Soul Party Weekend

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1It’s a Shame (album version)
Produzent(in):
Stevie Wonder
recording of:
It’s a Shame (am 1970-04-29)
Texter und Komponist(in):
Lee Garrett, Syreeta (US singer‐songwriter active 1970s–80s) und Stevie Wonder
publisher:
Black Bull Music und Jobete Music (appears also as: Jobete Msc.)
The Spinners43:11
2Intimate Friends
Eddie Kendricks5:54
3Walk Away From Love
Produzent(in):
Van McCoy
cover recording of:
I’m Gonna Walk Away From Love
Texter und Komponist(in):
Charles H. Kipps Jr
David Ruffin5:30
4Deja Vu (I’ve Been Here Before) (album version)
Produzent(in):
Rick James (US vocalist, multi‐instrumentalist, composer & producer) und Art Stewart
recording of:
De Ja Vu (I’ve Been Here Before)
Verfasser(in):
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
publisher:
Jobete Music (UK) Ltd.
Teena Marie7:37
5Respect Yourself (single version)
Bearbeitung von:
Respect Yourself von The Staple Singers
recording of:
Respect Yourself
Texter und Komponist(in):
Luther Ingram und Sir Mack Rice
publisher:
Irving Music (BMI) (in 1988) und Klondike Enterprises (publisher) (in 1988)
The Staple Singers53:32
6Still Water (Love) (album version)
Produzent(in):
Frank Wilson (Motown singer/songwriter)
arranger:
Jerry Long (Motown songwriter Jerry Long, Sr.) und Jimmy Roach
cover recording of:
Still Water (Love)
Verfasser(in):
Smokey Robinson und Frank Wilson (Motown singer/songwriter)
publisher:
Jobete Music (appears also as: Jobete Msc.)
Four Tops3:17
7Whatcha See Is Whatcha Get (single version)
Bearbeitung von:
Whatcha See Is Whatcha Get (album version) von The Dramatics (US soul music vocal group)
recording of:
Whatcha See Is Whatcha Get (in 1971)
Texter und Komponist(in):
Tony Hester
publisher:
Groovesville Music (publishing) (beendet), EMI Longitude Music, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The Dramatics53:35
8Tell Me If You Still Care
Produzent(in):
Jimmy Jam (James Harris of Jam & Lewis) und Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
recording of:
Tell Me If You Still Care
Verfasser(in):
James Harris III (James Harris of Jam & Lewis) und Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
publisher:
Avant Garde Music Publishing, Inc., KMR Music Royalties II SCSp, Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The S.O.S. Band6:57
9Smiling Faces Sometimes
Produzent(in):
Norman Whitfield
Orchestrator(in):
Jerry Long (Motown songwriter Jerry Long, Sr.)
cover recording of:
Smiling Faces Sometimes
Verfasser(in):
Barrett Strong und Norman Whitfield
recording of:
Smiling Faces Sometimes
Verfasser(in):
Barrett Strong und Norman Whitfield
The Undisputed Truth4.53:16
10Love Ballad
Produzent(in):
Larry Mizell & Fonce Mizell
aufgenommen bei und mixed at:
The Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Love Ballad
Texter und Komponist(in):
Skip Scarborough
publisher:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
L.T.D.34:37
11Jimmy Mack
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1964-03-02 bis 1964-06-18)
recording of:
Jimmy Mack (von 1964-03-02 bis 1964-06-18)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Jobete (now‐defunct US music publisher, affiliated with BMI) und Stone Agate Music Division
Martha Reeves & the Vandellas2:44
12Zoom (album version)
Produzent(in):
James Anthony Carmichael
recording of:
Zoom
Verfasser(in):
Ronald LaPread und Lionel Richie
publisher:
Brenda Richie Publishing, Cambrae Music, Jobete Music Co., Inc. und Libren Music
Commodores6:44
13Just Dropped In (To See What Condition My Condition Was in) (album version)
cover recording of:
Just Dropped In (to See What Condition My Condition Was In)
Texter, Verfasser(in) und Komponist(in):
Mickey Newbury (American songwriter)
publisher:
Acuff-Rose Publications, Inc. (BMI)
Sharon Jones and the Dap‐Kings52:59
14Love’s Train (album version)
recording of:
Love's Train
Verfasser(in):
Michael Cooper (founding member of funk/soul band Con Funk Shun) und Felton C. Pilate II (American singer, songwriter, multi-instrumentalist and record producer)
publisher:
BMG Platinum Songs US und Bravo and Encore Music
Con Funk Shun5:18
15I Choose You (The Mack/Soundtrack version)
Willie Hutch3:42
16Float On (single version)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1977)
Bearbeitung von:
Float On (long version) von Floaters
