Mass In B Minor · Masses BWV 233 - 236

~ Release by J.S. Bach; Collegium Vocale, Ghent, Orchestra Of The Age Of Enlightenment, Philippe Herreweghe (see all versions of this release, 1 available)

Tracklist

1▶CD: Mass In B Minor, BWV 232
2▶CD
3▼CD: Mass In F Major, BWV 233
#TitleArtistRatingLength
1Mass In F Major, BWV 233, Kyrie (Chorus)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Collegium Vocale Gent
orchestra:
Collegium Vocale Gent (in 1990-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-04)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1990-04)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1991)
recorded at:
Abbaye aux Dames in Saintes, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (in 1990-04)
recording of:
Messe F-Dur, BWV 233: I. Coro "Kyrie eleison" (in 1990-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kyrie eleison F-Dur, BWV 233a "Christe, du Lamm Gottes"
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach5:16
2Mass In F Major, BWV 233, Gloria: Gloria In Excelsis Deo (Chorus)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Collegium Vocale Gent (in 1990-04)
orchestra:
Collegium Vocale Gent (in 1990-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-04)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1990-04)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1991)
recorded at:
Abbaye aux Dames in Saintes, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (in 1990-04)
recording of:
Messe F-Dur, BWV 233: II. Coro "Gloria in excelsis Deo" (in 1990-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach5:33
3Mass In F Major, BWV 233, Gloria: Domine Deus (Bass)
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Peter Kooy (baritone) (in 1990-04)
orchestra:
Collegium Vocale Gent (in 1990-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-04)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1990-04)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1991)
recorded at:
Abbaye aux Dames in Saintes, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (in 1990-04)
recording of:
Messe F-Dur, BWV 233: III. Aria (Bass) "Domine Deus" (in 1990-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach3:32
4Mass In F Major, BWV 233, Gloria: Qui Tollis Peccata Mundi (Soprano)
producer:
Nicholas Parker (classical violinist, producer, engineer)
soprano vocals:
Agnès Mellon (soprano) (in 1990-04)
orchestra:
Collegium Vocale Gent (in 1990-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-04)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1990-04)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1991)
recorded at:
Abbaye aux Dames in Saintes, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (in 1990-04)
recording of:
Messe F-Dur, BWV 233: IV. Aria (Soprano) "Qui tollis peccata mundi" (in 1990-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach5:21
5Mass In F Major, BWV 233, Gloria: Quoniam Tu Solus Sanctus (Alto)
producer:
Nicholas Parker (classical violinist, producer, engineer)
alto vocals:
Gérard Lesne (countertenor) (in 1990-04)
orchestra:
Collegium Vocale Gent (in 1990-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-04)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1990-04)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1991)
recorded at:
Abbaye aux Dames in Saintes, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (in 1990-04)
recording of:
Messe F-Dur, BWV 233: V. Aria (Alto) "Quoniam tu solus sanctus" (in 1990-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach4:58
6Mass In F Major, BWV 233, Gloria: Cum Sancto Spiritu (Chorus)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Collegium Vocale Gent (in 1990-04)
orchestra:
Collegium Vocale Gent (in 1990-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-04)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1990-04)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1991)
recorded at:
Abbaye aux Dames in Saintes, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (in 1990-04)
recording of:
Messe F-Dur, BWV 233: VI. Coro "Cum sancto spiritu" (in 1990-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": I. Coro "Darzu ist erschienen der Sohn Gottes"
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach2:35
7Mass In G Major, BWV 236, Kyrie (Chorus)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Collegium Vocale Gent (in 1990-04)
orchestra:
Collegium Vocale Gent (in 1990-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-04)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1990-04)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1991)
recorded at:
Abbaye aux Dames in Saintes, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (in 1990-04)
recording of:
Messe G-Dur, BWV 236: I. Coro "Kyrie eleison" (in 1990-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach4:14
8Mass In G Major, BWV 236, Gloria: Gloria In Excelsis Deo (Chorus)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Collegium Vocale Gent (in 1990-04)
orchestra:
Collegium Vocale Gent (in 1990-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-04)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1990-04)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1991)
recorded at:
Abbaye aux Dames in Saintes, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (in 1990-04)
recording of:
Messe G-Dur, BWV 236: II. Coro "Gloria in excelsis Deo" (in 1990-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach4:51
9Mass In G Major, BWV 236, Gloria: Gratias Agimus Tibi (Bass)
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Peter Kooy (baritone) (in 1990-04)
orchestra:
Collegium Vocale Gent (in 1990-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-04)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1990-04)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1991)
recorded at:
Abbaye aux Dames in Saintes, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (in 1990-04)
recording of:
Messe G-Dur, BWV 236: III. Aria (Bass) "Gratias agimus tibi" (in 1990-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach5:07
10Mass In G Major, BWV 236, Gloria: Domine Deus (Soprano, Alto)
producer:
Nicholas Parker (classical violinist, producer, engineer)
alto vocals:
Gérard Lesne (countertenor) (in 1990-04)
soprano vocals:
Agnès Mellon (soprano) (in 1990-04)
orchestra:
Collegium Vocale Gent (in 1990-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-04)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1990-04)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1991)
recorded at:
Abbaye aux Dames in Saintes, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (in 1990-04)
recording of:
Messe G-Dur, BWV 236: IV. Duet (Soprano, Alto) "Domine Deus" (in 1990-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach4:47
11Mass In G Major, BWV 236, Gloria: Quoniam Tu Solus Sanctus (Tenor)
producer:
Nicholas Parker (classical violinist, producer, engineer)
tenor vocals:
Christoph Prégardien (tenor) (in 1990-04)
orchestra:
Collegium Vocale Gent (in 1990-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-04)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1990-04)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1991)
recorded at:
Abbaye aux Dames in Saintes, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (in 1990-04)
recording of:
Messe G-Dur, BWV 236: V. Aria (Tenor) "Quoniam tu solus sanctus" (in 1990-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach4:59
12Mass In G Major, BWV 236, Gloria: Cum Sancto Spiritu (Chorus)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Collegium Vocale Gent (in 1990-04)
orchestra:
Collegium Vocale Gent (in 1990-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-04)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1990-04)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1991)
recorded at:
Abbaye aux Dames in Saintes, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (in 1990-04)
recording of:
Messe G-Dur, BWV 236: VI. Coro "Cum sancto spiritu" (in 1990-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil I, I. Coro "Wer Dank opfert, der preiset mich"
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach4:08
4▶CD: Mass In G Minor, BWV 235
5▶CD: Die Auferstehung Und Himmelfahrt Jesu, Wq 240