20th Century

~ Release by Pierre Boulez (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1The Miraculous Mandarin, op. 19, Sz. 73: Beginning (Allegro)
recording engineer:
Stephan Flock and Hans‐Rudolf Müller (engineer)
producer:
Karl-August Naegler (balance engineer)
editor:
Stephan Flock and Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók3:03
2The Miraculous Mandarin, op. 19, Sz. 73: First seduction game: the shabby old rake (Moderato)
recording engineer:
Stephan Flock and Hans‐Rudolf Müller (engineer)
producer:
Karl-August Naegler (balance engineer)
editor:
Stephan Flock and Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók3:44
3The Miraculous Mandarin, op. 19, Sz. 73: Second seduction game
recording engineer:
Stephan Flock and Hans‐Rudolf Müller (engineer)
producer:
Karl-August Naegler (balance engineer)
editor:
Stephan Flock and Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók3:13
4The Miraculous Mandarin, op. 19, Sz. 73: Third seduction game (Sostenuto)
recording engineer:
Stephan Flock and Hans‐Rudolf Müller (engineer)
producer:
Karl-August Naegler (balance engineer)
editor:
Stephan Flock and Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók1:41
5The Miraculous Mandarin, op. 19, Sz. 73: The Mandarin enters and remains immobile in the doorway... (Maestoso)
recording engineer:
Stephan Flock and Hans‐Rudolf Müller (engineer)
producer:
Karl-August Naegler (balance engineer)
editor:
Stephan Flock and Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók6:52
6The Miraculous Mandarin, op. 19, Sz. 73: The girl sinks down to embrace him... (Allegro)
recording engineer:
Stephan Flock and Hans‐Rudolf Müller (engineer)
producer:
Karl-August Naegler (balance engineer)
editor:
Stephan Flock and Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók2:29
7The Miraculous Mandarin, op. 19, Sz. 73: The tramps leap out, seize the Mandarin and tear him away from the girl... (Sempre vivo
recording engineer:
Stephan Flock and Hans‐Rudolf Müller (engineer)
producer:
Karl-August Naegler (balance engineer)
editor:
Stephan Flock and Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók2:06
8The Miraculous Mandarin, op. 19, Sz. 73: Suddenly the Mandarin's head appears between the pillows and he looks longingly at the gio)
recording engineer:
Stephan Flock and Hans‐Rudolf Müller (engineer)
producer:
Karl-August Naegler (balance engineer)
editor:
Stephan Flock and Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók3:01
9The Miraculous Mandarin, op. 19, Sz. 73: The terrified tramps discuss how they are to get rid of the Mandarin at last. (Agitato)
recording engineer:
Stephan Flock and Hans‐Rudolf Müller (engineer)
producer:
Karl-August Naegler (balance engineer)
editor:
Stephan Flock and Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók1:25
10The Miraculous Mandarin, op. 19, Sz. 73: The body of the Mandarin begins to glow with a greenish blue light. (Molto moderato)
recording engineer:
Stephan Flock and Hans‐Rudolf Müller (engineer)
producer:
Karl-August Naegler (balance engineer)
editor:
Stephan Flock and Rainer Maillard
choir vocals:
Chicago Symphony Chorus (in 1994-12)
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
chorus master:
Duain Wolfe (chorus master) (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók1:47
11The Miraculous Mandarin, op. 19, Sz. 73: She resists no longer; they embrace (Più mosso - Vivo)
recording engineer:
Stephan Flock and Hans‐Rudolf Müller (engineer)
producer:
Karl-August Naegler (balance engineer)
editor:
Stephan Flock and Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók2:33
12Music for Strings, Percussion and Celesta, Sz. 106: Andante tranquillo
recording engineer:
Stephan Flock and Hans‐Rudolf Müller (engineer)
producer:
Karl-August Naegler (balance engineer)
editor:
Stephan Flock and Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: I. Andante tranquillo (in 1994-12)
composer:
Bartók Béla (Béla Bartók, composer) (in 1936)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók7:55
13Music for Strings, Percussion and Celesta, Sz. 106: Allegro
recording engineer:
Stephan Flock and Hans‐Rudolf Müller (engineer)
producer:
Karl-August Naegler (balance engineer)
editor:
Stephan Flock and Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: II. Allegro (in 1994-12)
composer:
Bartók Béla (Béla Bartók, composer) (in 1936)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók7:35
14Music for Strings, Percussion and Celesta, Sz. 106: Adagio
recording engineer:
Stephan Flock and Hans‐Rudolf Müller (engineer)
producer:
Karl-August Naegler (balance engineer)
editor:
Stephan Flock and Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: III. Adagio (in 1994-12)
composer:
Bartók Béla (Béla Bartók, composer) (in 1936)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók7:27
15Music for Strings, Percussion and Celesta, Sz. 106: Allegro molto
recording engineer:
Stephan Flock and Hans‐Rudolf Müller (engineer)
producer:
Karl-August Naegler (balance engineer)
editor:
Stephan Flock and Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: IV. Allegro molto (in 1994-12)
composer:
Bartók Béla (Béla Bartók, composer) (in 1936)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók7:27
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Credits

