Cantatas, BWV 169 & 82

~ Release by Bach; Le Banquet Céleste, Damien Guillon, Maude Gratton (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Cantata “Ich habe genug”, BWV 82: I. Aria “Ich habe genug”
producer and editor:
Aline Blondiau (engineer / producer)
instruments:
Le Banquet Céleste (in 2018-11)
organ:
Maude Gratton (Organist and Harpsichordist) (in 2018-11)
countertenor vocals:
Damien Guillon (countertenor) (in 2018-11)
recorded at:
Église réformée du Bouclier in Strasbourg, Bas-Rhin, Grand Est (Great East), France (in 2018-11)
recording of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland” (in 2018-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach7:01
2Cantata “Ich habe genug”, BWV 82: II. Recitative “Ich habe genug”
producer and editor:
Aline Blondiau (engineer / producer)
instruments:
Le Banquet Céleste (in 2018-11)
organ:
Maude Gratton (Organist and Harpsichordist) (in 2018-11)
countertenor vocals:
Damien Guillon (countertenor) (in 2018-11)
recorded at:
Église réformée du Bouclier in Strasbourg, Bas-Rhin, Grand Est (Great East), France (in 2018-11)
recording of:
Kantate, BWV 82 "Ich habe genung": II. Recitativo (Bass) "Ich habe genung! Mein Trost ist nur allein" (in 2018-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach1:11
3Cantata “Ich habe genug”, BWV 82: III. Aria “Schlummert ein, ihr matten Augen”
producer and editor:
Aline Blondiau (engineer / producer)
instruments:
Le Banquet Céleste (in 2018-11)
organ:
Maude Gratton (Organist and Harpsichordist) (in 2018-11)
countertenor vocals:
Damien Guillon (countertenor) (in 2018-11)
recorded at:
Église réformée du Bouclier in Strasbourg, Bas-Rhin, Grand Est (Great East), France (in 2018-11)
recording of:
Kantate, BWV 82 "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen" (in 2018-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach10:49
4Cantata “Ich habe genug”, BWV 82: IV. Recitative “Mein Gott! Wenn kömmt das schöne: Nun”
producer and editor:
Aline Blondiau (engineer / producer)
instruments:
Le Banquet Céleste (in 2018-11)
organ:
Maude Gratton (Organist and Harpsichordist) (in 2018-11)
countertenor vocals:
Damien Guillon (countertenor) (in 2018-11)
recorded at:
Église réformée du Bouclier in Strasbourg, Bas-Rhin, Grand Est (Great East), France (in 2018-11)
recording of:
Kantate, BWV 82 "Ich habe genung": IV. Recitativo (Bass) "Mein Gott! wenn kömmt das schöne: Nun!" (in 2018-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach0:46
5Cantata “Ich habe genug”, BWV 82: V. Aria “Ich freue mich auf meinen Tod”
producer and editor:
Aline Blondiau (engineer / producer)
instruments:
Le Banquet Céleste (in 2018-11)
organ:
Maude Gratton (Organist and Harpsichordist) (in 2018-11)
countertenor vocals:
Damien Guillon (countertenor) (in 2018-11)
recorded at:
Église réformée du Bouclier in Strasbourg, Bas-Rhin, Grand Est (Great East), France (in 2018-11)
recording of:
Kantate, BWV 82 "Ich habe genung": V. Aria (Bass) "Ich freue mich auf meinen Tod" (in 2018-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach3:30
6Chorale Prelude “Allein Gott in der Höh sei ehr”, BWV 662
producer and editor:
Aline Blondiau (engineer / producer)
organ:
Maude Gratton (Organist and Harpsichordist) (in 2018-11)
recorded at:
Église réformée du Bouclier in Strasbourg, Bas-Rhin, Grand Est (Great East), France (in 2018-11)
recording of:
Choralvorspiele für Orgel in A-Dur, BWV 662 "Allein Gott in der Höh' sei Ehr" (in 2018-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 12), Bach Compendium (number: BC K 85) and Bach-Werke-Verzeichnis (number: BWV 662)
is based on:
Allein Gott in der Höh sei Ehr (Choral)
Johann Sebastian Bach7:20
7Chorale Prelude “Allein Gott in der Höh sei ehr”, BWV 663
producer and editor:
Aline Blondiau (engineer / producer)
organ:
