The Complete Warner Classics Recordings

~ Release by Sir Neville Marriner (see all versions of this release, 1 available)

Annotation

An 80-CD collection of the complete recordings made by Sir Neville Marriner for Warner Classics. Includes a 44-page booklet with essays and an index of works. CD wallets have original jacket artwork and tracklists printed on them.

Annotation last modified on 2024-11-17 11:59 UTC.

Tracklist

1▶CD: Charpentier: Te Deum / Magnificat
2▶CD: Bach: Cantatas BWV 202 & 209 (Ameling)
3▶CD: Bach: Magnificat / Vivaldi: Gloria
4▶CD: Bach: Arias (Baker)
5▶CD: Bach: Brandenburg Concertos nos. 1-4
6▶CD: Bach: Brandenburg Concertos nos. 5-6 / Orchestral Suite no. 1
7▶CD: Bach: Orchestral Suites nos. 2-4
8▶CD: Bach: Piano Concertos nos. 1-3 (Gavrilov)
9▶CD: Bach: Piano Concertos no. 4-7 (Gavrilov)
10▶CD: Handel: Messiah (beginning)
11▼CD: Handel: Messiah (conclusion)
#TitleArtistRatingLength
1Messiah, HWV 56: Second Part. No. 21 Chorus. “Wahrlich, wahrlich er litt uns're Qual”
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer) and Dr. Otto Tomek (producer)
choir vocals:
Südfunkchor (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
chorus master:
Klaus Martin Ziegler (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 24. Chorus “Surely He hath borne our griefs” (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 24. Chorus “Surely He hath borne our griefs” (on 1984-07-19)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:27
2Messiah, HWV 56: Second Part. No. 22 Chorus. “Durch seine Wunden sind wir geheilt”
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer) and Dr. Otto Tomek (producer)
choir vocals:
Südfunkchor (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
chorus master:
Klaus Martin Ziegler (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with His stripes” (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with His stripes” (on 1984-07-19)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:57
3Messiah, HWV 56: Second Part. No. 23 Chorus. “Der Herde gleich, so irrten wir zerstreut”
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer) and Dr. Otto Tomek (producer)
choir vocals:
Südfunkchor (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
chorus master:
Klaus Martin Ziegler (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” (on 1984-07-19)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:02
4Messiah, HWV 56: Second Part. No. 24 “Alle die, die ihn sehen” (Tenor)
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer) and Dr. Otto Tomek (producer)
tenor vocals:
Robert Gambill (tenor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see Him” (Tenor) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see Him” (Tenor) (on 1984-07-19)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:46
5Messiah, HWV 56: Second Part. No. 25 Chorus. “Er traute auf Gott”
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer) and Dr. Otto Tomek (producer)
choir vocals:
Südfunkchor (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
chorus master:
Klaus Martin Ziegler (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” (on 1984-07-19)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:15
6Messiah, HWV 56: Second Part. No. 26 “Diese Schmach zerbrach ihm das Herz” (Tenor)
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer) and Dr. Otto Tomek (producer)
tenor vocals:
Robert Gambill (tenor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken His heart” (Tenor) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken His heart” (Tenor) (on 1984-07-19)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:40
7Messiah, HWV 56: Second Part. No. 27 “Schau hin und sich” (Tenor)
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer) and Dr. Otto Tomek (producer)
tenor vocals:
Robert Gambill (tenor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) (on 1984-07-19)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:26
8Messiah, HWV 56: Second Part. No. 28 “Er ist dahin, aus dem Land der Lebendigen” (Tenor)
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer) and Dr. Otto Tomek (producer)
tenor vocals:
Robert Gambill (tenor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (Soprano) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (Soprano) (on 1984-07-19)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:28
9Messiah, HWV 56: Second Part. No. 29 “Doch du ließest ihn dem Tode nicht” (Tenor)
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer) and Dr. Otto Tomek (producer)
tenor vocals:
Robert Gambill (tenor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 32. Air “But thou didst not leave His soul in hell…” (Soprano) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 32. Air “But thou didst not leave His soul in hell…” (Soprano) (on 1984-07-19)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:14
