun
cover recording of:
Seasons in the Sun
Texter und Übersetzer:
Rod McKuen
Komponist(in):
Jacques Brel
publisher:
E.B. Marks Music Corp. und Francis, Day & Hunter Ltd. (in 1973)
übersetzte Version von:
Le Moribond
The Fortunes3:44
57Tell Me Why
Les Humphries Singers2:53
58Pushbike Song
phonographisches Urheberrecht (℗) von:
The Image Music Group Pty. Ltd. (in 1996)
recording of:
The Pushbike Song
Verfasser(in):
Idris Lloyd Jones (The Mixtures) und James Evan Jones (The Mixtures)
publisher:
PolyGram Music Publishing und Universal Publishing
The Mixtures2:31
59Poppa Joe
Produzent(in):
Phil Wainman
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Limited (1987–1996) (in 1972)
recording of:
Poppa Joe
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
The Sweet53:07
60Crocodile Rock
Techniker(in):
Ken Scott (UK record producer & engineer)
Produzent(in):
Gus Dudgeon
Bassgitarre:
Dee Murray
E-Gitarre:
Davey Johnstone
Farfisa-Orgel und Klavier und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
Schlagzeug:
Nigel Olsson
phonographisches Urheberrecht (℗) von:
This Record Co. Ltd. (copyright holder) (in 1972, in 1973) und Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2022)
aufgenommen bei:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Frankreich
recording of:
Crocodile Rock
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
PolyGram Music Publishing, Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. (fka Dick James Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Elton John3.453:55
61Sailor’s Lament
recording engineer und Mix:
Russ Gary
Produzent(in):
John Fogerty
Bassgitarre:
Stu Cook
Gitarre:
John Fogerty und Tom Fogerty
Schlagzeug:
Doug Clifford
Sologesang:
John Fogerty
arranger:
John Fogerty
aufgenommen bei und mixed at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten
recording of:
Sailor's Lament
Texter und Komponist(in):
John Fogerty
publisher:
Jondora Music
Creedence Clearwater Revival33:48
62Put Your Money Down
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1970)
Christie2:43
63Ya Ya
Ike & Tina Turner2:48
64You
recording engineer:
Phil McDonald (engineer and producer)
Techniker(in):
Norman Kinney
Produzent(in):
George Harrison (The Beatles)
Bass:
Carl Radle
Gitarre:
George Harrison (The Beatles)
Hybrid-Piano:
Gary Wright (US singer/keyboardist)
Klavier:
Leon Russell
Orgel und Synthesizer [ARP Strings]:
David Foster (Canadian music producer, arranger and composer)
Saxophon:
Jim Horn (saxophonist, hornist, flutist and oboist)
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos) und Jim Keltner
vocals:
George Harrison (The Beatles)
aufgenommen bei:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
You
Verfasser(in):
George Harrison (The Beatles)
publisher:
Umlaut
George Harrison43:40
65It Don’t Come Easy
Produzent(in):
George Harrison (The Beatles)
Bass:
Klaus Voormann (von 1970-03-08 bis 1970-03-11)
Gitarre:
George Harrison (The Beatles) (von 1970-03-08 bis 1970-03-11) und Stephen Stills (von 1970-03-08 bis 1970-03-11)
Klavier:
Gary Wright (US singer/keyboardist) (von 1970-03-08 bis 1970-10)
Maracas / Rumba-Rasseln:
Jim Keltner (in 1971-02)
Saxophon und Trompete:
Paul Cattermole (von 1970-03-08 bis 1970-10)
Schlagzeug:
Ringo Starr (The Beatles) (von 1970-03-08 bis 1970-03-11)
Hintergrundgesang:
Tom Evans (UK guitarist for Badfinger) (in 1970-10) und Pete Ham (in 1970-10)
Sologesang:
Ringo Starr (The Beatles) (in 1970-10)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1970-03-08, am 1970-03-11, in 1971-02) und Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1970-10)
recording of:
It Don’t Come Easy (von 1970-03-08 bis 1971-02)
Texter und Komponist(in):
George Harrison (The Beatles) und Richard Starkey (Ringo Starr, The Beatles)
publisher:
Essex International und Startling Music Inc.