Maude Gratton (Organist and Harpsichordist) (in 2018-11)
recorded at:
Église réformée du Bouclier in Strasbourg, Bas-Rhin, Grand Est (Great East), France (in 2018-11)
recording of:
Choralvorspiele für Orgel in G-Dur, BWV 663 "Allein Gott in der Höh' sei Ehr" (in 2018-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 13), Bach Compendium (number: BC K 86) and Bach-Werke-Verzeichnis (number: BWV 663)
is based on:
Allein Gott in der Höh sei Ehr (Choral)
Johann Sebastian Bach5:44
8Chorale Prelude “Allein Gott in der Höh sei ehr”, BWV 664
producer and editor:
Aline Blondiau (engineer / producer)
organ:
Maude Gratton (Organist and Harpsichordist) (in 2018-11)
recorded at:
Église réformée du Bouclier in Strasbourg, Bas-Rhin, Grand Est (Great East), France (in 2018-11)
recording of:
Choralvorspiele für Orgel in A-Dur, BWV 664 "Trio super: Allein Gott in der Höh' sei Ehr" (in 2018-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 14), Bach Compendium (number: BC K 87) and Bach-Werke-Verzeichnis (number: BWV 664)
is based on:
Allein Gott in der Höh sei Ehr (Choral)
Johann Sebastian Bach4:51
9Cantata “Gott soll allein mein Herze haben”, BWV 169: I. Sinfonia
producer and editor:
Aline Blondiau (engineer / producer)
instruments:
Le Banquet Céleste (in 2018-11)
organ:
Maude Gratton (Organist and Harpsichordist) (in 2018-11)
recorded at:
Église réformée du Bouclier in Strasbourg, Bas-Rhin, Grand Est (Great East), France (in 2018-11)
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": I. Sinfonia (in 2018-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
Johann Sebastian Bach7:40
10Cantata “Gott soll allein mein Herze haben”, BWV 169: II. Arioso & Recitative “Gott soll allein mein Herze haben”
producer and editor:
Aline Blondiau (engineer / producer)
instruments:
Le Banquet Céleste (in 2018-11)
organ:
Maude Gratton (Organist and Harpsichordist) (in 2018-11)
countertenor vocals:
Damien Guillon (countertenor) (in 2018-11)
recorded at:
Église réformée du Bouclier in Strasbourg, Bas-Rhin, Grand Est (Great East), France (in 2018-11)
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": II. Arioso (Alt) "Gott soll allein mein Herze haben" (in 2018-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
Johann Sebastian Bach2:20
11Cantata “Gott soll allein mein Herze haben”, BWV 169: III. Aria “Gott soll allein mein Herze haben”
producer and editor:
Aline Blondiau (engineer / producer)
instruments:
Le Banquet Céleste (in 2018-11)
organ:
Maude Gratton (Organist and Harpsichordist) (in 2018-11)
countertenor vocals:
Damien Guillon (countertenor) (in 2018-11)
recorded at:
Église réformée du Bouclier in Strasbourg, Bas-Rhin, Grand Est (Great East), France (in 2018-11)
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": III. Aria (Alt) "Gott soll allein mein Herze haben" (in 2018-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
Johann Sebastian Bach6:33
12Cantata “Gott soll allein mein Herze haben”, BWV 169: IV. Recitative “Was ist die Liebe Gottes”
producer and editor:
Aline Blondiau (engineer / producer)
instruments:
Le Banquet Céleste (in 2018-11)
organ:
Maude Gratton (Organist and Harpsichordist) (in 2018-11)
countertenor vocals:
Damien Guillon (countertenor) (in 2018-11)
recorded at:
Église réformée du Bouclier in Strasbourg, Bas-Rhin, Grand Est (Great East), France (in 2018-11)
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": IV. Recitativo (Alt) "Was ist die Liebe Gottes?" (in 2018-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
Johann Sebastian Bach0:50
13Cantata “Gott soll allein mein Herze haben”, BWV 169: V. Aria “Stirb in mir, Welt, und alle deine Liebe”
producer and editor:
Aline Blondiau (engineer / producer)
instruments:
Le Banquet Céleste (in 2018-11)
organ:
Maude Gratton (Organist and Harpsichordist) (in 2018-11)
