Absolutely the Best of Classic Rock

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1School’s Out
Techniker(in):
Roy Cicala und Shelly Yakus
Produzent(in):
Bob Ezrin
E-Bass:
Dennis Dunaway (original bass player for Alice Cooper)
E-Gitarre:
Michael Bruce (of Alice Cooper) und Glen Buxton (American guitarist)
Gitarre und Hintergrundgesang:
Reggie Vincent
Keyboard:
Michael Bruce (of Alice Cooper) und Bob Ezrin
Schlagzeug:
Neil Smith (former Alice Cooper drummer)
Sologesang:
Alice Cooper (the singer, active as a solo artist 1975‐present)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972, in 1974) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1972)
produced for:
Alive Enterprises Incorporated und Nimbus 9 Productions
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 293) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 319)
recording of:
School’s Out
Verfasser(in):
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the singer, active as a solo artist 1975‐present), Dennis Dunaway (original bass player for Alice Cooper) und Neal Smith (former Alice Cooper drummer)
publisher:
Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Sony/ATV Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music (publisher; do NOT use as release label) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.253:28
2Burn
recorded in:
Montreux, Vaud (Kanton Waadt), Schweiz (in 1973-11)
assistierende(r) Techniker(in):
Tapani Tapanainen (in 2004)
Techniker(in):
Martin Birch
E-Bass:
Glenn Hughes (UK rock bassist and vocalist) (in 1973-11)
E-Gitarre:
Ritchie Blackmore (in 1973-11)
Hammond-Orgel und Keyboard:
Jon Lord (in 1973-11)
Schlagzeug:
Ian Paice (in 1973-11)
Sologesang:
David Coverdale (in 1973-11)
vocals:
Glenn Hughes (UK rock bassist and vocalist) (in 1973-11)
aufgenommen bei:
Rolling Stones Mobile Studio in Vereinigtes Königreich (in 1973-11)
recording of:
Burn (in 1973-11)
Verfasser(in):
Ritchie Blackmore, David Coverdale, Jon Lord und Ian Paice
publisher:
Deep Purple Music (Overseas) Ltd. und 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
Deep Purple54:30
3Hold the Line
recording engineer:
Dana Latham, Gabe Veltri und Tom Knox
assistierende(r) Techniker(in):
Dana Latham (Aufgabe: assistant) und Gabe Veltri (Aufgabe: assistant)
Techniker(in) und Mix:
Tom Knox
Produzent(in):
Bruce Dickinson (engineer and producer) und Toto (US rock group)
Bass:
David Hungate und Michael Porcaro
Bassgitarre:
David Hungate (in 1978-08)
E-Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger) (in 1978-08)
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Keyboard:
David Paich (in 1978-08) und Steve Porcaro (in 1978-08)
Klavier:
David Paich (in 1978-08)
Perkussion:
Jeffrey Porcaro und Lenny Castro (in 1978-08)
Schlagzeug:
Jeffrey Porcaro (in 1978-08)
Hintergrundgesang:
Bobby Kimball (in 1978-08), Steve Lukather (guitarist, vocalist, composer, producer and arranger) (in 1978-08) und David Paich (in 1978-08)
Sologesang:
Jean-Michel Byron und Bobby Kimball (in 1978-08)
vocals:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) und Steve Porcaro
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977, in 1978), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978), CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1978), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
aufgenommen bei:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1978-08)
Teil von:
BILLIONS CLUB
recording of:
Hold the Line (in 1978-08)
Texter und Komponist(in):
David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony/ATV Music Publishing Ltd. und Spirit Two Music
sub-publisher:
Sony/ATV Music Publishing (UK) Ltd. und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.23:56
4Locomotive Breath
Techniker(in):
John Burns (engineer/producer for Genesis)
leitende(r) Produzent(in):
Terry Ellis (UK producer & band manager)
Produzent(in):
Ian Anderson (of Jethro Tull) und Terry Ellis (UK producer & band manager)
Akustikgitarre und flute und Sologesang:
Ian Anderson (of Jethro Tull) (am 1971-02-12)
Bassgitarre und Altblockflöte:
Jeffrey Hammond Hammond (am 1971-02-12)
E-Gitarre und soprano recorder:
Martin Barre (am 1971-02-12)
Hammond-Orgel, Klavier, Pianoakkordeon und Synthesizer und mellotron, Orgel und Klavier:
John Evan (am 1971-02-12)
Schlagzeug und Perkussion:
Clive Bunker (am 1971-02-12)
conductor:
Dee Palmer (aka David Palmer, of Jethro Tull) (am 1971-02-12)
remixer:
Robin Black (engineer)
Orchestrator(in):
Dee Palmer (aka David Palmer, of Jethro Tull)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1971)
aufgenommen bei:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (am 1971-02-12)
remixed at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
recording of:
Locomotive Breath (am 1971-02-12)
Texter und Komponist(in):
Ian Anderson (of Jethro Tull)
Jethro Tull4.34:28
5Too Rolling Stoned
recording of:
Too Rolling Stoned
Texter und Komponist(in):
Robin Trower
Robin Trower3:53
6(Don’t Fear) The Reaper
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1976) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976, in 1978)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 397) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 449)