Ringo Starr4.53:04
66Mister Mister
recording of:
Mister Mister
Texter und Komponist(in):
Marc Bolan
T. Rex53:30
67Alright Alright Alright
recording of:
Alright Alright Alright
Texter:
Ray Dorset und Jacques Lanzmann
Komponist(in):
Jacques Dutronc
übersetzte Version von:
Et moi, et moi, et moi...
Mungo Jerry2:48
68Living Doll
cover recording of:
Living Doll
Texter und Komponist(in):
Lionel Bart
publisher:
J. Albert & Son Pty. Ltd.
Mud3:03
69Believe in Me
The J. Geils Band4:46
70Ooby Dooby
Produzent(in):
John Fogerty
E-Gitarre:
Tom Fogerty
arranger:
John Fogerty
cover recording of:
Ooby Dooby (in 1969)
Texter und Komponist(in):
Wade Moore und Dick Penner
publisher:
Hi Lo Music, Peer International Corporation (BMI) und Southern Music Publishing Company Limited
Creedence Clearwater Revival3.42:05
71Listen to the Music
recording of:
Listen to the Music
Texter und Komponist(in):
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner Bros. Music (publisher; do NOT use as release label) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers4.353:26
72I Shot the Sheriff
assistierende(r) Techniker(in):
Steve Klein (Engineer)
Techniker(in):
Karl Richardson
Produzent(in):
Tom Dowd
E-Bass [Bass]:
Carl Radle (von 1974-04-18 bis 1974-05-10)
elektronische Orgel:
Dick Sims (von 1974-04-18 bis 1974-05-10)
Gitarre:
Eric Clapton (von 1974-04-18 bis 1974-05-10) und George Terry (guitar player with Clapton in 70's) (von 1974-04-18 bis 1974-05-10)
Klavier:
Albhy Galuten (von 1974-04-18 bis 1974-05-10)
Schlagzeug:
Jamie Oldaker (von 1974-04-18 bis 1974-05-10)
Hintergrundgesang:
Yvonne Elliman (von 1974-04-18 bis 1974-05-10) und George Terry (guitar player with Clapton in 70's) (von 1974-04-18 bis 1974-05-10)
Sologesang:
Eric Clapton (von 1974-04-18 bis 1974-05-10)
phonographisches Urheberrecht (℗) von:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1974) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1974)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (von 1974-04-18 bis 1974-05-10)
cover recording of:
I Shot the Sheriff (von 1974-04-18 bis 1974-05-10)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Blackwell Fuller Music Publishing LLC, Cayman Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Blue Mountain Music (in 1974), Cayman Music Inc (in 1974), Fifty Six Hope Road Music Limited (in 1974) und Odnil Music Ltd. (in 1974)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Eric Clapton44:21
73Bangla Desh
remixer:
Paul Hicks
phonographisches Urheberrecht (℗) von:
G.H. Estate Limited (in 2014)
aufgenommen bei:
Apple Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Bangla Desh
Texter und Komponist(in):
George Harrison (The Beatles)
publisher:
Harrisongs Ltd. und Harrisongs Music, Inc. (publisher)
George Harrison3:57
74Give Ireland Back to the Irish
recording engineer:
Tony Clark (engineer, Abbey Road) (am 1972-02-01)
assistierende(r) Techniker(in):
Mark Vigars (engineer) (am 1972-02-01)
Produzent(in):
Linda McCartney (am 1972-02-01) und Paul McCartney (The Beatles) (am 1972-02-01)
Mix:
Glyn Johns (von 1972-02-03 bis 1972-02-04)
Bassgitarre und E-Gitarre und Sologesang:
Paul McCartney (The Beatles) (am 1972-02-01)
E-Gitarre:
Denny Laine (am 1972-02-01) und Henry McCullough (Northern Irish guitarist, vocalist and songwriter) (am 1972-02-01)
Keyboard:
Linda McCartney (am 1972-02-01)
Schlagzeug:
Denny Seiwell (US drummer) (am 1972-02-01)
Hintergrundgesang:
Denny Laine (am 1972-02-01) und Linda McCartney (am 1972-02-01)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1972-02-01)
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (am 1972-02-03) und Apple Studios in London (Greater London), England, Vereinigtes Königreich (am 1972-02-04)
recording of:
Give Ireland Back to the Irish (am 1972-02-01)
geschrieben in:
New York, New York, Vereinigte Staaten (am 1972-01-30)
Verfasser(in):
Linda McCartney (am 1972-01-30) und Paul McCartney (The Beatles) (am 1972-01-30)
publisher:
Northern Songs Ltd.
