J.S. Bach Is Alive and Well and Doing His Thing on The Koto

~ Release by 沢井忠夫 (see all versions of this release, 1 available)

Tracklist

112" Vinyl
#TitleRatingLength
A1Toccata and Fugue in D Minor
bass:
滝本逹朗
guitar:
中牟礼貞則 (Sadanori Nakamure, Japanese jazz guitarist)
koto [first koto]:
沢井忠夫
koto [second koto]:
沢井一恵
membranophone:
猪俣猛 (Takeshi Inomata)
shakuhachi:
山本邦山 (Hozan Yamamoto)
cover recording of:
Toccata und Fuge d-Moll, BWV 565 (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
4:20
A2Jesu, Joy of Man's Desiring
bass:
滝本逹朗
guitar:
中牟礼貞則 (Sadanori Nakamure, Japanese jazz guitarist)
koto [first koto]:
沢井忠夫
koto [second koto]:
沢井一恵
membranophone:
猪俣猛 (Takeshi Inomata)
shakuhachi:
山本邦山 (Hozan Yamamoto)
instrumental cover recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
2:30
A3Prelude No.1
bass:
滝本逹朗
guitar:
中牟礼貞則 (Sadanori Nakamure, Japanese jazz guitarist)
koto [first koto]:
沢井忠夫
koto [second koto]:
沢井一恵
membranophone:
猪俣猛 (Takeshi Inomata)
shakuhachi:
山本邦山 (Hozan Yamamoto)
cover recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
2:21
A4Fugue No.1 (From the Well-Tempered Clavier, Book I)
bass:
滝本逹朗
guitar:
中牟礼貞則 (Sadanori Nakamure, Japanese jazz guitarist)
koto [first koto]:
沢井忠夫
koto [second koto]:
沢井一恵
membranophone:
猪俣猛 (Takeshi Inomata)
shakuhachi:
山本邦山 (Hozan Yamamoto)
cover recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846 (catch all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
2:51
A5Sleepers, Wake!
bass:
滝本逹朗
guitar:
中牟礼貞則 (Sadanori Nakamure, Japanese jazz guitarist)
koto [first koto]:
沢井忠夫
koto [second koto]:
沢井一恵
membranophone:
猪俣猛 (Takeshi Inomata)
shakuhachi:
山本邦山 (Hozan Yamamoto)
instrumental cover recording of:
Sleepers, Wake, the Voice Is Calling
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
2:30
A6Polonaise (From orchestral Suite No.2)
bass:
滝本逹朗
guitar:
中牟礼貞則 (Sadanori Nakamure, Japanese jazz guitarist)
koto [first koto]:
沢井忠夫
koto [second koto]:
沢井一恵
membranophone:
猪俣猛 (Takeshi Inomata)
shakuhachi:
山本邦山 (Hozan Yamamoto)
cover recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: V. Polonaise & Double (Orchestral Suite no. 2 in B minor, BWV 1067: V. Polonaise & Double)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
3:13
A7Bourree I (From English Suite No.2)
bass:
滝本逹朗
guitar:
中牟礼貞則 (Sadanori Nakamure, Japanese jazz guitarist)
koto [first koto]:
沢井忠夫
koto [second koto]:
沢井一恵
membranophone:
猪俣猛 (Takeshi Inomata)
shakuhachi:
山本邦山 (Hozan Yamamoto)
cover recording of:
Englische Suite Nr. 2 a-Moll, BWV 807: V. Bourrée I (catch all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Englische Suite Nr. 2 a-Moll, BWV 807: V. Bourrée I
2:55
A8Two
bass:
滝本逹朗
guitar:
中牟礼貞則 (Sadanori Nakamure, Japanese jazz guitarist)
koto [first koto]:
沢井忠夫
koto [second koto]:
沢井一恵
membranophone:
猪俣猛 (Takeshi Inomata)
shakuhachi:
山本邦山 (Hozan Yamamoto)
cover recording of:
