NOW That’s What I Call Yacht Rock, Volume 2

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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#TitoloArtistaValutazioneDurata
1Whenever I Call You “Friend”
produttore:
Bob James (US jazz keyboardist, arranger and producer)
voce:
Kenny Loggins
voce ospite:
Stevie Nicks
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1978) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1978)
è stato produttore per:
Tappan Zee Productions
registrata presso:
Sound Mixers in New York, New York, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 83)
registrazione di:
Whenever I Call You “Friend”
paroliere:
Ken Loggins e Melissa Manchester
compositore:
Ken Loggins
editore:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), Milk Money Music (nel 1978) e Rumanian Pickleworks Company (nel 1978)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Kenny Loggins featuring Stevie Nicks53:58
2I Keep Forgettin’ (Every Time You’re Near)
produttore:
Ted Templeman e Lenny Waronker
batteria :
Jeff Porcaro
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
chitarra basso :
Louis Johnson (bass, member of Brothers Johnson)
clavinet :
Greg Phillinganes
piano Rhodes , sintetizzatore e voce principale:
Michael McDonald (R&B & soul singer)
voce di accompagnamento:
Maureen McDonald (backing vocalist, sister of Michael McDonald)
diritti fonografici (℗) detenuti da:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (nel 1982), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1982) e Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (nel 1982)
registrazione di:
I Keep Forgettin’ (Every Time You’re Near)
autore:
Jerry Leiber, Michael McDonald (R&B & soul singer), Ed Sanford e Mike Stoller
editore:
Bienstock Publishing Company (ASCAP affiliated), Jerry Leiber Music, Mike Stoller Music (ASCAP) e Yellow Dog Music Inc
versione di:
I Keep Forgettin’
Michael McDonald43:37
3Baker Street
tecnico di registrazione:
Barry Hammond
produttore:
Hugh Murphy (UK producer, engineer) e Gerry Rafferty
tecnico di missaggio:
Declan O’Doherty
basso :
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel)
batteria :
Henry Spinetti
chitarra elettrica :
Hugh Burns e Nigel Jenkins
moog e tastiera :
Tommy Eyre
percussione :
Glen LeFleur
sassofono :
Raphael Ravenscroft
voce principale:
Gerry Rafferty
arrangiatore archi :
Graham Preskett (British multi-instrumentalist, musician, songwriter and arranger)
diritti fonografici (℗) detenuti da:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1977), EMI (EMI Records, or EMI Music only if there is no other imprint) (nel 1978), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1978) e United Artists Music and Records Group, Inc. (UAMARG, Inc.) (nel 1978)
registrata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito
mixata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 26) e Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 89)
registrazione di:
Baker Street
paroliere e compositore:
Gerry Rafferty
editore:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) e Universal–Songs of PolyGram International, Inc.
Gerry Rafferty3.76:04
4If You Leave Me Now
tecnico di registrazione:
Armin Steiner (dal 1976-03 al 1976-04: archi)
assistente tecnico:
Tom Likes
tecnico:
Wayne Tarnowski
produttore:
James William Guercio
basso e chitarra acustica :
James William Guercio (dal 1976-03 al 1976-04)
voce principale:
Peter Cetera (dal 1976-03 al 1976-04)
arrangiatore archi e arrangiatore corno francese :
Jimmie Haskell
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Rhino Entertainment Company (not for release label use!) (nel 1976, nel 2002), Warner Strategic Marketing Inc. (nel 1976) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1976)
registrata presso:
Sound Labs, Inc. in Hollywood, Los Angeles, California, Stati Uniti, Sound Labs, Inc. in Hollywood, Los Angeles, California, Stati Uniti (archi) e Caribou Ranch Recording Studio in Nederland, Colorado, Stati Uniti (dal 1976-03 al 1976-04)
mixata presso:
Caribou Ranch Recording Studio in Nederland, Colorado, Stati Uniti (dal 1976-03 al 1976-04)
registrazione di:
If You Leave Me Now (dal 1976-03 al 1976-04)
paroliere:
Peter Cetera
compositore:
Peter Cetera (nel 1976)
editore:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music e Spirit Music Publishing Ltd.
