Late Night Jazz - Verve 50

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1Digitales Medium
Nr.TitelKünstlerBewertungLänge
1'round Midnight
Klavier:
Red Garland (am 1956-10-26)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1956-10-26)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1956-10-26)
Tenorsaxophon:
John Coltrane (am 1956-10-26)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1956-10-26)
instrumental cover recording of:
’Round Midnight (am 1956-10-26)
Texter:
Bernie Hanighen
Komponist(in):
Thelonious Monk und Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
basiert auf:
I Need You So
Miles Davis feat. John Coltrane, Red Garland, Paul Chambers & Philly Joe Jones45:22
2In The Still Of The Night
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Herb Geller (am 1956-02-09) und Bud Shank (am 1956-02-09)
baritone saxophone:
Chuck Gentry (am 1956-02-09)
Bassposaune:
George Roberts (american bass trombone) (am 1956-02-09)
Gitarre:
Barney Kessel (am 1956-02-09)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-09)
Kontrabass:
Joe Mondragon (am 1956-02-09)
Posaune:
Milt Bernhart (am 1956-02-09), Joe Howard (american trombone player) (am 1956-02-09) und Lloyd Ulyate (American trombonist (1927-2004)) (am 1956-02-09)
Schlagzeug:
Alvin Stoller (am 1956-02-09)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-02-09) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-02-09)
Trompete:
Pete Candoli (am 1956-02-09), Harry “Sweets” Edison (am 1956-02-09), Maynard Ferguson (am 1956-02-09) und Conrad Gozzo (am 1956-02-09)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-09)
conductor:
Buddy Bregman (am 1956-02-09)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-09)
cover recording of:
In the Still of the Night (Cole Porter song) (am 1956-02-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1937)
publisher:
Chappell (library/production music) und Chappell & Co., Inc. (USA)
Ella Fitzgerald32:38
3Let's Do It (Let's Fall In Love)
Techniker(in):
Val Valentin (am 1957-10-14)
Produzent(in):
Norman Granz (in 1957)
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-10-14)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-10-14)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-10-14)
Schlagzeug:
Louie Bellson (am 1957-10-14)
Trompete:
Louis Armstrong (am 1957-10-14)
vocals:
Louis Armstrong (am 1957-10-14)
recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical) (am 1957-10-14)
Texter und Komponist(in):
Cole Porter (composer) (in 1928)
Teil von:
Can‐Can (1960 musical film)
Teil von:
Paris (1928 musical)
Ella Fitzgerald feat. Louis Armstrong8:42
4(Sittin' On) The Dock Of The Bay (Take 2)
Produzent(in):
Jerry Bruckheimer, Steve Cropper und Don Simpson (American film producer, screenwriter, and actor)
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (von 1967-11-22 bis 1967-12-07)
Gitarre:
Steve Cropper (von 1967-11-22 bis 1967-12-07)
Keyboard:
Isaac Hayes (von 1967-11-22 bis 1967-12-07) und Booker T. Jones (von 1967-11-22 bis 1967-12-07)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (von 1967-11-22 bis 1967-12-07)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (von 1967-11-22 bis 1967-12-07)
vocals:
Otis Redding (von 1967-11-22 bis 1967-12-07)
whistling:
Otis Redding (von 1967-11-22 bis 1967-12-07)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 44) und Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 45)
recording of:
(Sittin’ on) the Dock of the Bay (von 1967-11-22 bis 1967-12-07)
Verfasser(in):
Steve Cropper und Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
recording of:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
Komponist(in):
Steve Cropper und Otis Redding
arranger:
Oliver Lake
Arrangement von:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:43
5In The Wee Small Hours Of The Morning
George Shearing5:56
6Everything Happens To Me
Charlie Parker3:15
7Your Heart Is As Black As Night
Bass:
Ken Pendergast (bass player, vocalist)
Hammond-Orgel:
Larry Goldings
Schlagzeug:
Vinnie Colaiuta (drummer)
Tenorsaxophon:
Bryan Rogers (Musician - Saxophonist)
Trompete:
Patrick Hughes (Musician - Trumpet Player - Vocalist)
vocals:
Melody Gardot
recording of:
Your Heart Is as Black as Night
Texter und Komponist(in):
Melody Gardot
Melody Gardot52:43
8A Case Of You
cover recording of:
A Case of You
Texter und Komponist(in):
Joni Mitchell
publisher:
Crazy Crow Music, Joni Mitchell Publishing Corp. und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Herbie Hancock7:36
9Please Be Kind (First Take)
aufgenommen bei:
Studio Hoche (Barclay) in Paris, Île-de-France, Frankreich (von 1958-07-07 bis 1958-07-12)
cover recording of:
Please Be Kind
Texter:
Sammy Cahn (in 1938)
Komponist(in):
Saul Chaplin (in 1938)
publisher:
Harms, Inc.