recording of:
(Don’t Fear) The Reaper
Texter und Komponist(in):
Donald Roeser (singer, lead guitarist and songwriter)
publisher:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC und Sony/ATV Tunes LLC (ASCAP) (in 1976)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Blue Öyster Cult4.43:49
7Ebony Eyes
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1977) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1977)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 96)
recording of:
Ebony Eyes
Texter und Komponist(in):
Bob Welch (early member of Fleetwood Mac)
publisher:
Cigar Music, EMI Music Publishing Australia Pty Ltd (not for release label use!) und Glenwood Music Corp.
Bob Welch3:32
8Lunatic Fringe
Produzent(in):
Richard Landis
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 78) und VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 82)
recording of:
Lunatic Fringe
Texter und Komponist(in):
Tom Cochrane (of Red Rider)
Red Rider54:20
9Every Rose Has Its Thorn
Techniker(in):
Duane Baron
Produzent(in):
Tom Werman
Mix:
Duane Baron, John Purdell und Tom Werman
Bassgitarre:
Bobby Dall
Gitarre:
C.C. DeVille
Schlagzeug:
Rikki Rockett
Sologesang:
Bret Michaels
Interpret(in):
Poison (US glam metal band)
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1988), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1988), Enigma (1980s US rock & alternative) (in 1988) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1996)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 34)
recording of:
Every Rose Has Its Thorn
Verfasser(in):
Bobby Dall, C.C. DeVille, Bret Michaels und Rikki Rockett
Komponist(in):
Siddhartha Khosla (American singer and score composer)
publisher:
Cyanide Publishing, Sweet Cyanide Music, Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) und Zomba Songs Inc.
Poison44:19
10Centerfold
Techniker(in):
Dave Thoener
Produzent(in):
Seth Justman
arranger:
Seth Justman
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981) und EMI Catalog (in 2006)
aufgenommen bei:
Long View Farm in North Brookfield, Massachusetts, Vereinigte Staaten
mixed at:
Mix Room, Record Plant (NYC) in New York, New York, Vereinigte Staaten
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 38), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 73) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 314)
recording of:
Centerfold (song by The J. Geils Band)
Texter und Komponist(in):
Seth Justman
publisher:
Center City Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) und Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band43:36
11Hit Me With Your Best Shot
Techniker(in):
Chris Minto (engineer) und Keith Olsen (US producer and engineer)
Produzent(in):
Keith Olsen (US producer and engineer)
Bass:
Roger Capps
Gitarre:
Scott St. Clair Sheets
Gitarre und Keyboard:
Neil Giraldo (multi-instrumentalist, songwriter, producer)
Schlagzeug:
Myron Grombacher
Hintergrundgesang:
Roger Capps und Neil Giraldo (multi-instrumentalist, songwriter, producer)
Hintergrundgesang und Sologesang:
Pat Benatar
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1980, in 2002), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980) und Chrysalis Records, Inc. (not for release label use!) (in 1981)
recording of:
Hit Me With Your Best Shot
Texter und Komponist(in):
Eddie Schwartz
publisher:
ATV Music Publishing of Canada Ltd., Round Hill Songs und Sony Music Publishing (Germany) GmbH
Pat Benatar4.152:50
12Ballroom Blitz
Techniker(in):
Peter Coleman (British engineer & producer)
Produzent(in):
Phil Wainman
arranger:
Sweet (UK glam rock band)
phonographisches Urheberrecht (℗) von:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1973), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1973, in 1974, in 1975), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1973), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei und engineered at:
Audio International Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
The Ballroom Blitz
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music, BMG Music Publishing Ltd. und Universal Music Publishing MGB Australia
The Sweet4.64:02
13Everybody Wants You
Assistent recording engineer:
Garry Rindfuss
recording engineer:
Mack (German rock producer/engineer Reinhold Mack)
Produzent(in):
Billy und Mack (German rock producer/engineer Reinhold Mack)
assistierende(r) Mix:
Jim Ball (engineer)
Mix:
Billy und David Thoener
aufgenommen bei:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland
mixed at:
Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
recording of:
Everybody Wants You
Texter und Komponist(in):
Billy Squier
Billy Squier4.53:46
14Bad to the Bone
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1982), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
Bad to the Bone
Texter und Komponist(in):
George Thorogood (blues, rock, and blues/rock guitarist and vocalist)
publisher:
Del Sound Music
George Thorogood & the Destroyers3:38
15Once Bitten Twice Shy
cover recording of:
Once Bitten Twice Shy
Texter und Komponist(in):
Ian Hunter (Mott the Hoople)
publisher:
April (publisher), EMI April Music Inc. und Ian Hunter Music Inc.