Paul McCartney & Wings23:44
75Power to the People
Produzent(in):
John Lennon (The Beatles), Yoko Ono (Japanese‐American musician and artist) und Phil Spector
Mix:
Peter Cobbin (recording engineer at Abbey Road Studios)
Bassgitarre:
Klaus Voormann
E-Gitarre:
John Lennon (The Beatles)
Keyboard:
Billy Preston
Klavier:
John Lennon (The Beatles) und Billy Preston
Saxophon:
Bobby Keys (American saxophonist)
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos)
Hintergrundgesang:
Rosetta Hightower
vocals:
John Lennon (The Beatles)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2000)
aufgenommen bei:
Ascot Sound Studios (Tittenhurst Park) in Ascot, Windsor and Maidenhead, England, Vereinigtes Königreich (am 1971-01-22)
Musikvideos:
Power to the People von John Lennon (The Beatles)
recording of:
Power to the People
Texter und Komponist(in):
John Lennon (The Beatles)
publisher:
Lenono Music und Chappell Music (UK) (in 1971)
John Lennon33:18
76Superstar
recorded in:
England, Vereinigtes Königreich
recording engineer:
Jeremy Gee, Anton Matthews, Alan O’Duffy und Stephen Vaughan (engineer)
Techniker(in):
Tony Bridge (mastering engineer) und Martin Rushent
Produzent(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre) und Tim Rice
Chorgesang:
The Trinidad Singers
Sologesang:
Murray Head
conductor:
Alan Doggett
chorus master:
Horace James
phonographisches Urheberrecht (℗) von:
Decca Label Group (not for release label use! defunct North American label group) (in 1970) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1970)
recording of:
Superstar (in 1970)
Texter:
Tim Rice
Komponist(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Leeds Music Ltd., MCA Music Ltd., Universal/MCA Music (music publisher; do not use as release label!) und Universal/MCA Music Ltd. (not for release label use!)