Sarah Vaughan3:14
10Just In Time
Oscar Peterson1:51
11Ruby, My Dear
Thelonious Monk5:24
12A Day In The Life
Wes Montgomery5:46
13Desafinado (Stereo Version)
recording engineer:
Phil Ramone
Produzent(in):
Creed Taylor
Bassgitarre:
Tommy Williams (jazz bassist) (von 1963-03-18 bis 1963-03-19)
Gast-Klavier und Klavier:
Antônio Carlos Jobim (von 1963-03-18 bis 1963-03-19)
Gitarre:
João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (von 1963-03-18 bis 1963-03-19)
Schlagzeug:
Milton Banana (von 1963-03-18 bis 1963-03-19)
Tenorsaxophon:
Stan Getz (von 1963-03-18 bis 1963-03-19)
vocals:
João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (von 1963-03-18 bis 1963-03-19)
aufgenommen bei:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten (von 1963-03-18 bis 1963-03-19)
recording of:
Desafinado
Texter:
Newton Mendonça
Komponist(in):
Antônio Carlos Jobim
publisher:
Bendig Music Corp., Corcovado Music Corp., Fermata do Brasil und 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
Stan Getz feat. João Gilberto & Antonio Carlos Jobim4:15
14Speak Low
McCoy Tyner Trio6:15
15I've Grown Accustomed To His Face
assistierende(r) Techniker(in):
Angela Gomez (engineer)
Techniker(in):
Joe Ferla
Produzent(in):
Stefan F. Winter (producer)
Klavier:
Mulgrew Miller (in 1988-02)
Kontrabass:
Lonnie Plaxico (in 1988-02)
Schlagzeug:
Terri Lyne Carrington (in 1988-02)
vocals:
Cassandra Wilson (in 1988-02)
phonographisches Urheberrecht (℗) von:
Polydor K.K. (DO NOT USE AS A RELEASE LABEL!)
aufgenommen bei:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten (in 1988-02)
recording of:
I’ve Grown Accustomed to Her Face (My Fair Lady) (in 1988-02)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe (in 1956)
publisher:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
My Fair Lady (full musical)
Cassandra Wilson5:14
16Moon River
recording engineer:
Hank McGill (in 1962-02)
Klavier:
Vince Guaraldi (pianist)
Kontrabass:
Monty Budwig
Schlagzeug:
Colin Bailey (drummer)
aufgenommen bei:
Station KQED (in 1962-02)
instrumental cover recording of:
Moon River (in 1962-02)
Texter:
Johnny Mercer
Komponist(in):
Henry Mancini (US composer, conductor & arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The 34th Academy Award for Best Original Song (Nummer: 1), Grammy Award: Song of the Year nominees (Nummer: 1962 winner) und Academy Award for Best Original Song (Nummer: 1961 winner)
Vince Guaraldi5:18
17Keep Me In Your Heart
Stan Getz3:59
18If The Stars Were Mine
Perkussion:
Paulinho da Costa (Brazilian percussionist)
vocals:
Melody Gardot
recording of:
If the Stars Were Mine
Texter und Komponist(in):
Melody Gardot
Melody Gardot32:49
19Happiness Is
Klavier:
Vince Guaraldi (pianist) (am 1964-10-26)
Kontrabass [bass]:
Monty Budwig (am 1964-10-26)
Schlagzeug:
Colin Bailey (drummer) (am 1964-10-26)
aufgenommen bei:
Whitney Recording Studios in Glendale, California (Kalifornien), Vereinigte Staaten (am 1964-10-26)
recording of:
Happiness Is (am 1964-10-26)
Komponist(in):
Vince Guaraldi (pianist)
publisher:
Lee Mendelson Film Productions, Inc. (publishing – affiliated to BMI)
Vince Guaraldi3:41
20Along Came Betty
Art Blakey6:07
21Bluesette
Jimmy Smith3:41
22Days Of Wine And Roses
Roland Kirk feat. Quincy Jones And His Orchestra2:43
23Wave
Techniker(in):
Rudy van Gelder
Produzent(in):
Creed Taylor
Gitarre und Klavier:
Antônio Carlos Jobim (von 1967-05-22 bis 1967-06-15)
Kontrabass [bass]:
Ron Carter (US jazz double-bassist) (von 1967-05-22 bis 1967-06-15)
Schlagzeug:
Claudio Slon (von 1967-05-22 bis 1967-06-15)
conductor:
Claus Ogerman
arranger:
Claus Ogerman
aufgenommen bei:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Vereinigte Staaten (von 1967-05-22 bis 1967-06-15)
recording of:
Wave (original instrumental) (von 1967-05-22 bis 1967-06-15)
Komponist(in):
Antônio Carlos Jobim
publisher:
Corcovado Music Corp.
