St Matthew Passion, BWV 244

~ Release by Johann Sebastian Bach; Philharmonia Orchestra, Philharmonia Chorus, Otto Klemperer (see all versions of this release, 6 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Bach: Matthäus-Passion, BWV 244, Pt. 1: No. 1, Chor. "Kommt, ihr Töchter helft mir klagen"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
soprano vocals [Soprano in ripieno]:
Hampstead Parish Church Choir (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach11:45
2Bach: Matthäus-Passion, BWV 244, Pt. 1: No. 2, Recitative. "Da Jesus diese Rede vollendet hatte"
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
bass vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1961-01-01 until 1961-01-12)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, II. Rezitativ (Evangelist, Jesus) "Da Jesus diese Rede vollendet hatte" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:56
3Bach: Matthäus-Passion, BWV 244, Pt. 1: No. 3, Choral. "Herzliebster Jesu, was hast du verbrochen"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, III. Choral "Herzliebster Jesu, was hast du verbrochen" (from 1961-01-01 until 1961-01-12)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 166)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:29
4Bach: Matthäus-Passion, BWV 244, Pt. 1: No. 4a, Rezitativ. "Da versammleten sich die Hohenpriester"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:32
5Bach: Matthäus-Passion, BWV 244, Pt. 1: No. 4b, Chor. "Ja nicht auf das Fest"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
tenor vocals:
Peter Pears (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVb. Cori "Ja nicht auf das Fest" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:18
6Bach: Matthäus-Passion, BWV 244, Pt. 1: No. 4c, Rezitativ. "Da nun Jesus war zu Bethanien"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVc. "Da nun Jesus war zu Bethanien" (Evangelista) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:41
7Bach: Matthäus-Passion, BWV 244, Pt. 1: No. 4d, Chor. "Wozu dienet dieser Unrat"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
tenor vocals:
Peter Pears (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVd. Coro "Wozu dienet dieser Unrat" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:36
8Bach: Matthäus-Passion, BWV 244, Pt. 1: No. 4e, Rezitativ. "Da das Jesus merkete"
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
bass vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1961-01-01 until 1961-01-12)
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVe. "Da das Jesus merkete" (Evangelista, Jesus) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach1:53
9Bach: Matthäus-Passion, BWV 244, Pt. 1: No. 5, Rezitativ. "Du lieber Heiland du"
alto vocals:
Christa Ludwig (mezzo-soprano) (from 1961-01-01 until 1961-01-12)
contralto vocals:
Christa Ludwig (mezzo-soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, V. Accompagnato-Rezitativ (Alt) "Du lieber Heiland du" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:05
10Bach: Matthäus-Passion, BWV 244, Pt. 1: No. 6, Aria. "Buß und Reu"
alto vocals:
Christa Ludwig (mezzo-soprano) (from 1961-01-01 until 1961-01-12)
contralto vocals:
Christa Ludwig (mezzo-soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, VI. Arie (Alt) "Buß und Reu" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:50
11Bach: Matthäus-Passion, BWV 244, Pt. 1: No. 7, Rezitativ. "Da ging hin der Zwölfen einer"
baritone vocals:
John Carol Case (English baritone)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, VII. Rezitativ (Evangelist, Judas) "Da ging hin der Zwölfen einer" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:46
12Bach: Matthäus-Passion, BWV 244, Pt. 1: No. 8, Aria. "Blute nur, du liebes Herz!"