10Messiah, HWV 56: Second Part. No. 30 Chorus. “Hoch tut euch auf”
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer) and Dr. Otto Tomek (producer)
choir vocals:
Südfunkchor (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
chorus master:
Klaus Martin Ziegler (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” (on 1984-07-19)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:05
11Messiah, HWV 56: Second Part. “Denn zu welchem der Engel hat jemals er gasgt” (Tenor)
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer) and Dr. Otto Tomek (producer)
tenor vocals:
Robert Gambill (tenor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) (on 1984-07-19)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:15
12Messiah, HWV 56: Second Part. No. 31 Chorus. “Lasst alle Engel des Herrn preisen ihn”
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer) and Dr. Otto Tomek (producer)
choir vocals:
Südfunkchor (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
chorus master:
Klaus Martin Ziegler (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him” (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him” (on 1984-07-19)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:26
13Messiah, HWV 56: Second Part. No. 32 “Du fuhrst zum Himmel auf” (Bass)
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer) and Dr. Otto Tomek (producer)
bass vocals:
Robert Holl (bass‐baritone) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) (on 1984-07-19)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:27
14Messiah, HWV 56: Second Part. No. 33 Chorus. “Der Herr gab das Wort”
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer) and Dr. Otto Tomek (producer)
choir vocals:
Südfunkchor (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
chorus master:
Klaus Martin Ziegler (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” (on 1984-07-19)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:11
15Messiah, HWV 56: Second Part. No. 34 “Wie lieblich ist der Boten Schritt” (Soprano)
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer) and Dr. Otto Tomek (producer)
soprano vocals:
Lucia Popp (soprano) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
is based on:
Messiah, HWV 56: Part II, no. 38. Air “How beautiful are the feet…” (Soprano) (soprano aria version without chorus)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus) (on 1984-07-19)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
is based on:
Messiah, HWV 56: Part II, no. 38. Air “How beautiful are the feet…” (Soprano) (soprano aria version without chorus)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:20
16Messiah, HWV 56: Second Part. No. 35 “Ihr Schall gehet aus in jedes Land” (Tenor)
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer) and Dr. Otto Tomek (producer)
tenor vocals:
Robert Gambill (tenor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor) (on 1984-07-19)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:09
17Messiah, HWV 56: Second Part. No. 36 “Warum denn rasen und toben die Heiden im Zorne” (Bass)
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer) and Dr. Otto Tomek (producer)
bass vocals:
Robert Holl (bass‐baritone) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) (on 1984-07-19)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:52
18Messiah, HWV 56: Second Part. No. 37 Chorus. “Auf, zerreißet ihre Bande”
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer) and Dr. Otto Tomek (producer)
choir vocals:
Südfunkchor (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
chorus master:
Klaus Martin Ziegler (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us break their bonds asunder” (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us break their bonds asunder” (on 1984-07-19)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:00
19Messiah, HWV 56: Second Part. “Der da thronet im Himmel” (Tenor)
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer) and Dr. Otto Tomek (producer)
tenor vocals:
Robert Gambill (tenor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (Tenor) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (Tenor) (on 1984-07-19)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:14
20Messiah, HWV 56: Second Part. No. 38 “Du zerschläget sie mit dem eisernen Zepter” (Tenor)
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer) and Dr. Otto Tomek (producer)
tenor vocals:
Robert Gambill (tenor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) (on 1984-07-19)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:05
21Messiah, HWV 56: Second Part. No. 39 Chorus. “Hallelujah!”
