Greatest Hits 105 Classic 70’s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

? Vinyl version here
https://www.discogs.com/release/2675069

Anmerkung zuletzt geändert am 2017-10-11 08:44 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Nutbush City Limits
recording of:
Nutbush City Limits
Texter und Komponist(in):
Tina Turner
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music und Valley Spring Music Corp.
Ike & Tina Turner2:55
2I Love You, I Honestly Love You
Olivia Newton‐John3:40
3Sunshine of Your Love
recording engineer:
Tom Dowd (von 1967-04 bis 1967-05)
Produzent(in):
Felix Pappalardi
Bass:
Jack Bruce (von 1967-04 bis 1967-05)
Gitarre:
Eric Clapton (von 1967-04 bis 1967-05)
Schlagzeug:
Ginger Baker (von 1967-04 bis 1967-05)
vocals:
Jack Bruce (von 1967-04 bis 1967-05) und Eric Clapton (von 1967-04 bis 1967-05)
phonographisches Urheberrecht (℗) von:
Robert Stigwood Group Ltd. (in 1967), Robert Stigwood Organisation Ltd. (in 1967, in 1969) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1967-04 bis 1967-05)
Teil von:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 11), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 44), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 65) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Sunshine of Your Love (von 1967-04 bis 1967-05)
Verfasser(in):
Pete Brown (UK poet & producer, with Cream and Jack Bruce), Jack Bruce und Eric Clapton
publisher:
Casserole Music Corp., Dratleaf Music Ltd., E.C. Music (UK work publisher for Eric Clapton), Nemperor Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell Music, Inc.
Cream4.14:13
4Smoke on the Water
recorded in:
Montreux, Vaud (Kanton Waadt), Schweiz (in 1971-12)
assistierende(r) Techniker(in):
Jeremy Gee
Techniker(in):
Martin Birch
Produzent(in):
Deep Purple
E-Bass:
Roger Glover (in 1971-12)
E-Gitarre:
Ritchie Blackmore (in 1971-12)
Hammond-Orgel:
Jon Lord (in 1971-12)
Schlagzeug:
Ian Paice (in 1971-12)
Sologesang:
Ian Gillan (in 1971-12)
phonographisches Urheberrecht (℗) von:
Deep Purple (Overseas) Ltd. (in 1973)
aufgenommen bei:
Rolling Stones Mobile Studio in Vereinigtes Königreich (in 1971-12)
Teil von:
SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (Nummer: 8), SWR1 Hitparade 2008 (Baden-Württemberg) (Nummer: 10), SWR1 Hitparade 2009 (Baden-Württemberg) (Nummer: 10), SWR1 Hitparade 2012 (Baden-Württemberg) (Nummer: 10), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 11), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 13), Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 34) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Smoke on the Water (in 1971-12)
Verfasser(in):
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord und Ian Paice
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Publishing (do not use as a release label!), Glenwood Music Corp., HEC Music und Henrees Music co.
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Scandinavia AB, EMI Music Publishing Japan C.F. division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Deep Purple4.15:40
5Don’t Leave Me This Way
Produzent(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
arranger:
Norman Harris (American Philly Soul guitarist, producer, and songwriter)
recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Harold Melvin & The Blue Notes3.56:08
6You Sexy Thing
phonographisches Urheberrecht (℗) von:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (in 1975) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recording of:
You Sexy Thing
Verfasser(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) und Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Chocolate, EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. und RAK Publishing Ltd
Hot Chocolate3.53:41
7On Fire
recording of:
On Fire
Texter und Komponist(in):
Theophilus Coakley
T-Connection3:48
8Buk-in-Hamm Palace
Peter Tosh4:31
9A Salty Dog
Techniker(in):
Ken Scott (UK record producer & engineer)
Produzent(in):
Denny Cordell und Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
Sologesang:
Gary Brooker
recording of:
A Salty Dog
Texter:
Keith Reid
Komponist(in):
Gary Brooker
Procol Harum3.54:41
10Lady Marmalade
Produzent(in):
Allen R. Toussaint
arranger:
Allen R. Toussaint