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, VIII. Arie (Sopran) "Blute nur, du liebes Herz" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:13
13Bach: Matthäus-Passion, BWV 244, Pt. 1: No. 9a, Rezitativ. "Aber am ersten Tage der süssen Brot"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" (Evangelista) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach0:14
14Bach: Matthäus-Passion, BWV 244, Pt. 1: No. 9b, Chor. "Wo willst du, dass wir dir bereiten"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXb. Coro "Wo willst du, dass wir dir bereiten" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach0:26
15Bach: Matthäus-Passion, BWV 244, Pt. 1: No. 9c, Rezitativ. "Er sprach, gehet hin in die Stadt" - No. 9d, Rezitativ. "Und sie wurden sehr betrübt" - No. 9e, Chor. "Herr, bin ichs?"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXc. "Er sprach: Gehet hin in die Stadt" (Evangelista, Jesus) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach2:03
16Bach: Matthäus-Passion, BWV 244, Pt. 1: No. 10, Choral. "Ich bin's, ich sollte büßen"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, X. Choral "Ich bin's, ich sollte büßen" (from 1961-01-01 until 1961-01-12)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 294)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:34
17Bach: Matthäus-Passion, BWV 244, Pt. 1: No. 11, Rezitativ. "Er antwortete und sprach"
baritone vocals:
John Carol Case (English baritone) and Dietrich Fischer‐Dieskau (baritone)
bass vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1961-01-01 until 1961-01-12)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XI. Rezitativ (Evangelist, Jesus, Judas) "Er antwortete und sprach" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:58
18Bach: Matthäus-Passion, BWV 244, Pt. 1: No. 12, Rezitativ. "Wiewohl mein Herz in Tränen schwimmt"
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XII. Accompagnato-Rezitativ (Sopran) "Wiewohl mein Herz in Tränen schwimmt" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:32
19Bach: Matthäus-Passion, BWV 244, Pt. 1: No. 13, Aria. "Ich will dir mein Herz schenken"
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIII. Arie (Sopran) "Ich will dir mein Herze schenken" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:03
20Bach: Matthäus-Passion, BWV 244, Pt. 1: No. 14, Rezitativ. "Und da sie den Lobgesang gesprochen hatten"
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIV. Rezitativ (Evangelist, Jesus) "Und da sie den Lobgesang gesprochen hatten" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:24
21Bach: Matthäus-Passion, BWV 244, Pt. 1: No. 15, Choral. "Erkenne mich, mein Hüter"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XV. Choral "Erkenne mich, mein Hüter" (from 1961-01-01 until 1961-01-12)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 163)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:51
22Bach: Matthäus-Passion, BWV 244, Pt. 1: No. 16, Rezitativ. "Petrus aber antwortete und sprach zu ihm"
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
bass vocals:
Walter Berry (bass‐baritone)
bass vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1961-01-01 until 1961-01-12)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVI. Rezitativ (Evangelist, Petrus, Jesus) "Petrus aber antwortete und sprach zu ihm" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:19
23Bach: Matthäus-Passion, BWV 244, Pt. 1: No. 17, Choral. "Ich will hier bei dir stehen"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVII. Choral "Ich will hier bei dir stehen" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:53
24Bach: Matthäus-Passion, BWV 244, Pt. 1: No. 18, Rezitativ. "Da kam Jesus mit ihnen zu einem Hofe"
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
bass vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1961-01-01 until 1961-01-12)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVIII. Rezitativ (Evangelist, Jesus) "Da kam Jesus mit ihnen zu einem Hofe" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:06
25Bach: Matthäus-Passion, BWV 244, Pt. 1: No. 19, Rezitativ und Choral. "O Schmerz! Hier zittert das gequälte Herz!"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
tenor vocals:
Nicolai Gedda (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIX. Accompagnato-Rezitativ (Tenor) und Choral (Chor II) "O Schmerz! Hier zittert das gequälte Herz" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:06
26Bach: Matthäus-Passion, BWV 244, Pt. 1: No. 20, Aria mit Chor. "Ich will bei meinem Jesu wachen"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
tenor vocals:
Nicolai Gedda (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XX. Arie (Tenor) und Chor II "Ich will bei meinen Jesu wachen" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach6:15
27Bach: Matthäus-Passion, BWV 244, Pt. 1: No. 21, Rezitativ. "Und ging hin ein wenig"
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
bass vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1961-01-01 until 1961-01-12)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXI. Rezitativ (Evangelist, Jesus) "Und ging hin ein wenig" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:54
28Bach: Matthäus-Passion, BWV 244, Pt. 1: No. 22, Rezitativ. "Der Heiland fällt vor seinem Vater nieder"
bass vocals:
Walter Berry (bass‐baritone) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXII. Accompagnato-Rezitativ (Bass) "Der Heiland fällt vor seinem Vater nieder" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:22
29Bach: Matthäus-Passion, BWV 244, Pt. 1: No. 23, Aria. "Gerne will ich mich bequemen"
bass vocals:
Walter Berry (bass‐baritone) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIII. Arie (Bass) "Gerne will ich mich bequemen" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach6:36
30Bach: Matthäus-Passion, BWV 244, Pt. 1: No. 24, Rezitativ. "Und er kam zu seinen Jüngern"
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
bass vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1961-01-01 until 1961-01-12)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIV. Rezitativ (Evangelist, Jesus) "Und er kam zu seinen Jüngern" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:35
31Bach: Matthäus-Passion, BWV 244, Pt. 1: No. 25, Choral. "Was mein Gott will, das g'scheh allzeit"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXV. Choral "Was mein Gott will, das g'scheh allzeit" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 342)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:08
32Bach: Matthäus-Passion, BWV 244, Pt. 1: No. 26, Rezitativ. "Und er kam und fand sie aber schlafen"
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
bass vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1961-01-01 until 1961-01-12)
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVI. Rezitativ (Evangelist, Jesus) "Und er kam und fand sie aber schlafend" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:06
33Bach: Matthäus-Passion, BWV 244, Pt. 1: No. 27, Aria und Chor. "So ist mein Jesus nun gefangen"
alto vocals:
Christa Ludwig (mezzo-soprano) (from 1961-01-01 until 1961-01-12)
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
contralto vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:59
34Bach: Matthäus-Passion, BWV 244, Pt. 1: No. 28, Rezitativ. "Und siehe, einer aus denen"
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
bass vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1961-01-01 until 1961-01-12)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVIII. Rezitativ (Evangelist, Jesus) "Und siehe, einer aus denen, die mit Jesu waren" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:46
35Bach: Matthäus-Passion, BWV 244, Pt. 1: No. 29, Choral. "O Mensch, bewein' dein' Sünde groß"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
soprano vocals [Soprano in ripieno]:
Hampstead Parish Church Choir (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIX. Choral "O Mensch, bewein dein Sünde groß" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach11:12
36Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 30, Aria mit Chor. "Ach, nun ist mein Jesus hin!"
