Matthäus‐Passion

~ Release by Johann Sebastian Bach; Wiener Philharmoniker, Wilhelm Furtwängler (see all versions of this release, 3 available)

Tracklist

1▶CD: Matthäus‐Passion, BWV 244: Erster Teil
2▼CD: Matthäus‐Passion, BWV 244: Zweiter Teil
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1Matthäus‐Passion, BWV 244: Zweiter Teil: Arie: “Ach, nun ist mein Jesus hin!” mit Chor “Wo ist denn dein Freund hingegangen?”
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
alto vocals:
Marga Höffgen (contralto) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:30
2Matthäus‐Passion, BWV 244: Zweiter Teil: Rezitativ: “Die aber Jesum gegriffen hatten”
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXI. Rezitativ (Evangelist) "Die aber Jesum gegriffen hatten" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:45
3Matthäus‐Passion, BWV 244: Zweiter Teil: Rezitativ: “Und der Hohepriester stand auf und sprach zu ihm”
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
partial recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:37
4Matthäus‐Passion, BWV 244: Zweiter Teil: Rezitativ: “Und der Hohepriester antwortete”
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
baritone vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach1:39
5Matthäus‐Passion, BWV 244: Zweiter Teil: Rezitativ: “Da speiten sie”
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIc. "Da speieten sie aus" (Evangelista) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach1:05
6Matthäus‐Passion, BWV 244: Zweiter Teil: Choral: “Wer hat dich so geschlagen”
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVII. Choral "Wer hat dich so geschlagen" (from 1954-04-14 until 1954-04-17)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 292)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:36
7Matthäus‐Passion, BWV 244: Zweiter Teil: Rezitativ: “Petrus aber saß draußen im Palast”
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Singakademie (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draußen im Palast" (Evangelista, Ancilla I & II, Petrus) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIb. "Wahrlich, du bist auch einer von denen" (Chorus) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
Johann Sebastian Bach1:21
8Matthäus‐Passion, BWV 244: Zweiter Teil: Rezitativ: “Da hub er an, sich zu verfluchen”
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
Johann Sebastian Bach1:38
9Matthäus‐Passion, BWV 244: Zweiter Teil: Arie: “Erbarme dich, mein Gott”
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
alto vocals:
Marga Höffgen (contralto) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (from 1954-04-14 until 1954-04-17)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach9:03
10Matthäus‐Passion, BWV 244: Zweiter Teil: Rezitativ: “Jesus aber stand vor dem Landpfleger”
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
baritone vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
partial recording of:
Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:06
11Matthäus‐Passion, BWV 244: Zweiter Teil: Choral: “Befiehl du deine Wege”
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIV. Choral "Befiehl du deine Wege" (from 1954-04-14 until 1954-04-17)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 159)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:56
12Matthäus‐Passion, BWV 244: Zweiter Teil: Rezitativ: “Aud das Fest aber hatte”
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
baritone vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Singakademie (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:49
13Matthäus‐Passion, BWV 244: Zweiter Teil: Rezitativ: “Der Landpfleger sagte”
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:15
14Matthäus‐Passion, BWV 244: Zweiter Teil: Rezitativ: “Er hat uns allen wohlgetan”
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
soprano vocals:
Elisabeth Grümmer (soprano) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:40
15Matthäus‐Passion, BWV 244: Zweiter Teil: Arie: “Aus Liebe will mein Heiland sterben”
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
soprano vocals:
Elisabeth Grümmer (soprano) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:16
16Matthäus‐Passion, BWV 244: Zweiter Teil: Rezitativ: “Sie Schrieen aber noch mehr”
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:22
17Matthäus‐Passion, BWV 244: Zweiter Teil: Rezitativ: “Erbarm’ es Gott!”
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
alto vocals:
Marga Höffgen (contralto) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:48
18Matthäus‐Passion, BWV 244: Zweiter Teil: Rezitativ: “Da nahmen die Kriegsknechte des Landpflegers”
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista)
Johann Sebastian Bach1:23
19Matthäus‐Passion, BWV 244: Zweiter Teil: Choral: “O Haupt voll Blut und Wunden”
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (from 1954-04-14 until 1954-04-17)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:24
20Matthäus‐Passion, BWV 244: Zweiter Teil: Rezitativ: “Une da sie ihn verspottet hatten”
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:55
21Matthäus‐Passion, BWV 244: Zweiter Teil: Rezitativ: “Und da wurden zween Mörder mit ihm gekreuziget”
choir vocals:
Wiener Singakademie (in 1954-04)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (in 1954-04)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1954-04)
conductor:
Wilhelm Furtwängler (conductor) (in 1954-04)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (in 1954-04)
partial recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]" (in 1954-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:01
22Matthäus‐Passion, BWV 244: Zweiter Teil: Rezitativ: “Desglichen schmäheten ihn auch die Mörder”
choir vocals:
Wiener Singakademie (in 1954-04)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (in 1954-04)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1954-04)
conductor:
Wilhelm Furtwängler (conductor) (in 1954-04)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (in 1954-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIe. "Desgleichen schmäheten ihn auch die Mörder" (Evangelista) (in 1954-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
Johann Sebastian Bach1:37
23Matthäus‐Passion, BWV 244: Zweiter Teil: Rezitativ: “Ach, Golgatha”
alto vocals:
Marga Höffgen (contralto) (in 1954-04)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1954-04)
conductor:
Wilhelm Furtwängler (conductor) (in 1954-04)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (in 1954-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha" (in 1954-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:29
24Matthäus‐Passion, BWV 244: Zweiter Teil: Rezitativ: “Und von der sechsten Stunde”
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
baritone vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:43
25Matthäus‐Passion, BWV 244: Zweiter Teil: Choral: “Wenn ich einmal soll schneiden”
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXII. Choral "Wenn ich einmal soll scheiden" (from 1954-04-14 until 1954-04-17)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 164)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:31
26Matthäus‐Passion, BWV 244: Zweiter Teil: Rezitativ mit Chor: “Und sihe da, der Vorhang im Tempel zerriß in zwei Stück”
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:52
27Matthäus‐Passion, BWV 244: Zweiter Teil: Rezitativ: “Am Abend, da es kühle war”
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:28
28Matthäus‐Passion, BWV 244: Zweiter Teil: Rezitativ: “Une Joseph nahm den Leib”
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Singakademie (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus)
Johann Sebastian Bach0:40
29Matthäus‐Passion, BWV 244: Zweiter Teil: Rezitativ mit Chor “Nun ist der Herr zur Ruh’ grabracht”
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
alto vocals:
Marga Höffgen (contralto) (from 1954-04-14 until 1954-04-17)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
soprano vocals:
Elisabeth Grümmer (soprano) (from 1954-04-14 until 1954-04-17)
tenor vocals:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:38
30Matthäus‐Passion, BWV 244: Zweiter Teil: Chor: “Wir setzen uns mit Tränen nieder”
harpsichord:
Anton Heiller (Austrian organist, composer and conductor) (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach8:18