Chicago4.23:51
5Keep On Loving You
assistente tecnico:
Tom Cummings (engineer) e Jeff Eccles
tecnico:
Kevin Beamish
co-produttore:
Alan Gratzer (drummer)
produttore:
Kevin Beamish, Kevin Cronin (guitarist, singer and songwriter) e Gary Richrath (guitarist and songwriter)
basso :
Bruce Hall (US bassist for REO Speedwagon)
batteria :
Alan Gratzer (drummer)
chitarra :
Gary Richrath (guitarist and songwriter)
chitarra acustica :
Kevin Cronin (guitarist, singer and songwriter)
organo Hammond :
Neal Doughty (keyboards)
voce di accompagnamento:
Kevin Cronin (guitarist, singer and songwriter), Tom Kelly (songwriter) e Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
arrangiatore:
Kevin Cronin (guitarist, singer and songwriter)
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1980), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1980), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1980), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1980, nel 1981) e CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1981)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 67)
registrazione di:
Keep On Loving You (il 1980-09-03)
paroliere e compositore:
Kevin Cronin (guitarist, singer and songwriter)
editore:
Bucks Music Group Ltd. (Bucks Music Group), Bug Music Ltd., Fate Music, HoriPro Entertainment Group, Hornall Brothers Music Ltd. (limited company), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd., The International Music Network e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
Taiyō Music
REO Speedwagon3.553:20
6All Out of Love
produttore:
Robie Porter
produttore esecutivo:
Clive Davis (record producer, A&R executive and music industry chief executive)
assistente tecnico di missaggio:
Linda Corbin
tecnico di missaggio:
Jim Hilton
batteria :
Ralph Cooper (drummer)
chitarra [lead guitar] :
David Moyse
chitarra [rhythm guitar] :
Graham Russell (Air Supply)
chitarra basso :
Criston Barker
tastiera :
Frank Esler‐Smith e Sam McNally
voce:
Graham Russell (Air Supply)
voce di accompagnamento:
Criston Barker, Tommy Dassalo (percussionist and backing vocalist for Air Supply), Russell Hitchcock, Marcy Levy, David Moyse e Graham Russell (Air Supply)
voce principale:
Russell Hitchcock
arrangiatore:
Air Supply e Robie Porter
orchestratore:
Frank Esler‐Smith e Robie Porter
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1980), Arista Records, LLC (holding company - file NO releases here!) (nel 1980), Big Time Phonograph Recording Co. (nel 1980), Big Time Phonograph Recording Co. Pty Ltd. (nel 1980) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1980)
registrata presso:
Paradise Studios (Sydney) in Sydney, New South Wales, Australia e Studios 301 (Byron Bay) in Byron Bay (Byron Bay, New South Wales), New South Wales, Australia
mixata presso:
Larrabee Sound Studios (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California, Stati Uniti
parte di:
The Downloader’s Music Source Book (numero: 290)
registrazione di:
All Out of Love
autore:
Clive Davis (record producer, A&R executive and music industry chief executive) e Graham Russell (Air Supply)
editore:
Arista Music, Inc., BMG Music Publishing Ltd., BRM Publishing, Careers–BMG Music Publishing, Inc., DJDMP, Inc., Nottsongs, Riva Music Ltd., Universal Music Careers, Universal Music Publishing MGB Ltd., Warner Chappell Music (publisher as Warner/Chappell Music) e Warner/Chappell Music Ltd. (1996–2019)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Air Supply4.454:00
7All by Myself
assistente tecnico:
Joey Barbaria
tecnico:
Jack Sherdel
produttore:
Jimmy Ienner (producer)
voce principale:
Eric Carmen (dal 1975-08 al 1975-09)
arrangiatore:
Eric Carmen
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1975) e Arista Records, LLC (holding company - file NO releases here!) (nel 1975)
è stato produttore per:
CAM Productions (US)
registrata presso:
O.D.O. Sound Studios in New York, New York, Stati Uniti (dal 1975-08 al 1975-09)
registrazione di:
All by Myself (dal 1975-08 al 1975-09)
paroliere:
Eric Carmen
compositore:
Eric Carmen e Sergei Rachmaninov (Sergei Rachmaninoff, Russian composer)
editore:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) (conclusa), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
si basa su:
Let’s Pretend
si basa su:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Eric Carmen4.254:52
8I Go Crazy
produttore:
Phil Benton e Paul Davis (American singer)
voce:
Paul Davis (American singer)
diritti fonografici (℗) detenuti da:
Bang Records (Bert Berns label) (nel 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1977) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 12)
registrazione di:
I Go Crazy
paroliere e compositore:
Paul Davis (American singer)
editore:
Paul and Jonathan Songs, Sony/ATV Songs LLC e Web IV Music Inc.