alto vocals:
Christa Ludwig (mezzo-soprano) (from 1961-01-01 until 1961-01-12)
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
contralto vocals:
Christa Ludwig (mezzo-soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:27
37Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 31, Rezitativ. "Die aber Jesum gegriffen hatten"
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXI. Rezitativ (Evangelist) "Die aber Jesum gegriffen hatten" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:09
38Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 32, Choral. "Mir hat die Welt trüglich gericht"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXII. Choral "Mir hat die Welt trüglich gericht'" (from 1961-01-01 until 1961-01-12)
lyricist:
Adam Reusner
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 213)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:29
39Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 33, Recitativ. "Und wiewohl viel falsche"
contralto vocals:
Christa Ludwig (mezzo-soprano)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:26
40Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 34, Rezitativ. "Mein Jesus schweigt zu falschen Lügen stille"
tenor vocals:
Nicolai Gedda (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIV. Accompagnato-Rezitativ (Tenor) "Mein Jesus schweigt zu falschen Lügen stille" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:01
41Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 35, Aria. "Geduld, Geduld!"
tenor vocals:
Nicolai Gedda (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach4:54
42Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 36a, Rezitativ und Chor. "Und der Hohepriester antworte" - No. 36b, Chor. "Er ist des Todes schuldig!"
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
bass vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1961-01-01 until 1961-01-12)
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach2:02
43Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 36c, Rezitativ und Chor. "Da speieten sie aus" - No. 36d, Chor. "Weissage uns, Christe"
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIc. "Da speieten sie aus" (Evangelista) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach0:48
44Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 37, Choral. "Wer hat dich so geschlagen"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVII. Choral "Wer hat dich so geschlagen" (from 1961-01-01 until 1961-01-12)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 292)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:36
45Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 38a, Rezitativ und Chor. "Petrus aber saß draußen im Palast" - No. 38b, Chor. "Wahrlich, du bist auch einer von denen"
bass vocals:
Walter Berry (bass‐baritone)
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
contralto vocals:
Christa Ludwig (mezzo-soprano)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draußen im Palast" (Evangelista, Ancilla I & II, Petrus) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIb. "Wahrlich, du bist auch einer von denen" (Chorus) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
Johann Sebastian Bach1:24
46Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 38c, Rezitativ. "Da hub er an, sich zu verfluchen"
bass vocals:
Walter Berry (bass‐baritone)
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
Johann Sebastian Bach1:32
47Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 39, Aria. "Erbarme dich"
alto vocals:
Christa Ludwig (mezzo-soprano) (from 1961-01-01 until 1961-01-12)
contralto vocals:
Christa Ludwig (mezzo-soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (from 1961-01-01 until 1961-01-12)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:22
48Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 40, Choral. "Bin ich gleich von dir gewichen"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XL. Choral "Bin ich gleich von dir gewichen" (from 1961-01-01 until 1961-01-12)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 361)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:38
49Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 41a, Rezitativ. "Des Morgens aber hielten alle Hohepriester" - No. 41b, Chor. "Was gehet uns das an?"