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 411) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 479)
cover recording of:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?) (in 1974)
Verfasser(in):
Bob Crewe und Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation und TannyBoy Music
LaBelle3.33:55
11Heaven Must Be Missing an Angel
recording of:
Heaven Must Be Missing an Angel
Verfasser(in):
Freddie Perren und Keni St. Lewis
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing International Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Tavares3:36
12Rapture
Produzent(in):
Mike Chapman (Australian producer and songwriter)
phonographisches Urheberrecht (℗) von:
EMI Records (UK label renamed from Virgin EMI Records in 2020), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980) und Chrysalis Records, Inc. (not for release label use!) (in 1980, in 1981, in 2002)
recording of:
Rapture
Verfasser(in):
Deborah Harry und Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music (do not use as release label! this is a music publisher), Monster Island Music Publishing Corporation und Rare Blue Music Inc
Blondie4.155:35
13Trans Europe Express
recording of:
Trans‐Europe Express
Texter:
Ralf Hütter und Emil Schult
Komponist(in):
Ralf Hütter
übersetzte Version von:
Trans Europa Express
Kraftwerk4:02
142‒4‒6‒8 Motorway
Produzent(in):
Vic Maile
Bass:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (am 1977-09-14)
Gitarre:
Danny Kustow (am 1977-09-14)
Klavier und Orgel:
Mark Ambler (am 1977-09-14)
Schlagzeug:
Dolphin Taylor (am 1977-09-14)
vocals:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (am 1977-09-14)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
aufgenommen bei:
Berwick Street Studios in Westminster, London (Greater London), England, Vereinigtes Königreich (am 1977-09-14)
recording of:
2‐4‐6‐8 Motorway (am 1977-09-14)
Texter und Komponist(in):
Tom Robinson (British singer-songwriter, bassist and radio presenter)
publisher:
Konkwest Music Limited
Tom Robinson43:22
15More Than a Feeling
assistierende(r) Techniker(in):
Bruce Hensal, Deni King (engineer) und Doug Rider
Techniker(in):
Warren Dewey und Tom Scholz
Produzent(in):
John Boylan und Tom Scholz
assistierende(r) Mix:
Steve Hodge (engineer and producer)
Akustikgitarre, Bassgitarre, Gitarre [lead guitar] und Gitarre [rhythm guitar]:
Tom Scholz (von 1975 bis 1976)
Perkussion und Schlagzeug:
Sib Hashian (von 1975 bis 1976)
Sologesang und Sologesang [Harmony]:
Brad Delp (von 1975 bis 1976)
arranger:
Brad Delp und Tom Scholz
co-arranger:
Jim Masdea
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1976), CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
aufgenommen bei:
Foxglove Studios in Watertown, Massachusetts, Vereinigte Staaten (in 1975), Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1976) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1976)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
früheste Veröffentlichung:
More Than a Feeling von Boston (US rock band)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 39), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 63), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 194), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 212) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 500)
recording of:
More Than a Feeling (von 1975 bis 1976)
Texter und Komponist(in):
Tom Scholz
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) und Pure Songs (in 1976)
Boston3.954:44
16My Sharona
recording engineer:
Pete Coleman
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Prescott Niles
Gitarre:
Berton Averre und Doug Fieger (in The Knack)
Schlagzeug:
Bruce Gary
Sologesang:
Doug Fieger (in The Knack)
vocals:
Berton Averre
remixer:
Dave Jerden
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 1994, in 2013)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 18), TV Cream: Real 100 Best Singles Ever (Nummer: 24), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 72) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 201)
recording of:
My Sharona
Verfasser(in):
Berton Averre und Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia und Wise Brothers Music LLC
The Knack4.14:53

Nennungen

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/1395811 [Info]