Geistliche Kantaten

~ Release by J.S. Bach, Thomanerchor Leipzig, Gewandhausorchester Leipzig, Neues Bachisches Collegium Musicum Leipzig, Hans-Joachim Rotzsch (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Christ lag in Todes Banden, BWV 4: Sinfonia
orchestra:
New Bach Collegium Musicum Leipzig (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: I. Sinfonia
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:09
2Christ lag in Todes Banden, BWV 4: Verse 1. Chorus: "Christ lag in Todes Banden"
choir vocals:
Thomanerchor Leipzig
orchestra:
New Bach Collegium Musicum Leipzig (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: II. Chor Versus I „Christ lag in Todes Banden“
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach4:25
3Christ lag in Todes Banden, BWV 4: Verse 2. Aria (S, A): "Den Tod niemand zwingen kunnt"
orchestra:
New Bach Collegium Musicum Leipzig (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: III. Duett (Sopran, Alt) Versus II „Den Tod niemand zwingen kunnt“
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach3:12
4Christ lag in Todes Banden, BWV 4: Verse 3. Aria (T): "Jesus Christus, Gottes Sohn"
orchestra:
New Bach Collegium Musicum Leipzig (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: IV. Arie (Tenor) Versus III „Jesus Christus, Gottes Sohn“
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:03
5Christ lag in Todes Banden, BWV 4: Verse 4. Chorus: "Es war ein wunderlicher Krieg"
orchestra:
New Bach Collegium Musicum Leipzig (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: V. Chor Versus IV „Es war ein wunderlicher Krieg“
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:30
6Christ lag in Todes Banden, BWV 4: Verse 5. Aria (B): "Hier ist das rechte Osterlamm"
orchestra:
New Bach Collegium Musicum Leipzig (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VI. Arie (Bass) Versus V „Hier ist das rechte Osterlamm“
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach3:20
7Christ lag in Todes Banden, BWV 4: Verse 6. Aria (S, T): "So feiern wir das hohe Fest"
orchestra:
New Bach Collegium Musicum Leipzig (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VII. Duett (Sopran, Tenor) Versus VI „So feiern wir das hohe Fest“
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:11
8Christ lag in Todes Banden, BWV 4: Verse 7. Chorale: "Wir essen und leben wohl"
orchestra:
New Bach Collegium Musicum Leipzig (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VIII. Choral Versus VII „Wir essen und leben wohl“
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 41)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:15
9Ein Herz, das seinen Jesum lebend weiss, BWV 134: Recitative (T, A): "Ein Herz, das seinen Jesum lebend weiss"
alto vocals:
Ortrun Wenkel (contralto)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
New Bach Collegium Musicum Leipzig (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 134 "Ein Herz, das seinen Jesum lebend weiß": I. Recitativo (Alt, Tenor) "Ein Herz, das seinen Jesum lebend weiß"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 134 "Ein Herz, das seinen Jesum lebend weiß"
Johann Sebastian Bach0:48
10Ein Herz, das seinen Jesum lebend weiss, BWV 134: Aria (T): "Auf, Gläubige, singet die lieblichen Lieder"
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
New Bach Collegium Musicum Leipzig (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 134 "Ein Herz, das seinen Jesum lebend weiß": II. Aria (Tenor) "Auf! Gläubige, singet die lieblichen Lieder"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 134 "Ein Herz, das seinen Jesum lebend weiß"
Johann Sebastian Bach6:52
11Ein Herz, das seinen Jesum lebend weiss, BWV 134: Recitative (T, A): "Wohl dir, Gott hat an dich gedacht"
alto vocals:
Ortrun Wenkel (contralto)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
New Bach Collegium Musicum Leipzig (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 134 "Ein Herz, das seinen Jesum lebend weiß": III. Recitativo (Alt, Tenor) "Wohl dir! Gott hat an dich gedacht"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 134 "Ein Herz, das seinen Jesum lebend weiß"
Johann Sebastian Bach2:55
12Ein Herz, das seinen Jesum lebend weiss, BWV 134: Aria (A, T): "Wir danken und preisen"
alto vocals:
Ortrun Wenkel (contralto)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
New Bach Collegium Musicum Leipzig (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 134 "Ein Herz, das seinen Jesum lebend weiß": IV. Aria (Duetto Alt, Tenor) "Wir danken und preisen dein brünstiges Lieben"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 134 "Ein Herz, das seinen Jesum lebend weiß"
Johann Sebastian Bach9:44
13Ein Herz, das seinen Jesum lebend weiss, BWV 134: Recitative (T, A): "Doch würke selbst den Dank in unserm Munde"
alto vocals:
Ortrun Wenkel (contralto)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
New Bach Collegium Musicum Leipzig (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 134 "Ein Herz, das seinen Jesum lebend weiß": V. Recitativo (Alt, Tenor) "Doch würke selbst den Dank in unserm Munde"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 134 "Ein Herz, das seinen Jesum lebend weiß"
Johann Sebastian Bach2:10
14Ein Herz, das seinen Jesum lebend weiss, BWV 134: Chorus: "Erschallet, ihr Himmel, erfreuet dich, Erde"
choir vocals:
Thomanerchor Leipzig
orchestra:
New Bach Collegium Musicum Leipzig (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 134 "Ein Herz, das seinen Jesum lebend weiß": VI. Coro "Erschallet, ihr Himmel, erfreue dich, Erde"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 134 "Ein Herz, das seinen Jesum lebend weiß"
Johann Sebastian Bach8:41
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