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Paul Davis53:49
9I’ll Be Over You
tecnico di registrazione:
Shep Lonsdale e Tom Knox
programmazione:
Steve Porcaro
tecnico:
Tom Knox e Shep Lonsdale
tecnico aggiunto:
Dan Garcia (engineer/producer) (incarico: additional), Doug Linnell (incarico: additional), Duane Seykora (incarico: additional), Jack Puig (incarico: additional), John Jessel (incarico: additional), Julie Last (incarico: additional), Mike Ross (US engineer, active 1980s–present) (incarico: additional), Murray Dvorkin (incarico: additional) e Teruo "Mu" Murakami (incarico: additional)
produttore:
Bruce Dickinson (engineer and producer) e Toto (US rock group)
tecnico di missaggio:
Greg Ladanyi
basso :
Mike Porcaro
batteria :
Jeff Porcaro
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
chitarra basso :
Michael Porcaro
percussione :
Lenny Castro, Paulinho da Costa (Brazilian percussionist) e Jeff Porcaro
piano Rhodes [Yamaha DX7 rhodes] :
David Paich
sintetizzatore e tastiera :
David Paich e Steve Porcaro
strumenti:
Steve Porcaro
voce:
David Paich, Joseph Williams (vocalist for Toto, son of composer John Williams), Michael McDonald (R&B & soul singer), Steve Lukather (guitarist, vocalist, composer, producer and arranger) e Steve Porcaro
voce di accompagnamento:
Steve Lukather (guitarist, vocalist, composer, producer and arranger), Michael McDonald (R&B & soul singer) e Joseph Williams (vocalist for Toto, son of composer John Williams)
voce principale:
Jean-Michel Byron e Steve Lukather (guitarist, vocalist, composer, producer and arranger)
esecutore:
Mike McDonald (R&B & soul singer)
arrangiatore:
Toto (US rock group)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1986), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1986) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986)
registrazione di:
I’ll Be Over You
autore:
Randy Goodrum e Steve Lukather (guitarist, vocalist, composer, producer and arranger)
editore:
California Phase Music, Randy Goodrum Inc., Rehtakul Veets Music e Universal Music–MGB Songs
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック (Fujipacific Music, Inc.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Toto3.53:47
10Reminiscing
registrata a:
Australia (nel 1978-03)
prodotta a:
Australia
produttore:
John Boylan e Little River Band
archi :
Rick Formosa (nel 1978-03)
basso :
George McArdle (nel 1978-03)
batteria :
Derek Pellicci (nel 1978-03)
chitarra elettrica :
Beeb Birtles (nel 1978-03), David Briggs (producer, guitarist of Little River Band) (nel 1978-03) e Graham Goble (nel 1978-03)
flicorno soprano solista :
Bob Venier (brass) (nel 1978-03)
pianoforte elettrico ospite :
Peter Jones (Australian pianist/composer) (nel 1978-03)
tromba solista :
Bill Harrower (nel 1978-03)
voce:
Beeb Birtles (nel 1978-03), Graham Goble (nel 1978-03) e Glenn Shorrock (nel 1978-03)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1978), EMI (Australia) Limited (not for release label use! EMI's AU subsidiary, active from May 1957 to late 1980s) (nel 1978), EMI Music Australia Pty. Limited (not for release label use!) (nel 1978, nel 2002), EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (nel 1978) e EMI Music Australia (defunct holding company, not for release label use!) (nel 2002)
è stato produttore per:
Tumbleweed Productions
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 17) e Billboard Year-End Hot 100 singles of 1978 (numero: 65)
registrazione di:
Reminiscing (nel 1978-03)
paroliere e compositore:
Graeham Goble
editore:
American Tumbleweed Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd., WB Music Corp. (1929–2019) e Wheatley Music Pty Ltd.
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Little River Band54:11
11Summer Breeze
produttore:
Louie Shelton
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1972) e Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (nel 1972)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 10)
registrazione di:
Summer Breeze
paroliere:
James Seals
compositore:
Dash Crofts e James Seals
editore:
Dawnbreaker Mus. Co. Ltd USA, Faizilu Publishing, MCA Music Ltd., Songs of Universal, Inc. (BMI), Sutjujo Music, Universal Duchess Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Seals & Crofts4.353:19
12Sundown
assistente tecnico:
Chris Skene
produttore:
Lenny Waronker
batteria :
Jim Gordon (US drummer with Derek and the Dominos)
chitarra acustica :
Terry Clements e Gordon Lightfoot
chitarra basso :
John Stockfish
chitarra elettrica :
Red Shea
diritti fonografici (℗) detenuti da:
Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text), Reprise Records (nel 1974, nel 1975) e Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1974)
registrazione di:
Sundown
paroliere e compositore:
Gordon Lightfoot
editore:
Moose Music e WB Music Corp. (1929–2019)
Gordon Lightfoot4.853:31
13Fooled Around and Fell in Love
diritti fonografici (℗) detenuti da:
Mercury Records (the holding company; for use as ℗&© credits only!) (nel 1975)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 22) e Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 32)
registrazione di:
Fooled Around and Fell in Love
paroliere e compositore:
Elvin Bishop
Elvin Bishop3.654:33
14So Into You
diritti fonografici (℗) detenuti da:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (nel 1976), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1976) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1976)
registrazione di:
So in to You
autore:
Buddy Buie, Dean Daughtry e Robert Nix
editore:
Low-Sal, Inc.