recording of:
Float On
Verfasser(in):
Arnold Ingram, James Mitchell (Singer, composer and producer, member of Detroit Emeralds) und Marvin Willis (Marvin Lee Willis, member of Detroit Emeralds)
The Floaters4.54:15
17What Does It Take (To Win Your Love) (album version)
Produzent(in):
Johnny Bristol und Harvey Fuqua
aufgenommen bei:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California (Kalifornien), Vereinigte Staaten (bis 1968-01-30)
recording of:
What Does It Take (to Win Your Love) (bis 1968-01-30)
Verfasser(in):
Johnny Bristol, Vernon Bullock (Soul and R&B singer-songwriter and producer) und Harvey Fuqua
publisher:
Jobete Music Co., Inc., Stone Agate Music, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Jr. Walker & the All Stars52:26
18I Wanna Get Next to You
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1976) und Priority Records, Inc. (company credits only! do not file releases here) (in 1995)
recording of:
I Wanna Get Next to You
Verfasser(in):
Norman Whitfield
publisher:
Sony/ATV Ballad und USI B Music Publishing
Rose Royce3.83:58
19All I Do Is Think About You
Tammi Terrell3:00
20Stay in My Corner
Produzent(in):
Bobby Miller (US songwriter & record producer)
recording of:
Stay in My Corner (in 1967)
Verfasser(in):
Wade Flemons, Bobby Miller (US songwriter & record producer) und Barrett Strong
publisher:
Conrad Music (publisher; do NOT use as release label)
The Dells6:13
21You’ve Really Got a Hold On Me (album version / stereo)
recording of:
You’ve Really Got a Hold on Me
Texter und Komponist(in):
Smokey Robinson (in 1962-10)
publisher:
Dominion Music, Jobete Music (UK), Jobete Music Co., Inc., United Partnership Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Miracles2:53
22Just My Imagination (Running Away with Me) (single version / mono)
Produzent(in):
Norman Whitfield
Sologesang:
Eddie Kendricks (von 1970-01-24 bis 1970-12-03)
vocals:
The Temptations (Motown soul vocal group) (von 1970-11-24 bis 1970-12-03)
phonographisches Urheberrecht (℗) von:
Motown Record Company (company credits only; do NOT use as release label) (in 1971), Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1971), Motown Record Corporation (company credits only; do NOT use as release label) (in 1971) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1971)
aufgenommen bei:
Golden World in Detroit, Michigan, Vereinigte Staaten (von 1970-11-24 bis 1970-12-03)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 233) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 389)
recording of:
Just My Imagination (Running Away With Me) (von 1970-11-24 bis 1970-12-03)
Texter:
Barrett Strong
Komponist(in):
Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc. und Stone Agate Music
The Temptations4.353:48
23Love Hangover (single version)
Produzent(in):
Hal Davis
arranger:
Dave Blumberg und Clay Drayton
recording of:
Love Hangover
Verfasser(in):
Marilyn McLeod (soul/jazz singer and songwriter) und Pam Sawyer (British‐born American lyricist and songwriter)
publisher:
Jobete Music (appears also as: Jobete Msc.) und Jobete Music Co., Inc.
Diana Ross3.253:49
24Love… Can Be So Wonderful (album version)
The Temprees4:22
25Mr. Big Stuff (album version)
recording of:
Mr. Big Stuff
Verfasser(in):
Joseph Broussard, Carrol Washington und Ralph Williams (US soul composer)
publisher:
Caraljo Music Inc., Malaco Music Company und Peermusic III, Ltd. (BMI)
Jean Knight2:35
26California Soul (album version)
Produzent(in):
Richard Evans (US jazz/soul bassist, composer, arranger and producer) und Charles Stepney (musician, producer, arranger and songwriter)
arranger:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) und Charles Stepney (musician, producer, arranger and songwriter)
cover recording of:
California Soul
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
Jobete Music Co., Inc. (am 1969-01-17)
Marlena Shaw52:57
27Tell Him
recording of:
Tell Him (Patti Drew song)
Texter und Komponist(in):
Carlton Black
Patti Drew2:31
28Hang on in There Baby (album version)
Johnny Bristol3:54
29You Keep Me Hangin’ On (stereo version)
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
cover recording of:
You Keep Me Hangin’ On (in 1966)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division und Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
recording of:
You Keep Me Hangin’ On
