Substance 1987 (expanded edition)

~ Veröffentlichung von New Order (alle Versionen dieser Veröffentlichung ansehen, 26 vorhanden)

Anmerkung

Track 1-1 is the version of Ceremony released September, 1981 (re-recorded after [a=Gillian Gilbert] joined)
Track 3-1 is the original March, 1981 version of Ceremony
Track 4-8 patched with audio from Park West, Park City, Utah (September 9th, 1987)
Track 4-9 patched with audio from [l=Red Rocks Amphitheatre], Morrison, Colorado (September 8th, 1987)

Hype sticker:
New Order - Substance

Remastered and expanded
4CD set incudes

Substance,
Live from Irvine Meadows
California, 1987

Facd 200

Matrix / Runout (CD1): 5054197717901-01 AN01247-01 manufactured by optimal media GmbH
Matrix / Runout (CD2): 5054197717901-02 AN01247-02 manufactured by optimal media GmbH
Matrix / Runout (CD3): 5054197717901-03 AN01247-03 manufactured by optimal media GmbH
Matrix / Runout (CD4): 5054197717901-04 AN01247-04 manufactured by optimal media GmbH
Mastering SID Code: IFPI L578

Anmerkung zuletzt geändert am 2023-11-17 15:00 UTC.

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Ceremony
Produzent(in):
Martin Hannett
phonographisches Urheberrecht (℗) von:
Factory Communications Ltd. (holding company – file no releases here!) (in 1987)
Teil von:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 24)
recording of:
Ceremony
Texter:
Ian Curtis
zusätzlicher Texter:
Peter Hook und Bernard Sumner
Komponist(in):
Ian Curtis, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Be Music (New Order’s own publishing company) und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
2.54:24
2Everything’s Gone Green
Produzent(in):
Martin Hannett
phonographisches Urheberrecht (℗) von:
Factory Communications Ltd. (holding company – file no releases here!) (in 1987)
recording of:
Everything’s Gone Green
Verfasser(in):
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Be Music (New Order’s own publishing company), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und WB Music Corp. (1929–2019)
35:30
3Temptation
Techniker(in):
Michael Johnson (UK recording engineer and producer)
Produzent(in):
New Order (UK synth pop band)
phonographisches Urheberrecht (℗) von:
Factory Communications Ltd. (holding company – file no releases here!) (in 1987)
recording of:
Temptation (New Order)
Verfasser(in):
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Be Music (New Order’s own publishing company) und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
3.46:59
4Blue Monday
Produzent(in):
New Order (UK synth pop band)
phonographisches Urheberrecht (℗) von:
Factory Communications Ltd. (holding company – file no releases here!) (in 1983, in 1987)
Samples:
Uran von Kraftwerk
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Indie 88: Top 500 Indie Rock Songs (Nummer: 61) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 235)
recording of:
Blue Monday
Verfasser(in):
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) und Zomba Music Publishing Ltd.
3.77:29
5Confusion 87
Techniker(in):
Michael Johnson (UK recording engineer and producer)
Produzent(in):
New Order (UK synth pop band)
phonographisches Urheberrecht (℗) von:
Factory Communications Ltd. (holding company – file no releases here!) (in 1987)
recording of:
Confusion
Verfasser(in):
Arthur Baker (American record producer and DJ), Gillian Gilbert, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Be Music (New Order’s own publishing company), Shakin’ Baker Music und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
3.354:43
6Thieves Like Us
Techniker(in):
Michael Johnson (UK recording engineer and producer)
Produzent(in):
New Order (UK synth pop band)
phonographisches Urheberrecht (℗) von:
Factory Communications Ltd. (holding company – file no releases here!) (in 1987)
recording of:
Thieves Like Us
Verfasser(in):
Arthur Baker (American record producer and DJ), Gillian Gilbert, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Be Music (New Order’s own publishing company), Shakin’ Baker Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und WB Music Corp. (1929–2019)
3.356:37
7The Perfect Kiss
Techniker(in):
Michael Johnson (UK recording engineer and producer)
Produzent(in):
Michael Johnson (UK recording engineer and producer) und New Order (UK synth pop band)
recording of:
The Perfect Kiss
Verfasser(in):