Great White3:59
16Rebel Yell
Techniker(in):
Michael Frondelli
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Mix:
Dave Wittman
Bass, Gitarre und Keyboard:
Steve Stevens (US guitarist and songwriter) (in 1983)
Bassgitarre:
Steve Webster (Canadian bassist, producer, composer, arranger & orchestrator) (in 1983)
Keyboard:
Judi Dozier (in 1983)
Schlagzeug:
Thommy Price (in 1983)
Sologesang:
Billy Idol (English rock singer‐songwriter) (in 1983)
arranger:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1983), Chrysalis Records, Inc. (not for release label use!) (in 1983, in 1999) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1986)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten (in 1983)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Musikvideos:
Rebel Yell von Billy Idol (English rock singer‐songwriter)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 79)
recording of:
Rebel Yell (in 1983)
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
publisher:
BMG Monarch, Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Rare Blue Music, Rare Blue Music Inc, Rock Steady Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Canada Ltd., WB Music Corp. (1929–2019) und WC Music Corp.
Billy Idol4.54:46
17I’ve Done Everything for You
recording of:
I've Done Everything for You
Verfasser(in):
Sammy Hagar
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Sammy Hagar3:02
18Jane
recording of:
Jane (Jefferson Starship song)
Texter:
David Freiberg und Jim McPherson (singer/songwriter)
Komponist(in):
Craig Chaquico, David Freiberg, Paul Kantner und Jim McPherson (singer/songwriter)
publisher:
Carlin Music Corp.
Jefferson Starship3.754:10
19The Doctor
Koproduzent(in):
Rodney Mills
Produzent(in):
Charlie Midnight und Eddie Schwartz
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989)
recording of:
The Doctor
Verfasser(in):
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”), Charlie Midnight und Eddie Schwartz
publisher:
EMI Songs Ltd., High Frontier Music, Janiceps Music, Round Hill Works, SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) und Windecor Publishing
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 大洋音楽 (Taiyō Music) und 日音 Synch事業部 (NICHION, INC. Synch Division)
The Doobie Brothers43:44
20Juke Box Hero
assistierende(r) Techniker(in):
Edwin Hobgood (engineer) und Michael Sauvage
Techniker(in):
Tony Platt (UK engineer and producer), Brad Samuelsohn und Dave Wittman
Produzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Robert John “Mutt” Lange (Robert John Lange)
Bassgitarre:
Rick Wills
E-Gitarre [lead guitar] und Keyboard:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
Schlagzeug:
Dennis Elliott
Synthesizer:
Thomas Dolby und Larry Fast (American synthesizer player and composer)
Hintergrundgesang:
Dennis Elliott, Mick Jones (Foreigner/Spooky Tooth, worked in France), Robert John “Mutt” Lange (Robert John Lange), Ian Lloyd (of Stories), Mark Rivera und Rick Wills
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981, in 2002) und Rhino Entertainment Company (not for release label use!) (in 2009)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
recording of:
Juke Box Hero
Verfasser(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Somerset Songs Publishing Inc., フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Foreigner3.64:22

Nennungen

Veröffentlichung

ASIN:US: B00009N1ZA [Info]