Antonio Carlos Jobim2:53
24Django
recorded in:
San Francisco, California (Kalifornien), Vereinigte Staaten (in 1956-04)
E-Gitarre:
Eddie Duran
klassiche Gitarre:
Eddie Duran (in 1956-04)
Klavier:
Vince Guaraldi (pianist) (in 1956-04)
Kontrabass:
Dean Reilly (bass player) (in 1956-04)
instrumental cover recording of:
Django (in 1956-04)
Komponist(in):
John Lewis (pianist, member of Modern Jazz Quartet) (in 1954)
publisher:
MJQ Music, Inc.
Vince Guaraldi4:55
25I Think It's Going To Rain Today
cover recording of:
I Think It’s Going to Rain Today
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), January Music Corp., Warner/Chappell North America und Unichappell Music, Inc. (in 1966)
übersetzte Version von:
Ik denk dat niemand mij morgen mist
Curtis Stigers4:27
26Invitation
Art Blakey7:28
27Know What I Mean?
recorded in:
New York, New York, Vereinigte Staaten (am 1961-03-13)
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics)
Produzent(in):
Orrin Keepnews
alto saxophone:
Cannonball Adderley (am 1961-03-13)
Bass und Kontrabass:
Percy Heath (am 1961-03-13)
Klavier:
Bill Evans (pianist) (am 1961-03-13)
Schlagzeug:
Connie Kay (am 1961-03-13)
phonographisches Urheberrecht (℗) von:
Fantasy, Inc. (not for release label use!) (in 2006), Dobre Records (in 2009), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2011, in 2012), Entertain Me Ltd. (in 2012), Vantage Music (in 2012) und Count Records (in 2013)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1961-03-13)
recording of:
Know What I Mean? (am 1961-03-13)
Komponist(in):
Bill Evans (pianist)
publisher:
Orpheum Music
Cannonball Adderley feat. Bill Evans4:57
28Live For Love (First Take)
aufgenommen bei:
Studio Hoche (Barclay) in Paris, Île-de-France, Frankreich (von 1958-07-07 bis 1958-07-12)
recording of:
Live for Love
Texter:
Paul Misraki
Komponist(in):
Paul Misraki und Carl Sigman
Sarah Vaughan3:23
29Miss Otis Regrets
recording engineer und Mix:
George Massenburg
Produzent(in):
John Boylan und George Massenburg
Bass:
Christian McBride (American jazz bassist)
Cello:
Roberta Cooper
Geige / Violine:
Eugene Drucker
Klavier:
Alan Broadbent
arranger:
Alan Broadbent
cover recording of:
Miss Otis Regrets
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1934)
Linda Ronstadt3:10
30Nancy (With The Laughing Face)
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics)
Produzent(in):
Orrin Keepnews
alto saxophone:
Cannonball Adderley (am 1961-01-27)
Bass und Kontrabass:
Percy Heath (am 1961-01-27)
Klavier:
Bill Evans (pianist) (am 1961-01-27)
Schlagzeug:
Connie Kay (am 1961-01-27)
phonographisches Urheberrecht (℗) von:
Fantasy, Inc. (not for release label use!) (in 2006), Dobre Records (in 2009), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2011), Entertain Me Ltd. (in 2012), Vantage Music (in 2012) und Count Records (in 2013)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1961-01-27)
instrumental recording of:
Nancy (With the Laughing Face) (am 1961-01-27)
Texter:
Phil Silvers (actor)
Komponist(in):
Jimmy Van Heusen
publisher:
Barton Music Corp., Chappell/Morris Ltd. und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Cannonball Adderley feat. Bill Evans4:05
31O Morro
Antonio Carlos Jobim3:36
32I Wish I Knew
Wes Montgomery5:27
33Pierre Et Béatrice (Bof "Des Femmes Disparaissent")
Produzent(in):
Marcel Romano (in 1958-12)
Klavier:
Bobby Timmons (in 1958-12)
Kontrabass:
Jymie Merritt (in 1958-12)
Schlagzeug:
Art Blakey (in 1958-12)
Tenorsaxophon:
Benny Golson (American jazz saxophonist and composer) (in 1958-12)
Trompete:
Lee Morgan (jazz trumpeter / composer) (in 1958-12)