baritone vocals:
John Carol Case (English baritone)
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIb. "Was gehet uns das an" (Chori) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
Johann Sebastian Bach1:18
50Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 41c, Rezitativ. "Und er warf die Silberlinge in den Tempel"
baritone vocals:
John Carol Case (English baritone)
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I & II) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
Johann Sebastian Bach0:54
51Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 42, Aria. "Gebt mir meinen Jesum wieder"
bass vocals:
Walter Berry (bass‐baritone) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach4:11
52Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 43, Rezitativ. "Sie hielten aber einen Rat"
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
bass vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1961-01-01 until 1961-01-12)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:35
53Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 44, Choral. "Befiehl du deine Wege"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIV. Choral "Befiehl du deine Wege" (from 1961-01-01 until 1961-01-12)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 159)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:58
54Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 45, Rezitativ mit Chor. "Auf das Fest aber hatte der Landpfleger"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:50
55Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 46, Choral. "Wie wunderbarlich ist doch diese Strafe"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVI. Choral "Wie wunderbarlich ist doch diese Strafe" (from 1961-01-01 until 1961-01-12)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 167)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:24
56Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 47, Rezitativ. "Der Landpfleger sagte"
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:14
57Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 48, Rezitativ. "Er hat uns allen wohlgetan"
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:20
58Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 49, Aria. "Aus Liebe will mein Heiland sterben"
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach4:47
59Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 50, Rezitative und Chöre. "Sie schrieen aber noch mehr" - No. 50b, Chor. "Lass ihn kreuzigen"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:40
60Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 51, Rezitativ. "Erbarm' es Gott"
alto vocals:
Christa Ludwig (mezzo-soprano) (from 1961-01-01 until 1961-01-12)
contralto vocals:
Christa Ludwig (mezzo-soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:26
61Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 52, Aria. "Können Tränen meinen Wangen"
alto vocals:
Christa Ludwig (mezzo-soprano) (from 1961-01-01 until 1961-01-12)
contralto vocals:
Christa Ludwig (mezzo-soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach9:40
62Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 53, Rezitative und Chor. "Da nahmen die Kriegsknechte" - No. 53b, Chor und Rezitativ. "Gegrüßet seist du, Jüdenkönig"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:14
63Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 54, Choral. "O Haupt voll Blut und wunden"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (from 1961-01-01 until 1961-01-12)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:16
64Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 55, Rezitativ. "Und da sie ihn verspottet hatten"
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:09
65Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 56, Rezitativ. "Ja freilich will in uns das Fleisch und Blut"
bass vocals:
Walter Berry (bass‐baritone) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:44
66Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 57, Aria. "Komm, süsses Kreuz, so will ich sagen"
bass vocals:
Walter Berry (bass‐baritone) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süßes Kreuz, so will ich sagen" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:39
67Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 58a, Rezitativ und Chor. "Und da sie an die Stätte kamen" - No. 58b, Chor. "Der du den Tempel Gottes zerbrichst"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach4:24
68Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 58c, Rezitative und Chor. "Desgleichen auch die Hohenpriester" - No. 58d, Chor. "Andern hat er geholfen"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIe. "Desgleichen schmäheten ihn auch die Mörder" (Evangelista) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
Johann Sebastian Bach0:18
69Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 59, Rezitativ. "Ach Golgotha"
alto vocals:
Christa Ludwig (mezzo-soprano) (from 1961-01-01 until 1961-01-12)
contralto vocals:
Christa Ludwig (mezzo-soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:36
70Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 60, Aria mit Chor. "Sehet, Jesus hat die Hand"
alto vocals:
Christa Ludwig (mezzo-soprano) (from 1961-01-01 until 1961-01-12)
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977)
contralto vocals:
Christa Ludwig (mezzo-soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach4:38
71Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 61a, Rezitativ. "Und von der sechsten Stunde an" - No. 61b, Chor. "Der rufet dem Elias!"
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
bass vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1961-01-01 until 1961-01-12)
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:53
72Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 62, Choral. "Wenn ich einmal soll scheiden"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXII. Choral "Wenn ich einmal soll scheiden" (from 1961-01-01 until 1961-01-12)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 164)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:20
73Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 63a, Rezitativ. "Und siehe da, der Vorhang im Tempel zerriss" - No. 63b, Chor. "Wahrlich, dieser ist Gottes Sohn gewesen"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelista) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)
Johann Sebastian Bach3:05
74Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 64, Rezitativ. "Am Abend, da es kühle war"
bass vocals:
Walter Berry (bass‐baritone) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:36
75Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 65, Aria. "Mache dich, mein Herze, rein"
bass vocals:
Walter Berry (bass‐baritone) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach10:20
76Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 66a, Rezitativ. "Und Joseph nahm den Leib" - No. 66b, Chor. "Herr, wir haben gedacht"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:23
77Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 67, Rezitativ mit Chor. "Nun ist der Herr zur Ruh gebracht"
alto vocals:
Christa Ludwig (mezzo-soprano) (from 1961-01-01 until 1961-01-12)
bass vocals:
Walter Berry (bass‐baritone) (from 1961-01-01 until 1961-01-12)
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
contralto vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1961-01-01 until 1961-01-12)
tenor vocals:
Nicolai Gedda (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:21
78Bach: Matthäus-Passion, BWV 244, Pt. 2: No. 68, Chor. "Wir setzen uns mit Tränen nieder"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach8:07