Teil von:
Jesus Christ Superstar (Andrew Lloyd Webber musical)
Murray Head44:15
77Susie (Dramas)
recorded in:
Europa
Techniker(in):
Ken Scott (UK record producer & engineer)
Produzent(in):
Gus Dudgeon
Bassgitarre:
Dee Murray
Klavier und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
Schlagzeug und Tamburin:
Nigel Olsson
aufgenommen bei:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Frankreich
recording of:
Susie (Dramas)
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
Elton John2.653:25
78Cindy Incidentally
assistierende(r) Techniker(in):
Phil Chapman (engineer)
Techniker(in) und Produzent(in):
Glyn Johns
Bassgitarre:
Ronnie Lane
Gitarre:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
Klavier:
Ian McLagan
Schlagzeug:
Kenney Jones (drummer for Small Faces, Faces, and The Who)
Sologesang:
Rod Stewart
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
recording of:
Cindy Incidentally
publisher:
Rod Stewart BMI - United States of America
Verfasser(in):
Ian McLagan, Rod Stewart und Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und WB Music Corp. (1929–2019)
Faces42:37
79Let Me In
recording of:
Let Me In
Verfasser(in):
Alan Osmond, Merrill Osmond und Wayne Osmond
The Osmonds3:39
80Let It Be
Techniker(in):
Glyn Johns und Phil McDonald (engineer and producer)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) und Phil Spector
E-Bass und Maracas / Rumba-Rasseln:
Paul McCartney (The Beatles) (am 1970-01-04)
E-Gitarre:
George Harrison (The Beatles) (am 1970-01-04)
Gast-Hammond-Orgel und Rhodes Piano:
Billy Preston (am 1969-01-31)
Klavier:
Paul McCartney (The Beatles) (am 1969-01-31, am 1970-01-04)
Schlagzeug:
Ringo Starr (The Beatles) (am 1969-01-31, am 1970-01-04)
Hintergrundgesang:
George Harrison (The Beatles) (am 1969-01-31, am 1970-01-04), John Lennon (The Beatles) (am 1969-01-31), Linda McCartney (am 1970-01-04) und Paul McCartney (The Beatles) (am 1970-01-04)
Sologesang:
Paul McCartney (The Beatles) (am 1969-01-31)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1970)
aufgenommen bei:
Apple Studios in London (Greater London), England, Vereinigtes Königreich (am 1969-01-31) und Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1970-01-04)
Musikvideos:
Let It Be von The Beatles (UK rock band, “The Fab Four”)
Teil von:
SWR1 Hitparade 2006 (Baden-Württemberg) (Nummer: 2), SWR1 Hitparade 2003 (Baden-Württemberg) (Nummer: 5), Billboard Year-End Hot 100 singles of 1970 (Nummer: 9), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (Nummer: 10), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 20), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 64) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 121)
recording of:
Let It Be (von 1969-01-31 bis 1970-01-04)
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
EMI Music Publishing (do not use as a release label!), Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing (Germany) GmbH (1998–2002), Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tunes LLC (ASCAP)
The Beatles4.054:03
81Just Like Yesterday
Klavier und Sologesang:
James Griffin (soft rock singer/songwriter/guitarist)
recording of:
Just Like Yesterday
Komponist(in):
James Griffin (soft rock singer/songwriter/guitarist)
Bread2:12
82Carry Me Home
Strawbs3:25
83Tears in the Morning
Techniker(in) und Mix:
Stephen W. Desper
Produzent(in):
The Beach Boys (American rock band)
arranger:
Michel Colombier (French score composer)
recording of:
Tears in the Morning
Texter und Komponist(in):
Bruce Johnston (US singer‐songwriter, member of The Beach Boys)
The Beach Boys2.54:06
84Ordinary Pain
Produzent(in):
Stevie Wonder
alto saxophone:
Hank Redd
Bass-Synthesizer, Keyboard, Rhodes Piano, Schlagzeug und Sologesang:
Stevie Wonder
Gitarre:
Michael Sembello
Gast Hintergrundgesang:
Minnie Riperton und Deniece Williams (US soul/funk vocalist/songwriter)