countertenor vocals:
Damien Guillon (countertenor) (in 2018-11)
recorded at:
Église réformée du Bouclier in Strasbourg, Bas-Rhin, Grand Est (Great East), France (in 2018-11)
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": V. Aria (Alt) "Stirb in mir, Welt" (in 2018-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
Johann Sebastian Bach4:50
14Cantata “Gott soll allein mein Herze haben”, BWV 169: VI. Recitative “Doch meint es auch dabei”
producer and editor:
Aline Blondiau (engineer / producer)
instruments:
Le Banquet Céleste (in 2018-11)
organ:
Maude Gratton (Organist and Harpsichordist) (in 2018-11)
countertenor vocals:
Damien Guillon (countertenor) (in 2018-11)
recorded at:
Église réformée du Bouclier in Strasbourg, Bas-Rhin, Grand Est (Great East), France (in 2018-11)
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": VI. Recitativo (Alt) "Doch meint es auch dabei" (in 2018-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
Johann Sebastian Bach0:32
15Cantata “Gott soll allein mein Herze haben”, BWV 169: VII. Chorale “Du süsse Liebe, schenk uns deine Gunst”
producer and editor:
Aline Blondiau (engineer / producer)
instruments:
Le Banquet Céleste (in 2018-11)
organ:
Maude Gratton (Organist and Harpsichordist) (in 2018-11)
bass vocals:
Benoît Arnould (French baritone) (in 2018-11)
countertenor vocals:
Damien Guillon (countertenor) (in 2018-11)
soprano vocals:
Céline Scheen (Belgian soprano vocalist) (in 2018-11)
tenor vocals:
Nicholas Scott (tenor) (in 2018-11)
recorded at:
Église réformée du Bouclier in Strasbourg, Bas-Rhin, Grand Est (Great East), France (in 2018-11)
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": VII. Choral "Du süße Liebe, schenk uns deine Gunst" (in 2018-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 256)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
Johann Sebastian Bach1:06
16Prelude & Fugue in A minor, BWV 543: Prelude
producer and editor:
Aline Blondiau (engineer / producer)
organ:
Maude Gratton (Organist and Harpsichordist) (in 2018-11)
recorded at:
Église réformée du Bouclier in Strasbourg, Bas-Rhin, Grand Est (Great East), France (in 2018-11)
recording of:
Präludium und Fuge a-Moll, BWV 543.2: I. Präludium (former BWV 543) (in 2018-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Präludium und Fuge a-Moll, BWV 543.2 (Prelude and Fugue in A minor, BWV 543.2, revised version, former BWV 543)
Johann Sebastian Bach3:04
17Prelude & Fugue in A minor, BWV 543: Fugue
producer and editor:
Aline Blondiau (engineer / producer)
organ:
Maude Gratton (Organist and Harpsichordist) (in 2018-11)
recorded at:
Église réformée du Bouclier in Strasbourg, Bas-Rhin, Grand Est (Great East), France (in 2018-11)
recording of:
Präludium und Fuge a-Moll, BWV 543.2: II. Fuge (former BWV 543) (in 2018-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Fantasie und Fuge a-Moll, BWV 944: II. Fuga
part of:
Präludium und Fuge a-Moll, BWV 543.2 (Prelude and Fugue in A minor, BWV 543.2, revised version, former BWV 543)
Johann Sebastian Bach5:56

Credits

Release

photography:Victor Toussaint (photographer)
liner notes:Peter Wollny
liner notes translator:Laurent Cantagrel
Charles Johnston (liner notes author or English translator)
mastering:Aline Blondiau (engineer / producer)
bassoon:Julien Debordes (bassoonist)
cello:Ageet Zweistra
double bass:Thomas de Pierrefeu
harpsichord:Kevin Manent Navratil (harpsichordist)
oboe:Patrick Beaugiraud
oboe [taille de hautbois]:Guillaume Cuiller (oboist)
oboe d'amore:Patrick Beaugiraud
Jean-Marc Philippe (oboist)
viola:Deirdre Dowling
violin:Simon Pierre (French classical violinist)
Marie Rouquié
design:Valérie Lagarde (designer)
Aline Lugand
Discogs:https://www.discogs.com/release/13425101 [info]
ASIN:FR: B07MWQ9CGS [info]