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division und Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The Supremes3.42:43
30Strawberry Letter 23
cover recording of:
Strawberry Letter 23
Texter, Verfasser(in) und Komponist(in):
Shuggie Otis
publisher:
Shugiterius Music
The Brothers Johnson4.654:59
31Send for Me
Atlantic Starr5:30
32Street Life (single edit)
The Crusaders5:32
33Rescue Me
Produzent(in):
Billy Davis (r&b producer/songwriter/performer Roquel Davis), Raynard Miner und Carl Smith (US songwriter and producer active in Chicago)
Sologesang:
Fontella Bass
arranger:
Phil Wright (American jazz pianist and assistant to Barbara Morrison)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1965) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 31)
recording of:
Rescue Me
Verfasser(in):
Raynard Miner und Carl Smith (US songwriter and producer active in Chicago)
publisher:
United Artists Music Co., Inc. (beendet), Chevis Music Publ. Corp. und Reservoir 416
Fontella Bass4.352:55
34Sweet Thing
Interpret(in):
Chaka Khan
recording of:
Sweet Thing
Verfasser(in):
Tony Maiden und Yvette Marie Stevens
publisher:
Universal Music Corp. (USA, affiliated with ASCAP)
Rufus53:23
35Fire
recording engineer:
Kevin McMahon (producer, engineer) und Barry Mraz
Produzent(in):
Kevin McMahon (producer, engineer) und Ohio Players
Mix:
Kevin McMahon (producer, engineer)
Agogô, Conga und Timbales:
James “Diamond” Williams (US drummer for Ohio Players)
Bassgitarre:
Sandy Davis
Gitarre:
Amy Klein
Perkussion und Sologesang:
Clarence "Satch" Satchell, Leroy "Sugarfoot" Bonner (funk guitarist, aka Sugarfoot), William "Billy" Beck und James “Diamond” Williams (US drummer for Ohio Players)
Rhodes Piano [Fender Rhodes]:
William "Billy" Beck
Schlagzeug:
Colin Brooks (US guitarist/drummer)
Tenorsaxophon:
Clarence "Satch" Satchell
Trompete:
Ralph “Pee Wee” Middlebrooks und Marvin “Merv” Pierce
Hintergrundgesang:
Clarence "Satch" Satchell, Leroy "Sugarfoot" Bonner (funk guitarist, aka Sugarfoot), Ralph “Pee Wee” Middlebrooks, Marvin “Merv” Pierce, William "Billy" Beck und James “Diamond” Williams (US drummer for Ohio Players)
vocals:
Amy Klein
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1974), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1991) und Don Giovanni Records (in 2016)
aufgenommen bei und mixed at:
Marcata Recording in New York, Vereinigte Staaten
produced at:
Marcata Recording in New York, Vereinigte Staaten
recording of:
Fire
Texter, Verfasser(in) und Komponist(in):
Billy Beck, Leroy Bonner (funk guitarist, aka Sugarfoot), Marshall Jones (US bassist & songwriter, member of Ohio Players), Ralph “Pee Wee” Middlebrooks, Marvin “Merv” Pierce, Clarence Satchell und James “Diamond” Williams (US drummer for Ohio Players)
publisher:
Charlotte Phillips Publishing (BMI), Rick’s Music, Inc. (publishing company associated with Casablanca) und Segundo Sueños LLC
Ohio Players4:27
36Time Is on My Side
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1993)
cover recording of:
Time Is on My Side
zusätzlicher Texter:
Jimmy Norman
Komponist(in):
Norman Meade
publisher:
Rittenhouse Music Corp., TRO Essex Music Ltd. und ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Version von:
Time Is on My Side (original version, only lyrics are “Time Is on My Side” and “You’ll Come Runnin’ Back”)
Irma Thomas42:53
37Starting All Over Again
recording of:
Starting All Over Again
Texter und Komponist(in):
Phillip Mitchell
publisher:
Muscle Shoals Sound Publishing und Peermusic III, Ltd. (BMI)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Mel & Tim3:51
38Woman to Woman
Techniker(in):
William Brown (engineer)
Produzent(in):
Al Jackson, Jr. (Booker T & The MGs drummer) und Jim Stewart (US producer, founder for Stax & Volt Records)
Bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
Gitarre:
Bobby Manuel
Horn:
The Memphis Horns
Klavier:
Marvell Thomas
membranophone:
Al Jackson, Jr. (Booker T & The MGs drummer)
Orgel:
Lester Snell (Pianist/keyboardist, songwriter and producer)
Saiteninstrumente:
Memphis Symphony Orchestra
Hintergrundgesang:
Charles Chalmers Singers
arranger:
James Mitchell (US saxophonist/arranger) und Lester Snell (Pianist/keyboardist, songwriter and producer)
cover recording of:
Woman to Woman
Verfasser(in):
James Banks, Eddie Marion und Henderson Thigpen
publisher:
Irving Music (BMI) und Irving Music, Inc.