Release group

includes:Boulez Conducts Boulez: ...Explosante-fixe... / Notations I–XII / Structures II by Boulez (composer and conductor); Boulez (composer and conductor), Pierre‐Laurent Aimard (pianist), Florent Boffard (pianist), Ensemble intercontemporain
Boulez conducts Stravinsky: Le Chant du rossignol / L’Histoire du soldat (suite) / Scherzo fantastique / Le roi des étoiles by Stravinsky (Igor Stravinsky, Russian composer); The Cleveland Orchestra, Boulez (composer and conductor)
Boulez conducts Varèse: Amériques / Arcana / Déserts / Ionisation by Varèse (composer); Chicago Symphony Orchestra, Pierre Boulez (composer and conductor)
Boulez Conducts Webern, III by Webern (composer); Berliner Philharmoniker (Berlin Philharmonic Orchestra), Pierre Boulez (composer and conductor)
Concertos by Bartók (Béla Bartók, composer); Aimard (pianist), Stefanovich (pianist), Kremer (violinist), Bashmet (Yuri Bashmet, Russian conductor and violist), London Symphony Orchestra, Berliner Philharmoniker (Berlin Philharmonic Orchestra), Boulez (composer and conductor)
Le Marteau sans maître / Dérive 1 & 2 by Boulez (composer and conductor); Ensemble intercontemporain
Lulu by Alban Berg (Austrian composer); Teresa Stratas (soprano), Orchestre de l’Opéra de Paris, Pierre Boulez (composer and conductor), Yvonne Minton (mezzo-soprano), Hanna Schwarz (mezzo soprano), Franz Mazura (bass / baritone), Kenneth Riegel (tenor), Toni Blankenheim (baritone), Robert Tear (tenor), Helmut Pampuch (tenor)
Pierrot lunaire / Herzgewächse / Ode to Napoleon by Schoenberg (Arnold Schoenberg, composer); Christine Schäfer (soprano), Pierre Boulez (composer and conductor), David Pittman-Jennings (bass-baritone), Ensemble InterContemporain
Pli selon Pli by Pierre Boulez (composer and conductor); Christine Schäfer (soprano), Ensemble InterContemporain, Pierre Boulez (composer and conductor)
Poèmes pour Mi / Sept Haïkaï / Le Réveil des oiseaux by Olivier Messiaen (composer and organist); The Cleveland Orchestra, Pierre Boulez (composer and conductor)
Ravel: Shéhérazade / Le Tombeau de Couperin / Debussy: Trois ballades de François Villon by Maurice Ravel (French composer), Claude Debussy (French composer); Pierre Boulez (composer and conductor)
Sur Incises / Messagesquisse / Anthèmes 2 by Boulez (composer and conductor); Jean‐Guihen Queyras (French cellist), Hae-Sun Kang (violinist), Ensemble intercontemporain, Pierre Boulez (composer and conductor)
Symphony no. 3 "Song of the Night" / Violin Concerto no. 1 by Karol Szymanowski (Polish composer), Christian Tetzlaff (violinist), Wiener Philharmoniker (Vienna Philharmonic) & Pierre Boulez (composer and conductor)
The Piano Concertos by Bartók (Béla Bartók, composer); Zimerman (pianist), Andsnes (pianist), Grimaud (French pianist), Chicago Symphony Orchestra, Berliner Philharmoniker (Berlin Philharmonic Orchestra), London Symphony Orchestra, Boulez (composer and conductor)
Theseus Games / Earth Dances by Birtwistle (composer); Ensemble Modern, Brabbins (conductor), Valade (flutist and conductor), Ensemble Modern Orchestra, Boulez (composer and conductor)
Violin Concerto no. 2 / Rhapsodies nos. 1 & 2 by Bartók (Béla Bartók, composer); Gil Shaham (violinist), Chicago Symphony Orchestra, Pierre Boulez (composer and conductor)