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Be Music (New Order’s own publishing company), Warner Bros. Music (publisher; do NOT use as release label) und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
basiert auf:
Perfect Pit
8:48
8Subculture
Techniker(in):
John Robie
Produzent(in):
New Order (UK synth pop band)
phonographisches Urheberrecht (℗) von:
Factory Communications Ltd. (holding company – file no releases here!) (in 1987)
recording of:
Sub-Culture (in 1984)
Verfasser(in):
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Be Music (New Order’s own publishing company), Warner Bros. Music (publisher; do NOT use as release label) und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
34:48
9Shellshock
Produzent(in):
New Order (UK synth pop band) und John Robie
phonographisches Urheberrecht (℗) von:
Factory Communications Ltd. (holding company – file no releases here!) (in 1987)
recording of:
Shellshock
Verfasser(in):
Gillian Gilbert, Peter Hook, Stephen Morris (New Order), John Robie und Bernard Sumner
publisher:
Be Music (New Order’s own publishing company), Ensign Music Corporation, Indulgent Music (BMI) und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
16:29
10State of the Nation
Techniker(in):
Michael Johnson (UK recording engineer and producer)
Produzent(in):
New Order (UK synth pop band)
phonographisches Urheberrecht (℗) von:
Factory Communications Ltd. (holding company – file no releases here!) (in 1986, in 1987)
aufgenommen bei:
Amazon Studios (defunct studios in Liverpool, became Parr Street Studios) in Simonswood, Lancashire, England, Vereinigtes Königreich, Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, Vereinigtes Königreich und Windmill Lane Studios (original location, until 1990) in Dublin, County Dublin, Leinster, Irland
recording of:
State of the Nation
Verfasser(in):
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Be Music (New Order’s own publishing company) und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
16:32
11Bizarre Love Triangle
Techniker(in):
Michael Johnson (UK recording engineer and producer) und Steve Peck (producer and engineer)
Produzent(in):
New Order (UK synth pop band)
Editing:
Latin Rascals und Shep Pettibone
remixer:
Shep Pettibone
phonographisches Urheberrecht (℗) von:
Factory Communications Ltd. (holding company – file no releases here!) (in 1986, in 1987) und Warner Music UK Ltd. (not for release label use!) (in 1986)
remixed for:
Mastermix Productions
aufgenommen bei:
Amazon Studios (defunct studios in Liverpool, became Parr Street Studios) in Simonswood, Lancashire, England, Vereinigtes Königreich, Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, Vereinigtes Königreich und Windmill Lane Studios (original location, until 1990) in Dublin, County Dublin, Leinster, Irland
Remix von:
Bizarre Love Triangle von New Order (UK synth pop band)
recording of:
Bizarre Love Triangle
Verfasser(in):
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Be Music (New Order’s own publishing company), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner/Chappell Music Ltd. (1996–2019)
1.56:44
12True Faith
Produzent(in):
Stephen Hague und New Order (UK synth pop band)
phonographisches Urheberrecht (℗) von:
Factory Communications Ltd. (holding company – file no releases here!) (in 1987)
recording of:
True Faith
Verfasser(in):
Gillian Gilbert, Stephen Hague, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Be Music (New Order’s own publishing company), Cut Music (UK publisher), MCA Music Inc. (US-based music publishers), Notting Hill Music (publisher) und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Teil von:
American Psycho
3.755:57
2▶CD
3▶CD
4▶CD: Live at Irvine Meadows California, September 12th, 1987

Nennungen

Veröffentlichungsgruppe

ausgekoppelte Singles/EPs:True Faith
Teil von:Music Genre Tree (canonical album list from musicgenretree.org – one representative release per genre)
Rolling Stone: 500 Greatest Albums of All Time: 2003 edition (Nummer: 361) (Reihenfolge: 361)
Rolling Stone: 500 Greatest Albums of All Time: 2012 edition (Nummer: 363) (Reihenfolge: 363)
Discogs:https://www.discogs.com/master/41020 [Info]
Rezensionen:https://www.bbc.co.uk/music/reviews/vq9x [Info]
andere Datenbanken:https://rateyourmusic.com/release/comp/new-order/_the-best-of-new-order/ [Info]
https://www.offiziellecharts.de/charts/album-details-597 [Info]
Allmusic:https://www.allmusic.com/album/mw0000191190 [Info]
Wikidata:Q1932590 [Info]