Hintergrundgesang:
Terry Hendricks, Madelaine "Gypsie" Jones, Linda Lawrence (vocalist), Charity McCrary, Linda McCrary, Minnie Riperton, Syreeta (US singer‐songwriter active 1970s–80s), Sundray Tucker, Mary Lee Whitney und Deniece Williams (US soul/funk vocalist/songwriter)
vocals:
Shirley Brewer
Interpret(in):
Stevie Wonder
arranger:
Stevie Wonder
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1976)
recording of:
Ordinary Pain
Texter und Komponist(in):
Stevie Wonder
Stevie Wonder26:23
85Before the Beginning
The Osmonds4:05
86Love Theme From “The Godfather” (Speak Softly Love)
Produzent(in):
Dick Glasser
recording of:
Speak Softly Love (The Godfather, Love Theme) (am 1972-02-17)
Texter:
Larry Kusik (Lyricist)
Komponist(in):
Nino Rota (Italian composer)
publisher:
Famous Chappell Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) und Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13)
Version von:
Love Theme from The Godfather
Andy Williams13:02
87The Man I Love
Koproduzent(in):
Barbra Streisand
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
Synthesizer:
Ian Underwood
vocals:
Barbra Streisand
conductor:
Eddie Karam
arranger:
Johnny Mandel (American composer and arranger)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1993)
recording of:
The Man I Love
Texter:
Ira Gershwin (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Lady, Be Good (full musical)
Teil von:
New York, New York (1977 musical film soundtrack)
Barbra Streisand3:40
88Something
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1970-10-28)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1970-10-28)
arranger:
Lennie Hayton
cover recording of:
Something (am 1970-10-28)
Texter und Komponist(in):
George Harrison (The Beatles)
publisher:
EMI Music Publishing (do not use as a release label!), Harrisongs Ltd. und Nichion Synch Division (NICHION, INC. Synch Division)
Frank Sinatra3:32
89Cabaret (live)
live recording of:
Cabaret (title song from the Kander & Ebb musical)
Texter:
Fred Ebb (lyricist)
Komponist(in):
John Kander (composer)
publisher:
Carlin Music Corp.
Teil von:
Cabaret (musical)
Liza Minnelli3:29
90Sir Duke
Programmierung:
Charles Brewer, John Fischbach und Stevie Wonder
Produzent(in):
Stevie Wonder
alto saxophone:
Hank Redd
Bassgitarre:
Nathan Watts
Gitarre:
Ben Bridges und Michael Sembello
Perkussion, Rhodes Piano und Sologesang:
Stevie Wonder
Schlagzeug:
Raymond Pounds
Tenorsaxophon:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
Trompete:
Steve Madaio und Raymond Maldonado
arranger:
Stevie Wonder
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1976) und Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2022)
recording of:
Sir Duke
Texter und Komponist(in):
Stevie Wonder
publisher:
Black Bull Music und Jobete Music Co., Inc.
Stevie Wonder4.43:54
91Sunny
Produzent(in):
Frank Farian
Hintergrundgesang und Sologesang:
Marcia Barrett, Frank Farian und Liz Mitchell
cover recording of:
Sunny
Texter und Komponist(in):
Bobby Hebb
publisher:
MRC Music Corp., Portable Music Co., Inc., Unichappell Music und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
recording of:
Sunny
Texter und Komponist(in):
Bobby Hebb
publisher:
MRC Music Corp., Portable Music Co., Inc., Unichappell Music und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Boney M.44:03
92I’ve Got You Under My Skin
recording of:
I’ve Got You Under My Skin
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
Gloria Gaynor7:49
93Killing Me Softly
Precious Wilson3:51
94Love Hurts
cover recording of:
Love Hurts
Texter und Komponist(in):
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. und Acuff-Rose Publications, Inc. (BMI) (am 1960-08-30)
sub-publisher:
Acuff-Rose Music Limited (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Jim Capaldi3:25
95Is This Love
assistierende(r) Techniker(in):