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer) and Dr. Otto Tomek (producer)
choir vocals:
Südfunkchor (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
chorus master:
Klaus Martin Ziegler (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (on 1984-07-19)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel4:05
22Messiah, HWV 56: Third Part. No. 40 “Ich weié, dass mein Erlöser lebet” (Soprano)
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer) and Dr. Otto Tomek (producer)
soprano vocals:
Lucia Popp (soprano) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) (on 1984-07-19)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel5:19
23Messiah, HWV 56: Third Part. No. 41 Chorus. “Kam durch einen Tod”
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer) and Dr. Otto Tomek (producer)
choir vocals:
Südfunkchor (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
chorus master:
Klaus Martin Ziegler (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death” (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
recording of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death” (on 1984-07-19)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel2:02
24Messiah, HWV 56: Third Part. No. 42 “Vernehmt, ich kind' ein Geheimnis an” (Bass)
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer) and Dr. Otto Tomek (producer)
bass vocals:
Robert Holl (bass‐baritone) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part III, no. 47. Recitative “Behold, I tell you a mystery” (Bass) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
recording of:
Messiah, HWV 56: Part III, no. 47. Recitative “Behold, I tell you a mystery” (Bass) (on 1984-07-19)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel0:40
25Messiah, HWV 56: Third Part. No. 43 “Die Tromba erschallt” (Bass)
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer) and Dr. Otto Tomek (producer)
bass vocals:
Robert Holl (bass‐baritone) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
recording of:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass) (on 1984-07-19)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel8:52
26Messiah, HWV 56: Third Part. “Dann wird erfüllt das Wort” (Alto)
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer) and Dr. Otto Tomek (producer)
contralto vocals:
Brigitte Fassbaender (mezzo-soprano) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part III
recording of:
Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto) (on 1984-07-19)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part III
George Frideric Handel0:19
27Messiah, HWV 56: Third Part. No. 44 “O Tod, wo ist dein Stachel?” (Alto, Tenor) / No. 45 Chorus. “Drum Dank sei dir, Gott”
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer) and Dr. Otto Tomek (producer)
choir vocals:
Südfunkchor (from 1984-05-24 until 1984-05-30, on 1984-07-19)
contralto vocals:
Brigitte Fassbaender (mezzo-soprano) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
tenor vocals:
Robert Gambill (tenor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
chorus master:
Klaus Martin Ziegler (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
recording of:
Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…” (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
recording of:
Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) (on 1984-07-19)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
recording of:
Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…” (on 1984-07-19)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel3:52
28Messiah, HWV 56: Third Part. No. 46 “Ist Gott mit uns, wer sollte uns schaden?” (Soprano)
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer) and Dr. Otto Tomek (producer)
soprano vocals:
Lucia Popp (soprano) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano) (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
recording of:
Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano) (on 1984-07-19)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel4:41
29Messiah, HWV 56: Third Part. No. 47 Chorus. “Würdig ist das Lamm”
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer) and Dr. Otto Tomek (producer)
choir vocals:
Südfunkchor (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
chorus master:
Klaus Martin Ziegler (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (on 1984-07-19)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel6:01
12▶CD: Handel: Arias (Battle)
13▶CD: Handel: Water Music
14▶CD: Handel: Concerto a due cori nos. 1 & 3 / 2 Overtures
15▶CD: Bach: Cantata BWV 51 / Scarlatti: Cantata “Su le sponde del Tebro” / Abinoni & Vivaldi: Concerto for trumpet (Helen Donath, Maurice André)
16▶CD: Trumpet Concertos by Tartini, Albinoni, Telemann & Handel / Purcell (André)
17▶CD: Trumpet Concertos by Stölzel, Telemann & Vivaldi (André)
18▶CD: Works for Recorder by Telemann, Sammartini & Handel (Munrow)
19▶CD: Haydn: Paukenmesse
20▶CD: Haydn: Nelson Messe
21▶CD: Haydn: Theresienmesse / Heiligmesse
22▶CD: Haydn: Schöpfungmesse / Kleine Orgelsolomesse
23▶CD: Haydn: Die Schöpfung (beginning)
24▶CD: Haydn: Die Schöpfung (conclusion)
25▶CD: Haydn: Cello Concertos nos. 1 & 2 (Harrell)
26▶CD: Haydn: The Seven Last Words of Christ
27▶CD: Trumpet Concertos by Haydn & Telemann… (Wilbraham)
28▶CD: Punto: Horn Concertos nos. 5, 6, 10 & 11 (Tuckwell)
29▶CD: Mozart: Overtures / Les Petits Riens
30▶CD: Mozart: Overtures
31▶CD: Mozart: Symphonies nos. 24-27 & 32
32▶CD: Mozart: Symphonies nos. 28-30
33▶CD: Mozart: Symphonies nos. 31, 33 & 34
34▶CD: Mozart: Symphonies nos. 35 & 41
35▶CD: Mozart: Symphonies nos. 36 & 40
36▶CD: Mozart: Symphonies nos. 38 & 39
37▶CD: Mozart: Piano Concertos nos. 5, 6 & 11 (Zacharias)
38▶CD: Mozart: Piano Concertos no. 16 & 19 (Zacharias)
39▶CD: Mozart: Piano Concertos nos. 17 & 18 (Zacharias)
40▶CD: Mozart: Piano Concertos nos. 22 & 27 (Buchbinder)
41▶CD: Mozart: Violin Concerto no. 1 / Sinfonia concertante (Mutter)
42▶CD: Mozart: Horn Concertos nos. 1-4 / Rondo K. 371 (Tuckwell)
43▶CD: Mozart: Horn Concertos nos. 1-4 / Quintet for horn & strings (Pyatt)
44▶CD: Mozart: Sacred Arias (Hendricks)
45▶CD: Mozart and His Contemporaries (Roocroft)
46▶CD: Eine kleine Nachtmusik
47▶CD: Beethoven: 2 Romances / Mozart & Schubert: Rondos
48▶CD: Beethoven: Piano Concertos nos. 2 & 3 (Fellner)
49▶CD: Beethoven: Violin Concerto / 2 Romances (Sitkovetsky)
50▶CD: Cherubini: Overtures
51▶CD: Horn Concertos by Telemann, Förster, Weber, L. Mozart (Tuckwell)
52▶CD: Music for double bass (Slatford)
53▶CD: Rossini: Overtures
54▶CD: Suppé: Overtures
55▶CD: Grieg & Mendelssohn: Piano Concertos (Ousset)
56▶CD: Grieg: Peer Gynt (Popp)
57▶CD: Vieuxtemps: Cello Concertos nos. 1 & 2 (Schiff)
58▶CD: Bizet: Symphony in C major / L'Arlésienne, Suites 1 & 2
59▶CD: Saxophone Concertos (Harle)
60▶CD: Contrasts - The Lighter Elgar
61▶CD: Falla: El sombrero de tres picos / Noches en los jardines de España
62▶CD: Respighi: Gli uccelli / Trittico botticelliano
63▶CD: Wolf-Ferrari: Orchestral Music
64▶CD: Martin: Petite symphonie concertante / Bloch: Concerto grosso no. 1
65▶CD: Stravinsky: Dumberton Oaks / Concerto in D / Danses concertantes
66▶CD: Stravinsky: Pulcinella / 2 suites for small orchestra
67▶CD: English String Music
68▶CD: Britten: Les Illuminations (Harper) / Serenade (Tear)
69▶CD: Britten: The Young Person's Guide to the orchestra / Four Sea Interludes / Men of Goodwill
70▶CD: Copland: Appalachian Spring / Rodeo / El salón México
71▶CD: Walton: Façade
72▶CD: Tippett: Divertimento / LIttle Music for string orchestra / Sonata for four horns / Concerto for double string orchestra
73▶CD: The Academy in Concert
74▶CD: The Academy - By Request
75▶CD: Favorite Orchestral Pieces
76▶CD: The Sound of the Academy
77▶CD: The Academy Plays Opera
78▶CD: Viennese Operetta Arias (Popp)
79▶CD: Wagner: Siegfried Idyll / Dvořák, Fauré, Tchaikovsky…
80▶CD: Oscar Wilde: Music by Debbie Wiseman