The Best of Brian McKnight

~ Veröffentlichung von Brian McKnight (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
Nr.TitelBewertungLänge
1Anytime
recording of:
Anytime
Texter:
Brian McKnight
Komponist(in):
Brandon Barnes (songwriter, formerly of Byrne & Barnes)
publisher:
Brandon Barnes Music, Cancelled Lunch Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Songs of PolyGram International, Inc., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und Universal–Songs of PolyGram International, Inc.
4:09
2Back at One
recording engineer:
Tommy Vicari (andere Instrumente [orchestra])
Schlagzeug [drum]-Programmierung:
Brian McKnight
assistierende(r) leitende(r) Produzent(in):
Damien Smith
leitende(r) Produzent(in):
Bruce Carbone, Kedar Massenburg und Herb Trawick
Produzent(in):
Brian McKnight
assistierende(r) Mix:
Tom Bender (engineer)
Mix:
Mick Guzauski
Bass, Keyboard, Hintergrundgesang und Hintergrundgesang und Sologesang:
Brian McKnight
arranger:
Brian McKnight
Orchestrator(in):
Bill K. Meyers (pianist, composer, producer, arranger, and conductor)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (andere Instrumente [orchestra])
mixed at:
Barking Doctor Recording in Mount Kisco, New York, Vereinigte Staaten
recording of:
Back at One
Texter, Verfasser(in) und Komponist(in):
Brian McKnight
publisher:
Cancelled Lunch Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
34:23
3Hold Me
recording of:
Hold Me
Verfasser(in):
Mary J. Blige, Gregory Edward Jacobs, Shirley Murdock, Poke (hip hop producer Jean Olivier, of Poke and Tone), Ronald R. Brooks (Money B, of Digital Underground), Cory Rooney, Samuel J. “Tone” Barnes (hip-hop producer Samuel Barnes (Poke & Tone/Trackmasters)), Tupac Shakur (2Pac’s personal identity) und Larry Troutman
publisher:
12 & Under Music, BMG Platinum Songs US, Cancelled Lunch Music, Joshua’s Dream, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Pubhowyalike Publishing, R2M Music (BMI), Round Hill Compositions, Slamuwell Productions, Songs of Lastrada (BMI-affiliated), Sony/ATV Songs LLC, Tricky Track Music Inc., Twelve and Under Music und Universal Music–Z Songs
33:50
4Crazy Love
cover recording of:
Crazy Love
Texter und Komponist(in):
Van Morrison
publisher:
Caledonia Soul Music (, in 1970), Van-Jan Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America und WB Music Corp. (1929–2019) (in 1970)
4:03
5I'll Take Her
recording of:
I'll Take Her
Verfasser(in):
Big Ill und Al Skratch
4:24
6Love of My Life
leitende(r) Partner-Produzent(in):
Damien Smith
leitende(r) Produzent(in):
Bruce Carbone, Kedar Massenburg und Herb Trawick
Mix:
Dave Pensado (mixer)
arranger:
Bill Meyers (pianist, composer, producer, arranger, and conductor)
phonographisches Urheberrecht (℗) von:
Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 2001)
recording of:
Love of My Life
Texter und Komponist(in):
Brian McKnight
recording of:
The Rest of My Life
Texter und Komponist(in):
Brian McKnight
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
44:45
7On the Down Low
recording of:
On the Down Low
Verfasser(in):
Brian McKnight
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Cancelled Lunch Music (in 1995) und PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (in 1995)
3:26
8Still in Love
recording engineer:
Chris Wood (recording engineer)
Sound-Engineering:
Al Schmitt (Saiteninstrumente)
assistierende(r) Techniker(in):
Brian Young (engineer)
leitende(r) Produzent(in):
Brian McKnight und Herb Trawick
Produzent(in):
Brian McKnight
assistierende(r) Mix:
Michael Nally (engineer (mix))
Mix:
Craig Burbidge (American recording engineer)
Instrumente und vocals:
Brian McKnight
Hintergrundgesang:
Brian McKnight
arranger:
Claire Fischer
aufgenommen bei:
Backroom Studios in Glendale, California (Kalifornien), Vereinigte Staaten und Capitol in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (Saiteninstrumente)
mixed at:
Aire L.A. Studios in Glendale, California (Kalifornien), Vereinigte Staaten
recording of:
Still in Love
Verfasser(in):
Brandon Barnes (songwriter, formerly of Byrne & Barnes) und Brian McKnight
publisher:
Universal–Songs of PolyGram International, Inc., Brandon Barnes Music (in 1995), Cancelled Lunch Music (in 1995), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (in 1995) und Songs of PolyGram International, Inc. (in 1995)
43:58
9Only One for Me
recording of:
The Only One for Me
Verfasser(in):
Brian McKnight
publisher:
Cancelled Lunch Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
3:32
10Way Love Goes
recording of:
The Way Love Goes
Verfasser(in):
Brandon Barnes (songwriter, formerly of Byrne & Barnes) und Brian McKnight
publisher:
Rejoyce Music
4:38
11One Last Cry
A&R-Management:
Samuel J. Sapp
leitende(r) Produzent(in):
Ed Eckstine
Produzent(in):
Brandon Barnes (songwriter, formerly of Byrne & Barnes) und Brian McKnight
Mix:
Gerry “The Gov” Brown (engineer & producer)
vocals:
Brian McKnight
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1992)
recording of:
One Last Cry
Verfasser(in):
Brandon Barnes (songwriter, formerly of Byrne & Barnes), Melanie Barnes (songwriter) und Brian McKnight
publisher:
Let's Have Lunch Music, Rejoyce Music, Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und Universal–Songs of PolyGram International, Inc.
54:55

Nennungen

Veröffentlichung

ASIN:US: B000HD145A [Info]

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/1653179 [Info]