Deluxe

~ Veröffentlichung von Nina Simone (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: Her Unforgettable Classics
2▼CD: She’s Got the Whole World in Her Hands
Nr.TitelBewertungLänge
1He Needs Me
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
cover recording of:
He Needs Me (in 1957-12)
Texter und Komponist(in):
Arthur Hamilton
publisher:
Warner Chappell North America
3.52:30
2Tomorrow (We Will Meet Once More)
recording engineer:
Rudy van Gelder (in 1959-04)
Produzent(in):
Hecky Krasnow
Klavier:
Nina Simone (in 1959-04)
vocals:
Nina Simone (in 1959-04)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (in 1959-04)
recording of:
Tomorrow (We Will Meet Once More) (in 1959-04)
Verfasser(in):
Stephen Gale und Jerry Silverman
43:02
3It Might as Well Be Spring
recording engineer:
Rudy van Gelder (in 1959-04)
Produzent(in):
Hecky Krasnow
Klavier und Sologesang:
Nina Simone (in 1959-04)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (in 1959-04)
cover recording of:
It Might as Well Be Spring (State Fair) (in 1959-04)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
Komponist(in):
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1945 winner)
Teil von:
State Fair (1945 film soundtrack)
Teil von:
State Fair (1962 film soundtrack)
Teil von:
State Fair
3.753:56
4Blue Prelude
recording engineer:
Rudy van Gelder (in 1959-04)
Produzent(in):
Hecky Krasnow
Klavier:
Nina Simone (in 1959-04)
vocals:
Nina Simone (in 1959-04)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (in 1959-04)
cover recording of:
Blue Prelude (in 1959-04)
Texter:
Gordon Jenkins
Komponist(in):
Joe Bishop
43:21
5Little Girl Blue
Bass:
Jimmy Bond (in 1957-12)
Klavier und Sologesang:
Nina Simone (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
cover recording of:
Little Girl Blue (in 1957-12)
Texter:
Lorenz Hart (in 1935)
Komponist(in):
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jumbo
44:18
6Good Bait
Bass:
Jimmy Bond (in 1957-12)
Klavier:
Nina Simone (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
instrumental cover recording of:
Good Bait (in 1957-12)
Texter:
Tadd Dameron
Komponist(in):
Count Basie (pianist) und Tadd Dameron
publisher:
Redwood Music Ltd. (Carlin) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
35:28
7He’s Got the Whole World in His Hands
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Bass:
Jimmy Bond (in 1957-12)
Klavier:
Nina Simone (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
vocals:
Nina Simone (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1959)
cover recording of:
He’s Got the Whole World in His Hands (in 1957-12)
Texter und Komponist(in):
[traditional] (special purpose artist)
publisher:
Thandewye Music (publisher; do NOT use as release label)
13:10
8Theme (From the Middle of the Night)
recording engineer:
Rudy van Gelder (in 1959)
Produzent(in):
Hecky Krasnow
Klavier:
Nina Simone (in 1959)
vocals:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (in 1959)
recording of:
Theme from “Middle of the Night” (in 1959)
Verfasser(in):
George Bassman und Paddy Chayefsky
32:30
9Willow Weep for Me
recording engineer:
Rudy van Gelder (in 1959)
Produzent(in):
Hecky Krasnow
Klavier und Sologesang:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (in 1959)
cover recording of:
Willow Weep for Me (in 1959)
Texter und Komponist(in):
Ann Ronell (in 1932)
publisher:
Ann Ronell Music und Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
3.253:13
10That’s Him Over There
recording engineer:
Rudy van Gelder (in 1959)
Produzent(in):
Hecky Krasnow
Klavier:
Nina Simone (in 1959)
vocals:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (in 1959)
cover recording of:
That’s Him Over There (in 1959)
Texter:
Marilyn Bergman
Komponist(in):
Lew Spence
4.252:32
11Nobody Knows You When You’re Down and Out
Produzent(in):
Hal Mooney
arranger:
Stu Phillips (US TV/film composer, conductor & producer)
cover recording of:
Nobody Knows You When You’re Down and Out (von 1965-05-19 bis 1965-05-20)
Texter und Komponist(in):
Jimmy Cox
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Help, I’m a Publisher und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Teil von:
The Real Book (compilation of jazz standards, volume I)
3.652:40
12Can’t Get Out of This Mood
recording engineer:
Rudy van Gelder (in 1959)
Produzent(in):
Hecky Krasnow
Klavier:
Nina Simone (in 1959)
vocals:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (in 1959)
cover recording of:
Can’t Get Out of This Mood (in 1959)
Texter:
Frank Loesser
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Peermusic Ltd (UK) und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
sub-publisher:
SEMI Société (SEMI Société)
42:33
13African Mailman
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Klavier:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1959)
recording of:
African Mailman (in 1957-12)
Komponist(in):
Nina Simone
publisher:
Sam Fox Publishing Co. Ltd.
13:10
14Plain Gold Ring
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Bass:
Jimmy Bond (in 1957-12)
Klavier und Sologesang:
Nina Simone (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
PolyGram Records Inch (not for release label use! US division of PolyGram) (in 1964)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
cover recording of:
Plain Gold Ring (in 1957-12)
Texter:
George Stone (composer)
Komponist(in):
Blue Sky Black Death (US hip hop production duo), Earl Burroughs und George Stone (composer)
publisher:
Thandewye Music (publisher; do NOT use as release label) und Hank Snow Music (am 1959-09-21)
2.653:57
3▶CD: The Other Woman