Inventio Nr. 1 C-Dur, BWV 772 (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Inventio Nr. 1 C-Dur, BWV 772
1:24
B1Air on the G-String (From orchestral Suite No.3)
bass:
滝本逹朗
guitar:
中牟礼貞則 (Sadanori Nakamure, Japanese jazz guitarist)
koto [first koto]:
沢井忠夫
koto [second koto]:
沢井一恵
membranophone:
猪俣猛 (Takeshi Inomata)
shakuhachi:
山本邦山 (Hozan Yamamoto)
cover recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
3:16
B2Minuet in G (From the Notebook for Anna Magdalena)
bass:
滝本逹朗
guitar:
中牟礼貞則 (Sadanori Nakamure, Japanese jazz guitarist)
koto [first koto]:
沢井忠夫
koto [second koto]:
沢井一恵
membranophone:
猪俣猛 (Takeshi Inomata)
shakuhachi:
山本邦山 (Hozan Yamamoto)
recording of:
Menuet in G major, BWV Anh. 114 (catch-all for arrangements)
composer:
Christian Petzold
arranger:
Thomas Frost (classical music producer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Minuet in G major, BWV Anh. 114 (for keyboard)
part of:
Notenbüchlein für Anna Magdalena Bach, Kleine Suite
2:42
B3Arioso (Sinfonia From Cantata No.156)
bass:
滝本逹朗
guitar:
中牟礼貞則 (Sadanori Nakamure, Japanese jazz guitarist)
koto [first koto]:
沢井忠夫
koto [second koto]:
沢井一恵
membranophone:
猪俣猛 (Takeshi Inomata)
shakuhachi:
山本邦山 (Hozan Yamamoto)
cover recording of:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
is based on:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
3:25
B4Gavotte I (From English Suite No.3)
bass:
滝本逹朗
guitar:
中牟礼貞則 (Sadanori Nakamure, Japanese jazz guitarist)
koto [first koto]:
沢井忠夫
koto [second koto]:
沢井一恵
membranophone:
猪俣猛 (Takeshi Inomata)
shakuhachi:
山本邦山 (Hozan Yamamoto)
cover recording of:
Englische Suite Nr. 3 g-Moll, BWV 808: V. Gavotte I (catch all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Englische Suite Nr. 3 g-Moll, BWV 808: V. Gavotte I
2:04
B5Bourree (From Partita No.1 for Solo Violin)
bass:
滝本逹朗
guitar:
中牟礼貞則 (Sadanori Nakamure, Japanese jazz guitarist)
koto [first koto]:
沢井忠夫
koto [second koto]:
沢井一恵
membranophone:
猪俣猛 (Takeshi Inomata)
shakuhachi:
山本邦山 (Hozan Yamamoto)
cover recording of:
Violin Partita no. 1 in B minor, BWV 1002: VII. Tempo di Borea (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Violin Partita no. 1 in B minor, BWV 1002: VII. Tempo di Borea
part of:
Violin Partita no. 1 in B minor, BWV 1002 (catch-all for arrangements)
3:03
B6Minuet in G Minor (From the Notebook for Anna Magdalena)
bass:
滝本逹朗
guitar:
中牟礼貞則 (Sadanori Nakamure, Japanese jazz guitarist)
koto [first koto]:
沢井忠夫
koto [second koto]:
沢井一恵
membranophone:
猪俣猛 (Takeshi Inomata)
shakuhachi:
山本邦山 (Hozan Yamamoto)
2:16
B7"Little" Fugue in G Minor
bass:
滝本逹朗
guitar:
中牟礼貞則 (Sadanori Nakamure, Japanese jazz guitarist)
koto [first koto]:
沢井忠夫
koto [second koto]:
沢井一恵
membranophone:
猪俣猛 (Takeshi Inomata)
shakuhachi:
山本邦山 (Hozan Yamamoto)
cover recording of:
Fugue in G minor, BWV 578 (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Fugue in G minor, BWV 578 ("Little")
4:01