Art Blakey1:03
34I'm Getting Sentimental Over You
Oscar Peterson feat. Joe Pass & Ray Brown7:20
35River
zusätzlich recording engineer:
Steve Chrisanthou
Techniker(in) und Mix:
Helik Hadar
Produzent(in):
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) und Larry Klein
Bassgitarre:
Dave Holland (British jazz bassist and composer) (von 2006 bis 2007)
Gitarre:
Lionel Loueke (von 2006 bis 2007)
Klavier:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (von 2006 bis 2007)
Saxophon:
Wayne Shorter (US jazz saxophonist and composer) (von 2006 bis 2007)
Schlagzeug:
Vinnie Colaiuta (drummer) (von 2006 bis 2007)
Gast Sologesang:
Corinne Bailey Rae (von 2006 bis 2007)
arranger:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) und Larry Klein
cover recording of:
River (von 2006 bis 2007)
Texter und Komponist(in):
Joni Mitchell
publisher:
Joni Mitchell Publishing Corp. und Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
quotes music from:
Jingle Bells
Herbie Hancock feat. Corinne Bailey Rae5:25
36A House Is Not A Home
cover recording of:
A House Is Not a Home
Texter:
Hal David (in 1964)
Komponist(in):
Burt Bacharach (in 1964)
publisher:
Diplomat Music (beendet), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (beendet), Famous Chappell, Famous Music (UK) Ltd. und Sony/ATV Harmony
Mavis Staples4:28
37It Might Be You
Dave Grusin5:12
38Stella By Starlight
recording engineer:
Dennis Sands (American sound engineer) (am 1973-08-28)
Produzent(in):
Norman Granz (am 1973-08-28)
Gitarre:
Joe Pass (jazz guitarist) (am 1973-08-28)
aufgenommen bei:
MGM Recording Studios (Los Angeles) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1973-08-28)
instrumental cover recording of:
Stella by Starlight (am 1973-08-28)
Texter:
Ned Washington (in 1946)
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Joe Pass5:09
39These Foolish Things (Remind Me Of You)
Etta James3:59
40Unforgettable
Dinah Washington2:41
41Walk On By
assistierende(r) Techniker(in):
Rick Fernandez und Dan Johnson (US metal recording engineer & producer)
Produzent(in):
Diana Krall und Tommy LiPuma
Mix:
Al Schmitt
Bass:
John Clayton (US jazz and classical double bassist) (in 2009)
Bratsche / Viola:
David F. Walther (viola player) (in 2009), Thomas Dienner (in 2009), Evan Wilson (viola player) (in 2009), Marlow Fisher (in 2009), Matt Funes (in 2009), Janet Lakatos (in 2009), Dan Neufeld (in 2009) und Marda Todd (in 2009)
Cello:
Antony Cooke (in 2009), Larry Corbett (in 2009), James Freebarin-Smith (in 2009), Trevor Handy (in 2009), Timothy Landauer (in 2009), Steve Richards (cellist) (in 2009), Dan Tobin Smith (cello) (in 2009), Rudy Stein (in 2009) und Cécilia Tsan (cellist) (in 2009)
Geige / Violine:
Eun Mee Ahn (in 2009), Charlie Bisharat (US violinist) (in 2009), Caroline Campbell (US violinist) (in 2009), Darius Campo (in 2009), Yue Deng (in 2009), Bruce Dukov (in 2009), David Ewart (in 2009), Alan Grunfeld (in 2009), Josephina Vergara (Chilean-American violinist) (in 2009), Peter Kent (violinist) (in 2009), Razdan Kuyumjian (in 2009), Mario de Leon (in 2009), Liane Mautner (in 2009), Helen Nightengale (in 2009), Sid Page (in 2009), Joel Pargman (in 2009), Katia Popov (in 2009), Barbra Porter (violinist, photographer) (in 2009), Gil Romero (in 2009), Tereza Stanislav (violinist) (in 2009), Mari Tsumura (aka Mari Tsumura‐Botnick) (in 2009) und Amy Wickman (in 2009)
Gitarre:
Anthony Wilson (guitarist and composer) (in 2009)
Klavier:
Diana Krall (in 2009)
Perkussion:
Paulinho da Costa (Brazilian percussionist) (in 2009)
Schlagzeug:
Jeff Hamilton (jazz drummer) (in 2009)
vocals:
Diana Krall (in 2009)
conductor:
Claus Ogerman (in 2009)
arranger:
Claus Ogerman
concertmaster:
Bruce Dukov (in 2009)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 2009)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Walk On By (in 2009)
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Carlin Music Corporation, Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), JAC Music Co., Inc., New Hidden Valley Music Co., Rondor Music (Australia) Pty Ltd, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music, Inc., Windswept Music (London) Ltd., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Diana Krall45:02
42Did I Ever Really Live
Mark Murphy4:40
43Never Never Land
recorded in:
San Francisco, California (Kalifornien), Vereinigte Staaten (in 1956-04)
Klavier:
Vince Guaraldi (pianist) (in 1956-04)
instrumental cover recording of:
Never Never Land (Peter Pan, 1954 musical) (in 1956-04)
Texter:
Betty Comden und Adolph Green
Komponist(in):
Jule Styne
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Quaytor Productions LLC und WC Music Corp.
Teil von:
Peter Pan (1954 musical)
Vince Guaraldi4:13
44When A Man Loves A Woman
Wes Montgomery2:52
45You And The Night And The Music
Chet Baker4:05
46You're Everything
Techniker(in):
Hugh Jones (UK producer) und Richard Manwaring (Producer)
Produzent(in):
Chick Corea (jazz pianist)
Bass:
Stanley Clarke (in 1972-10)
flute:
Joe Farrell (in 1972-10)
Hybrid-Piano:
Chick Corea (jazz pianist) (in 1972-10)
Schlagzeug:
Airto Moreira (percussionist) (in 1972-10)
vocals:
Flora Purim (in 1972-10)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1973)
aufgenommen bei:
IBC Studios in London (Greater London), England, Vereinigtes Königreich (in 1972-10)
recording of:
You’re Everything (in 1972-10)
Texter:
Neville Potter
Komponist(in):
Chick Corea (jazz pianist)
publisher:
Litha Music Co. (in 1972)
Chick Corea feat. Return To Forever45:11
47Ain't No Sunshine (Live In Paris)
live cover recording of:
Ain’t No Sunshine
Texter und Komponist(in):
Bill Withers
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) und EMI Songs Ltd.
Melody Gardot5:40
48Summertime
recorded in:
New York, New York, Vereinigte Staaten (am 1949-11-30)
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (am 1949-11-30)
Bratsche / Viola:
Frank Brieff (am 1949-11-30)
Cello:
Frank Miller (US cellist) (am 1949-11-30)
Englischhorn und Oboe:
Mitch Miller (am 1949-11-30)
Geige / Violine:
Bronislaw Gimpel (violinist) (am 1949-11-30), Max Hollander (am 1949-11-30) und Milton Lomask (am 1949-11-30)
Harfe:
Meyer Rosen (Musician - Harp Player) (am 1949-11-30) und Myor Rosen (am 1949-11-30)
Klavier:
Stan Freeman (am 1949-11-30)
Kontrabass:
Ray Brown (jazz bassist) (am 1949-11-30)
Schlagzeug:
Buddy Rich (am 1949-11-30)
Orchester:
Jimmy Carroll & His Orchestra (Orchester Jimmy Carroll) (am 1949-11-30) und Charlie Parker Quartet (am 1949-11-30)
conductor:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor) (am 1949-11-30)
arranger:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor)
instrumental cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (am 1949-11-30)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
instrumental recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Charlie Parker52:46
49Someday My Prince Will Come
Bill Evans5:33
50The Midnight Sun Will Never Set (First Take)
aufgenommen bei:
Studio Hoche (Barclay) in Paris, Île-de-France, Frankreich (von 1958-07-07 bis 1958-07-12)
recording of:
The Midnight Sun Will Never Set (Sarah Vaughan)
Texter:
Dorcas Cochran
Komponist(in):
Quincy Jones und Henri Salvador
Sarah Vaughan2:47