Shirley Brown3:58
39Who’s Making Love
Produzent(in):
Donald Davis (American record producer) und Al Jackson, Jr. (Booker T & The MGs drummer)
Bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1968)
Gitarre:
Steve Cropper (in 1968)
Klavier:
Isaac Hayes (in 1968) und Allen Jones (producer/songwriter/musician/engineer) (in 1968)
membranophone:
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1968)
Orgel und Hintergrundgesang:
Booker T. Jones (in 1968)
Sologesang:
Johnnie Taylor (in 1968)
recording of:
Who’s Making Love? (in 1968)
Verfasser(in):
Homer Banks (soul singer and songwriter), Bettye Crutcher, Don Davis (American record producer) und Raymond Jackson (songwriter, guitarist and producer)
Johnnie Taylor2:46
40I Forgot to Be Your Lover (album version)
Produzent(in):
Booker T. Jones
recording of:
I Forgot to Be Your Lover
Verfasser(in):
William Bell und Booker T. Jones
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), East Memphis Music Corp., Irving Music, Inc., Rondor Music (London) Ltd. und Universal Music Publishing Group
William Bell52:19
41I’m on the Outside (Looking In)
Produzent(in):
Teddy Randazzo
arranger:
Teddy Randazzo
recording of:
I’m on the Outside (Looking In)
Verfasser(in):
Teddy Randazzo und Bobby Weinstein (US songwriter)
publisher:
South Mountain Music Corp., UA Music International Inc., Universal–Songs of PolyGram International, Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Little Anthony & the Imperials3:08
42I’m Gonna Make You Love Me (stereo version)
Produzent(in):
Nickolas Ashford und Frank Wilson (Motown singer/songwriter)
Sologesang:
Eddie Kendricks und Diana Ross
Sprecher:
Otis Williams (US baritone singer, member of The Temptations & The Distants)
arranger:
Paul Riser
phonographisches Urheberrecht (℗) von:
Motown Record Company (company credits only; do NOT use as release label) (in 1968), Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1968), Motown Record Corporation (company credits only; do NOT use as release label) (in 1968) und PolyGram (in 1968)
aufgenommen bei:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California (Kalifornien), Vereinigte Staaten
cover recording of:
I’m Gonna Make You Love Me (bis 1968-09-13)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International), Leon Huff (Philly soul producer, of Gamble & Huff) und Jerry Ross (Philadelphia soul composer/producer)
publisher:
Act Three Music, Down Stairs Music, MRC Music Corp., Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Temptations2.653:07
43What Becomes of the Brokenhearted (single version)
Produzent(in):
William "Mickey" Stevenson (Motown songwriter)
recording of:
What Becomes of the Brokenhearted
Verfasser(in):
James Dean (US soul songwriter), Paul Riser und William Weatherspoon
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Jobete Music (UK)
Jimmy Ruffin4.653:02
44What a Man
Produzent(in):
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
recording of:
What a Man
Texter und Komponist(in):
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
Linda Lyndell4.252:40
45Walking in Rhythm (album version)
The Blackbyrds4:14
46Needle in a Haystack (single version)
Produzent(in):
Norman Whitfield
Sologesang:
Caldin "Carolyn" Gill
recording of:
Needle in a Haystack (von 1964-07-17 bis 1964-07-30)
Verfasser(in):
N. Whitfield und W. Stevenson (Motown songwriter)
publisher:
EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd. und Jobete Music (UK) Ltd.
The Velvelettes2:30
47Something’s Got a Hold On Me
recorded in:
Chicago, Illinois, Vereinigte Staaten (in 1961-12)
Bassgitarre [bass]:
Reggie Boyd (US blues guitarist/bassist) (in 1961-12)
Gitarre:
Matt Murphy (US blues guitarist) (in 1961-12)
Klavier:
John Young (jazz pianist) (in 1961-12)
Schlagzeug:
Al Duncan (in 1961-12)
Hintergrundgesang [backing vocals]:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1961-12)
vocals:
Etta James (in 1961-12)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1962 (Nummer: 40)
recording of:
Something’s Gotta Hold on Me (in 1961-12)
Verfasser(in):
Etta James, Leroy Kirkland und Pearl Woods (60s R&B)
Etta James42:48
48You Are My Lady
recording of:
You Are My Lady
Verfasser(in):
Barry Eastmond
publisher:
Zomba Enterprises, Inc.
Freddie Jackson54:44
49Hey There Lonely Girl
Eddie Holman3:37
50Ain’t No Stoppin’ Us Now
Bearbeitung von:
Ain’t No Stoppin’ Us Now (LP version) von McFadden & Whitehead
recording of:
Ain’t No Stoppin’ Us Now
Verfasser(in):
Jerry Cohen, Gene McFadden und John Whitehead
publisher:
Mijac Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
McFadden & Whitehead43:41

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