Terry Barham
Techniker(in):
Karl Pitterson und Alex Sadkin
leitende(r) Produzent(in):
Chris Blackwell (Island Records)
Produzent(in):
Bob Marley & The Wailers
Mix:
Robert Ash (sound engineer) und Chris Blackwell (Island Records)
Akustikgitarre [1972 Guild F-112 12-string], E-Gitarre [1973 Gibson Les Paul Special] und Sologesang:
Bob Marley (Jamaican reggae artist)
Bassgitarre [1972 Fender Jazz Bass]:
Aston “Family Man” Barrett
E-Gitarre [1970s Fender Stratocaster Natural]:
Junior Marvin
Hammond-Orgel [B-3], Klavier [Hamburg Steinway Piano] und mellotron [1970s ARP PE-IV Solina String-Ensemble]:
Tyrone Downie
Perkussion:
Alvin “Seeco” Patterson
Posaune:
Vin Gordon
Schlagzeug [1967 Ludwig Hollywood Maple]:
Carlton “Carly” Barrett
Tenorsaxophon:
Glen DaCosta
Trompete:
David Madden (Jamaican trumpeter)
Hintergrundgesang:
Marcia Griffiths (reggae singer from Jamaica), Rita Marley und Judy Mowatt
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1978) und Island Records, Inc. (US, Island holding) (in 1978)
aufgenommen bei und mixed at:
Island Studios (aka the Fallout Shelter, located in Hammersmith, London) in Hammersmith, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
recording of:
Is This Love
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Blue Mountain Music (in 1977, in 1978), Fifty Six Hope Road Music Limited (in 1977, in 1978), Odnil Music Ltd. (in 1977, in 1978) und PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (in 1978)
Bob Marley & The Wailers43:51
96Ooh! What a Life
recording of:
Ooh! What a Life
Verfasser(in):
Alex Francfort (Alex Gibson of the Gibson Brothers) und Daniel Vangarde
Gibson Brothers3:38
97Fever
Produzent(in):
Frank Farian
Sologesang:
Marcia Barrett, Frank Farian und Liz Mitchell
recording of:
Fever
Komponist(in):
Eddie Cooley und John Davenport (songwriter Otis Blackwell)
Boney M.4:00
98The House of the Rising SunSanta Esmeralda10:51
99As
Produzent(in):
Stevie Wonder
Bassgitarre:
Nathan Watts
Gitarre:
Dean Parks (American session guitarist)
Händeklatschen:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer), David Henson, Yolanda Simmons, Josette Valentino, Nathan Watts und Stevie Wonder
Keyboard:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
Rhodes Piano und Sologesang:
Stevie Wonder
Schlagzeug:
Greg Brown (drummer)
Hintergrundgesang:
Mary Lee Whitney und Stevie Wonder
arranger:
Stevie Wonder
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1976)
recording of:
As
Texter und Komponist(in):
Stevie Wonder
publisher:
Black Bull Music, Jobete Music Co., Inc. und 大洋音楽 (Taiyō Music)
Stevie Wonder4.057:08
100Europe (Eatrh’s Cry, Heaven’s Smile)
assistierende(r) Techniker(in):
Susan Foot (recording engineer)
Techniker(in):
Fred Catero und David Rubinson
Produzent(in):
David Rubinson und David Rubinson & Friends, Inc.
Bassgitarre:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (am 1975-12-16)
Conga:
Armando Peraza (percussionist) (am 1975-12-16)
Gitarre:
Carlos Santana (am 1975-12-16)
Keyboard:
Tom Coster (am 1975-12-16)
Klavier:
Leon Patillo (am 1975-12-16)
Perkussion:
Jose Chepito Áreas (am 1975-12-16) und Armando Peraza (percussionist) (am 1975-12-16)
Saxophon:
Jules Broussard (am 1975-12-16)
Schlagzeug:
Leon Ndugu Chancler (am 1975-12-16) und Michael Shrieve (drummer) (am 1975-12-16)
vocals:
Leon Patillo (am 1975-12-16) und Carlos Santana (am 1975-12-16)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
aufgenommen bei:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1975-12-16)
recording of:
Europa (Earth’s Cry, Heaven’s Smile) (am 1975-12-16)
Komponist(in):
Tom Coster und Carlos Santana
publisher:
Light Music (US publishing label), Rondor Music (London) Ltd. und Wixen Music Publishing, Inc.
Santana4.24:58

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Teil von:100 Hits (Russian series of mp3 CDs) (Reihenfolge: 25)