Atlanta Rhythm Section54:20
15Magnet and Steel
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1978)
registrazione di:
Magnet and Steel
autore:
Walter Egan
editore:
EMI April Music Inc.
Walter Egan3:19
16Kiss You All Over (1986 version)
diritti fonografici (℗) detenuti da:
Curb Records (nel 1978), RAK Records (copyrights holder) (nel 1978), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1986) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1993)
edit di:
Kiss You All Over di Exile (American country band)
registrazione di:
Kiss You All Over
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation), BMG Songs, Inc., Downtown DLJ Songs, Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Exile53:33
17Love Will Keep Us Together
tecnico di registrazione e tecnico di missaggio:
Dennis Dragon
produttore:
The Captain
produttore associato:
Toni Tennille
basso elettrico [Fender] , campane a vento , celesta , clavinet , minimoog [Mini-moog] , organo Hammond , piano elettrico Wurlitzer , pianoforte , sintetizzatore [Arp String Ensemble] , sintetizzatore [Odyssey] e tastiera [Clavietta] :
The Captain
batteria , congas e percussione :
Hal Blaine (U.S. studio drummer and percussionist)
violino :
Kenneth Yerke
voce di accompagnamento:
Melissa Tennille e Toni Tennille
arrangiatore archi :
Kenneth Yerke
arrangiatore:
The Captain
diritti fonografici (℗) detenuti da:
A&M Records (nel 1975), A&M Records, Inc. (nel 1975) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1975)
è stato produttore per:
Moonlight and Magnolia Productions
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 337)
registrazione cover di:
Love Will Keep Us Together
paroliere:
Howard Greenfield
compositore:
Neil Sedaka
editore:
Don Kirshner Music Inc., Kirshner-Warner Bros Music Ltd. e Neil Sedaka Music (BMI-affiliated)
Captain & Tennille43:20
18Hold On
assistente tecnico:
Maureen Droney
co-tecnico:
Will Herold
tecnico e tecnico di missaggio:
Jim Gaines
produttore:
John Ryan (producer a/k/a “The Chicago Kid”)
assistente tecnico di missaggio:
Ben King (engineer)
batteria :
Graham Lear
bonghi :
Armando Peraza (percussionist)
chitarra :
Devadip Carlos Santana
chitarra [rhythm guitar] e voce principale:
Alexander J. Ligertwood
chitarra basso :
David Margen
congas :
Armando Peraza (percussionist) e Raul Rekow
tastiera :
Richard Baker (US keyboardist for Santana)
timbales :
Orestes Vilató (percussionist playing bongos and timbales)
voce di accompagnamento:
Devadip Carlos Santana, Armando Peraza (percussionist), Raul Rekow e Orestes Vilató (percussionist playing bongos and timbales)
arrangiatore:
John Ryan (producer a/k/a “The Chicago Kid”) e Santana Band (US Latin, blues, & rock band)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982) e Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1982)
è stato produttore per:
Chicago Kid Productions
registrata presso e mixata presso:
The Automatt in San Francisco, California, Stati Uniti
registrazione cover di:
Hold On
paroliere e compositore:
Ian Thomas (Canadian singer/songwriter)
editore:
Chelsea Music Publishing Co., Ltd., Ole Mark-Cain Music Publ., Over the Rainbow Music Co. e フジパシフィックミュージック (Fujipacific Music, Inc.)
Santana44:21

Accreditamenti

Pubblicazione

stampata a:Stati Uniti
fabbricata da e distribuito da:Universal Music Enterprises (not for release label use; catalog/reissue division of UMG Recordings, Inc.)
copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 2020)
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 2020)
Discogs:https://www.discogs.com/release/15457853 [info]
ASIN:US: B085RTT2G5 [info]

Gruppo di pubblicazioni

parte di:NOW That’s What I Call Yacht Rock (numero: 2) (ordine: 2)
NOW That’s What I Call… (USA compilations outside the main numbered series) (ordine: 72)
Discogs:https://www.discogs.com/master/1769452 [info]